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The Essential Ginsberg (Penguin Modern Classics)
by Allen GinsbergVisionary poet Allen Ginsberg was one of the most influential cultural and literary figures of the 20th century, his face and political causes familiar to millions who had never even read his poetry. And yet he is a figure that remains little understood, especially how a troubled young man became one of the intellectual and artistic giants of the postwar era. He never published an autobiography or memoirs, believing that his body of work should suffice. The Essential Ginsberg attempts a more intimate and rounded portrait of this iconic poet by bringing together for the first time his most memorable poetry but also journals, music, photographs and letters, much of it never before published.
Howl, Kaddish and Other Poems (Penguin Modern Classics)
by Allen GinsbergAllen Ginsberg was the bard of the beat generation, and Howl, Kaddish and Other Poems is a collection of his finest work published in Penguin Modern Classics, including 'Howl', whose vindication at an obscenity trial was a watershed moment in twentieth-century history.'I saw the best minds of my generation destroyed by madness, starving hysterical naked'Beat movement icon and visionary poet, Allen Ginsberg broke boundaries with his fearless, pyrotechnic verse. This new collection brings together the famous poems that made his name as a defining figure of the counterculture. They include the apocalyptic 'Howl', which became the subject of an obscenity trial when it was first published in 1956; the moving lament for his dead mother, 'Kaddish'; the searing indictment of his homeland, 'America'; and the confessional 'Mescaline'. Dark, ecstatic and rhapsodic, they show why Ginsberg was one of the most influential poets of the twentieth century.Allen Ginsberg (1926-97) was an American poet, best known for the poem 'Howl' (1956), celebrating his friends of the Beat Generation and attacking what he saw as the destructive forces of materialism and conformity in the United States at the time. He was inducted into the American Academy of Arts and Letters, was awarded the medal of Chevalier de l'Ordre des Arts et des Lettres by the French Minister of Culture, won the National Book Award for The Fall of America and was a co-founder of the Jack Kerouac School of Disembodied Poetics at the Naropa Institute, the first accredited Buddhist college in the Western world.If you enjoyed Howl, Kaddish and Other Poems, you might like Jack Kerouac's On the Road, also available in Penguin Modern Classics.'The poem that defined a generation'Guardian on 'Howl''He avoids nothing but experiences it to the hilt'William Carlos Williams
Television Was a Baby Crawling Toward That Deathchamber (Penguin Modern)
by Allen Ginsberg'Wives in the avocados, babies in the tomatoes!-and you, García Lorca, what were you doing by the watermelons?'Profane and prophetic verses about sex, death, revolution and America by the great icon of Beat poetry.Penguin Modern: fifty new books celebrating the pioneering spirit of the iconic Penguin Modern Classics series, with each one offering a concentrated hit of its contemporary, international flavour. Here are authors ranging from Kathy Acker to James Baldwin, Truman Capote to Stanislaw Lem and George Orwell to Shirley Jackson; essays radical and inspiring; poems moving and disturbing; stories surreal and fabulous; taking us from the deep South to modern Japan, New York's underground scene to the farthest reaches of outer space.
The Language of Siegfried Sassoon (Palgrave Studies in Language, Literature and Style)
by Marcello GiovanelliThis book presents a cognitive stylistic analysis of the writing of Siegfried Sassoon, a First World War poet who has typically been perceived as a poet of protest and irony, but whose work is in fact multi-faceted and complex in theme and shifted in style considerably throughout his lifetime. The author starts from the premise that a more systematic account of Sassoon’s style is possible using the methodology of contemporary stylistics, in particular Cognitive Grammar. Using this as a starting point, he revisits common ideas from Sassoon scholarship and reconfigures them through the lens of cognitive stylistics to provide a fresh perspective on Sassoon's style. This book will be of interest to students and scholars of stylistics, war poetry, twentieth-century literature, and cognitive linguistics.
Text World Theory and Keats' Poetry: The Cognitive Poetics of Desire, Dreams and Nightmares (Advances in Stylistics)
by Marcello GiovanelliText World Theory and Keats' Poetry applies advances in cognitive poetics and text world theory to four poems by the nineteenth century poet John Keats. It takes the existing text world theory as a starting point and draws on stylistics, literary theory, cognitive linguistics, cognitive psychology and dream theories to explore reading poems in the light of their emphasis on states of desire, dreaming and nightmares. It accounts for the representation of these states and the ways in which they are likely to be processed, monitored and understood. Text World Theory and Keats' Poetry advances both the current field of cognitive stylistics but also analyses Keats in a way that offers new insights into his poetry. It is of interest to stylisticians and those in literary studies.
