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Yeats’s Mask: Yeats Annual No. 19 (PDF)
by Margaret Mills Harper Warwick GouldYeats's Mask, Yeats Annual No. 19 is a special issue in this renowned research-level series. Fashionable in the age of Wilde, the Mask changes shape until it emerges as Mask in the system of A Vision. Chronologically tracing the concept through Yeats's plays and those poems written as 'texts for exposition' of his occult thought which flowers in A Vision itself (1925 and 1937), the volume also spotlights 'The Mask before The Mask' numerous plays including Cathleen Ni-Houlihan, The King's Threshold, Calvary, The Words upon the Window-pane, A Full Moon in March and The Death of Cuchulain. There are excurses into studies of Yeats's friendship with the Oxford don and cleric, William Force Stead, his radio broadcasts, the Chinese contexts for his writing of 'Lapis Lazuli'. His self-renewal after The Oxford Book of Modern Verse, and the key occult epistolary exchange 'Leo Africanus', edited from MSS by Steve L. Adams and George Mills Harper, is republished from the elusive Yeats Annual No. 1 (1982). The essays are by David Bradshaw, Michael Cade-Stewart, Aisling Carlin, Warwick Gould, Margaret Mills Harper, Pierre Longuenesse, Jerusha McCormack, Neil Mann, Emilie Morin, Elizabeth Müller and Alexandra Poulain, with shorter notes by Philip Bishop and Colin Smythe considering Yeats's quatrain upon remaking himself and the pirate editions of The Land of Heart's Desire. Ten reviews focus on various volumes of the Cornell Yeats MSS Series, his correspondence with George Yeats, and numerous critical studies. Yeats Annual is published by Open Book Publishers in association with the Institute of English Studies, University of London.
I'm Just No Good At Rhyming: And Other Nonsense for Mischievous Kids and Immature Grown-Ups
by Chris Harris"Highly recommended. I think it will make children wriggle with delight" – Stephen FryIf I ever find myself holding a gecko . . .I'll lecko.Forget what you think you know about poetry – this is something totally different. Chris Harris' I'm Just No Good At Rhyming combines wit, wordplay and nonsense with visual and verbal tricks to make you look at the world in a new and wonderfully upside-down way, reminiscent of Spike Milligan.I'm just no good at rhyming.It makes me feel so bad.I'm just no good at rhyming,And that's why I'm so blue.This entirely unique collection of wildly witty words offers a surprise around every corner, from the ongoing rivalry between the author and illustrator (mean poem and cruel portrait included), to the mysteriously misnumbered pages that can only be deciphered by a certain code-cracking verse, to a poem that is 100% genuinely infinite. Meet a balding werewolf, competitive boulders, a birthday piranha, and find out if grown-ups really are better!Why are grown-ups better than kids?'Cause we got what it takes –We never, ever, ever, ever, ever, make mistaeks!Adding to the fun: Lane Smith, winner of the CILIP Kate Greenaway Medal for There Is a Tribe of Kids, has spectacularly illustrated this extraordinary collection with nearly one hundred pieces of appropriately absurd art. It's a mischievous match made in heaven and the perfect gift for creative kids or immature grown-ups.
The Poetry of Loss: Romantic and Contemporary Elegies (Routledge Studies in Literature and Health Humanities)
by Judith HarrisThe Poetry of Loss: Romantic and Contemporary Elegies presents a renewed look at elegy as a long-standing tradition in the literature of loss, exploring recent shifts in the continuum of these memorial poems. This volume investigates the tensions arising in elegiac formulations of grief through detailed analyses of seminal poets, including Wordsworth, Keats, and Plath, using psychoanalytic precepts to reconceptualize consolation through poetic strategies of inner representation and what it might mean for personal and collective experiences of loss. Tracing the development of elegy beyond extant readings, this volume addresses contemporary constructs of mourning and their attendant polemics within the wider culture as extensions of elegiac longings and the tendency to refuse consolation and cede to the endlessness of grief. Furthermore, this book concludes that contemporary elegies break with conventions of poetic structure and expression; rather than the poets seeking resolution to grief through compensation, they often find themselves dwelling within the loss rather than externalizing and transcending it. The Poetry of Loss: Romantic and Contemporary Elegies examines these developing psychoanalytic concepts pertaining to a poetics of loss, providing readers with a new appreciation of mourning culture and contemporary attitudes towards grief.
