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New Selected Poems 1988-2013
by Seamus HeaneyNew Selected Poems 1988-2013 provides an unrivalled account of a period of work that was crowned by the Nobel Prize for Literature in 1995. Together with its earlier, sibling volume, it completes the arc of a remarkable career.Shortly before his death in 2013, Seamus Heaney discussed with his publisher the prospect of a companion volume to his landmark New Selected Poems 1966-1987 aimed at presenting the second half of his career, 'from Seeing Things onwards', as he foresaw it. Although he was unable to complete a edition/selection, he left behind selections that have been followed here. New Selected Poems 1988-2013 reprints the author's chosen poems from his later years, beginning with his ground-breaking volume Seeing Things (1991), his two Whitbread Books of the Year, The Spirit Level (1996) and Beowulf (1999), and his multi-nominated, prize-winning volumes, Electric Light (2001), District and Circle (2006) and Human Chain (2010). The edition concludes with two posthumously published works.
North: Poems (Faber Library #Vol. 11)
by Seamus HeaneyIn North Seamus Heaney found a myth which allowed him to articulate a vision of Ireland - its people, history and landscape. Here the Irish experience is refracted through images drawn from different parts of the Northern European experience, and the idea of the north allows the poet to contemplate the violence on his home ground in relation to memories of the Scandinavian and English invasions which have marked Irish history so indelibly.
Opened Ground: Poems, 1966-1996 (York Notes Ser.)
by Seamus HeaneyThis volume is a much-needed new selection of Seamus Heaney's work, taking account of recent volumes and of the author's work as a translator, and offering a more generous choice from previous volumes. Opened Ground: Poems 1966-1996 comes as close to being a 'Collected Poems' as its author cares to make it. It replaces his New Selected Poems 1966-1987, giving a fuller selection from each of the volumes represented there and adding large parts of those that have appeared since, together with examples of his work as a translator from the Greek, Latin, Italian and other languages. The book concludes with 'Crediting Poetry', the speech with which Seamus Heaney accepted the 1995 Nobel Prize in Literature, awarded to him, in the words of the Swedish Academy of Letters, for his 'works of lyrical beauty and ethical depth'.
The Redress of Poetry (Inaugural Lectures)
by Seamus HeaneyThese lectures were delivered by Seamus Heaney while he was Professor of Poetry at Oxford University. In the first of them, Heaney discusses and celebrates poetry's special ability to redress spiritual balance and to function as a counterweight to hostile and oppressive forces in the world. He proceeds to explore how this 'redress' manifests itself in a diverse range of poems and poets, including Christopher Marlowe's 'Hero and Leander', 'The Midnight Court' by the eighteenth-century Irish poet Brian Merriman, John Clare's vernacular writing and Oscar Wilde's 'The Ballad of Reading Gaol'. Several twentieth-century poets are also discussed - W. B. Yeats, Dylan Thomas, Elizabeth Bishop and others - and the whole book constitutes a vivid proof of the claim that 'poetry is strong enough to help'.
Seeing Things: Poems
by Seamus HeaneyThis collection of Seamus Heaney's work, especially in the vivid and surprising twelve-line poems entitled "Squarings", shows he is ready to re-imagine experience and "to credit marvels". The title poem, "Seeing Things", is typical of the whole book. It begins with memories of an actual event, then moves towards the visionary while never relinquishing its feel for the textures and sensations of the world. Translations of Virgil and Homer provide a prelude and a coda where motifs implicit in the earlier lyrics are given direct expression in extended narratives. Journeys to underworlds and otherworlds correspond to the journeys made by poetic language itself. From the author of "The Haw Lantern", "Wintering Out", "Station Island" and "North".
The Spirit Level: Poems
by Seamus Heaney'An irresistibly coherent book which celebrates the rising and the raising of the human spirit.' Michael Hofmann, The Times'If any poetry written today can have this 'redemptive effect' - as Heaney in his critical writing has begun to claim it can - then this is it.' Mick Imlah, Independent on Sunday
Station Island
by Seamus HeaneyThe title poem from this collection is set on an island that has been a site of pilgrimage in Ireland for over a thousand years. A narrative sequence, it is an autobiographical quest concerned with 'the growth of a poet's mind'. The long poem is preceded by a section of shorter lyrics and leads into a third group of poems in which the poet's voice is at one with the voice of the legendary mad King Sweeney.'Surpasses even what one might reasonably expect from this magnificently gifted poet.' John Carey, Sunday Times
Sweeney Astray: A Version From The Irish (Faber Poetry Ser.)
by Seamus HeaneySweeney Astray is Seamus Heaney's version of the medieval Irish work Buile Suibhne - the first complete translation since 1913. Its hero, Mad Sweeney, undergoes a series of purgatorial adventures after he is cursed by a saint and turned into a bird at the Battle of Moira. The poetry spoken by the mad king, exiled to the trees and the slopes, is among the richest and most immediately appealing in the whole canon of Gaelic literature.Sweeney Astray not only restores to us a work of historical and literary importance but offers the genius of one of our greatest living poets to reinforce its claims on the reader of contemporary literature.
