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Enrico; or, Byzantium Conquered: A Heroic Poem (The Other Voice in Early Modern Europe)
by Lucrezia MarinellaLucrezia Marinella (1571–1653) is, by all accounts, a phenomenon in early modernity: a woman who wrote and published in many genres, whose fame shone brightly within and outside her native Venice, and whose voice is simultaneously original and reflective of her time and culture. In Enrico; or, Byzantium Conquered, one of the most ambitious and rewarding of her numerous narrative works, Marinella demonstrates her skill as an epic poet. Now available for the first time in English translation, Enrico retells the story of the conquest of Byzantium in the Fourth Crusade (1202–04). Marinella intersperses historical events in her account of the invasion with numerous invented episodes, drawing on the rich imaginative legacy of the chivalric romance. Fast-moving, colorful, and narrated with the zest that characterizes Marinella’s other works, this poem is a great example of a woman engaging critically with a quintessentially masculine form and subject matter, writing in a genre in which the work of women poets was typically shunned.
Enrico; or, Byzantium Conquered: A Heroic Poem (The Other Voice in Early Modern Europe)
by Lucrezia MarinellaLucrezia Marinella (1571–1653) is, by all accounts, a phenomenon in early modernity: a woman who wrote and published in many genres, whose fame shone brightly within and outside her native Venice, and whose voice is simultaneously original and reflective of her time and culture. In Enrico; or, Byzantium Conquered, one of the most ambitious and rewarding of her numerous narrative works, Marinella demonstrates her skill as an epic poet. Now available for the first time in English translation, Enrico retells the story of the conquest of Byzantium in the Fourth Crusade (1202–04). Marinella intersperses historical events in her account of the invasion with numerous invented episodes, drawing on the rich imaginative legacy of the chivalric romance. Fast-moving, colorful, and narrated with the zest that characterizes Marinella’s other works, this poem is a great example of a woman engaging critically with a quintessentially masculine form and subject matter, writing in a genre in which the work of women poets was typically shunned.
Enrico; or, Byzantium Conquered: A Heroic Poem (The Other Voice in Early Modern Europe)
by Lucrezia MarinellaLucrezia Marinella (1571–1653) is, by all accounts, a phenomenon in early modernity: a woman who wrote and published in many genres, whose fame shone brightly within and outside her native Venice, and whose voice is simultaneously original and reflective of her time and culture. In Enrico; or, Byzantium Conquered, one of the most ambitious and rewarding of her numerous narrative works, Marinella demonstrates her skill as an epic poet. Now available for the first time in English translation, Enrico retells the story of the conquest of Byzantium in the Fourth Crusade (1202–04). Marinella intersperses historical events in her account of the invasion with numerous invented episodes, drawing on the rich imaginative legacy of the chivalric romance. Fast-moving, colorful, and narrated with the zest that characterizes Marinella’s other works, this poem is a great example of a woman engaging critically with a quintessentially masculine form and subject matter, writing in a genre in which the work of women poets was typically shunned.
Everything is Going to be All Right: Poems for When You Really Need Them
by VariousFrom grief to toothache, heartbreak to homesickness, the power of finding solace in the words of another cannot be overstated.Whether it was written 300 years ago or in our present day, poetry provides a comforting light in the dark. Words may not always provide solutions, but they can at the very least offer us a sense of hope, and the reassurance that we are not alone in our experiences and in our feelings.The Poetry First Aid Kit is a ready-made toolkit that offers you a light in the dark, no matter what you are feeling. Comprising poems from literary classics to new, cutting edge voices writing about the world today, this extraordinary collection proves that we are never alone in the suffering we endure, and in the human spirit's capacity to overcome.Whether you are well-versed in poetry or sceptical to the power it holds, we hope that this collection will surprise you, entertain, and ultimately offer comfort through those difficult days.Featuring poems from: Kae Tempest, Hollie McNish, Raymond Antrobus, Salena Godden, Theresa Lola, Maya Angelou, Emily Dickinson and many, many more.