The Poetry of Loss: Romantic and Contemporary Elegies (Routledge Studies in Literature and Health Humanities)
by Judith HarrisThe Poetry of Loss: Romantic and Contemporary Elegies presents a renewed look at elegy as a long-standing tradition in the literature of loss, exploring recent shifts in the continuum of these memorial poems. This volume investigates the tensions arising in elegiac formulations of grief through detailed analyses of seminal poets, including Wordsworth, Keats, and Plath, using psychoanalytic precepts to reconceptualize consolation through poetic strategies of inner representation and what it might mean for personal and collective experiences of loss. Tracing the development of elegy beyond extant readings, this volume addresses contemporary constructs of mourning and their attendant polemics within the wider culture as extensions of elegiac longings and the tendency to refuse consolation and cede to the endlessness of grief. Furthermore, this book concludes that contemporary elegies break with conventions of poetic structure and expression; rather than the poets seeking resolution to grief through compensation, they often find themselves dwelling within the loss rather than externalizing and transcending it. The Poetry of Loss: Romantic and Contemporary Elegies examines these developing psychoanalytic concepts pertaining to a poetics of loss, providing readers with a new appreciation of mourning culture and contemporary attitudes towards grief.
Walt Whitman and British Socialism: ‘The Love of Comrades’ (Routledge Studies in Nineteenth Century Literature)
by Kirsten HarrisThis is the first sustained examination of Walt Whitman’s influence on British socialism. Harris combines a contextual historical study of Whitman’s reception with focused close readings of a variety of poems, books, articles, letters and speeches. She calls attention to Whitman’s own demand for the reader to ‘himself or herself construct indeed the poem, argument, history, metaphysical essay’, linking Whitman’s general comments about active reading to specific cases of his fin de siècle British socialist readership. These include the editorial aims behind the Whitman selections published by William Michael Rossetti, Ernest Rhys, and W. T. Stead and the ways that Whitman was interpreted and appropriated in a wide range of grassroots texts produced by individuals or groups who responded to Whitman and his poetry publicly in socialist circles. Harris makes full use of material from the C. F. Sixsmith and J. W. Wallace and the Bolton Whitman Fellowship collections at John Rylands, the Edward Carpenter collection in the Sheffield Archives, and the Archives of Swan Sonnenschein & Co. at the University of Reading. Much of this archive material – little of which is currently available in digital form – is discussed here in full for the first time. Accordingly, this study will appeal to those with interest in the archival history of nineteenth-century literary culture, as well as the connections to be made between literary and political culture of this era more generally.
Walt Whitman and British Socialism: ‘The Love of Comrades’ (Routledge Studies in Nineteenth Century Literature)
by Kirsten HarrisThis is the first sustained examination of Walt Whitman’s influence on British socialism. Harris combines a contextual historical study of Whitman’s reception with focused close readings of a variety of poems, books, articles, letters and speeches. She calls attention to Whitman’s own demand for the reader to ‘himself or herself construct indeed the poem, argument, history, metaphysical essay’, linking Whitman’s general comments about active reading to specific cases of his fin de siècle British socialist readership. These include the editorial aims behind the Whitman selections published by William Michael Rossetti, Ernest Rhys, and W. T. Stead and the ways that Whitman was interpreted and appropriated in a wide range of grassroots texts produced by individuals or groups who responded to Whitman and his poetry publicly in socialist circles. Harris makes full use of material from the C. F. Sixsmith and J. W. Wallace and the Bolton Whitman Fellowship collections at John Rylands, the Edward Carpenter collection in the Sheffield Archives, and the Archives of Swan Sonnenschein & Co. at the University of Reading. Much of this archive material – little of which is currently available in digital form – is discussed here in full for the first time. Accordingly, this study will appeal to those with interest in the archival history of nineteenth-century literary culture, as well as the connections to be made between literary and political culture of this era more generally.
Brother Poem (Wesleyan Poetry Series)
by Will HarrisAt the heart of Brother Poem is a sequence addressed to a fictional brother. Through these fragments, Will Harris attempts to reckon with the past while mourning what never existed.The text moves, cloud-like, through states of consciousness, beings and geographies, to create a moving portrait of contemporary anxieties around language and the need to communicate. With pronominal shifts, broken dialogisms, and obsessive feedback loops, it reflects on the fictions we tell ourselves, and in our attempts to live up to the demands of others.From a dimension uncannily like our own, intuited through signs, whispers, and glitches, Brother Poem is shadowed by the loss of what can't be seen. Telling stories of bizarre familial reckonings and difficult relationships, about love and living with others, it is a deeply sensitive coming-of-age poetics.
