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Why Brownlee Left
by Paul MuldoonWhy Brownlee Left, Paul Muldoon's third collection, was published in 1980.
Quoof
by Paul Muldoon'These poems delight in a wily, mischievous, nonchalant negotiation between the affections and attachments of Muldoon's own childhood, family and place, and the ironic discriminations of a cool literary sensibility and historical awareness.' Times Literary Supplement
Meeting the British
by Paul MuldoonMeeting the British is Paul Muldoon's fifth collection of poems. They range from an account of the first recorded case of germ wafare, though a meditation on a bar of soap, to a sequence of monologues spoken by some of the famous, or infamous, inhabitants of '7, Middagh Street,', New York, on Thanksgiving Day, 1940.
The Annals of Chile
by Paul MuldoonThe Annals of Chile is Paul Muldoon's seventh collection of poems and contains, amongst other things, celebrations of the birth of his daughter, a plangent and frankly personal lament fo the artist Mary Farl Powers, and a long fantasy invoking the world of boys' adventure stories, over which the poet's mother presides as a benign influence.
New Selected Poems: 1968-1994
by Paul MuldoonBetween New Weather (1973), which Seamus Heaney said marked its author as 'the most promising poet to appear in Ireland for years', and The Annals of Chile, which was awarded the T. S. Eliot Prize for the best book of poems of 1994, Paul Muldoon amassed an incomparable body of work. New Selected Poems 1968-1994 offers the author's own choice from his first seven Faber collections, his pamphlets and his opera libretto Shining Brow, and serves as the ideal introduction for readers not yet familiar with his superabundant gifts.'The most significant English-language poet born since the Second World War.' Times Literary Supplement
Hay: Poems (Faber Poetry Ser.)
by Paul MuldoonPaul Muldoon's collection Hay refines, and re-defines, a lyrical strain in which an ostensible lightness of touch still has the strength to bear the weightiest subject matter. At once conventional and cutting edge, beautiful and bleak, Hay is a book that demonstrates fully the range of Muldoon's poetic intelligence and imagination.
Bandanna
by Paul MuldoonFollowing his highly-praised Shining Brow (1993), which was also written as an opera libretto for the American composer Daron Aric Hagen, Paul Muldoon's Bandanna takes us into very different territory. Its action is set in a small town on the Mexican border; it includes illegal immigrants and corrupt law officers among its dramatis personae; but at its heart is an old-fashioned tale of sexual jealousy and murderous revenge. The drama is powered by a strong emotional thrust, most of it conveyed in the form of popular song, and leading to a devastating climax. Bandanna demonstrates yet again the ever-increasing range of this most versatile of poets.
Poems 1968-1998
by Paul Muldoon'Thirty years of work from "the most significant English-language poet born since the second world war.'The Times Literary Supplement
Moy Sand and Gravel: Poems
by Paul MuldoonWINNER OF THE PULITZER PRIZE FOR POETRY 2003Paul Muldoon's ninth collection of poems, his first since Hay (1998), finds him working a rich vein that extends from the rivery, apple-heavy County Armagh of the 1950s, where he was brought up, to suburban New Jersey, on the banks of a canal dug by Irish navvies, where he now lives. Grounded, glistening, as gritty as they are graceful, these poems seem capable of taking in almost anything, and anybody, be it a Tuareg glimpsed on the Irish border, Bessie Smith, Marilyn Monroe, Queen Elizabeth I, a hunted hare, William Tell, William Butler Yeats, Sitting Bull, Ted Hughes, an otter, a fox, Mr and Mrs Stanley Joscelyne, an unearthed pit pony, a loaf of bread, an outhouse, a killdeer, Oscar Wilde, or a flock of redknots. At the heart of the book is an elegy for a miscarried child, and that elegiac tone predominates, particularly in the elegant remaking of Yeats's 'A Prayer for My Daughter' with which the book concludes, where a welter of traffic signs and slogans, along with the spirits of admen, hardware storekeepers, flim-flammers, fixers and other forebears, are borne along by a hurricane-swollen canal, and private grief coincides with some of the gravest matter of our age.
Shining Brow
by Paul MuldoonOriginally commissioned by Madison Opera as a libretto for American composer Daron Aric Hagen, Shining Brow can be read as a dramatic poem in its own right. Displaying all the structural ingenuity and subtle resonance that have marked Paul Muldoon as the most influential poet of his generation, it tells, with suitable bravura, the story of architectural genius Frank Lloyd Wright and his catastrophic affair with the wife of a wealthy client.
