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Darwin: A Life in Poems
by Ruth PadelIn these extraordinary poems, using multiple viewpoints - from Darwin himself, to his beloved wife Emma, and even, at one point, the orangutang at London Zoo - Ruth Padel illuminates the development of Darwin's thought, the drama of the discovery of evolution, and the fluctuating emotions of Darwin the husband, the naturalist and the tender father, in a powerful tribute to her famous ancestor.Shortlisted for the 2009 Costa Poetry Award.
Defending Poetry: Art And Ethics In Joseph Brodsky, Seamus Heaney, And Geoffrey Hill
by David-Antoine WilliamsDefending Poetry studies the tradition of poetic defence, or apologia, as it has been pursued and developed by three of the twentieth century's leading poet-critics: Joseph Brodsky, Seamus Heaney, and Geoffrey Hill. It begins with an extended introduction to philosophical debates over the ethical value of literature from Plato to Levinas and continues by situating these three poets as in one sense historically continuous with the defences of Horace, Sidney, Coleridge, and Shelley, but also as drastically other. This otherness is bounded on one side by the example of T. S. Eliot's career-long contemplation of the ideal of poetic 'integrity', and on the other by a collective recognition of the twentieth century's great horrors, which seem to corrode all associations of art and the good. Through close readings of the poems and prose essays of Brodsky, Heaney, and Hill, Defending Poetry makes a timely intervention in current debates about literature's ethics, arguing that any ethics of literature ought to take into account not only poetry, but also the writings of poets on the value of poetry.
The Development of Byron's Philosophy of Knowledge: Certain in Uncertainty
by Emily A. Bernhard JacksonTaking a fresh approach to Byron, this book argues that he should be understood as a poet whose major works develop a carefully reasoned philosophy. Situating him with reference to the thought of the period, it argues for Byron as an active thinker, whose final philosophical stance - reader-centred scepticism - has extensive practical implications.
Diary Poetics: Form and Style in Writers� Diaries, 1915-1962 (Routledge Studies in Twentieth-Century Literature)
by Anna JacksonThe diary is a genre that is often thought of as virtually formless, a "capacious hold-all" for the writer’s thoughts, and as offering unmediated access to the diarist’s true self. Focusing on the diaries of Katherine Mansfield, Virginia Woolf, Antonia White, Joe Orton, John Cheever, and Sylvia Plath, this book looks at how six very different professional writers have approached the diary form with its particular demands and literary potential. As a sequence of separate entries the diary is made up of both gaps and continuities, and the different ways diarists negotiate these aspects of the diary form has radical effects on how their diaries represent both the world and the biographical self. The different published editions of the diaries by Katherine Mansfield, Virginia Woolf and Sylvia Plath show how editorial decisions can construct sometimes startlingly different biographical portraits. Yet all diaries are constructed, and all diary constructions depend on how the writer works with the diary form.
Diary Poetics: Form and Style in Writers� Diaries, 1915-1962 (Routledge Studies in Twentieth-Century Literature #12)
by Anna JacksonThe diary is a genre that is often thought of as virtually formless, a "capacious hold-all" for the writer’s thoughts, and as offering unmediated access to the diarist’s true self. Focusing on the diaries of Katherine Mansfield, Virginia Woolf, Antonia White, Joe Orton, John Cheever, and Sylvia Plath, this book looks at how six very different professional writers have approached the diary form with its particular demands and literary potential. As a sequence of separate entries the diary is made up of both gaps and continuities, and the different ways diarists negotiate these aspects of the diary form has radical effects on how their diaries represent both the world and the biographical self. The different published editions of the diaries by Katherine Mansfield, Virginia Woolf and Sylvia Plath show how editorial decisions can construct sometimes startlingly different biographical portraits. Yet all diaries are constructed, and all diary constructions depend on how the writer works with the diary form.
A Directory of Shakespeare in Performance 1970-1990: Volume 2, USA and Canada (A Directory of Shakespeare in Performance)
by J. O'Connor K. GoodlandThis book offers detailed listings of all the major Shakespeare plays on stage and screen in North America. Exploring each of the play's performance history, including reviews and useful information about staging, it provides an engaging reference guide for academics and students alike.
The Elegies of Ted Hughes
by E. HadleyThe elegiac aspect of Ted Hughes' poetry has been frequently overlooked, an oversight which this book sets out to rectify. Encompassing a broad range of themes, from the decline of nature and local industry to the national grief caused by the First World War, this book is a comprehensive addition to the study of Hughes' poetry.
