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Ted Hughes (Routledge Guides to Literature)

by Terry Gifford

For the first time, one volume surveys the life, works and critical reputation of one of the most significant British writers of the twentieth-century: Ted Hughes. This accessible guide to Hughes’ writing provides a rich exploration of the complete range of his works. In this volume, Terry Gifford: offers clear and detailed discussions of Hughes’ poetry, stories, plays, translations, essays and letters includes new biographical information, and previously unpublished archive material, especially on Hughes’ environmentalism provides a comprehensive account of Hughes’ critical reception, separated into the major themes that have interested readers and critics offers useful suggestions for further reading, and incorporates helpful cross-references between sections of the guide. Part of the Routledge Guides to Literature series, Ted Hughes presents an accessible, fresh, and fascinating introduction to a major British writer whose work continues to be of crucial importance today.

Shakespeare's Anti-Politics: Sovereign Power and the Life of the Flesh (Palgrave Shakespeare Studies)

by D. Gil

Argues that Shakespeare is anti-political, dissecting the nature of the nation-state and charting a surprising form of resistance to it, using sovereign power against itself to engineer new forms of selfhood and relationality that escape the orbit of the nation-state. It is these new experiences that the book terms 'the life of the flesh'.

On Burning Ground: Thirty Years of Thinking About Poetry (Poets On Poetry)

by Sandra Gilbert

The highly esteemed literary critic and poet Sandra M. Gilbert is best known for her feminist literary collaborations with Susan Gubar, with whom she coauthored The Madwoman in the Attic: The Woman Writer and the Nineteenth-Century Literary Imagination, as well as the three-volume No Man's Land: The Place of the Woman Writer in the Twentieth Century. The essays assembled in On Burning Ground display Gilbert's astonishing range and explore poetics, personal identity, feminism, and modern and contemporary literature. Among the pieces gathered here are essays on D. H. Lawrence, Robert Lowell, Sylvia Plath, and Louise Glü ck, as well as reviews and previously unpublished articles. Sandra M. Gilbert is Distinguished Professor of English Emerita at the University of California, Davis. She is the recipient of Guggenheim, Rockefeller, NEH, and Soros Foundation fellowships and is the author of seven collections of poetry, including Kissing the Bread: New and Selected Poems 1969-1999 and, most recently, Belongings. Praise for Sandra M.Gilbert "Sandra Gilbert's poems are beautifully situated at the intersection of craft and feeling. Belongings is a stellar collection by a virtuoso with heart." ---Billy Collins ". . . brilliantly combines literary and cultural criticism with the intimacy of memoir." ---Joyce Carol Oates "An enduring contribution to the literature of grief." ---New York Times Book Review Poets on Poetry collects critical works by contemporary poets, gathering together the articles, interviews, and book reviews by which they have articulated the poetics of a new generation.

The Bab Ballads

by W. S. Gilbert

The Bab Ballads is a collection of light verses by W. S. Gilbert, illustrated with his own comic drawings. The book takes its title from Gilbert's childhood nickname. He later began to sign his illustrations "Bab".

Virgil, Aeneid 4.1–299: Latin Text, Study Questions, Commentary And Interpretative Essays

by Ingo Gildenhard

Love and tragedy dominate book four of Virgil’s most powerful work, building on the violent emotions invoked by the storms, battles, warring gods, and monster-plagued wanderings of the epic’s opening. Destined to be the founder of Roman culture, Aeneas, nudged by the gods, decides to leave his beloved Dido, causing her suicide in pursuit of his historical destiny. A dark plot, in which erotic passion culminates in sex, and sex leads to tragedy and death in the human realm, unfolds within the larger horizon of a supernatural sphere, dominated by power-conscious divinities. Dido is Aeneas’ most significant other, and in their encounter Virgil explores timeless themes of love and loyalty, fate and fortune, the justice of the gods, imperial ambition and its victims, and ethnic differences. This course book offers a portion of the original Latin text, study questions, a commentary, and interpretative essays. Designed to stretch and stimulate readers, Ingo Gildenhard’s incisive commentary will be of particular interest to students of Latin at both A2 and undergraduate level. It extends beyond detailed linguistic analysis to encourage critical engagement with Virgil’s poetry and discussion of the most recent scholarly thought.

