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Senses of Style: Poetry before Interpretation
by Jeff DolvenIn an age of interpretation, style eludes criticism. Yet it does so much tacit work: telling time, telling us apart, telling us who we are. What does style have to do with form, history, meaning, our moment’s favored categories? What do we miss when we look right through it? Senses of Style essays an answer. An experiment in criticism, crossing four hundred years and composed of nearly four hundred brief, aphoristic remarks, it is a book of theory steeped in examples, drawn from the works and lives of two men: Sir Thomas Wyatt, poet and diplomat in the court of Henry VIII, and his admirer Frank O’Hara, the midcentury American poet, curator, and boulevardier. Starting with puzzle of why Wyatt’s work spoke so powerfully to O’Hara across the centuries, Jeff Dolven ultimately explains what we talk about when we talk about style, whether in the sixteenth century, the twentieth, or the twenty-first.
The Open Door: One Hundred Poems, One Hundred Years of "Poetry" Magazine
by Don Share and Christian WimanWhen Harriet Monroe founded Poetry magazine in Chicago in 1912, she began with an image: the Open Door. “May the great poet we are looking for never find it shut, or half-shut, against his ample genius!” For a century, the most important and enduring poets have walked through that door—William Carlos Williams and Wallace Stevens in its first years, Rae Armantrout and Kay Ryan in 2011. And at the same time, Poetry continues to discover the new voices who will be read a century from now. Poetry’s archives are incomparable, and to celebrate the magazine’s centennial, editors Don Share and Christian Wiman combed them to create a new kind of anthology, energized by the self-imposed limitation to one hundred poems. Rather than attempting to be exhaustive or definitive—or even to offer the most familiar works—they have assembled a collection of poems that, in their juxtaposition, echo across a century of poetry. Adrienne Rich appears alongside Charles Bukowski; poems by Isaac Rosenberg and Randall Jarrell on the two world wars flank a devastating Vietnam War poem by the lesser-known George Starbuck; August Kleinzahler’s “The Hereafter” precedes “Prufrock,” casting Eliot’s masterpiece in a new light. Short extracts from Poetry’s letters and criticism punctuate the verse selections, hinting at themes and threads and serving as guides, interlocutors, or dissenting voices. The resulting volume is an anthology like no other, a celebration of idiosyncrasy and invention, a vital monument to an institution that refuses to be static, and, most of all, a book that lovers of poetry will devour, debate, and keep close at hand.
The Open Door: One Hundred Poems, One Hundred Years of "Poetry" Magazine
by Don Share and Christian WimanWhen Harriet Monroe founded Poetry magazine in Chicago in 1912, she began with an image: the Open Door. “May the great poet we are looking for never find it shut, or half-shut, against his ample genius!” For a century, the most important and enduring poets have walked through that door—William Carlos Williams and Wallace Stevens in its first years, Rae Armantrout and Kay Ryan in 2011. And at the same time, Poetry continues to discover the new voices who will be read a century from now. Poetry’s archives are incomparable, and to celebrate the magazine’s centennial, editors Don Share and Christian Wiman combed them to create a new kind of anthology, energized by the self-imposed limitation to one hundred poems. Rather than attempting to be exhaustive or definitive—or even to offer the most familiar works—they have assembled a collection of poems that, in their juxtaposition, echo across a century of poetry. Adrienne Rich appears alongside Charles Bukowski; poems by Isaac Rosenberg and Randall Jarrell on the two world wars flank a devastating Vietnam War poem by the lesser-known George Starbuck; August Kleinzahler’s “The Hereafter” precedes “Prufrock,” casting Eliot’s masterpiece in a new light. Short extracts from Poetry’s letters and criticism punctuate the verse selections, hinting at themes and threads and serving as guides, interlocutors, or dissenting voices. The resulting volume is an anthology like no other, a celebration of idiosyncrasy and invention, a vital monument to an institution that refuses to be static, and, most of all, a book that lovers of poetry will devour, debate, and keep close at hand.
The Open Door: One Hundred Poems, One Hundred Years of "Poetry" Magazine
by Don Share and Christian WimanWhen Harriet Monroe founded Poetry magazine in Chicago in 1912, she began with an image: the Open Door. “May the great poet we are looking for never find it shut, or half-shut, against his ample genius!” For a century, the most important and enduring poets have walked through that door—William Carlos Williams and Wallace Stevens in its first years, Rae Armantrout and Kay Ryan in 2011. And at the same time, Poetry continues to discover the new voices who will be read a century from now. Poetry’s archives are incomparable, and to celebrate the magazine’s centennial, editors Don Share and Christian Wiman combed them to create a new kind of anthology, energized by the self-imposed limitation to one hundred poems. Rather than attempting to be exhaustive or definitive—or even to offer the most familiar works—they have assembled a collection of poems that, in their juxtaposition, echo across a century of poetry. Adrienne Rich appears alongside Charles Bukowski; poems by Isaac Rosenberg and Randall Jarrell on the two world wars flank a devastating Vietnam War poem by the lesser-known George Starbuck; August Kleinzahler’s “The Hereafter” precedes “Prufrock,” casting Eliot’s masterpiece in a new light. Short extracts from Poetry’s letters and criticism punctuate the verse selections, hinting at themes and threads and serving as guides, interlocutors, or dissenting voices. The resulting volume is an anthology like no other, a celebration of idiosyncrasy and invention, a vital monument to an institution that refuses to be static, and, most of all, a book that lovers of poetry will devour, debate, and keep close at hand.