English Romantic Writers and the West Country
by N. RoeLong confounded with a monolithic British entity or misrepresented as 'Lakers' and 'Cockneys', the diverse regional forms of 'English Romanticism' are ripe for reassessment. Ranging west of a line between the Wye at Tintern and Jane Austen's Chawton, this book offers a first reconfiguration of Romantic culture in terms of English regional identity.
The Eternal City: Poems
by Kathleen GraberChosen by Pulitzer Prize-winning poet Paul Muldoon to relaunch the prestigious Princeton Series of Contemporary Poets under his editorship, The Eternal City revives Princeton's tradition of publishing some of today’s best poetry. With an epigraph from Freud comparing the mind to a landscape in which all that ever was still persists, The Eternal City offers eloquent testimony to the struggle to make sense of the present through conversation with the past. Questioning what it means to possess and to be possessed by objects and technologies, Kathleen Graber’s collection brings together the elevated and the quotidian to make neighbors of Marcus Aurelius, Klaus Kinski, Walter Benjamin, and Johnny Depp. Like Aeneas, who escapes Troy carrying his father on his back, the speaker of these intellectually and emotionally ambitious poems juggles the weight of private and public history as she is transformed from settled resident to pilgrim.______ From The Eternal City:WHAT I MEANT TO SAY Kathleen Graber ? In three weeks I will be gone. Already my suitcase standsoverloaded at the door. I’ve packed, unpacked, & repacked it,making it tell me again & again what it couldn’t hold.Some days it’s easy to see the signifi cant insignificanceof everything, but today I wept all morning over the swollen,optimistic heart of my mother’s favorite newscaster,which suddenly blew itself to stillness. I have tried for weeksto predict the weather on the other side of the world: I don’t wantto be wet or overheated. I’ve taken out The Complete Shakespeare to make room for a slicker. And I’ve changed my mind& put it back. Soon no one will know what I mean when I speak.Last month, after graduation, a student stopped me just outsidethe University gates despite a downpour. He wanted to tell methat he loved best James Schuyler’s poem for Auden. So much to remember, he recited in the rain, as the shopsbegan to close their doors around us. I thought he would livea long time. He did not. Then, a car loaded with his friendspulled up honking & he hopped in. There was no chance to linger& talk. Today I slipped into the bag between two shoes that bookwhich begins with a father digging--even though my fatherwas no farmer & planted ever only one myrtle late in his life& sat in the yard all that summer watching it grow as he died,a green tank of oxygen suspirating behind him. If the suitcasewere any larger, no one could lift it. I’m going away for a long time,but it may not be forever. There are tragedies I haven’t read.Kyle, bundle up. You’re right. It’s hard to say simply what is true. For Kyle Booten ?
The Eternal City: Poems
by Kathleen GraberChosen by Pulitzer Prize-winning poet Paul Muldoon to relaunch the prestigious Princeton Series of Contemporary Poets under his editorship, The Eternal City revives Princeton's tradition of publishing some of today’s best poetry. With an epigraph from Freud comparing the mind to a landscape in which all that ever was still persists, The Eternal City offers eloquent testimony to the struggle to make sense of the present through conversation with the past. Questioning what it means to possess and to be possessed by objects and technologies, Kathleen Graber’s collection brings together the elevated and the quotidian to make neighbors of Marcus Aurelius, Klaus Kinski, Walter Benjamin, and Johnny Depp. Like Aeneas, who escapes Troy carrying his father on his back, the speaker of these intellectually and emotionally ambitious poems juggles the weight of private and public history as she is transformed from settled resident to pilgrim.______ From The Eternal City:WHAT I MEANT TO SAY Kathleen Graber ? In three weeks I will be gone. Already my suitcase standsoverloaded at the door. I’ve packed, unpacked, & repacked it,making it tell me again & again what it couldn’t hold.Some days it’s easy to see the signifi cant insignificanceof everything, but today I wept all morning over the swollen,optimistic heart of my mother’s favorite newscaster,which suddenly blew itself to stillness. I have tried for weeksto predict the weather on the other side of the world: I don’t wantto be wet or overheated. I’ve taken out The Complete Shakespeare to make room for a slicker. And I’ve changed my mind& put it back. Soon no one will know what I mean when I speak.Last month, after graduation, a student stopped me just outsidethe University gates despite a downpour. He wanted to tell methat he loved best James Schuyler’s poem for Auden. So much to remember, he recited in the rain, as the shopsbegan to close their doors around us. I thought he would livea long time. He did not. Then, a car loaded with his friendspulled up honking & he hopped in. There was no chance to linger& talk. Today I slipped into the bag between two shoes that bookwhich begins with a father digging--even though my fatherwas no farmer & planted ever only one myrtle late in his life& sat in the yard all that summer watching it grow as he died,a green tank of oxygen suspirating behind him. If the suitcasewere any larger, no one could lift it. I’m going away for a long time,but it may not be forever. There are tragedies I haven’t read.Kyle, bundle up. You’re right. It’s hard to say simply what is true. For Kyle Booten ?