Virgil, Aeneid 4.1–299: Latin Text, Study Questions, Commentary and Interpretative Essays (PDF)

by Ingo Gildenhard

Love and tragedy dominate book four of Virgil's most powerful work, building on the violent emotions invoked by the storms, battles, warring gods, and monster-plagued wanderings of the epic's opening. Destined to be the founder of Roman culture, Aeneas, nudged by the gods, decides to leave his beloved Dido, causing her suicide in pursuit of his historical destiny. A dark plot, in which erotic passion culminates in sex, and sex leads to tragedy and death in the human realm, unfolds within the larger horizon of a supernatural sphere, dominated by power-conscious divinities. Dido is Aeneas' most significant other, and in their encounter Virgil explores timeless themes of love and loyalty, fate and fortune, the justice of the gods, imperial ambition and its victims, and ethnic differences. This course book offers a portion of the original Latin text, study questions, a commentary, and interpretative essays. Designed to stretch and stimulate readers, Ingo Gildenhard's incisive commentary will be of particular interest to students of Latin at both A2 and undergraduate level. It extends beyond detailed linguistic analysis to encourage critical engagement with Virgil's poetry and discussion of the most recent scholarly thought.

Cicero, On Pompey’s Command (De Imperio), 27-49: Latin text, study aids with vocabulary, commentary, and translation (PDF)

by Ingo Gildenhard Louise Hodgson Et Al.

In republican times, one of Rome's deadliest enemies was King Mithridates of Pontus. In 66 BCE, after decades of inconclusive struggle, the tribune Manilius proposed a bill that would give supreme command in the war against Mithridates to Pompey the Great, who had just swept the Mediterranean clean of another menace: the pirates. While powerful aristocrats objected to the proposal, which would endow Pompey with unprecedented powers, the bill proved hugely popular among the people, and one of the praetors, Marcus Tullius Cicero, also hastened to lend it his support. In his first-ever political speech, variously entitled pro lege Manilia or de imperio Gnaei Pompei, Cicero argues that the war against Mithridates requires the appointment of a perfect general and that the only one to live up to such lofty standards is Pompey. In the section under consideration here, Cicero defines the most important hallmarks of the ideal military commander and tries to demonstrate that Pompey is his living embodiment. This course book offers a portion of the original Latin text, study aids with vocabulary, and a commentary. Designed to stretch and stimulate readers, the incisive commentary will be of particular interest to students of Latin at both AS and undergraduate level. It extends beyond detailed linguistic analysis and historical background to encourage critical engagement with Cicero's prose and discussion of the most recent scholarly thought.

The Little Field of Self (Phoenix Poets)

by Doreen Gildroy

Set in a castle and on its grounds in Brittany, The Little Field of Self is one long poem comprised of individual poems that articulate the essence of devotion and the conflict within the devoted. With surprising inventiveness and technical skill, and without ornamentation, self-consciousness, or self-display, Doreen Gildroy has forged an original poetic style that renders inner being authentically and convincingly.

Deep Wheel Orcadia: A Novel

by Harry Josephine Giles

Astrid is returning home from art school on Mars, looking for inspiration. Darling is fleeing a life that never fit, searching for somewhere to hide. They meet on Deep Wheel Orcadia, a distant space station struggling for survival as the pace of change threatens to leave the community behind.Deep Wheel Orcadia is a magical first: a science-fiction verse-novel written in the Orkney dialect. This unique adventure in minority language poetry comes with a parallel translation into playful and vivid English, so the reader will miss no nuance of the original. The rich and varied cast weaves a compelling, lyric and effortlessly readable story around place and belonging, work and economy, generation and gender politics, love and desire – all with the lightness of touch, fluency and musicality one might expect of one the most talented poets to have emerged from Scotland in recent years. Hailing from Orkney, Harry Josephine Giles is widely known as a fine poet and spellbindingly original performer of their own work; Deep Wheel Orcadia now strikes out into audacious new space.