Midnight Magic (Midnight Magic #1)
by Michelle HarrisonBlack cats born at midnight Are different indeed A mischievous, odd And peculiar breed In the middle of winter, three kittens are born in a barn. Two are ordinary, but the third, jet black and born on the stroke of midnight, is brimming with magic from whiskers to tail – even sparking life into a dusty old broomstick! While her siblings pounce at rats, Midnight perfects her flying skills on the broom, not noticing how her mother disapproves of her magical ways… When Midnight finds herself abandoned, the little black kitten sets out to find a new home with only her loyal broom Twiggy at her side. The pair soon befriend a kind-hearted girl called Trixie. But how will Trixie’s family react to Midnight’s extraordinary powers and taste for mischief? A bewitching new series from the best-selling author of A PINCH OF MAGIC, Michelle Harrison. Told in rhyming verse and illustrated in colour throughout, this is perfect for readers of SQUISHY MCFLUFF, HUBBLE BUBBLE and GOBBOLINO. PRAISE FOR MIDNIGHT MAGIC: "This is the perfect next step after picture books with fun rhyming text and sweet illustrations – a gorgeous young fiction book with plenty of sparkle!" – Toppsta
Seamus Heaney and the Classics: Bann Valley Muses
by Stephen Harrison Fiona Macintosh Helen EastmanSeamus Heaney, the great Irish poet, made a significant contribution to classical reception in modern poetry; though occasional essays have appeared in the past, this volume is the first to be wholly dedicated to this perspective on his work. Comprising literary criticism by scholars of both classical reception and contemporary literature in English, it includes contributions from critics who are also poets, as well as from theatre practitioners on their interpretations and productions of Heaney's versions of Greek drama; well-known names are joined by early-career contributors, and friends and collaborators of Heaney sit alongside those who admired him from afar. The papers focus on two main areas: Heaney's fascination with Greek drama and myth - shown primarily in his two Sophoclean versions, but also in his engagement in other poems with Hesiod, with Aeschylus' Agamemnon, and with myths such as that of Antaeus - and his interest in Latin poetry, primarily that of Virgil but also that of Horace; a version of an Horatian ode was famously the vehicle for Heaney's comment on the events of 11 September 2001 in 'Anything Can Happen' (District and Circle, 2006). Although a number of the contributions cover similar material, they do so from distinctively different angles: for example, Heaney's interest in Virgil is linked with the traditions of Irish poetry, his capacity as a translator, and his annotations in his own text of a standard translation, as well as being investigated in its long development over his poetic career, while his Greek dramas are considered as verbal poetry, as comments on Irish politics, and as stage-plays with concomitant issues of production and interpretation. Heaney's posthumous translation of Virgil's Aeneid VI (2016) comes in for considerable attention, and this will be the first volume to study this major work from several angles.
Not One of These Poems Is About You
by Teva HarrisonFrom Teva Harrison, the award-winning author and illustrator of In-Between Days, comes a powerful work of poetry and art in which she continues to explore what it means to live with metastatic breast cancer.In this remarkable, frank, and gut-wrenching mix of words and images, Teva continues on her journey, grappling with what it means to live with metastatic breast cancer. She plunges deep into her inner world, shadowing the progression of the disease. Reality takes on sharp edges: the swell of cancer and its retreat with chemo. Her inner corporeal reality versus her outer manifestation of health, vitality, and femininity. Holding fast to the great love of her life, while preparing to leave him behind. Contemplating who she was before cancer, and who she is now.Starkly honest and wholly profound, Not One of These Poems Is About You distills life to its essence. Teva Harrison continues to gift the world with her clear-eyed insight and her open heart.