Flashes of Fire: A Literary Analysis of the Song of Songs (The Library of Hebrew Bible/Old Testament Studies)
by Elie AssisThe essence of true love is in the yearning not in the consummation. This literary analysis of the Song of Songs employs the methods of New Criticism. Each analysis aims to uncover the messages conveyed by the poems and the inner world of the characters. The analysis brings to the fore the highly sophisticated and the original creativity of the love poetry of the Song of Songs. In the introduction, the question is posed as to whether the Song of Songs is an anthology or one literary whole. After discussing the strengths and weakness of the various approaches, the author proposes a novel structure for the Book predicated on the various genres of the love poems. Assis discerns poems of physical description, poems of adoration, and poems of yearning. In addition, he discerns what he takes to be a previously unrecognized genre, poems of rendezvous - a new structure which is based on a psychological understanding of passionate love is now discovered. One of the undisputed dominant features of passionate love is the longing for union with the beloved. Based on this premise, the book is divided into five sections, each of which ends with an attempt to unite or in a union. The structure of the book reflects an emotional and inner development in the psyche of the lovers and in the relationship between them. Throughout the book the interrelationships between the various genres of the love poems, and the development of the characters is spelled out
The Forms of Renaissance Thought: New Essays in Literature and Culture
by L. Barkan B. Cormack S. KeilenThis book addresses works of the European Renaissance as they relate both to the world of their origins and to a modern culture that turns to the early moderns for methodological provocation and renewal. It charts the most important developments in the field since the turn towards cultural and ideological features of the Renaissance imagination.
Four Quartets (PDF)
by T. S. EliotFour Quartets is the culminating achievement of T. S. Eliot's career as a poet. While containing some of the most musical and unforgettable passages in twentieth-century poetry, its four parts, 'Burnt Norton', 'East Coker', 'The Dry Salvages' and 'Little Gidding', present a rigorous meditation on the spiritual, philosophical and personal themes which preoccupied the author. It was the way in which a private voice was heard to speak for the concerns of an entire generation, in the midst of war and doubt, that confirmed it as an enduring masterpiece.
Furniture
by Lorraine MarinerLorraine Mariner has long been one of the less well-guarded secrets in UK poetry, and her many admirers will be delighted by the appearance of her first full-length collection. Sometimes reading like an unholy alliance of Dorothy Parker, Stevie Smith and Frank O’Hara – but more often like nothing the reader will have encountered before – Mariner’s poetry is sharp, quirky, disarming, disorientating, deceptively skilful and frequently hilarious. Her gift is to reveal how much of the everyday is purely surreal, and to articulate the strange and fleeting thoughts we often have, but rarely have the nerve or quick-wittedness to voice. Furniture is the work of an exciting and fresh new imagination in contemporary poetry.
The Georgics: A Poem of the Land
by Virgil Kimberly JohnsonOne of the greatest poems of the classical world, Virgil's Georgics is a glorious celebration of the eternal beauty of the natural world, now brought vividly to life in a powerful new translation.'Georgic' means 'to work the earth', and this poetic guide to country living combines practical wisdom on tending the land with exuberant fantasy and eulogies to the rhythms of nature. It describes hills strewn with wild berries in 'vine-spread autumn'; recommends watching the stars to determine the right time to plant seeds; and gives guidance on making wine and keeping bees. Yet the Georgics also tells of angry gods, bloody battles and a natural world fraught with danger from storms, pests and plagues. Expansive in its scope, lush in its language, this extraordinary work is at once a reflection on the cycles of life, death and rebirth, an argument for the nobility of labour and an impassioned reflection on the Roman Empire of Virgil's times. Kimberly Johnson's lyrical verse translation captures all the rich beauty and abundant imagery of the original, re-creating this ancient masterpiece for our times.
Grain
by John GlendayThough John Glenday has long been admired for his lyrically delicate and emotionally powerful poetry, he has remained something of a well-kept secret. His third collection, Grain, makes his singular talent available to a wider audience. Sometimes Glenday’s poems are forcefully direct; sometimes they are so quiet they feel as if they were composed within a capacious listening, as a form of secular prayer. Glenday’s seamless lyric can also disguise some wild and surreal tales: the Beauty and the Beast told in reverse, a bizarre list of new saints, or a can of peaches waiting for the invention of the tin-opener. However, the lasting impression is of a genuinely spiritual poet, one with the ability to turn every earthly detail towards the same clear light. Grain announces Glenday as an essential voice in contemporary poetry.
Haiku and Modernist Poetics
by Y. HakutaniThis book examines the genesis and development of haiku in Japan and traces its impact on modernist poetics. This study shows that the most pervasive East-West artistic, cultural, and literary exchange that has taken place in modern and postmodern times was in the reading and writing of haiku in the West. Hakutani roots Y.B Yeats symbolism in cross cultural visions; reveals Ezra Pound s imagism to have originated in haiku; and discusses some of the finest haiku written by Jack Kerouac, Richard Wright, Sonia Sanchez, and James Emanuel.
Hamish Henderson: The Making of the Poet (Hamish Henderson #1)
by Timothy NeatA biography of Hamish Henderson, well-known as a songwriter, a poet, and a pioneer in the field of Scottish folksong. This book assesses his place in the context of the twentieth century. It is based on interviews with those who knew Henderson both personally and professionally as well as research of published and unpublished sources.