Them!

by Harry Josephine Giles

Them! by Harry Josephine Giles is a challenging and subversive collection of poems about trans life as it is lived today, through the lenses of work, technology and ecology.Witty, candid, furious, and always compelling, Them! negotiates the fraught and fruitful space between the worlds of ‘online’ and the ‘outside’, and how they fuse and diverge in the imagination.Giles’ visual poetics create an unusually dynamic reading experience as she finds new ways ‘to sing, shout and strike in the cracks of what’s possible’. At a time when trans rights are to the fore in public discourse, Them! is a zestful poetic intervention from one of this generation’s most necessary poets.

The Poetics of the American Suburbs (Modern and Contemporary Poetry and Poetics)

by Jo Gill

The first scholarly study of the rich body of poetry that emerged from the post-war American suburbs, Gill evaluates the work of forty poets, including Anne Sexton, Langston Hughes, and John Updike. Combining textual analysis and archival research, this book offers a new perspective on the field of twentieth-century American literature.

Fierce Fairytales: & Other Stories to Stir Your Soul

by Nikita Gill

For readers who enjoyed Goodnight Stories for Rebel Girls, this empowering collection of stories, poems and beautiful hand-drawn illustrations gives Once Upon a Time a much-needed modern makeover. Gone are the gender stereotypes of obliging lovers, violent men and girls that need rescuing. Instead, lines blur between heroes and villains and you'll meet brave princesses, a new kind of wolf lurking in the concrete jungle and a courageous Gretel who can bring down monsters on her own.

The Girl and the Goddess

by Nikita Gill

Picked as as one of STYLIST'S *BEST AUTUMN READS OF 2020* 'A much-needed escape into a lyrical world'Let her be a little less human, a little more divineGive her heart armour so it doesn't break as easily as mineOne girl's wild journey of strength, beauty and growth as she discovers who she really is.Lyrical wonder, spiritual revelation and revolution meet with epic mythical landscapes in this deeply intimate coming-of-age story, one that teaches us all, no matter how small we feel, to become the masters of our own destiny.Meet Paro. A girl with a strong will, a full heart and much to learn. Born into a family reeling from the ruptures of Partition, follow her as she crosses the precarious lines between childhood, teenage discovery and realising her adult self.Nikita Gill's masterful poetry and beautiful illustrations conjure up jasmine-scented voices and smiles inhabited by ancestor's souls, rain dancing in a new city and the painful caverns in our hearts. We are taken on a journey of deity wisdom, fragmented family, and love lost and gained. We see power in belief, healing from trauma and hope after conflict. Undercurrents of the Trimurti - the Creator, the Preserver and the Destroyer - run deep, as Paro must confront fear, desire and the darkest parts of herself in the search for meaning and, ultimately, empowerment.Navigating different cultures, religions and identities, The Girl and the Goddess is a mesmerising poetic tale of where we come from, how we grow and how we become who we are.

Great Goddesses: Life lessons from myths and monsters

by Nikita Gill

Empowering life lessons from myths and monsters. Wonder at Medusa's potent venom, Circe's fierce sorcery and Athena rising up over Olympus, as Nikita Gill majestically explores the untold stories of the life bringers, warriors, creators, survivors and destroyers that shook the world - the great Greek Goddesses. Vividly re-imagined and beautifully illustrated, step into an ancient world transformed by modern feminist magic. 'I watch Girl become Goddessand the metamorphosis is moremagnificent than anythingI have ever known.'

