- Table View
- List View
Poems of the Past and the Present
by Thomas HardyThis scarce antiquarian book is a facsimile reprint of the original. Due to its age, it may contain imperfections such as marks, notations, marginalia and flawed pages. Because we believe this work is culturally important, we have made it available as part of our commitment for protecting, preserving, and promoting the world's literature in affordable, high quality, modern editions that are true to the original work.
Poems of Thomas Hardy: A New Selection (Macmillan Collector's Library #90)
by Thomas HardyThomas Hardy saw himself, first and foremost, as a poet, and he wrote poetry throughout his prolific and acclaimed novel-writing years before announcing in 1896 that he would no longer write novels, much to the astonishment of his worldwide readership. Instead he went on to publish eight masterful volumes of poetry - ranging from lyrics and ballads to dramatic monologues and satire - and is now regarded as one of the greatest twentieth-century poets.Choosing the best verse from each volume, the Poems of Thomas Hardy is the perfect introduction to Hardy's lyrical, soul-searching and profoundly sincere poetry, covering subjects ranging from his grief at the death of his first wife to his experiences of war.This beautiful Macmillan Collector's Library edition is edited and introduced by editor Ned Halley.Designed to appeal to the booklover, the Macmillan Collector's Library is a series of beautiful gift editions of much loved classic titles. Macmillan Collector's Library are books to love and treasure.
Selected Poems
by Thomas HardyA generous selection of poems by a major Victorian writer, a virtuoso of traditional forms who came to be recognized as a uniquely inventive and original voice in modern poetry This selection of poems by Thomas Hardy (1840–1928), edited by David Bromwich, covers the range of Hardy’s extraordinary work: songs, ballads, and sonnets, dramatic monologues and elegies, along with poems that mark epochal events, such as the end of the Great War. This selection shows why Hardy has been admired as the most inward and personal of the moderns, yet also the most accessible and widely read. Included here is the full and integral text of Chosen Poems of Thomas Hardy, the final selection of his own work that Hardy chose to publish. Bromwich has selected more than one hundred fifty additional poems that cover the length of Hardy’s career, from Wessex Poems to Winter Words. His critical and biographical introduction sets Hardy’s achievement in the context of a career in prose and poetry that has no parallel.
Thomas Hardy: Everyman's Poetry (Everyman's Poetry)
by Thomas HardyBoth major novelist and major poet, with a distinctive off-beat and intensely personal style, Hardy is a modern writer born out of his time.
Wessex Poems and Other Verses (Penguin Clothbound Poetry)
by Thomas HardyWessex Poems was Hardy's first collection of poetry, published after he had turned away from novel-writing, disillusioned by the savage reception Jude the Obscure had received. The publication of Wessex Poems marked the start of an extraordinary new phase in Hardy's writing career, as he was to spent the rest of his life, some thirty years, writing and publishing poetry exclusively. Here are entertaining Dorset ballads, verses set during the Napoleonic Wars, and personal poems reflecting on Hardy's life and loves. Composed throughout Hardy's life and informed by his affection for his beloved Wessex, their publication heralded the arrival of a major new poetic voice.
Woman Much Missed (Penguin Little Black Classics)
by Thomas Hardy'Woman much missed, how you call to me, call to me...'After the death of his wife Emma, a grief-stricken Hardy wrote some of the best verse of his career. Moving and evocative, it ranks among the greatest elegiac poetry in the language.Introducing Little Black Classics: 80 books for Penguin's 80th birthday. Little Black Classics celebrate the huge range and diversity of Penguin Classics, with books from around the world and across many centuries. They take us from a balloon ride over Victorian London to a garden of blossom in Japan, from Tierra del Fuego to 16th-century California and the Russian steppe. Here are stories lyrical and savage; poems epic and intimate; essays satirical and inspirational; and ideas that have shaped the lives of millions.Thomas Hardy (1840-1928). Hardy's works available in Penguin Classics are A Laodicean, A Pair of Blue Eyes, Desperate Remedies, Far from the Madding Crowd, Jude the Obscure, Selected Poems, Tess of the d'Urbervilles, The Distracted Preacher and Other Tales, The Fiddler of the Reels and Other Stories, The Hand of Ethelberta, The Mayor of Casterbridge, The Pursuit of the Well-beloved and The Well-beloved, The Return of the Native, The Trumpet-Major, The Withered Arm and Other Stories, The Woodlanders, Two on a Tower and Under the Greenwood Tree.