Collected Poems
by Tony HarrisonTony Harrison published his first pamphlet of poems in 1964 and for over fifty years has been a prominent force in modern poetry. His poetic range is truly far-reaching, from the intimate tenderness of family life and personal love, to war poems written from Bosnia and savage public outcries against politicians. In The Collected Poems, Harrison draws deeply both on classical tradition and on the vernacular of the street. Combining the private and the public in a way Harrison has made distinctly his own, and drawing on his working-class upbringing in Leeds, these are powerful poems for modern times.This is the first complete paperback collection of one of Britain's most controversial and critically acclaimed poets.'Tony Harrison is the greatest poet of the second half of the 20th century. . . He writes brilliantly about class, love and Britain' Daniel Radcliffe'Harrison is a masterly technician, and the most fiery and indelible English poet of the age. This book is a vineyard on a volcano' Paul Farley
Selected Poems
by Tony HarrisonA revised edition of Tony Harrison's award-winning Selected Poems This indispensable new selection of Tony Harrison's poems includes over sixty poems from his famous sonnet sequence The School of Eloquence and the remarkable long poem 'v.', a meditation in a vandalized Leeds graveyard which caused enormous controversy when it was broadcast on Channel 4 in 1987 and is now regarded as one of the key poems of the late twentieth century.This substantially revised and updated edition now also features a generous selection of Harrison's most recent work, including the acclaimed poems he wrote for the Guardian on the Gulf War and then from the front line in the Bosnian War which won him the Wilfred Owen Award for Poetry in 2007.Selected Poems is a collection to be savoured by fans of Carol Ann Duffy, Seamus Heaney, Simon Armitage and Sophie Hannah.'A voracious appetite for language. Brilliant, passionate, outrageous, abrasive, but also, as in the family sonnets, immeasurably tender' Harold Pinter'In the front rank of contemporary British poets. Harrison's range is exhilarating, his clarity and technical mastery a sharp pleasure' Melvyn Bragg'The poem "v." is the most outstanding social poem of the last twenty-five years. Seldom has a British poem of such personal intensity had such universal range' Martin Booth'Poems written in a style which I feel I have all my life been waiting for' Stephen Spender'A poet of great technical accomplishment whose work insists that it is speech rather than page-bound silence' Sean O'Brien, The Oxford Companion to Twentieth-Century Poetry
Poems for 7 Year Olds
by A. F. HarroldA fantastic collection of poems for 7 year olds filled with an incredible assortment of poems to dip into time and again, compiled by A.F. Harrold.There are songs, funny poems, nonsense rhymes, word magic and poems about animals, adventure, fairy tales, food, friends, school and ghosts.Includes classic and contemporary poems by Lewis Carroll, A.F. Harrold, Matt Goodfellow, Charles Causley, Laura Mucha, Jan Dean, Kate Wakeling, Sabrina Mahfouz, Paul Cookson, Brian Moses, John Siddique and many more.
The Book of Not Entirely Useful Advice
by A.F. HarroldA riotous celebration of words and a modern take on cautionary tales – featuring advice on parrots, gravy, mathematics, castles (bouncy), spiders, vegetables (various), breakfast, cakes, and removing ducks from soup.Advice comes in many shapes. Poems come in many shapes. And so, it follows, poems of advice come in many shapes too. Sometimes they look you in the eye and say, 'Do this! Don't do that!' Sometimes they sidle up beside you and whisper, 'Have you ever thought about … ?'Not everything in this book is necessarily good advice, and not all of it is sensible advice. (But if you take the bad or un-sensible advice and don't follow it, then it may become useful advice in its own way.)Filled with colour illustrations and packed with silly rhymes, witty wordplay and thought-provoking story poems, this collection will delight children of all ages.
The Book of Not Entirely Useful Advice
by A.F. HarroldFrom acclaimed writer A.F. Harrold comes a riotous poetry collection that encourages readers to think critically--perfect for fans of Shel Silverstein!Packed with silly rhymes and witty wordplay, A.F. Harrold's poetry is positively bursting with fun--and advice. But it's not always the most useful. . .Never apologize to a door you've walked into, unless it's a really special door.Don't serve a cat soup when the cat wants jelly. Tomato soup won't fill a feline belly.Don't put a rock in a roll, unless you hate having teeth.Among the seemingly nonsensical stanzas on onions, sausages, and kilted koalas are exercises in critical thinking--what advice should readers follow, and what should they dismiss? Harrold's short, clever poems work seamlessly alongside Mini Grey's vibrant art to create visual gags that will have readers in stitches. Both silly and poignant, this book is perfect for curious readers, poets, and cabbages everywhere!