Text World Theory and Keats' Poetry: The Cognitive Poetics of Desire, Dreams and Nightmares (Advances in Stylistics)
by Marcello GiovanelliText World Theory and Keats' Poetry applies advances in cognitive poetics and text world theory to four poems by the nineteenth century poet John Keats. It takes the existing text world theory as a starting point and draws on stylistics, literary theory, cognitive linguistics, cognitive psychology and dream theories to explore reading poems in the light of their emphasis on states of desire, dreaming and nightmares. It accounts for the representation of these states and the ways in which they are likely to be processed, monitored and understood. Text World Theory and Keats' Poetry advances both the current field of cognitive stylistics but also analyses Keats in a way that offers new insights into his poetry. It is of interest to stylisticians and those in literary studies.
Poems: 1968-2020 (Penguin Modern Classics)
by Nikki GiovanniA major new career-spanning selection from one of the world’s foremost poets, an international treasure, from 1968 to the present day Nikki Giovanni's poetry has dazzled and inspired readers for more than sixty years. When she first emerged from the Black Arts Movement in the late 1960s, she immediately became one of the most celebrated and controversial poets of the era. Now considered a living legend, this is the first new selection since the late 1990s and offers readers a chance to be introduced to and to celebrate her incredible lifetime's work.Giovanni’s poetry has always been a powerful expression of her ideas about love, race, politics and gender, but part of that power has also been the sensitive and intimate way Giovanni is able to bring to light the heart and soul of herself and her readers. Giovanni's poetry speaks from and to the Black experience, with Black love, Black struggle and Black joy at the centre. Arranged chronologically and spanning the entirety of her career, this selection charts not only the development of a great poet but also of sixty years of American life, bringing together motherhood and revolution, political dreams and great loves, men, women, children and community, and shows Giovanni at her essential, profound best.
Negro Mountain (Phoenix Poets)
by C. S. GiscombeA cross-genre poetry collection that troubles the idea of poetic voice while considering history, biology, the shamanistic, and the shapes of racial memory. In the final section of Negro Mountain, C. S. Giscombe writes, “Negro Mountain—the summit of which is the highest point in Pennsylvania—is a default, a way among others to think about the Commonwealth.” Named for an “incident” in which a Black man was killed while fighting on the side of white enslavers against Indigenous peoples in the eighteenth century, this mountain has a shadow presence throughout this collection; it appears, often indirectly, in accounts of visions, reimaginings of geography, testimonies about the “natural” world, and speculations and observations about race, sexuality, and monstrosity. These poems address location, but Giscombe—who worked for ten years in central Pennsylvania—understands location to be a practice, the continual “action of situating.” The book weaves through the ranges of thinking that poetic voice itself might trouble. Addressing a gallery of figures, Giscombe probes their impurities and ambivalences as a way of examining what languages “count” or “don’t count” as poetry. Here, he finds that the idea of poetry is visionary, but also investigatory and exploratory.
Stars in Jars: New and Collected Poems by Chrissie Gittins
by Chrissie GittinsA wonderful collection of new poems and old favourites, some funny and some serious, by a talented children's poet. Covering almost two decades of Chrissie Gittins's best work, this collection will appeal to anyone who loves words and what they can do. With charming line illustrations by Calef Brown, this is a delightful selection to get children thinking, reading and rhyming.
Stars in Jars: New and Collected Poems by Chrissie Gittins
by Chrissie GittinsA wonderful collection of new poems and old favourites, some funny and some serious, by a talented children's poet. Covering almost two decades of Chrissie Gittins's best work, this collection will appeal to anyone who loves words and what they can do. With charming line illustrations by Calef Brown, this is a delightful selection to get children thinking, reading and rhyming.