Poems of Thomas Hardy
by Thomas Hardy Claire TomalinThomas Hardy wrote some of the most moving and personal poems in his era and this collection brings together the best of his verse on life and love.Hardy's poems are by turn haunting, intense, songlike humerous and tender. From snatched lovers' meetings to the wreck of the Titanic from the death of a Dorest drummer boy in the Boer War to memories of his dead wife Emma, from ghosts, loss and longing to pleasure in landscape and weather, they tell the story of one of our best-loved writers, and the people and places that inspired him.
We Travelled: Essays and Poems
by David Hare'David Hare's great quality has always been his refusal to accept the division between fact and imagination. His creative invention is fired by public realities and in turn he makes those realities feel deeply personal. That same quality is wonderfully at work in his essays and poems. Whether he is writing about Tony Blair or Joan Didion, whether he is writing out of love or rage, evoking the intimate moments of his own life or the great moral questions of our times, he brings his subjects to life with an irresistible immediacy. All the wit, combativeness, energy and edge he has brought to the stage are present here on the page.' Fintan O'TooleI can't remember if I had any plans for the twenty-first century. I was already 52 when it arrived. But events raced off in such unexpected directions that any possible ideas must have gone out the window. Many of us shared the sensation that history was speeding up.Recording dizzying changes in culture and politics, these elegant essays range in subject from the photographer Lee Miller to the Archbishop of Canterbury, from the actress Sarah Bernhardt to the rapist Jimmy Saville, from a celebration of Mad Men to a diagnosis of the incoherence of Conservatism in the new century. The poems, in contrast, are private: tender meditations, filled with love, memory, vulnerability and the melancholy of ageing.This is a powerful compilation of prose and poetry by one of the distinctive thinkers of our time.
Be the Light: Words to Inspire Gratitude, Hope and Happiness
by Cailin HargreavesIf you do not release yourself from what has gone how will you hold onto what is coming?Let go of the things that let you go.An inspirational contemporary collection of words, prose and illustrations providing short, thought-provoking daily prompts for positivity, hope, happiness, and encouragement. Be the Light honours the beauty of our scars and celebrates the strength that lives inside us all.Broken into six themes: Believe in Your Power, Let Yourself Be Seen, You Deserve Happiness, Healing Old Wounds, You Are Enough and Never Underestimate Your Strength, each chapter starts with a short commentary on the theme and is followed by reflective words to encourage the reader to examine their own personal story.Each chapter features short prose and poems alongside Cay's uplifting illustrations.
Catching the Light (Why I Write)
by Joy HarjoUnited States Poet Laureate and winner of the 2022 Academy of American Poets Leadership Award Joy Harjo examines the power of words and how poetry summons us toward justice and healing “Her enduring message—that writing can be redemptive—resonates: ‘To write is to make a mark in the world, to assert “I am.”’ The result is a rousing testament to the power of storytelling.”—Publishers Weekly “Harjo writes as if the creative journey has been the destination all along.”—Kirkus Reviews In this lyrical meditation about the why of writing poetry, Joy Harjo reflects on significant points of illumination, experience, and questioning from her fifty years as a poet. Comprised of intimate vignettes that take us through the author’s life journey as a youth in the late 1960s, a single mother, and a champion of Native nations, this book offers a fresh understanding of how poetry functions as an expression of purpose, spirit, community, and memory. Harjo insists the most meaningful poetry is birthed through cracks in history from what is broken and unseen. At the crossroads of this brokenness, she calls us to watch and listen for the songs of justice for all those America has denied. This is an homage to the power of words to defy erasure—to inscribe the story, again and again, of who we have been, who we are, and who we can be.