European Erotic Romance: Philhellene Protestantism, renaissance translation and English literary politics (The Manchester Spenser)
by Victor SkretkowiczEuropean Erotic Romance examines the Renaissance publication and translation of the ancient Greek erotic romances, and English adaptations of the genre by Sir Philip Sidney, Shakespeare and Lady Mary Sidney Wroth. Providing fresh insight into the development of the novel, this study identifies the politicisation of erotic romance by the European philhellene (lovers of all things Greek) Protestant movement. To English translators and authors, the complex plots, well developed moralised characters (particularly female) and rhetorical styles of the ancient novels signify political and social reform. Generous quotation and translations ensure that European Erotic Romance is accessible to a broad spectrum of readers. Its organisation lends itself to use as a course text. It is suitable for use by senior undergraduates and specialists in Renaissance literature, translation, rhetoric and history.
Extramural Shakespeare (Reproducing Shakespeare)
by D. AlbaneseThis study argues that Shakespeare can now be understood as part of public culture. Thanks to the emergence of mass education in the twentieth century, Albanese argues that Shakespeare has become a shared property, despite the depiction of his texts as 'elite' cultural objects in the film industry.
Felicia Hemans: Selected Poems, Letters, Reception Materials
by Susan J. WolfsonThe first standard edition of the writings of Felicia Hemans (1793-1835), this volume marks a revival of interest in, and a new critical appreciation of, one of the most important literary figures of the early nineteenth century. A best-selling poet in England and America, Felicia Hemans was regarded as leading female poet in her day, celebrated as the epitome of national "feminine" values. However, this same narrow perception of her work eventually relegated Hemans to an obscurity lightened occasionally by parody and a sentimental enthusiasm for poems such as "The Landing of the Pilgrim Fathers" and "Casabianca." Only now is Hemans's work being rediscovered and reconsidered--for the complexity of its social and political vision, but also for its sounding of dissonances in nineteenth-century cultural ideals, and for its recasting of the traditional canon of male "Romantics."Offering readers a firsthand acquaintance with the remarkable range of Hemans's writing, this volume includes five major works in their entirety, along with a much-admired aggregate, Records of Woman. Hemans's letters, many published here for the first time, reflect her views of her contemporaries, her work, her negotiations with publishers, and her emerging celebrity, while reviews and letters from others--including Lord Byron, Walter Scott, and the Wordsworths--tell the story of Hemans's reception in her time. An introduction by editor Susan Wolfson puts these writings, as well as Hemans's life and work, into much-needed perspective for the contemporary reader.
Fiere
by Jackie KayJackie Kay’s new collection is a lyric counterpart to her memoir, Red Dust Road, the extraordinary story of the search for her Nigerian and Highland birth-parents; but it is also a moving book in its own right, and a deep enquiry into all forms of human friendship. Fiere – Scots for ‘companion, friend, equal’ – is a vivid description of the many paths our lives take, and of how those journeys are made meaningful by our companions on the road: lovers, friends, parents, children, mentors – as well as all the remarkable and chance acquaintances we would not otherwise have made. Written with Kay’s trademark wit and flair, and infused with both Scots and Igbo speech, it is also a fascinating account of the formation of a self-identity – and the discovery of a tongue that best honours it. Musical and moving, funny and profound, Fiere is Jackie Kay’s most accomplished, assured and ambitious collection of poems to date.
The Floating Man
by Katharine TowersAppropriately for a book haunted by music, Katharine Towers’ poems exhibit an almost pianistic sense of timing, touch and tone. In The Floating Man, Towers writes about weight and weightlessness, presence and absence, the body in space, and our oblique relationship with the natural world, always with a wonderful sense of compositional balance; she is expert at registering the huge emotional shifts effected by the smallest things, whether the scent of apples, the slant of the light, or the grace-notes of memory. Music expresses the things we cannot say, but Towers recruits its power to bring the beyond-words into the realm of speech. The result is a debut of great originality and subtlety.
