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Elizabeth Bishop and Marianne Moore: The Psychodynamics of Creativity
by Joanne Feit DiehlThis highly innovative work on poetic influence among women writers focuses on the relationship between modernist poet Elizabeth Bishop and her mentor Marianne Moore. Departing from Freudian models of influence theory that ignore the question of maternal presence, Joanne Diehl applies the psychoanalytic insights of object relations theorists Melanie Klein and Christopher Bollas to woman-to-woman literary transactions. She lays the groundwork for a far-reaching critical approach as she shows that Bishop, mourning her separation from her natural mother, strives to balance gratitude toward Moore, her literary mother, with a potentially disabling envy.Diehl begins by exploring Bishop's memoir of Moore, "Efforts of Affection," as an attempt by Bishop to verify Moore's uniqueness in order to defend herself against her predecessor's almost overwhelming originality. She then offers an intertextual reading of the two writers' works that inquires into Bishop's ambivalence toward Moore. In an analysis of "Crusoe in England" and "In the Village," Diehl exposes the restorative impulses that fuel aesthetic creation and investigates how Bishop thematizes an understanding of literary production as a process of psychic compensation.
Perennial Fall (Phoenix Poets)
by Maggie DietzAt the heart of this unusually accomplished and affecting first book of poetry is the idea of the hinge—the point of connection, of openings and closings. Maggie Dietz situates herself in the liminal present, bringing together past and future, dream and waking, death and life. Formally exact, rigorous, and tough, these poems accept no easy answers or equations. Dietz creates a world alive with detail and populated with the everyday and strange: amusement-park horses named Virgil and Sisyphus, squirrels hanging over tree branches “like fish.” By turns humorous and pained, direct and mysterious, elegiac and elegant, the poems trace for us the journey and persistence of the spirit toward and through its “perennial fall”—both the season and the human condition. Cumulatively, the work moves toward a fragile transcendence, surrendering to difficulty, splendor, and strangeness. “In Perennial Fall, distinct, hard-edged images create a haunting counter-play of distortion, troubled insight or menace. The simultaneous clarity and shadow has the quality of a dream that can be neither forgotten nor settled. This is a spectacular debut and more than that—a wonderful book.”—Robert Pinsky
That Kind of Happy (Phoenix Poets)
by Maggie DietzOctober Aubade If I slept too long, forgive me. A north wind quickened the window frames so the room pitched like a moving train and the pillow’s whiff of hickory and shaving soap conjured your body beside me. So I slept in the berth as the train chuffed on, unburdened by waking’s cold water, ignorant of pain, estrangement, hunger and the crucial fuel the boiler burned to keep the minutes’ pistons churning while I slept. Forgive me. That Kind of Happy, the long-awaited second collection by award-winning poet Maggie Dietz, explores the sharp, profound tension between a disquieted inner life and quotidian experience. Central to the book are poems that take up two major life events: becoming a mother and losing a father within a short stretch of time. Here, at the intersection of joy and grief, of persistence and attrition, Dietz wrestles with the questions posed by such conflicting experiences, revealing a mind suspicious of quick fixes and dissatisfied with easy answers. The result is a book as anguished as it is distinguished.
That Kind of Happy (Phoenix Poets)
by Maggie DietzOctober Aubade If I slept too long, forgive me. A north wind quickened the window frames so the room pitched like a moving train and the pillow’s whiff of hickory and shaving soap conjured your body beside me. So I slept in the berth as the train chuffed on, unburdened by waking’s cold water, ignorant of pain, estrangement, hunger and the crucial fuel the boiler burned to keep the minutes’ pistons churning while I slept. Forgive me. That Kind of Happy, the long-awaited second collection by award-winning poet Maggie Dietz, explores the sharp, profound tension between a disquieted inner life and quotidian experience. Central to the book are poems that take up two major life events: becoming a mother and losing a father within a short stretch of time. Here, at the intersection of joy and grief, of persistence and attrition, Dietz wrestles with the questions posed by such conflicting experiences, revealing a mind suspicious of quick fixes and dissatisfied with easy answers. The result is a book as anguished as it is distinguished.