The Testament of Cresseid & Seven Fables: Translated by Seamus Heaney
by Seamus HeaneyThe greatest of the late medieval Scottish makars, Robert Henryson wrote in Lowland Scots, a distinctive northern version of English. He was profoundly influenced by Chaucer's vision of the frailty and pathos of human life. His greatest poem, and one of the rhetorical masterpieces of the literature of these islands, is the narrative Testament of Cresseid, set in the aftermath of the Trojan War, which completes the story of Chaucer's Troilus and Criseyde, offering a grim and tragic account of its faithless heroine's rejection by her lover Diomede, and her decline into prostitution and leprosy. A work of unreconciled Shakespearean intensity, the Testament has been translated by Seamus Heaney into a confident and yet faithful modern English idiom which honours the poem's unique blend of detachment and compassion.A master of narrative, Henryson was also a comic master of the verse fable; his burlesques of human weakness in the guise of animal wisdom are traced with delicate comedy and irony. Seven of the Fables are here sparklingly translated; their burlesque freshness rendered to the last claw and feather. Seven Fables and The Testament of Cresseid is an extraordinarily rich and wide-ranging encounter between two poets across six centuries.
The Translations of Seamus Heaney
by Seamus HeaneyThis is the first ever collected volume of Seamus Heaney's translations from languages including Old and Middle Irish and English, Medieval Italian, Classical Greek and Latin and Modern Italian, Spanish, French, Romanian, German and Greek.
Wintering Out
by Seamus Heaney'Seamus Heaney has gone beyond the themes of his earlier poetry and has made the giant step towards the most ambitious, most intractable themes of maturity. The power of this book comes from a sense that he is reaching out towards a type of desolation and of isolation without which no imagination can be seen to have grown up.' Eavan Boland, Irish Times'Keyed and pitched unlike any other significant poet at work in the language anywhere.' Harold Bloom, Times Literary Supplement
The Rattle Bag: An Anthology Of Poetry
by Seamus Heaney Ted HughesEdited by Seamus Heaney and Ted Hughes, and conceived of as a collection of their own favourite poems, The Rattle Bag has established itself as the classic anthology of our time. Heaney and Hughes have brought together an inspired and diverse selection, ranging from undisputed masterpieces to rare discoveries, as well as drawing upon works in translation and traditional poems from oral cultures. In effect, this anthology has transformed the way we define and appreciate poetry, and it will continue to do so for years to come. Including writers from Shakespeare and Blake to Sylvia Plath and T. S. Eliot, The Rattle Bag is eclectic, instructive and inspiring at the same time.
Tricks of the Light: New and Selected Poems
by Vicki HearneFrom The Horse That, Trotting The horse that, trotting with open heart Against the wind, achieves bend and flow Will live forever. So far, so good, But they never do, until too late, Bend properly and time spreads from The momentary hesitations Of their spines, circles their tossing necks, Falls from their teeth like rejected oats, Litters the ground like penitence. This is where we come in, where the drop Of time congeals the air and someone Speaks to the discouraged grass . . . Tricks of the Light explores the often fraught relationships between domestic animals and humans through mythological figurations, vibrant thought, and late-modern lyrics that seem to test their own boundaries. Vicki Hearne (1946–2001), best known and celebrated today as a writer of strikingly original poetry and prose, was a capable dog and horse trainer, and sometimes controversial animal advocate. This definitive collection of Hearne’s poetry spans the entirety of her illustrious career, from her first book, Nervous Horses (1980), to never-before-published poems composed on her deathbed. But no matter the source, each of her meditative, metaphysical lyrics possesses that rare combination of philosophical speculation, practical knowledge of animals, and an unusually elegant style unlike that of any other poet writing today. Before her untimely death, Hearne entrusted the manuscript to distinguished poet, scholar, and long-time friend John Hollander, whose introduction provides both critical and personal insight into the poet’s magnum opus. Tricks of the Light—acute, vibrant, and deeply informed—is a sensuous reckoning of the connection between humans and the natural world. Praise for The Parts of Light “Hearne . . . strives to capture exactly what she knows she can't—the intense immediacy of animal consciousness, a consciousness free of the moral vagaries and intellectual preoccupations that pockmark human experience. Her style, smooth in some places, choppy in others, reflects both the wholeness of animal presence and the jarring, fragmentary nature of human reason and reflection. Hearne's poems demand participation, refuse passive enjoyment; she dares the reader to stay in the saddle.”—Publishers Weekly