Fierce Elegy (Wesleyan Poetry Series)
by Peter GizziPeter Gizzi has said that "the elegy is a mode that can transform a broken heart in a fierce world into a fierce heart in a broken world." For Gizzi, ferocity can be reimagined as vulnerability, bravery and discovery, a braiding of emotional and otherworldly depth, "a holding open." In Gizzi's voice joy and sorrow make a complex ecosystem. In their quest for a lyric reality, these poems remind us that elegy is lament but also—as it has been for centuries—a work of love. "This new poetry," Kamau Brathwaite has written about Gizzi, "taking such care of temperature—the time & details of the world—meaning the space(s) in which we live—defining love in this way. Writing along the edge. A way of writing about hope." [sample poem] Creely Song all that is lovely in words, even if gone to pieces all that is lovely gone, all of it for love and autobiography as if I were writing thishello, listen the plan is the body and all of it for love now in pieces all that is lovely echoes still in life & death still memory gardens open onto windows lovely, the charm that mirrors all that was, all that is, lovely in a song
I entered without words: Poems (Princeton Series of Contemporary Poets #168)
by Jody GladdingAn innovative and inviting book of poems about the places where language and landscape convergeIn this strongly visual and environmentally engaged collection, award-winning poet and translator Jody Gladding explores landscape as a source of language in lyrics that operate as physical acts in three-dimensional space.Composed and printed in a landscape format, these minimal, quiet, playful, meditative, and open-ended poems are experimental in form and inviting in subject. Drawing inspiration from poets like A. R. Ammons, Lorine Niedecker, Gustaf Sobin, and Jean Valentine, and visual artists like Ann Hamilton, Roni Horn, and Cecilia Vicuña, Gladding discovers exciting spatial possibilities within the page itself by exploiting white space and varying typefaces. As the page opens into the compositional field that Mallarmé, Ponge, and others conceived it to be, words constellate around bolded through lines to offer multiple, interwoven meanings, interacting with each other and the reader, who moves freely among them, to make poems that are spatial, nonlinear, and different with each reading. And, adding yet another dimension to the collection, many of the poems have facing-page French versions.“Landscape-oriented” in every sense, I entered without words is an ambitious, innovative, and striking collection by a major poet.
Songs in Dark Times: Yiddish Poetry Of Struggle From Scottsboro To Palestine
by Amelia M. GlaserA probing reading of leftist Jewish poets who, during the interwar period, drew on the trauma of pogroms to depict the suffering of other marginalized peoples.Between the world wars, a generation of Jewish leftist poets reached out to other embattled peoples of the earth—Palestinian Arabs, African Americans, Spanish Republicans—in Yiddish verse. Songs in Dark Times examines the richly layered meanings of this project, grounded in Jewish collective trauma but embracing a global community of the oppressed.The long 1930s, Amelia M. Glaser proposes, gave rise to a genre of internationalist modernism in which tropes of national collective memory were rewritten as the shared experiences of many national groups. The utopian Jews of Songs in Dark Times effectively globalized the pogroms in a bold and sometimes fraught literary move that asserted continuity with anti-Arab violence and black lynching. As communists and fellow travelers, the writers also sought to integrate particular experiences of suffering into a borderless narrative of class struggle. Glaser resurrects their poems from the pages of forgotten Yiddish communist periodicals, particularly the New York–based Morgn Frayhayt (Morning Freedom) and the Soviet literary journal Royte Velt (Red World). Alongside compelling analysis, Glaser includes her own translations of ten poems previously unavailable in English, including Malka Lee’s “God’s Black Lamb,” Moyshe Nadir’s “Closer,” and Esther Shumiatsher’s “At the Border of China.”These poets dreamed of a moment when “we” could mean “we workers” rather than “we Jews.” Songs in Dark Times takes on the beauty and difficulty of that dream, in the minds of Yiddish writers who sought to heal the world by translating pain.
Radical Writing on Women, 1800–1850: An Anthology
by K. GleadleNudism, playgroups, pre-marital agreements, male breast-feeding - these are just some of the startling proposals for women's emancipation discovered in this unique anthology. A fascinating collection, it brings together the many diverse political extents of early nineteenth-century British feminism, as well as representing the works of literary figures such as Shelley, Tennyson and the Brontes. Complete with an extensive bibliography, biographical index and illuminating contextualization, it will provide an invaluable tool for scholars and students of feminism, women's history, and early nineteenth-century literature.
The Golden Mean
by John GlendayAfter the success of Grain (shortlisted for the Griffin Poetry Prize, poetry's most prestigious international award) John Glenday returns with The Golden Mean.Glenday's poetry - once something of a closely guarded secret - now has many devotees, and this new book shows why: Glenday's mastery of the short translucent lyric and his unashamed and direct concern with matters of the spirit, of love, of human nature and natural law - means he can often read as a Spanish or East European poet in immaculate translation. But for all its apparently weightless and aerodynamic grace, Glenday's poetry can be playful, experimental and occasionally even surreal, and his voice local and intimate.The Golden Mean shows Glenday's full range, and a poet at the height of his imaginative powers.