Han Shan, Chan Buddhism and Gary Snyder's Ecopoetic Way (The Liverpool Library of Asian & Asian American Studies)
by Joan Qionglin TanThis book is a comparative study of the ninth-century Chinese poet and recluse Han Shan (Cold Mountain) and Gary Snyder, an American poet and environmental activist. Joan Tan explains how Chan Buddhism has the potential to be recognised as an important voice in contemporary ecopoetry. Mountain-seeing Chan/Zen theory and the nature -- Chan mirror are employed as aesthetic criteria to explicate the dual discourses -- spiritual and aesthetic -- which exist in Han Shan and Snyder's poetry and life work. Snyder's goal of establishing one ecosystem for all communities encouraged him to adopt Han Shan as an ideal (albeit Chinese mythical) model and Chan Buddhism as a global subculture representing environmental values. This book investigates how Snyder interweaves Chinese cultural sources in an eclectic way to impose a sense of place, a sense of mission and a sense of energy in his ecopoetry. His unique ideogrammatic method -- riprapping -- developed as a result of his literary indebtedness to the Oriental tradition, makes for a forceful statement on contemporary ecology. Through Snyder's successful translation, Han Shan has been revived as an immortal Beat Poet (Jack Kerouac features prominently in the chapters), while Cold Mountain has emerged as synonymous with enlightenment. Snyder himself has become an exemplary representative of an American Han Shan. The poetic line extending from Han Shan through to Chan/Zen to contemporary ecology is considered here as a continuum -- a continuum profoundly enhanced by Snyder's remarkable achievement of eco-wholeness -- the original goal of Han Shan in his ecopoetry. Complemented with full Chinese character text and Glossary.
Heine-Jahrbuch 2009: 48. Jahrgang
by Heinrich-Heine-Gesellschaft Heinrich-Heine-Institut Heinrich-Heine-Institut DüsseldorfAktuelle Forschungen zu Heine. Die Beiträge analysieren Heines Kontrastästhetik, seine geschichtskritische Konstruktion der Schrift und sein Verhältnis zur aufklärerischen Utopie. Weitere Themen sind Schuberts Heimkehr -Vertonungen und der i ka-Stoff im Vormärz. Mit den Ansprachen zur Verleihung des Heine-Preises 2008.
Hollywood & God (Phoenix Poets)
by Robert PolitoHollywood & God is a virtuosic performance, filled with crossings back and forth from cinematic chiaroscuro to a kind of unsettling desperation and disturbing—even lurid—hallucination. From the Baltimore Catechism to the great noir films of the last century to today’s Elvis impersonators and Paris Hilton (an impersonator of a different sort), Robert Polito tracks the snares, abrasions, and hijinks of personal identities in our society of the spectacle, a place where who we say we are, and who (we think) we think we are fade in and out of consciousness, like flickers of light dancing tantalizingly on the silver screen. Mixing lyric and essay, collage and narrative, memoir and invention, Hollywood & God is an audacious book, as contemporary as it is historical, as sly and witty as it is devastatingly serious.
Hollywood & God (Phoenix Poets)
by Robert PolitoHollywood & God is a virtuosic performance, filled with crossings back and forth from cinematic chiaroscuro to a kind of unsettling desperation and disturbing—even lurid—hallucination. From the Baltimore Catechism to the great noir films of the last century to today’s Elvis impersonators and Paris Hilton (an impersonator of a different sort), Robert Polito tracks the snares, abrasions, and hijinks of personal identities in our society of the spectacle, a place where who we say we are, and who (we think) we think we are fade in and out of consciousness, like flickers of light dancing tantalizingly on the silver screen. Mixing lyric and essay, collage and narrative, memoir and invention, Hollywood & God is an audacious book, as contemporary as it is historical, as sly and witty as it is devastatingly serious.
Hollywood & God (Phoenix Poets)
by Robert PolitoHollywood & God is a virtuosic performance, filled with crossings back and forth from cinematic chiaroscuro to a kind of unsettling desperation and disturbing—even lurid—hallucination. From the Baltimore Catechism to the great noir films of the last century to today’s Elvis impersonators and Paris Hilton (an impersonator of a different sort), Robert Polito tracks the snares, abrasions, and hijinks of personal identities in our society of the spectacle, a place where who we say we are, and who (we think) we think we are fade in and out of consciousness, like flickers of light dancing tantalizingly on the silver screen. Mixing lyric and essay, collage and narrative, memoir and invention, Hollywood & God is an audacious book, as contemporary as it is historical, as sly and witty as it is devastatingly serious.