The Book of Not Entirely Useful Advice
by A.F. HarroldFrom acclaimed writer A.F. Harrold comes a riotous poetry collection that encourages readers to think critically--perfect for fans of Shel Silverstein!Packed with silly rhymes and witty wordplay, A.F. Harrold's poetry is positively bursting with fun--and advice. But it's not always the most useful. . .Never apologize to a door you've walked into, unless it's a really special door.Don't serve a cat soup when the cat wants jelly. Tomato soup won't fill a feline belly.Don't put a rock in a roll, unless you hate having teeth.Among the seemingly nonsensical stanzas on onions, sausages, and kilted koalas are exercises in critical thinking--what advice should readers follow, and what should they dismiss? Harrold's short, clever poems work seamlessly alongside Mini Grey's vibrant art to create visual gags that will have readers in stitches. Both silly and poignant, this book is perfect for curious readers, poets, and cabbages everywhere!
Midnight Feasts: Tasty poems chosen by A.F. Harrold
by A.F. HarroldOne thing that unites us all – across time, nations and peoples – is food. From chocolate, rice pudding and sandwiches to breakfast in bed, banana phones and the fruit of a mythical jelabi tree, A.F. Harrold has brought together a wonderful and diverse collection of poems on the topic of food. Beautifully illustrated in full colour by rising star Katy Riddell (daughter of former Children's Laureate, Chris Riddell), this rich and delicious anthology brings together work from a broad range of poets, including the magically observant William Carlos Williams, award-winning Joseph Coelho and the inspiring Sabrina Mahfouz. Whether you're in the mood for a perfect bowl of yoghurt or a pomegranate omelette, these poems will satisfy any food craving. The perfect gift for any poetry or food lover!
Midnight Feasts: Tasty poems chosen by A.F. Harrold
by A.F. HarroldOne thing that unites us all – across time, nations and peoples – is food. From chocolate, rice pudding and sandwiches to breakfast in bed, banana phones and the fruit of a mythical jelabi tree, A.F. Harrold has brought together a wonderful and diverse collection of poems on the topic of food. Beautifully illustrated in full colour by rising star Katy Riddell (daughter of former Children's Laureate, Chris Riddell), this rich and delicious anthology brings together work from a broad range of poets, including the magically observant William Carlos Williams, award-winning Joseph Coelho and the inspiring Sabrina Mahfouz. Whether you're in the mood for a perfect bowl of yoghurt or a pomegranate omelette, these poems will satisfy any food craving. The perfect gift for any poetry or food lover!
Colourworks: Chromatic Innovation in Modern French Poetry and Art Writing
by Susan HarrowHow do modern writers write colour? How do today's readers respond to the invitation to 'think colour' as they read poetry and art writing, and explore paintings? To what extent can critical thought on colour in visual media illuminate the textual life of colour? These are some of the lines of enquiry pursued in this bold new study of modern poetry and art writing in French, where colour, Susan Harrow argues, is integral to the exploration of ethics, ekphrasis, objects, bodies, landscape and interiority.The question of colour, in a variety of disciplines and media, has provoked debate from Aristotle to Goethe, and from Baudelaire to Derek Jarman. If the past twenty years have witnessed a 'colour turn' in contemporary cultural studies and screen research, colour values in literary and textual media are often elided or, simply, overlooked. Colourworks tackles this lacuna in the study of modern poetry and art writing in French, revealing the integral role of colour in the work of three iconic French writers in the modern tradition: Stéphane Mallarmé, Paul Valéry and Yves Bonnefoy. This book spans the broad modern period from the 1860s to the early twenty-first century in taking an exploratory approach to the visuality of the verbal medium through an adventurous reading of text and image. Harrow uncovers how colour moves and morphs in texts as it challenges the traditionalist containments of chromatic symbolism. Beyond its primary area of investigation in modern poetry and art writing in French, this richly colour-illustrated study has significant interdisciplinary implications-conceptual, methodological, and practical-for the study of visuality in humanities research, from literature studies to material and visual culture studies.