Look We Have Coming to Dover!
by Daljit NagraLook We Have Coming to Dover! is the most acclaimed debut collection of poetry published in recent years, as well as one of the most relevant and accessible. Nagra, whose own parents came to England from the Punjab in the 1950s, draws on both English and Indian-English traditions to tell stories of alienation, assimilation, aspiration and love, from a stowaway's first footprint on Dover Beach to the disenchantment of subsequent generations.
Woods etc.
by Alice OswaldWoods etc. is Alice Oswald's third collection of poems, and follows the success of her widely acclaimed river-poem Dart, which was awarded the T. S. Eliot Prize in 2002. Extending the concerns of Dart and written over a period of several years, these poems combine abrupt honesty with an exuberant rhetorical confidence, at times recalling the oral and anonymous tradition with which they share such affinity.
The Thing in the Gap Stone Stile (Oxford Poets Ser.)
by Alice OswaldPOETRY BOOK SOCIETY CHOICEThe Thing in the Gap-Stone Stile, Alice Oswald's first collection of poems, announced the arrival of a distinctive new voice. Shortlisted for the T. S. Eliot Prize, the book introduced readers to her meditative, intensely musical style, and her breath-taking gift for visionary writing.'The poetry of Alice Oswald arrives like a zephyr . . . a fresh and exciting first collection.' Kathleen Jamie, Times Literary Supplement'an inspired debut of lightly-worn wisdom and verbal panache.' John Fuller'Alice Oswald throws the windows of the imagination open; she places a fingertip on the pulse of tradition, and proves it is still very much alive.' The Times
Weeds and Wild Flowers
by Alice OswaldWeeds and Wild Flowers is a magical meeting of the poems of Alice Oswald and the etchings of Jessica Greenman. Within its pages everyday flora take on an extraordinary life, jostling tragically at times, at times comically, for a foothold in a busying world. Stunningly visualised and skilfully animated, this imaginative collaboration beckons us toward a landscape of botanical characters, and invites us to see ourselves among them.
A Sleepwalk on the Severn
by Alice Oswald'This is not a play. This is a poem in several registers, set at night on the Severn Estuary. Its subject is moonrise, which happens five times in five different forms: new moon, half moon, full moon, no moon and moon reborn. Various characters, some living, some dead, all based on real people from the Severn catchment, talk towards the moment of moonrise and are changed by it. The poem, which was written for the 2009 festival of the Severn, aims to record what happens when the moon moves over us - its effect on water and its effect on voices.'Alice OswaldA Sleepwalk on the Severn is a poem for several voices, set at night on the Severn Estuary. Its subject is moonrise, which happens five times in five different forms: new moon, half moon, full moon, no moon and moon reborn. Various characters, some living, some dead - all based on real people from the Severn catchment - talk towards the moment of moonrise and are changed by it. Commissioned for the 2009 festival of the Severn, Alice Oswald's breathtakingly original new work aims to record what happens when the moon moves over the sublunary world: its effect on water and its effect on language.
The Secret Life of Poems: A Poetry Primer (Faber Poetry Ser.)
by Tom PaulinThe Secret Life of Poems is a primer which offers a poem - or on occasion an excerpt - succeeding with commentary in which rhythm, form, metre and sources are the order of the day, not ethical commentary or descriptive paraphrase. This brief engagement with forty-seven poems is intended for students and readers of poetry, and seeks to explain how poetry works by bringing into view the hidden order of specific poems.
Seize the Fire: A Version of Aeschylus's 'Prometheus Bound'
by Tom PaulinAfter the success of The Riot Act, his version of Sophocles's Antigone, Tom Paulin turned his formidable powers of transformation on Aeschylus's Prometheus Bound. Commissioned by the Open University, Paulin produced a reworking of the myth, deploying a fluent and sinewy diction laced with the vernacular. As drama it is a brilliant object lesson in what is inessential. Plot and character, even action, are secondary to a gripping, inventive and quasi-futuristic treatment of burning contemporary issues - feminism, the corruption of power and authoritarian politics.