Hopkins and Heidegger (Continuum Literary Studies)
by Brian WillemsHopkins and Heidegger is a new exploration of Gerard Manley Hopkins' poetics through the work of Martin Heidegger. More radically, Brian Willems argues that the work of Hopkins does no less than propose solutions to a number of hitherto unresolved questions regarding Heidegger's later writings, vitalizing the concepts of both writers beyond their local contexts. Willems examines a number of cross-sections between the poetry and thought of Hopkins and the philosophy of Heidegger. While neither writer ever directly addressed the other's work - Hopkins died the year Heidegger was born, 1899, and Heidegger never turns his thoughts on poetry to the Victorians - a number of similarities between the two have been noted but never fleshed out. Willems' readings of these cross-sections are centred on Hopkins' concepts of 'inscape' and 'instress' and around Heidegger's reading of both appropriation (Ereignis) and the fourfold (das Geviert). This study will be of interest to scholars and postgraduates in both Victorian literature and Continental philosophy.
Hopkins and Heidegger (Continuum Literary Studies #191)
by Brian WillemsHopkins and Heidegger is a new exploration of Gerard Manley Hopkins' poetics through the work of Martin Heidegger. More radically, Brian Willems argues that the work of Hopkins does no less than propose solutions to a number of hitherto unresolved questions regarding Heidegger's later writings, vitalizing the concepts of both writers beyond their local contexts. Willems examines a number of cross-sections between the poetry and thought of Hopkins and the philosophy of Heidegger. While neither writer ever directly addressed the other's work - Hopkins died the year Heidegger was born, 1899, and Heidegger never turns his thoughts on poetry to the Victorians - a number of similarities between the two have been noted but never fleshed out. Willems' readings of these cross-sections are centred on Hopkins' concepts of 'inscape' and 'instress' and around Heidegger's reading of both appropriation (Ereignis) and the fourfold (das Geviert). This study will be of interest to scholars and postgraduates in both Victorian literature and Continental philosophy.
Howl, Kaddish and Other Poems (Penguin Modern Classics)
by Allen GinsbergAllen Ginsberg was the bard of the beat generation, and Howl, Kaddish and Other Poems is a collection of his finest work published in Penguin Modern Classics, including 'Howl', whose vindication at an obscenity trial was a watershed moment in twentieth-century history.'I saw the best minds of my generation destroyed by madness, starving hysterical naked'Beat movement icon and visionary poet, Allen Ginsberg broke boundaries with his fearless, pyrotechnic verse. This new collection brings together the famous poems that made his name as a defining figure of the counterculture. They include the apocalyptic 'Howl', which became the subject of an obscenity trial when it was first published in 1956; the moving lament for his dead mother, 'Kaddish'; the searing indictment of his homeland, 'America'; and the confessional 'Mescaline'. Dark, ecstatic and rhapsodic, they show why Ginsberg was one of the most influential poets of the twentieth century.Allen Ginsberg (1926-97) was an American poet, best known for the poem 'Howl' (1956), celebrating his friends of the Beat Generation and attacking what he saw as the destructive forces of materialism and conformity in the United States at the time. He was inducted into the American Academy of Arts and Letters, was awarded the medal of Chevalier de l'Ordre des Arts et des Lettres by the French Minister of Culture, won the National Book Award for The Fall of America and was a co-founder of the Jack Kerouac School of Disembodied Poetics at the Naropa Institute, the first accredited Buddhist college in the Western world.If you enjoyed Howl, Kaddish and Other Poems, you might like Jack Kerouac's On the Road, also available in Penguin Modern Classics.'The poem that defined a generation'Guardian on 'Howl''He avoids nothing but experiences it to the hilt'William Carlos Williams
Hugo Chávez and the Bolivarian Revolution: Populism and democracy in a globalised age
by Barry CannonThe emergence of Hugo Chávez in Venezuela has revived analysis of one of Latin America’s most enduring political traditions – populism. Yet Latin America has changed since the heyday of Perón and Evita. Globalisation, implemented through harsh IMF inspired Structural Adjustment Programmes, has taken hold throughout the region and democracy is supposedly the ‘only game in town’. This book examines the phenomenon that is Hugo Chávez within these contexts, assessing to what extent his government fits into established ideas on populism in Latin America. The book also provides a comprehensive and critical analysis of Chávez’s emergence, his government’s social and economic policies, its foreign policy, as well as assessing the charges of authoritarianism brought against him. Written in clear, accessible prose, the book carries debate beyond current polarised views on the Venezuelan president, to consider the prospects of the new Bolivarian model surviving beyond its leader and progenitor, Hugo Chávez.