Grain
by John GlendayThough John Glenday has long been admired for his lyrically delicate and emotionally powerful poetry, he has remained something of a well-kept secret. His third collection, Grain, makes his singular talent available to a wider audience. Sometimes Glenday’s poems are forcefully direct; sometimes they are so quiet they feel as if they were composed within a capacious listening, as a form of secular prayer. Glenday’s seamless lyric can also disguise some wild and surreal tales: the Beauty and the Beast told in reverse, a bizarre list of new saints, or a can of peaches waiting for the invention of the tin-opener. However, the lasting impression is of a genuinely spiritual poet, one with the ability to turn every earthly detail towards the same clear light. Grain announces Glenday as an essential voice in contemporary poetry.
Averno (Penguin Modern Classics)
by Louise Glück'Brilliant poems of complex, haunting power... Averno may be Glück's masterpiece' The New York Times Book ReviewAn acclaimed collection from the Nobel prize-winning poetThis startlingly original reworking of the Persephone myth takes us to the icy shores of Averno, the crater lake regarded by the ancient Romans as the entrance to the underworld. Here, the consolations of rebirth and renewal are eclipsed by the immediacy of loss - by a mother's possessive grief, an abducted girl's equivocal memories, a farmer's lament for a lost harvest. This chorus offers neither comfort nor solace but deepened understanding, its sorrow textured by the poet's luminous wit. Together, the poems of Averno swell to a staggeringly powerful lamentation, through which the reader glimpses the ecstasy of the inevitable, only to find it resisted by the insistent, impersonal presence of the Earth.
Averno
by Louise GluckAverno is a small crater lake in southern Italy, regarded by the Romans as the entrance to the underworld. That place gives its name to Louise Gluck's new collection: in a landscape turned irretrievably to winter it is both passageway between worlds and an impassable barrier. The book proceeds as a sequence, an extended lamentation, its long restless poems no less spellbinding for being without conventional resolution or consolation, no less ravishing for being savage and grief-stricken.
Poems: 1962–2020 (Penguin Modern Classics)
by Louise GlückA major career-spanning collection from the inimitable Nobel Prize-winning poetFor the past fifty years, Louise Glück has been a major force in modern poetry, distinguished as much for the restless intelligence, wit and intimacy of her poetic voice as for her development of a particular form: the book-length sequence of poems. This volume brings together the twelve collections Glück has published to date, offering readers the opportunity to become immersed in the artistry and vision of one of the world's greatest living poets.From the allegories of The Wild Iris to the myth-making of Averno; the oneiric landscapes of The House on Marshland to the questing of Faithful and Virtuous Night - each of Glück's collections looks upon the events of an ordinary life and finds within them scope for the transcendent; each wields its archetypes to puncture the illusions of the self. Across her work, elements are reiterated but endlessly transfigured - Persephone, a copper beech, a mother and father and sister, a garden, a husband and son, a horse, a dog, a field on fire, a mountain. Taken together, the effect is like a shifting landscape seen from above, at once familiar and unspeakably profound.
The Pilgrimage of Charlemagne and Aucassin and Nicolette (Routledge Revivals)
by Glyn S. Burgess and Anne Elizabeth CobbyOriginally compiled and published in 1988, this volume contains the text and translation of 'The Pilgrimmage of Charlemagne' and 'Aucassin and Nicolette,' alongisde textual notes and a bibliography for both.
Entstehung und Krise lyrischer Subjektivität: Vom klassischen lyrischen Ich bis zur modernen Erfahrungswirklichkeit. Germanistische Abhandlungen, Band 54
by Hiltrud Gnüg
Never Use a Knife and Fork
by Neil GoddardHide spaghetti in your hair, Keep crisps in your underwear. Never Use a Knife and Fork is an outrageous, tongue-in-cheek exploration of mealtime chaos that will have children in stitches. Full of mischief and mess, it shows exactly what you SHOULDN'T do with food -- squish it, slosh it, squirt it, squeeze it!Rollicking rhymes combine perfectly with Nick Sharratt's trademark witty illustrations for a laugh-out-loud look at table manners.
Pessimism is for Lightweights: 13 Pieces of Courage and Resistance (Rough Trade Edition)
by Salena GoddenA collection of 13 pieces of courage and resistance, this is work inspired by protests and rallies. Poems written for the women’s march, for women’s empowerment and amplification, poems that salute people fighting for justice, poems on sexism and racism, class discrimination, period poverty and homelessness, immigration and identity. This work reminds us that Courage is a Muscle, it also contains a letter from the spirit of Hope herself, because as the title suggests, Pessimism is for Lightweights.