SLAM! You're Gonna Wanna Hear This

by Nikita Gill

It's time to reclaim poetry. Collected by international poetry sensation Nikita Gill, SLAM! You're Gonna Wanna Hear This is a joyful celebration of the ground-breaking poets making their voices heard in the spoken word scene. Empowering, inspiring and often hilarious, SLAMs are a platform for well-known and emerging talent from all walks of life where every style of poetry has a home. With poets such as Raymond Antrobus, Sophia Thakur and Dean Atta guest starring alongside up-and-coming poets, this is the perfect introduction to world of modern poetry. Each poet will introduce their poem, tell you a little bit about themselves and give you a tip for preparing brilliant performance poetry.

These Are the Words: Fearless verse to find your voice

by Nikita Gill

From international poetry sensation Nikita Gill comes her highly anticipated YA debut These Are the Words: an empowering, feminist and beautifully illustrated poetry collection exploring all the things Nikita wished someone had told her when she was younger.Reclaim your agency. Discover your power. Find the words.Taking you on a journey through the seasons of the soul, in this collection Nikita gives you the words to help heal from your first breakup, to celebrate finding your family, to understand first love, to express your anger and your joy, to fight for what you believe in and to help you break some rules to be your truest self.Gorgeously illustrated throughout by Nikita herself and featuring seasonal astrological poetry, this collection is an achingly beautiful, stunningly warm and fearless expression of truth from one of the most influential and well-known voices in modern poetry.REMINDER FOR HEALINGYou do not owe anyone your forgiveness.The trees do not apologize to the wind that uproots them.The rocks do not apologize to the erosion by the sea.The stars do not apologize to the universewhen they are writhing and dying out.And you are not obligated to forgive anyonebut yourself.

Wild Embers: Poems of rebellion, fire and beauty

by Nikita Gill

'You cannot burn awayWhat has always been aflame'WILD EMBERS explores the fire that lies within every soul, weaving words around ideas of feeling at home in your own skin, allowing yourself to heal and learning to embrace your uniqueness with love from the universe. Featuring rewritten fairytale heroines, goddess wisdom and poetry that burns with revolution, this collection is an explosion of femininity, empowerment and personal growth.

An Introduction to Poetic Forms

by Patrick Gill

An Introduction to Poetic Forms offers specimen discussions of poems through the lens of form. While each of its chapters does provide a standard definition of the form in question in its opening paragraphs, their main objective is to provide readings of specific examples to illustrate how individual poets have deviated from or subverted those expectations usually associated with the form under discussion. While providing the most vital information on the most widely taught forms of poetry, then, this collection will very quickly demonstrate that counting syllables and naming rhyme schemes is not the be-all and end-all of poetic form. Instead, each chapter will contain cross-references to other literary forms and periods as well as make clear the importance of the respective form to the culture at large: be it the democratising communicative power of the ballad or the objectifying male gaze of the blazon and resistance to same in the contreblazon – the efficacy of form is explored in the fullness of its cultural dimensions. In using standard definitions only as a starting point and instead focusing on lively debates around the cultural impact of poetic form, the textbook helps students and instructors to see poetic forms not as a static and lifeless affair but as living, breathing testament to the ongoing evolution of cultural debates. In the final analysis, the book is interested in showing the complexities and contradictions inherent in the very nature of literary form itself: how each concrete example deviates from the standard template while at the same time employing it as a foil to generate meaning.