That Kind of Happy (Phoenix Poets)
by Maggie DietzOctober Aubade If I slept too long, forgive me. A north wind quickened the window frames so the room pitched like a moving train and the pillow’s whiff of hickory and shaving soap conjured your body beside me. So I slept in the berth as the train chuffed on, unburdened by waking’s cold water, ignorant of pain, estrangement, hunger and the crucial fuel the boiler burned to keep the minutes’ pistons churning while I slept. Forgive me. That Kind of Happy, the long-awaited second collection by award-winning poet Maggie Dietz, explores the sharp, profound tension between a disquieted inner life and quotidian experience. Central to the book are poems that take up two major life events: becoming a mother and losing a father within a short stretch of time. Here, at the intersection of joy and grief, of persistence and attrition, Dietz wrestles with the questions posed by such conflicting experiences, revealing a mind suspicious of quick fixes and dissatisfied with easy answers. The result is a book as anguished as it is distinguished.
That Kind of Happy (Phoenix Poets)
by Maggie DietzOctober Aubade If I slept too long, forgive me. A north wind quickened the window frames so the room pitched like a moving train and the pillow’s whiff of hickory and shaving soap conjured your body beside me. So I slept in the berth as the train chuffed on, unburdened by waking’s cold water, ignorant of pain, estrangement, hunger and the crucial fuel the boiler burned to keep the minutes’ pistons churning while I slept. Forgive me. That Kind of Happy, the long-awaited second collection by award-winning poet Maggie Dietz, explores the sharp, profound tension between a disquieted inner life and quotidian experience. Central to the book are poems that take up two major life events: becoming a mother and losing a father within a short stretch of time. Here, at the intersection of joy and grief, of persistence and attrition, Dietz wrestles with the questions posed by such conflicting experiences, revealing a mind suspicious of quick fixes and dissatisfied with easy answers. The result is a book as anguished as it is distinguished.
William Carlos Williams and the Ethics of Painting
by Terence DiggoryIn Peter Brueghel's painting The Adoration of the Kings, the depiction of Joseph and Mary suggested to William Carlos Williams a paradigm for the relationship between poem and painting, reader and text, man and woman, that he had sought throughout his life to establish: a marriage that can acknowledge and withstand infidelity. Here Terence Diggory explores the meaning of this paradigm within the context of Williams's career and also of recent critical and cultural debate, which frequently assumes violence and oppression to be inherent in all forms of relationship. Williams's special attention to the art of painting, Diggory shows, put him in a position to challenge such assumptions. In contrast to the "ethics of reading" deduced by J. Hillis Miller from the premises of deconstruction, Diggory illuminates Williams's "ethics of painting" by applying Julia Kristeva's concepts of psychoanalytic transference and nonoppressive desire. The abstract or "objectless" space in which such desire operates is typified by modernist painting, for both Kristeva and Williams, but foreshadowed in the work of earlier artists such as Bellini and Brueghel.Originally published in 1991.The Princeton Legacy Library uses the latest print-on-demand technology to again make available previously out-of-print books from the distinguished backlist of Princeton University Press. These editions preserve the original texts of these important books while presenting them in durable paperback and hardcover editions. The goal of the Princeton Legacy Library is to vastly increase access to the rich scholarly heritage found in the thousands of books published by Princeton University Press since its founding in 1905.
Yeats and American Poetry: The Tradition of the Self
by Terence DiggoryThis work is designed to show a double influence: first, that of American poets, especially Whitman, on W. B. Yeats, and, second, of Yeats on a wide range of American poets who began their careers during the first decades of the century.Originally published in 1983.The Princeton Legacy Library uses the latest print-on-demand technology to again make available previously out-of-print books from the distinguished backlist of Princeton University Press. These editions preserve the original texts of these important books while presenting them in durable paperback and hardcover editions. The goal of the Princeton Legacy Library is to vastly increase access to the rich scholarly heritage found in the thousands of books published by Princeton University Press since its founding in 1905.
David Jones: Engraver, Soldier, Painter, Poet
by Thomas DilworthA Sunday Times / Mail on Sunday Book of the YearAs a poet, visual artist and essayist, David Jones is one of the great Modernists. The variety of his gifts reminds us of Blake – though he is a better poet and a greater all-round artist. Jones was an extraordinary engraver, painter and creator of painted inscriptions, but he also belongs in the first rank of twentieth-century poets.Though he was admired by some of the finest cultural figures of the twentieth century, David Jones is not known or celebrated in the way that Eliot, Beckett or Joyce have been. His work was occasionally as difficult as theirs, but it is just as rewarding – and more various. He is overlooked because his best writing is imbedded in two book-length prose-poems – In Parenthesis and The Anathemata, making it difficult to anthologise; the work is informed by his Catholic faith and so may feel unfashionable in this secular age; he was a shy, reclusive man, psychologically damaged by his time in the trenches, and loathed any kind of self-promotion. Mostly, though, he was a complete and original poet-artist – sui generis, impossible to pigeon-hole – and that has led to the neglect of David Jones: a true genius and the great lost Modernist.