Forugh Farrokhzad, Poet of Modern Iran: Iconic Woman and Feminine Pioneer of New Persian Poetry
by Dominic Parviz Brookshaw Nasrin RahimiehThe pioneering Iranian poet and filmmaker Forugh Farrokhzad was an iconic figure in her own day and has come to represent the spirit of revolt against patriarchal and cultural norms in 1960s Iran. Four decades after her tragic death at the age of 32, Forugh Farrokhzad, Poet of Modern Iran brings her ground-breaking work into new focus. During her lifetime Farrokhzad embodied the vexed predicament of the contemporary Iranian woman, at once subjected to long-held traditional practices and influenced by newly introduced modern social sensibilities. Highlighting her literary and cinematic innovation, this volume examines the unique place Farrokhzad occupies in Iran, both among modern Persian poets in general and as an Iranian woman writer in particular. The authors also explore Farrokhzad's appeal outside Iran in the Iranian diasporic imagination and through the numerous translations of her poetry into English. It is a fitting and authoritative tribute to the work of a remarkable woman which will introduce and explain her legacy for a 21st-century audience.
From Song to Print: Romantic Pseudo-Songs (Nineteenth-Century Major Lives and Letters)
by T. HoagwoodFrom Song to Print is a study of the major cultural transition from oral forms of art and discourse to the commercial culture of print that happened during the Industrial Revolution. Through a discussion of ancient musical forms (classical, biblical, and early-modern poetry of song), this book explores the typographical simulation of music and oral poetry during the nineteenth century. Original and innovative, this work shows how the musical writings of Romantic poets, such as Wordsworth, Coleridge, Byron, and Keats, evoke antique cultures and ancient settings while offering a critique of their own imitative forms and the modern, commercial context in which they appear.
Game Theory (The New Palgrave Economics Collection)
by Steven N. Durlauf Lawrence E. BlumeSpecially selected from The New Palgrave Dictionary of Economics 2nd edition, each article within this compendium covers the fundamental themes within the discipline and is written by a leading practitioner in the field. A handy reference tool.
Gender and Power in Shrew-Taming Narratives, 1500-1700
by D. Wootton G. HoldernessExplores dramatic, narrative and polemical versions of the 'taming of the shrew' story, from the Middle Ages to the Restoration, in light of recent historical work on the position of early modern women in society. Its essays address shrew narratives as an extended cultural dialogue debating issues of gender and sexual politics.
Gothic Hauntings: Melancholy Crypts and Textual Ghosts
by Christine BerthinWhat is buried in the crypts of the Gothic? Building on psychoanalytic research on haunting, cryptonymy and melancholy, as well as on French philosophies of language, this book explores how haunting is not just a Gothic narrative device but the symptom of an impossibility of representation and of an irreparable loss at the heart of language.
Greatest Love Poems
by Madeleine EdgarPresented in an accessible and easy-reference format, Greatest Love Poems includes over 220 poems by a wide range of famous and lesser-known authors from different periods of history. These are divided into five themed sections, including:• Romance• Poems for Marriage• Unrequited Love• Long Distance Love• Lost LoveFeaturing short biographies of every author, this beautiful edition allows you to explore every aspect of love and its interpretations.
Hafiz and the Religion of Love in Classical Persian Poetry
by Leonard LewisohnI.B.Tauris in association with the Iran Heritage Foundation
Hansel and Gretel: School Edition (Oberon Modern Plays)
by Carl GroseTimes are tough for the family in the woodThey'd eat like kings if only they couldBut hunger gnaws - famine stalks the landSomething quite wicked has the upper hand!Poor mother and father must do "what is best"...And Hansel and Gretel will be put to the test!Armed with their very last slice of breadWill they eat to surviveOr ........leavea.................trail...................................home..................................................instead?
Heine-Jahrbuch 2010: 49. Jahrgang
by Heinrich-Heine-Gesellschaft Heinrich-Heine-Institut Heinrich-Heine-Institut DüsseldorfDas Jahrbuch beinhaltet u.a. Einzelinterpretationen zu zwei späten Gedichten Heines, Analysen seiner journalistischen Arbeiten in Frankreich, Untersuchungen zu Heine-Übersetzungen und -Vertonungen sowie die Reden zur Verleihung der Ehrengabe der Heinrich-Heine-Gesellschaft 2009 an Herta Müller.
Humphrey Jennings (British Film-Makers)
by Keith BeattieHumphrey Jennings has been described as the only real poet that British cinema has produced. His documentary films are remarkable records of Britain at peace and war, and his range of representational approaches transcended accepted notions of wartime propaganda and revised the strict codes of British documentary film of the 1930s and 1940s. Poet, propagandist, surrealist and documentary filmmaker – Jennings' work embodies an outstanding mix of startling apprehension, personal expression and representational innovation. This book carefully examines and expertly explains the central components of Jennings' most significant films, and considers the relevance of his filmmaking to British cinema and contemporary experience. Films analysed include Spare Time, Words for Battle, Listen to Britain, Fires Were Started, The Silent Village, A Diary for Timothy and Family Portrait.