The Spiral of Memory: Interviews (Poets On Poetry)
by Joy HarjoWith the recently-published The Woman Who Fell from the Sky, Joy Harjo has emerged as one of the most powerful Native American voices of her generation. Over the past two decades, Harjo has refined and perfected a unique poetic voice that speaks her multifaceted experience as Native American, woman and Westerner in twentieth-century society. The Spiral of Memory gathers the conversations in which Harjo has articulated her singular yet universal perspective on the world and her poetry. She reflects upon the nuances and development of her art, the importance of her origins, the arduous reconstruction of the tribal past, the dramatic confrontation between Native American and Anglo civilizations, the existential and artistic itinerary through present-day America, and other provocative and profoundly human themes. Joy Harjo is the author of several volumes of poetry. She received awards from the National Endowment for the Arts, the Before Columbus Foundation, and the Poetry Society of America. She is Professor of English, University of New Mexico, Albuquerque. Laura Coltelli is Associate Professor of American Literature, University of Pisa.
Memories of War in Early Modern England: Armor and Militant Nostalgia in Marlowe, Sidney, and Shakespeare (Early Modern Cultural Studies 1500–1700)
by Susan HarlanThis book examines literary depictions of the construction and destruction of the armored male body in combat in relation to early modern English understandings of the past. Bringing together the fields of material culture and militarism, Susan Harlan argues that the notion of “spoiling” – or the sanctioned theft of the arms and armor of the vanquished in battle – provides a way of thinking about England’s relationship to its violent cultural inheritance. She demonstrates how writers reconstituted the spoils of antiquity and the Middle Ages in an imagined military struggle between male bodies. An analysis of scenes of arming and disarming across texts by Christopher Marlowe and William Shakespeare and tributes to Sir Philip Sidney reveals a pervasive militant nostalgia: a cultural fascination with moribund models and technologies of war. Readers will not only gain a better understanding of humanism but also a new way of thinking about violence and cultural production in Renaissance England.
The Ecology of the English Outlaw in Medieval Literature: From Fen to Greenwood (Outlaws in Literature, History, and Culture)
by Sarah Harlan-HaugheyArguing that outlaw narratives become particularly popular and poignant at moments of national ecological and political crisis, Sarah Harlan-Haughey examines the figure of the outlaw in Anglo-Saxon poetry and Old English exile lyrics such as Beowulf, works dealing with the life and actions of Hereward, the Anglo-Norman romance of Fulk Fitz Waryn, the Robin Hood ballads, and the Tale of Gamelyn. Although the outlaw's wilderness shelter changed dramatically from the menacing fens and forests of Anglo-Saxon England to the bright, known, and mapped greenwood of the late outlaw romances and ballads, Harlan-Haughey observes that the outlaw remained strongly animalistic, other, and liminal. His brutality points to a deep literary ambivalence towards wilderness and the animal, at the same time that figures such as the Anglo-Saxon resistance fighter Hereward, the brutal yet courtly Gamelyn, and Robin Hood often represent a lost England imagined as pristine and forested. In analyzing outlaw literature as a form of nature writing, Harlan-Haughey suggests that it often reveals more about medieval anxieties respecting humanity's place in nature than it does about the political realities of the period.
The Ecology of the English Outlaw in Medieval Literature: From Fen to Greenwood (Outlaws in Literature, History, and Culture)
by Sarah Harlan-HaugheyArguing that outlaw narratives become particularly popular and poignant at moments of national ecological and political crisis, Sarah Harlan-Haughey examines the figure of the outlaw in Anglo-Saxon poetry and Old English exile lyrics such as Beowulf, works dealing with the life and actions of Hereward, the Anglo-Norman romance of Fulk Fitz Waryn, the Robin Hood ballads, and the Tale of Gamelyn. Although the outlaw's wilderness shelter changed dramatically from the menacing fens and forests of Anglo-Saxon England to the bright, known, and mapped greenwood of the late outlaw romances and ballads, Harlan-Haughey observes that the outlaw remained strongly animalistic, other, and liminal. His brutality points to a deep literary ambivalence towards wilderness and the animal, at the same time that figures such as the Anglo-Saxon resistance fighter Hereward, the brutal yet courtly Gamelyn, and Robin Hood often represent a lost England imagined as pristine and forested. In analyzing outlaw literature as a form of nature writing, Harlan-Haughey suggests that it often reveals more about medieval anxieties respecting humanity's place in nature than it does about the political realities of the period.