Collected Poems
by Michael DonaghyThe death of Michael Donaghy in 2004 at the age of fifty robbed poetry of one of its best-loved and most naturally gifted practitioners. A modern metaphysical, Donaghy wrote poetry of great wisdom, grace, charm, erudition and consummate technical accomplishment. This book gathers together all of Donaghy's mature poetry, and includes the full texts of his four published volumes, as well as a number of fine uncollected pieces. As the poet-critic Sean O'Brien has remarked, Donaghy will come to be seen as one of the representative poets of the age.
Conjure
by Michael DonaghyConjure is Michael Donaghy’s third collection, and his most accomplished to date, displaying the same trademark elegance, sleight of hand and philosophical wit that have established his reputation as a ‘poet’s poet’. But while these poems time their feints and punches as well as ever, often the poet’s guard is deliberately kept down: Conjure’s elegies and disappearing acts, love songs and tortuous journeys represent the most challenging, vulnerable and moving work Donaghy has yet written. ‘Among the finest American poets of his generation’ Robert McPhillips ‘The artistry of Donaghy’s work seems to me exemplary’ Sean O’Brien ‘The fine-tuned precision of a twelve-speed bike’ Alfred Corn
Safest
by Michael DonaghyThe tragic death of Michael Donaghy last year at the age of 50 left English-language poetry incalculably the poorer. Donaghy was one of our very finest poets, and his metaphysically dense yet emotionally direct verse had won him admirers all over the world. No one demonstrated more eloquently how poetry could engage the whole being: he believed that a poem should both communicate directly and work at the highest intellectual level. At the time of his death, Donaghy was at work on a new collection, and Safest gathers together all the poems he had decided were worthy of inclusion in that book. It will be no surprise that Donaghy's early death and almost impossibly exacting standards have produced a lean volume; but judged in depth and quality, it's one many times its apparent size. Safest contains work as rich and insightful as anything Donaghy had previously published, although, in its several meditations on being, death and finality it often reads, inescapably, like the work of a man who knew he was writing his last collection. These are poems of great sophistication; fearful, combative and witty -- and in the end, deeply affirmative in their unillusioned wisdom. As the poet/critic Sean O'Brien remarked, Donaghy will come to be seen as one of the representative poets of the age, and Safest will do nothing but affirm that judgment.
The Shape of the Dance: Essays, Interviews and Digressions
by Michael DonaghyWhen Michael Donaghy died in 2004 at the age of fifty, he was one of the UK’s best-known and best-loved poets; he was also a literary critic of the first rank. Donaghy’s prose is notable for the same delightfully lucid style and lightly worn erudition so admired in his verse. His was also the most intellectually promiscuous of minds, and he was happy to allude to Irish music, neuroscience and Renaissance art in the same breath – and rarely resisted a good joke, if it served his argumentative purpose. This companion volume to the Collected Poems gathers together the best of his writing on poetry and the arts, as well as a number of fascinating and revealing interviews. It also reprints his classic primer in ars poetica, ‘Wallflowers’.
Crazy Mayonnaisy Mum
by Julia DonaldsonCrazy Mayonnaisy Mum is packed with all sorts of poems and rhymes including a sequence of number rhymes, action rhymes, noisy rhymes and more thoughtful pieces too.If tigerlilies and dandelions growled,And cowslips mooed, and dogroses howled,And snapdragons roared and catmint miaowed,My garden would be extremely loud.Crazy Mayonnaisy Mum is a fantastic collection of funny, silly and entertaining poems for the very young from acknowledged master of rhyme and author of The Gruffalo, Julia Donaldson.
The Highway Rat (PDF)
by Julia Donaldson Axel Scheffler"Give me your buns and your biscuits! Give me your chocolate éclairs! For I am the Rat of the highway, and the Rat Thief never shares!" You may have heard of a Highwayman - but what about a Highway Rat? No food is safe from this rascally rodent! He steals clover from a rabbit, and snaffles nuts from a squirrel. He even hijacks his own horse's hay! But when a cunning duck crosses his path, has the Highway Rat met his match? Put your hands up for this rhyming romp from the current Children's Laureate, starring a wickedly loveable baddie who'll steal your grub - and your heart!