Tricks of the Light: New and Selected Poems
by Vicki HearneFrom The Horse That, Trotting The horse that, trotting with open heart Against the wind, achieves bend and flow Will live forever. So far, so good, But they never do, until too late, Bend properly and time spreads from The momentary hesitations Of their spines, circles their tossing necks, Falls from their teeth like rejected oats, Litters the ground like penitence. This is where we come in, where the drop Of time congeals the air and someone Speaks to the discouraged grass . . . Tricks of the Light explores the often fraught relationships between domestic animals and humans through mythological figurations, vibrant thought, and late-modern lyrics that seem to test their own boundaries. Vicki Hearne (1946–2001), best known and celebrated today as a writer of strikingly original poetry and prose, was a capable dog and horse trainer, and sometimes controversial animal advocate. This definitive collection of Hearne’s poetry spans the entirety of her illustrious career, from her first book, Nervous Horses (1980), to never-before-published poems composed on her deathbed. But no matter the source, each of her meditative, metaphysical lyrics possesses that rare combination of philosophical speculation, practical knowledge of animals, and an unusually elegant style unlike that of any other poet writing today. Before her untimely death, Hearne entrusted the manuscript to distinguished poet, scholar, and long-time friend John Hollander, whose introduction provides both critical and personal insight into the poet’s magnum opus. Tricks of the Light—acute, vibrant, and deeply informed—is a sensuous reckoning of the connection between humans and the natural world. Praise for The Parts of Light “Hearne . . . strives to capture exactly what she knows she can't—the intense immediacy of animal consciousness, a consciousness free of the moral vagaries and intellectual preoccupations that pockmark human experience. Her style, smooth in some places, choppy in others, reflects both the wholeness of animal presence and the jarring, fragmentary nature of human reason and reflection. Hearne's poems demand participation, refuse passive enjoyment; she dares the reader to stay in the saddle.”—Publishers Weekly
The Early Modern Medea: Medea in English Literature, 1558–1688 (Early Modern Literature in History)
by K. HeaveyThis is the first book-length study of early modern English approaches to Medea, the classical witch and infanticide who exercised a powerful sway over literary and cultural imagination in the period 1558-1688. It encompasses poetry, prose and drama, and translation, tragedy, comedy and political writing.
On the Laws of the Poetic Art (The A. W. Mellon Lectures in the Fine Arts #41)
by Anthony HechtA magisterial exploration of poetry’s place in the fine arts by one of the twentieth century's leading poetsIn this book, eminent poet Anthony Hecht explores the art of poetry and its relationship to the other fine arts. While the problems he treats entail both philosophic and theoretical discussion, he never allows abstract speculation to overshadow his delight in the written texts that he introduces, or in the specific examples of painting and music to which he refers. After discussing literature’s links with painting and music, Hecht investigates the theme of paradise and wilderness, especially in Shakespeare’s The Tempest. He then turns to the question of public and private art, exploring the ways in which all the arts participate in balances between private and public modes of discourse, and between an exclusive or elitist role and the openly political. Beginning with a discussion of architecture as an illustration of a more general theme of discord and balance, the penultimate lecture probes the inner contradictions of works of art and our reactions to them, while the final piece concerns art and morality.
The Selected Letters of Anthony Hecht
by Anthony HechtPulitzer Prize-winning poet Anthony Hecht (1923–2004) was known not only for his masterful control of form and language but also for his wit and humor. With the help of Helen Hecht, the poet’s widow, Jonathan F. S. Post combed through more than 4,000 letters to produce an intimate look into the poet’s mind and art across a lifetime. The letters range from Hecht’s early days at summer camp to college at Bard, to the front lines of World War II, to travels abroad in France and Italy, to marriage, and to fame as a poet and critic. Along the way, Hecht corresponded with well-known poets such as John Hollander, James Merrill, Anne Sexton, and Richard Wilbur. Those interested in the lives of contemporary poets will read these highly personal letters with delight and surprise.