Colourworks: Chromatic Innovation in Modern French Poetry and Art Writing
by Susan HarrowHow do modern writers write colour? How do today's readers respond to the invitation to 'think colour' as they read poetry and art writing, and explore paintings? To what extent can critical thought on colour in visual media illuminate the textual life of colour? These are some of the lines of enquiry pursued in this bold new study of modern poetry and art writing in French, where colour, Susan Harrow argues, is integral to the exploration of ethics, ekphrasis, objects, bodies, landscape and interiority.The question of colour, in a variety of disciplines and media, has provoked debate from Aristotle to Goethe, and from Baudelaire to Derek Jarman. If the past twenty years have witnessed a 'colour turn' in contemporary cultural studies and screen research, colour values in literary and textual media are often elided or, simply, overlooked. Colourworks tackles this lacuna in the study of modern poetry and art writing in French, revealing the integral role of colour in the work of three iconic French writers in the modern tradition: Stéphane Mallarmé, Paul Valéry and Yves Bonnefoy. This book spans the broad modern period from the 1860s to the early twenty-first century in taking an exploratory approach to the visuality of the verbal medium through an adventurous reading of text and image. Harrow uncovers how colour moves and morphs in texts as it challenges the traditionalist containments of chromatic symbolism. Beyond its primary area of investigation in modern poetry and art writing in French, this richly colour-illustrated study has significant interdisciplinary implications-conceptual, methodological, and practical-for the study of visuality in humanities research, from literature studies to material and visual culture studies.
Fire Songs
by David HarsentThe poems in David Harsent's new collection, whether single poems, dramatic sequences, or poems that 'belong to one another', share a dark territory and a sometimes haunting, sometimes steely, lyrical tone. Throughout the book - in the stark biography of 'Songs from the Same Earth', the troubling disconnects of 'A Dream Book', the harrowing lines of connection in four poems each titled 'Fire', or the cheek-by-jowl shudder of 'Sang the Rat' - Harsent writes, as always, with passion and a sureness of touch.
Loss
by David HarsentThe city never sleeps. Silence would weaken it. When all else fails it talks to itself: seamless thrum of machinery: dark undertone. It is 00:00 and the full of the night yet to come.A haunting twenty-part sequence that captures the rich psychological depth of a mind at night, filmic in quality. Each poem should be read in numerical order and consists of an unrhymed sonnet, followed by a 60-line column, sealed with a rhymed quatrain. Between the sections, a fragmentary account of a series of white nights endured by the male protagonist unfolds. They speak of a world outside seen from inside (a window vigil) and tell of a recurring dream that takes place in a white landscape.We learn of the man's life, his childhood, a doomed love-affair, and an apprehension of death, but also of the savagely troubled world in which we live (mention of the Holocaust, of Bataclan, of Aleppo, of ISIS, of failed religion, of rough sleepers). Harsent tests and teases the balance between 'control' and 'wildness', demonstrating his breathtaking formal skill, an arresting use of white space, and conveying psychological turmoil all the more powerfully in this masterful fragmentary epic.
Night
by David HarsentAmong the poems that open Night, David Harsent's follow-up to his Forward Prize-winning collection Legion, is a startling sequence about a garden - but a garden unlike any other. It sets the tone for a book in which the sureties of daylight become uncertain: dark, unsettling narratives about what wakes in us when we escape our day-lit selves to visit a place where the dream-like and the nightmarish are never far apart. The book culminates in the seductive and brilliantly sustained 'Elsewhere', a noirish, labyrinthine quest-poem in which the protagonist is drawn ever onward through a series of encounters and reflections like an after-hours Orpheus, hard-bitten and harried by memory.
Salt (Faber Poetry Ser.)
by David HarsentSalt is a distinctive new assembly of poems by the multi-award winning David Harsent. Resting somewhere between fragment and exposition, these intense and primal pieces stretch out across the measure of the page in brief utterances. One extends sonnet-length, one consists of a single line; but each piece uniquely completes its own world, and at the same time shades on to the next as a succession of frames and stills and imaginings that lends light and colour in the round. 'The poems in this book are a series, not a sequence,' the author explains. 'They belong to each other in mood, in tone, by way of certain images and words that form a ricochet of echoes - not least the word "salt".' Mineral, eerie, sensory, spine-tingling, the poems in the collection are experienced as encounters - some with the surety of daylight, others in dream-life - that refresh with the turning of each page. Like a set of shared notes or little fictions passed through space from hand to hand, the writings build powerfully to make Salt an unforgettable volume from this most visionary of writers.
Selected Poems David Harsent: Selected Poems, 1969-2005
by David HarsentIn an illustrious career, David Harsent has published eight collections of poetry, from A Violent County in 1969, to Legion, winner of the Forward Prize in 2005. This selection, made by the author himself, draws upon the full arc of his career and offers an outstanding concentration of, and introduction to, the full range and powers of this distinguished poet.