Superworm (PDF)
by Julia Donaldson Axel SchefflerNever fear, Superworm's here! He can fish Spider out of a well, and rescue Toad from a busy road. But who will come to Superworm's rescue, when he's captured by a wicked Wizard Lizard? Luckily, all of Superworm's insect friends have a cunning plan. . .
Tabby Mctat (PDF)
by Julia Donaldson Axel SchefflerTabby McTat is purr-fectly happy, singing along all day with Fred the busker. But when Fred gives chase to a thief, the two are separated. Will they ever find each other again? A heart-warming story of friendship, loyalty - and kittens! 'Our five\-year-old gave it the thumbs up, and that's about the best endorsement you can get. ' News of the World
Tiddler (PDF)
by Julia Donaldson Axel SchefflerA fun back-to-school adventure from the bestselling creators of The Gruffalo. Tiddler is late to school every day, and he always has an elaborate excuse for his teacher. One day, as Tiddler is thinking up his next story, a net sweeps him up and hauls him far away from his school. How will Tiddler find his way home? All he has to do is follow the trail of his biggest, fishiest story yet! For every parent or teacher who knows the boundless creativity of a perpetually late child, this shows how telling excuses can turn into telling stories to be shared with friends and family. And with a bouncy, bubbly rhyme and vibrant undersea illustrations,Tiddler is sure to become a summertime, read-aloud favourite.
The Ugly Five (PDF)
by Julia Donaldson Axel SchefflerWho needs cute critters? It's time to celebrate ugly animals! The Ugly Five are proud of how hideous they are. There's the bristly wildebeest, the yucky bald vulture, the spotty hyena and the gangly marabou stork. Not to mention the warthog, who is covered in - you guessed it - warts! As they swagger across the African savannah, showing off their glorious yuckiness, their cheeky rhymes will make you laugh out loud. Don't be disgusted. They might be gangly, warty, bumpy, bristly, spotty and stinky - but they're perfect just the way they are!
Zog (PDF)
by Julia Donaldson Axel SchefflerThe endearing story of the accident-prone dragon and the princess who would rather be a doctor has sold over 200,000 copies in less than a year. It is now available accompanied by an audio CD, performed by award-winning actress, Imelda Staunton. Children can listen to the full story with music, play the Zog Listening Game and sing along to the brand new 'Flying Doctors' song, which was written specially for this CD by Julia Donaldson. 9781407170763 9781407115566 9781407144627
Zog (PDF)
by Julia Donaldson Axel SchefflerZog is the keenest dragon in school. He's also the most accident-prone. Luckily, a mysterious little girl always comes by and patches up his bumps and bruises. But will she be able to help him with his toughest test: capturing a princess? A wonderfully funny new story from the creators of The Gruffalo and Stick Man.
Romanticism and Male Fantasy in Byron’s Don Juan: A Marketable Vice (Romanticism in Perspective:Texts, Cultures, Histories)
by C. DonelanDon Juan , Byron's best poem, is a sensational radical satire. It uses the legend of Don Juan to expose the male fantasies behind Romanticism and nineteenth-century public culture. Critics feared that the poem was a 'manual for vice' and would corrupt society. Should England's best selling author have been censored? This book looks at how Europe's most famous literary celebrity shows his dark side in Don Juan , a canonical long poem and a pop culture masterpiece.
The Complete English Poems (The\everyman Library)
by John DonneNo poet has been more wilfully contradictory than John Donne, whose works forge unforgettable connections between extremes of passion and mental energy. From satire to tender elegy, from sacred devotion to lust, he conveys an astonishing range of emotions and poetic moods. Constant in his work, however, is an intensity of feeling and expression and complexity of argument that is as evident in religious meditations such as 'Good Friday 1613. Riding Westward' as it is in secular love poems such as 'The Sun Rising' or 'The Flea'. 'The intricacy and subtlety of his imagination are the length and depth of the furrow made by his passion,' wrote Yeats, pinpointing the unique genius of a poet who combined ardour and intellect in equal measure.
Donne: Everyman's Poetry (Everyman's Poetry #Vol. 33)
by John DonneThe best of John Donne's poemsJohn Donne (1572-1631) was born into a Catholic family and studied law before sailing with Essex to attack Cadiz in 1596. He was appointed secretary to Sir Thomas Egerton, the Lord Keeper (later Lord Chancellor), in 1598, but forfeited his worldly prospects when he secretly married Ann More, Lady Egerton's niece, in 1601; he was dismissed by Egerton and briefly imprisoned. The next twelve years or so were passed in poverty, without regular employment. He entered the Church and in 1621 was made Dean of St Paul's, where he became a renowned preacher. His first collection of poems was published posthumously in 1633.