Love and Other Poems
by Alex Dimitrov'It fizzes like a just-opened bottle of soda. It sprints like the Beatles running through a train station. It talks a mile a minute like a person swept away in the druggy lunacy of a serious crush... There have been moments when, for me, its effervescence has failed to rhyme with the despondency of these days. But far more often, Love and Other Poems has felt like a long-awaited remedy' New York TimesLove and Other Poems is full of praise for the world we live in. Taking time as an overarching structure - specifically, the twelve months of the year - Alex Dimitrov elevates the everyday, and speaks directly to the reader as if the poem were a phone call or a text message. From the personal to the cosmos, the moon to New York City, the speaker is convinced that love is 'our best invention'. Dimitrov never resists joy, even in despair. These poems are curious about who we are as people and shamelessly interested in hope.
In Praise of Krishna: Songs from the Bengali
by Edward C. Dimock Denise LevertovArising out of a devotional and enthusiastic religious movement that swept across most of northern and eastern India in the period from the fourteenth through the seventeenth centuries, the powerful and moving lyrics collected and elegantly translated here depict the love of Radha for the god Krishna—a love whose intensity and range of emotions trace the course of all true love between man and woman and between man and God. Intermingling physical and metaphysical imagery, the spiritual yearning for the divine is articulated in the passionate language of intense sensual desire for an irresistible but ultimately unpossessable lover, thus touching a resonant chord in our humanity.
Bollywood Shakespeares (Reproducing Shakespeare)
by Craig Dionne Parmita KapadiaHere, essays use the latest theories in postcolonialism, globalization, and post-nationalism to explore how world cinema and theater respond to Bollywood's representation of Shakespeare. In this collection, Shakespeare is both part of an elite Western tradition and a window into a vibrant post-national identity founded by a global consumer culture.
Hammer Blows
by David Mandessi DiopIn this English translation of Hammer Blows, the famous collection of poems by renowned writer David Diop is presented in all its brilliance and wit.First published in 1956, this powerful collection was written during the height of the Negritude movement in France. Posthumously translated into English as Hammer Blows, Diop's voice offers a passionate critique of slavery in the American South and colonialism in Africa.Edited and translated from the French by Simon Mpondo and Frank Jones.'A vigorous use of diction that cuts like a whip, an impassioned and total commitment to the oppressed.' John F. Povey
Between Rivers
by Leni DippleIn this volume, Leni Dipple explores how poetry might be represented in a range of contexts, cutting across cultures and languages. An esoteric collection designed for the serious reader of poetry, Between Rivers forms a simultaneously intricate and epic narrative inspired by the epistolary of Dipple's grandfather and the work of Rainer Maria Rilke. This collection travels across time and continents, seeking its language and its roots, making connections, making sense of the present out of the past. Words are held up to the light, and replanted in an eclectic and vibrant range of poems, synthesising Dipple's many journeys and charged with a personal vitality.
Heinrich Heines Poetik der Stadt (Heine Studien)
by Margit DirscherlHeinrich Heines pointierter Satz über den Poeten, den man keinesfalls nach London schicken dürfe, ist im Diskurs der Großstadtliteratur längst kanonisch geworden. Aber wie hat Heine das Leben in den europäischen Städten und Metropolen darüber hinaus ästhetisch gestaltet? Die interdisziplinäre Studie widmet sich seinen Texten im Hinblick auf Wahrnehmungsformen und Deutungssysteme, die sich im 19. Jahrhundert zunehmend ausprägen. Sie macht anhand ausgewählter Passagen sichtbar, wie Heines Schreiben über Berlin, London und Paris ihn zum Wegbereiter der literarischen Moderne werden lässt und zu einem Vorläufer von Charles Baudelaire und Rainer Maria Rilke.
Children with Enemies (Phoenix Poets)
by Stuart DischellThere is a gentleness in the midst of savagery in Stuart Dischell’s fifth full-length collection of poetry. These poems are ever aware of the momentary grace of the present and the fleeting histories that precede the instants of time. Part elegist, part fabulist, part absurdist, Dischell writes at the edges of imagination, memory, and experience. By turns outwardly social and inwardly reflective, comic and remorseful, the beautifully crafted poems of Children with Enemies transfigure dread with a reluctant wisdom and come alive to the confusions and implications of what it means to be human.