Selected Poems 1972-1990
by Tom PaulinThis book offers Tom Paulin's own choice from his first four collections of poems, A State of Justice, The Strange Museum, Liberty Tree and Fivemiletown, and from Seize the Fire, his version of Aeschylus's Prometheus Bound. It introduces the new reader to a body of work distinguished from the outset by its intelligence, toughness and lyrical grace.
Walking a Line
by Tom PaulinA collection of poems by Tom Paulin, who is also known as an essayist and from his appearances on television and radio. The title of the book is taken from a statement by the modernist painter Paul Klee.
The Wind Dog
by Tom PaulinThe 'wind dog' is a broken rainbow, but, in the title poem of Tom Paulin's sixth collection, it provides this most agile of poets with a perfect bridge into childhood and its 'lingo-jingo of beginnings'. The poem is a gloriously singing meditation on the life of the ear - 'the only true reader' - and the meaning and music of both words and pre-verbal sounds are a recurring theme in this rich, cogent and prosodically adventurous volume.
Fivemiletown
by Tom Paulin'To say that [Fivemiletown] was one of the best books of the Eighties isn't enough: it is one of the best books I know, or for that matter, am capable of imagining: a corrosive and uproarious litany of bad sex, bad politics and bad religion.' Michael Hofmann
The Road to Inver: Translations, Versions, Imitations
by Tom PaulinThe Road to Inver gathers the verse translations of Tom Paulin from four decades, and brings together distinguished versions of classical and European poets which have appeared in his previous collections, from Liberty Tree (1983) to The Wind Dog (1999). But The Road to Inver also includes dozens of new and recent translations from the European canon; it is at once a new volume of poetry by Tom Paulin and a personal anthology of European poetry, ranging from Horace to Heine and covering a surprising range of French, German, Russian and Italian poets. The Road to Inver is the richest collection of its kind since Robert Lowell's Imitations.
Collected Poems (PDF)
by Sylvia Plath Ted HughesThis comprehensive volume contains all Sylvia Plath's mature poetry written from 1956 up to her death in 1963. The poems are drawn from the only collection Plath published while alive, The Colossus, as well as from posthumous collections Ariel, Crossing the Water and Winter Trees. The text is preceded by an introduction by Ted Hughes and followed by notes and comments on individual poems. There is also an appendix containing fifty poems from Sylvia Plath's juvenilia. This collection was awarded the 1981 Pulitzer Prize for poetry. 'For me, the most important literary event of 1981 has been the publication, eighteen years after her death, of Sylvia Plath's Collected Poems, confirming her as one of the most powerful and lavishly gifted poets of our time. ' A. Alvarez in the Observer
Collected Poems (Colophon Bks. #Vol. 900)
by Sylvia PlathThis comprehensive volume contains all Sylvia Plath's mature poetry written from 1956 up to her death in 1963. The poems are drawn from the only collection Plath published while alive, The Colossus, as well as from posthumous collections Ariel, Crossing the Water and Winter Trees.The text is preceded by an introduction by Ted Hughes and followed by notes and comments on individual poems. There is also an appendix containing fifty poems from Sylvia Plath's juvenilia.This collection was awarded the 1981 Pulitzer Prize for poetry.'For me, the most important literary event of 1981 has been the publication, eighteen years after her death, of Sylvia Plath's Collected Poems, confirming her as one of the most powerful and lavishly gifted poets of our time.' A. Alvarez in the Observer
Ariel: A Facsimile Of Plath's Manuscript, Reinstating Her Original Selection And Arrangement (P. S. Ser.)
by Sylvia PlathUpon the publication of her posthumous volume of poetry Ariel in 1965, Sylvia Plath became a household name. Readers may be surprised to learn that the draft of Ariel left behind by Plath when she died in 1963 is different from the volume of poetry eventually published to worldwide acclaim.This facsimile edition restores, for the first time, the selection and arrangement of the poems Sylvia Plath left at the point of her death. In addition to the facsimile pages of Sylvia Plath's manuscript, this edition also includes in facsimile the complete working drafts of the title poem 'Ariel' in order to offer a sense of Plath's creative process, as well as notes the author made for the BBC about some of the manuscript's poems, including 'Daddy' and 'Lady Lazarus'In her insightful foreword to this volume, Frieda Hughes, Sylvia Plath's daughter, explains the reasons for the differences between the previously published edition of Ariel as edited by her father, Ted Hughes, and her mother's original version published here. With this publication, Sylvia Plath's legacy and vision will be reevaluated in the light of her original working draft.