John Donne
by John DonneJohn Donne (1572-1631) forfeited his Parliamentary seat and was briefly imprisoned when his secret marriage to Ann More was uncovered in 1601. He spent the subsequent decade in poverty, trying to rehabilitate his reputation. He entered the Church in 1615, and become Dean of St Paul's. His first volume of poetry was published posthumously in 1633.In this series, a contemporary poet selects and introduces a poet of the past. By their choice of poems and by the personal and critical reactions they express in their prefaces, the editors offer insights into their own work as well as providing an accessible and passionate introduction to some of the greatest poets of our literature.
Selected Poems: Donne (British Poets Ser.)
by John DonneRegarded by many as the greatest of the Metaphysical poets, John Donne (1572-1631) was also among the most intriguing figures of the Elizabethan age. A sensualist who composed erotic and playful love poetry in his youth, he was raised a Catholic but later became one of the most admired Protestant preachers of his time. The Selected Poems reflects this wide diversity, and includes his youthful Songs and Sonnets, epigrams, elegies, letters, satires, and the profoundly moving Divine Poems composed towards the end of his life. From joyful poems such as 'The Flea', which transforms the image of a louse into something marvellous, to the intimate and intense Holy Sonnets, Donne breathed new vigour into poetry by drawing lucid and often startling metaphors from the world in which he lived. His poems remain among the most passionate, profound and spiritual in the English language.
John Donne - The Major Works - Oxford World's Classics: 400MB file
by John Donne John CareyThis authoritative edition was formerly published in the acclaimed Oxford Authors series under the general editorship of Frank Kermode. It brings together a unique combination of Donne's poetry and prose - all the major poems, complemented by rarely published letters and extracts from Donne's sermons - to give the essence of his work and thinking. John Donne (1572-1631) is today celebrated as one of the greatest of the metaphysical poets, whose verse was daringly original and whose use of imagery and conceits marked a new, intellectual approach to poetry. His Satires, Elegies, and Songs and Sonnets, which contain his most famous love poems, were complemented by his religious writing, both verse and prose. He was one of the most renowned preachers of his day, and this volume does equal justice to the full range of his work. In addition to nearly all his English poetry this volume includes over 130 extracts from Donne's sermons, as well as the full text of his last sermon, 'Death's Duel'. A distinguishing feature of the selection is that the works are arranged in the chronological order of their composition. ABOUT THE SERIES: For over 100 years Oxford World's Classics has made available the widest range of literature from around the globe. Each affordable volume reflects Oxford's commitment to scholarship, providing the most accurate text plus a wealth of other valuable features, including expert introductions by leading authorities, helpful notes to clarify the text, up-to-date bibliographies for further study, and much more.
John Donne: Collected Poetry (Poetry Library)
by John Donne Christopher Ricks Ilona BellRegarded by many as the greatest of the Metaphysical poets, John Donne (1572-1631) was also among the most intriguing figures of the Elizabethan age. A sensualist who composed erotic and playful love poetry in his youth, he was raised a Catholic but later became one of the most admired Protestant preachers of his time. The Collected Poetry reflects this wide diversity, and includes his youthful songs and sonnets, epigrams, elegies, letters, satires, and the profoundly moving Divine Poems composed towards the end of his life. From joyful poems such as 'The Flea', which transforms the image of a louse into something marvellous, to the intimate and intense Holy Sonnets, Donne breathed new vigour into poetry by drawing lucid and often startling metaphors from the world in which he lived. His poems remain among the most passionate, profound and spiritual in the English language.
Reading Dante Gabriel Rossetti: The Painter as Poet
by Brian DonnellyA revolutionary figure throughout his career, Dante Gabriel Rossetti’s work provides a distinctly revolutionary lens through which the Victorian period can be viewed. Suggesting that Rossetti’s work should be approached through his poetry, Brian Donnelly argues that it is both inscribed by and inscribes the development of verbal as well as visual culture in the Victorian era. In his discussions of modernity, aestheticism, and material culture, he identifies Rossetti as a central figure who helped define the terms through which we approach the cultural productions of this period. Donnelly begins by articulating a method for reading Rossetti’s poetry that highlights the intertextual relations within and between the poetry and paintings. His interpretations of such poems as the 'Mary’s Girlhood' sonnets, the sonnet sequence The House of Life, and 'The Orchard-Pit' in relationship to paintings such as The Girlhood of Mary Virgin and Ecce Ancilla Domini! shed light on Victorian ideals of femininity, on consumer culture, and on the role of gender hierarchies in Victorian culture. Situating Rossetti’s poetry as the key to all of his work, Donnelly also makes a case for its centrality in its representation of the dominant discourses of the late Victorian period: faith, sex, consumption, death, and the nature of representation itself.