The Poetry Toolkit: For Readers and Writers
by William HarmonThe Poetry Toolkit: For Readers and Writers provides students with the essential intellectual and practical tools necessary to read, understand, and write poetry. Explains the most important elements of poetry in clear language and an easily accessible manner Offers readers both the expertise of an established scholar and the insights of a practicing poet Draws on examples from more than 1,500 years of English literature
The Poetry Toolkit: For Readers and Writers
by William HarmonThe Poetry Toolkit: For Readers and Writers provides students with the essential intellectual and practical tools necessary to read, understand, and write poetry. Explains the most important elements of poetry in clear language and an easily accessible manner Offers readers both the expertise of an established scholar and the insights of a practicing poet Draws on examples from more than 1,500 years of English literature
Time in Ezra Pound's Work
by William HarmonThroughout nearly sixty-five of writing, Pound specialized on the suffocating effects of time on poetry, aesthetic form, and history. Harmon examines Pound's strategies for dealing with time and arrives at a persuasive reading of Pound's works in general and of the The Cantos in particular. By concentrating on a single theme and technique, the author demonstrates a coherence in the writing that elucidates the corpus for both the specialist and the casual reader.Originally published in 1977.A UNC Press Enduring Edition -- UNC Press Enduring Editions use the latest in digital technology to make available again books from our distinguished backlist that were previously out of print. These editions are published unaltered from the original, and are presented in affordable paperback formats, bringing readers both historical and cultural value.
Paradise Lost and the Making of English Literary Criticism (Routledge Studies in Renaissance Literature and Culture)
by David A. HarperParadise Lost and the Making of English Literary Criticism identifies the early reception of Paradise Lost as a site of contest over the place of literature in political and religious controversy. Milton’s earliest readers and critics (Dryden, Addison, Dennis, Hume, and Bentley) confronted a poem and author at odds with prevailing culture and the revanchist conservatism of the restored monarchy. Grappling with the epic required navigating Milton’s reputation as a “fanatick” who had called in print for Charles I’s execution, inveighed openly against monarchy on the eve of Charles II’s return, and held heretical views on the trinity, baptism, and divorce. Harper argues that foundational figures in English literary criticism rose to this challenge by innovating new ways of reading: producing creative (and subversive) rewritings of Paradise Lost, articulating new theories of the sublime, explaining the poem in the first substantial body of annotations for an English vernacular text, and by pioneering early forms of textual criticism and editing.
Paradise Lost and the Making of English Literary Criticism (Routledge Studies in Renaissance Literature and Culture)
by David A. HarperParadise Lost and the Making of English Literary Criticism identifies the early reception of Paradise Lost as a site of contest over the place of literature in political and religious controversy. Milton’s earliest readers and critics (Dryden, Addison, Dennis, Hume, and Bentley) confronted a poem and author at odds with prevailing culture and the revanchist conservatism of the restored monarchy. Grappling with the epic required navigating Milton’s reputation as a “fanatick” who had called in print for Charles I’s execution, inveighed openly against monarchy on the eve of Charles II’s return, and held heretical views on the trinity, baptism, and divorce. Harper argues that foundational figures in English literary criticism rose to this challenge by innovating new ways of reading: producing creative (and subversive) rewritings of Paradise Lost, articulating new theories of the sublime, explaining the poem in the first substantial body of annotations for an English vernacular text, and by pioneering early forms of textual criticism and editing.