The Selected Letters of Anthony Hecht
by Anthony HechtPulitzer Prize-winning poet Anthony Hecht (1923–2004) was known not only for his masterful control of form and language but also for his wit and humor. With the help of Helen Hecht, the poet’s widow, Jonathan F. S. Post combed through more than 4,000 letters to produce an intimate look into the poet’s mind and art across a lifetime. The letters range from Hecht’s early days at summer camp to college at Bard, to the front lines of World War II, to travels abroad in France and Italy, to marriage, and to fame as a poet and critic. Along the way, Hecht corresponded with well-known poets such as John Hollander, James Merrill, Anne Sexton, and Richard Wilbur. Those interested in the lives of contemporary poets will read these highly personal letters with delight and surprise.
Slam Poetry: Deutsch–US-amerikanische Studie zu den Ansichten und Handlungsweisen der Akteure
by Minu Hedayati-AliabadiMinu Hedayati-Aliabadi zeigt anhand ihrer deutsch–US-amerikanischen Studie, dass der Begriff Slam Poetry in erster Linie als Bedeutungsträger für performative, zeitgenössische und interaktive Literatur verwendet wird, während die reale Ausprägung bei Veranstaltungen weniger interaktiv ist. Sie setzt sich in Ihrer Arbeit mit den Ansichten und Handlungsweisen der beteiligten Akteure auseinander und untersucht das in 1986 in Chicago entstandene Veranstaltungsformat Poetry Slam. 1989 wurde dieses durch die Slam-Szene in New York City international bekannt und kann aufgrund der Ergebnisse der Studie in Deutschland heute als wenig elitäres, nicht kommerzielles, geplantes und kulturelles Event klassifiziert werden, das hauptsächlich von jungen Erwachsenen aus dem Bildungsbürgertum besucht wird.
Modern Marriage and the Lyric Sequence
by Jane HedleyModern Marriage and the Lyric Sequence investigates the ways in which some of our best poets writing in English have used poetic sequences to capture the lived experience of marriage. Beginning in 1862 with George Meredith’s Modern Love, Jane Hedley’s study utilizes the rubrics of temporality, dialogue, and triangulation to bring a deeply rooted and vitally interesting poetic genre into focus. Its twentieth- and twenty-first-century practitioners have included Edna St. Vincent Millay, Robert Lowell, Rita Dove, Eavan Boland, Louise Glück, Anne Carson, Ted Hughes, Claudia Emerson, Rachel Zucker, and Sharon Olds. In their poetic sequences the flourishing or failure of a particular marriage is always at stake, but as that relationship plays out over time, each sequence also speaks to larger questions: why we marry, what a marriage is, what our collective stake is in other people’s marriages. In the book’s final chapter gay marriage presents a fresh testing ground for these questions, in light of the US Supreme Court’s affirmation of same-sex marriage.
Modern Marriage and the Lyric Sequence (PDF)
by Jane HedleyModern Marriage and the Lyric Sequence investigates the ways in which some of our best poets writing in English have used poetic sequences to capture the lived experience of marriage. Beginning in 1862 with George Meredith’s Modern Love, Jane Hedley’s study utilizes the rubrics of temporality, dialogue, and triangulation to bring a deeply rooted and vitally interesting poetic genre into focus. Its twentieth- and twenty-first-century practitioners have included Edna St. Vincent Millay, Robert Lowell, Rita Dove, Eavan Boland, Louise Glück, Anne Carson, Ted Hughes, Claudia Emerson, Rachel Zucker, and Sharon Olds. In their poetic sequences the flourishing or failure of a particular marriage is always at stake, but as that relationship plays out over time, each sequence also speaks to larger questions: why we marry, what a marriage is, what our collective stake is in other people’s marriages. In the book’s final chapter gay marriage presents a fresh testing ground for these questions, in light of the US Supreme Court’s affirmation of same-sex marriage.
Shakespeare’s Extremes: Wild Man, Monster, Beast (Palgrave Shakespeare Studies)
by Julián Jiménez HeffernanShakespeare's Extremes is a controversial intervention in current critical debates on the status of the human in Shakespeare's work. By focusing on three flagrant cases of human exorbitance - Edgar, Caliban and Julius Caesar - this book seeks to limn out the domain of the human proper in Shakespeare.
The Language of Twentieth Century Poetry
by Lesley HeffriesThis book draws on examples from throughout the twentieth century to illustrate the diversity of techniques used in this century's poetry. Organised according to linguistic themes, rather than chronologically, the chapters introduce the reader to the more subtle uses of sound, structure and meaning as well as illustrating well-known techniques handed-down from the poetic tradition. Examples are taken from the famous writers of the twentieth century, such as Yeats, Eliot and Plath and from less well-known poets. The book culminates in a chapter which draws together the linguistic themes into an integrated analysis of two rather different poems.