Children with Enemies (Phoenix Poets)
by Stuart DischellThere is a gentleness in the midst of savagery in Stuart Dischell’s fifth full-length collection of poetry. These poems are ever aware of the momentary grace of the present and the fleeting histories that precede the instants of time. Part elegist, part fabulist, part absurdist, Dischell writes at the edges of imagination, memory, and experience. By turns outwardly social and inwardly reflective, comic and remorseful, the beautifully crafted poems of Children with Enemies transfigure dread with a reluctant wisdom and come alive to the confusions and implications of what it means to be human.
Children with Enemies (Phoenix Poets)
by Stuart DischellThere is a gentleness in the midst of savagery in Stuart Dischell’s fifth full-length collection of poetry. These poems are ever aware of the momentary grace of the present and the fleeting histories that precede the instants of time. Part elegist, part fabulist, part absurdist, Dischell writes at the edges of imagination, memory, and experience. By turns outwardly social and inwardly reflective, comic and remorseful, the beautifully crafted poems of Children with Enemies transfigure dread with a reluctant wisdom and come alive to the confusions and implications of what it means to be human.
Children with Enemies (Phoenix Poets)
by Stuart DischellThere is a gentleness in the midst of savagery in Stuart Dischell’s fifth full-length collection of poetry. These poems are ever aware of the momentary grace of the present and the fleeting histories that precede the instants of time. Part elegist, part fabulist, part absurdist, Dischell writes at the edges of imagination, memory, and experience. By turns outwardly social and inwardly reflective, comic and remorseful, the beautifully crafted poems of Children with Enemies transfigure dread with a reluctant wisdom and come alive to the confusions and implications of what it means to be human.
The Lookout Man (Phoenix Poets)
by Stuart DischellVivid poems full of drama and action by award-winning poet Stuart Dischell. Sometimes elegiac, sometimes deadly comic, and always transformative, The Lookout Man embodies the energy, spirit, and craft that we have come to depend upon in Stuart Dischell’s poetry. Inhabiting a mix of lyric structures, these poems are set in diverse locales from the middle of the ocean to the summit of Mont Blanc, from the backyards of America to the streets of international cities. There is a hesitant, almost encroaching wisdom in The Lookout Man, as Dischell allows his edgy vision and singular perspectives to co-exist with the music of his poems. In lines that close the book and typify Dischell’s work, he writes, “I will ask the dogwoods to remind me // What it means to live along the edges of the woods, / To be promiscuous but bear white flowers.”
The Lookout Man (Phoenix Poets)
by Stuart DischellVivid poems full of drama and action by award-winning poet Stuart Dischell. Sometimes elegiac, sometimes deadly comic, and always transformative, The Lookout Man embodies the energy, spirit, and craft that we have come to depend upon in Stuart Dischell’s poetry. Inhabiting a mix of lyric structures, these poems are set in diverse locales from the middle of the ocean to the summit of Mont Blanc, from the backyards of America to the streets of international cities. There is a hesitant, almost encroaching wisdom in The Lookout Man, as Dischell allows his edgy vision and singular perspectives to co-exist with the music of his poems. In lines that close the book and typify Dischell’s work, he writes, “I will ask the dogwoods to remind me // What it means to live along the edges of the woods, / To be promiscuous but bear white flowers.”
New Directions in Contemporary Australian Poetry (Modern and Contemporary Poetry and Poetics)
by Dan Disney Matthew HallThis book sets out to navigate questions of the future of Australian poetry. Deliberately designed as a dialogue between poets, each of the four clusters presented here—“Indigeneities”; “Political Landscapes”; “Space, Place, Materiality”; “Revising an Australian Mythos”—models how poetic communities in Australia continue to grow in alliance toward certain constellated ideas. Exploring the ethics of creative production in a place that continues to position capital over culture, property over community, each of the twenty essays in this anthology takes the subject of Australian poetry definitively beyond Eurocentrism and white privilege. By pushing back against nationalizing mythologies that have, over the last 200 years since colonization, not only narrativized the logic of instrumentalization but rendered our lands precarious, this book asserts new possibilities of creative responsiveness within the Australian sensorium.
Desire and Gender in the Sonnet Tradition
by N. DistillerThis new study explores the poetic tradition of the love sonnet sequence in English as written by women from 1621-1931. It connects this tradition to ways of speaking desire in public in operation today, and to the development of theories of subjectivity in Western culture.
Revival: With a Critical essay (Routledge Revivals)
by Macneile W DixonThis book was the first sign of the gorgeous Indian summer which was to diffuse its golden splendours over the remainder of Alfred Tennyson's career, and to end only with his life.