An Introduction to Poetic Forms

by Patrick Gill

An Introduction to Poetic Forms offers specimen discussions of poems through the lens of form. While each of its chapters does provide a standard definition of the form in question in its opening paragraphs, their main objective is to provide readings of specific examples to illustrate how individual poets have deviated from or subverted those expectations usually associated with the form under discussion. While providing the most vital information on the most widely taught forms of poetry, then, this collection will very quickly demonstrate that counting syllables and naming rhyme schemes is not the be-all and end-all of poetic form. Instead, each chapter will contain cross-references to other literary forms and periods as well as make clear the importance of the respective form to the culture at large: be it the democratising communicative power of the ballad or the objectifying male gaze of the blazon and resistance to same in the contreblazon – the efficacy of form is explored in the fullness of its cultural dimensions. In using standard definitions only as a starting point and instead focusing on lively debates around the cultural impact of poetic form, the textbook helps students and instructors to see poetic forms not as a static and lifeless affair but as living, breathing testament to the ongoing evolution of cultural debates. In the final analysis, the book is interested in showing the complexities and contradictions inherent in the very nature of literary form itself: how each concrete example deviates from the standard template while at the same time employing it as a foil to generate meaning.

Selected Poems: Selected Poems (Crofts Classics Ser.)

by Stephen Gill William Wordsworth

One of the major poets of Romanticism, Wordsworth epitomized the spirit of his age with his celebration of the natural world and the spontanous expression of feeling. This volume contains a rich selection from the most creative phase of his life, including extracts from his masterpiece, The Prelude, and the best-loved of his shorter poems such as 'Composed Upon Westminster Bridge', 'Tintern Abbey', 'I Wandered Lonely as a Cloud', 'Lucy Gray', and 'Michael'. Together these poems demonstrate not only Wordsworth's astonishing range and power, but the sustained and coherent vision that informed his work.

The Readiness

by Alan Gillis

Alan Gillis – one of the most admired Irish poets of his generation – addresses some of the most pressing concerns of the age: how can we live at the centre of our contemporary paradox, disconnected and hyper-connected as we are? A poet of thresholds and crossings, Gillis finds his answers in the suburbs and edgelands, at the hesitation before the doorstep or the gate. The Readiness sites itself at the heart of our human contradictions, and explores their meaning. These poems form a series of bad dreams and clear visions that speak to the chaos and fragility of both self and society: the childhood innocence that persists into the resignation of adulthood; the beauty of nature in an age of environmental ruin; the terrible isolation of contemporary life – and the live-streamed, advert-laden over-wiring that springs from its digital commons. It does this with a formal confidence, a dry wit and often astonishing lyricism that marks Gillis as one of the most individual and vital poetic voices now at work.

Reading the Modernist Long Poem: John Cage, Charles Olson and the Indeterminacy of Longform Poetics

by Brendan C. Gillott

How do readers approach the enigmatic and unnavigable modernist long poem? Taking as the form's exemplars the highly influential but critically contentious poetries of John Cage and Charles Olson, this book considers indeterminacy – the fundamental feature of the long poem – by way of its analogues in musicology, mycology, cybernetics and philosophy. It addresses features of these works that figure broadly in the long poem tradition, such as listing, typography, archives, mediation and mereology, while articulating how both poets broke with the longform poetic traditions of the early 1900s. Brendan C. Gillott argues for Cage's and Olson's centrality to these traditions – in developing, critiquing and innovating on the longform poetics of the past, their work revolutionized the longform poetry of the 20th and 21st centuries.

Reading the Modernist Long Poem: John Cage, Charles Olson and the Indeterminacy of Longform Poetics

by Brendan C. Gillott

How do readers approach the enigmatic and unnavigable modernist long poem? Taking as the form's exemplars the highly influential but critically contentious poetries of John Cage and Charles Olson, this book considers indeterminacy – the fundamental feature of the long poem – by way of its analogues in musicology, mycology, cybernetics and philosophy. It addresses features of these works that figure broadly in the long poem tradition, such as listing, typography, archives, mediation and mereology, while articulating how both poets broke with the longform poetic traditions of the early 1900s. Brendan C. Gillott argues for Cage's and Olson's centrality to these traditions – in developing, critiquing and innovating on the longform poetics of the past, their work revolutionized the longform poetry of the 20th and 21st centuries.

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