Hugo Chávez and the Bolivarian Revolution: Populism and democracy in a globalised age
by Barry CannonThe emergence of Hugo Chávez in Venezuela has revived analysis of one of Latin America’s most enduring political traditions – populism. Yet Latin America has changed since the heyday of Perón and Evita. Globalisation, implemented through harsh IMF inspired Structural Adjustment Programmes, has taken hold throughout the region and democracy is supposedly the ‘only game in town’. This book examines the phenomenon that is Hugo Chávez within these contexts, assessing to what extent his government fits into established ideas on populism in Latin America. The book also provides a comprehensive and critical analysis of Chávez’s emergence, his government’s social and economic policies, its foreign policy, as well as assessing the charges of authoritarianism brought against him. Written in clear, accessible prose, the book carries debate beyond current polarised views on the Venezuelan president, to consider the prospects of the new Bolivarian model surviving beyond its leader and progenitor, Hugo Chávez.
The Hunt in the Forest
by John BurnsideTaking its title from Uccello's famous painting of a band of men - on foot and on horseback - massing for the chase, John Burnside's new poems take us on a journey out of the light and into the darkness, where we may just as easily lose ourselves as find what we are looking for. In these poems of hunting and predation, Burnside explores our most deep-rooted and primeval pursuits: romantic love, memory, selfhood, grief, the recollection of the dead. Yet just as we seek, so are we sought out: at any moment we may slide into loss or be gathered in by some otherworldly light; at any moment, the angel of the annunciation may seek us out and demand some astonishing transformation. Even in the pursuit of love, or in the exercise of memory, we fall into snares and become entangled in veils; just as we are always on the point of discovery, so we are always a hair's-breadth away from being lost. Concerned with love and mourning, with what we discover and what remains hidden - with learning how to follow the trail through the forest and find the way home - above all, these poems are about the quest: knowing that whatever we bring back from the hunt, it is always hard-won and never fully our own.With this extraordinary collection of fleet and deftly beautiful poems, John Burnside confirms his place at the forefront of writing, as one of a handful of truly important British poets working today.
The Iliad
by Martin MuellerNo Western text boasts a life as long as the "Iliad", and few can match its energy and glory. This introduction to Homer's poem sees it as rooted in a particular culture with narrative and thematic conventions that are only partly explained by assumptions about the properties of oral poetry. Professor Mueller follows Plato and Aristotle in seeing the plot of the "Iliad" as a distinctly Homeric 'invention' which shaped Attic tragedy and the concept of dramatic action in Western literature. In this second edition the text has been revised in many places, and a new chapter on Homeric repetitions has been added.
In the Forest of Faded Wisdom: 104 Poems by Gendun Chopel, a Bilingual Edition (Buddhism and Modernity)
by Gendun ChopelIn a culture where poetry is considered the highest form of human language, Gendun Chopel is revered as Tibet’s greatest modern poet. Born in 1903 as British troops were preparing to invade his homeland, Gendun Chopel was identified at any early age as the incarnation of a famous lama and became a Buddhist monk, excelling in the debating courtyards of the great monasteries of Tibet. At the age of thirty-one, he gave up his monk’s vows and set off for India, where he would wander, often alone and impoverished, for over a decade. Returning to Tibet, he was arrested by the government of the young Dalai Lama on trumped-up charges of treason, emerging from prison three years later a broken man. He died in 1951 as troops of the People’s Liberation Army marched into Lhasa. Throughout his life, from his childhood to his time in prison, Gendun Chopel wrote poetry that conveyed the events of his remarkable life. In the Forest of Faded Wisdom is the first comprehensive collection of his oeuvre in any language, assembling poems in both the original Tibetan and in English translation. A master of many forms of Tibetan verse, Gendun Chopel composed heartfelt hymns to the Buddha, pithy instructions for the practice of the dharma, stirring tributes to the Tibetan warrior-kings, cynical reflections on the ways of the world, and laments of a wanderer, forgotten in a foreign land. These poems exhibit the technical skill—wordplay, puns, the ability to evoke moods of pathos and irony—for which Gendun Chopel was known and reveal the poet to be a consummate craftsman, skilled in both Tibetan and Indian poetics. With a directness and force often at odds with the conventions of belles lettres, this is a poetry that is at once elegant and earthy. In the Forest of Faded Wisdom is a remarkable introduction to Tibet’s sophisticated poetic tradition and its most intriguing twentieth-century writer.