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The Havocs
by Jacob PolleyLittle Gods established Jacob Polley as one of the leading talents of the younger generation; his third collection sees him extend that gift in often wholly unexpected directions. As before, Polley’s work is often unashamedly lyric, and displays a virtuosic range of form and address. However, the light has changed in The Havocs: these poems are often imbued with the weird, uncanny and otherworldly, drawing on the folkloric and mythic traditions of north Britain – as well as forms from older English traditions, including riddles and cautionary tales. However oblique his strategies, Polley’s work remains fixed on our most central concerns: our losses of faith, our working lives, our irrational fears and our loves. The Havocs charts a daring new turn in the work of one of our finest English poets.
Pluto
by Glyn MaxwellPluto – the non-planet, the ex-planet – is the dominant celestial influence in Glyn Maxwell’s new collection: Pluto is a book about change, the before-and-after of love, the aftermath of loss: change of status and station, home and place, of tense and pronoun. It also marks a radical departure for one of our most celebrated English poets: his formidable skills as a rhetorician and dramatist are suddenly directed inwardly, to produce poems of brutal self-examination, raw elegy, and strange songs of the kind those bruising encounters often leave us singing to ourselves. In Pluto, Maxwell has set out something like a metaphysic of the affair; the result is a lean and concentrated poetry of great emotional power, and far and away Glyn Maxwell’s most directly personal work to date.
Hold Your Own: Poems
by Kate TempestHold Your Own, Kate Tempest's first full-length collection for Picador is an ambitious, multi-voiced work based around the mythical figure of Tiresias. This four-part work follows him through his transformations from child, man and woman to blind prophet; through this structure, Tempest holds up a mirror to contemporary life in a direct and provocative way rarely associated with poetry. A vastly popular and accomplished performance poet, Tempest commands a huge and dedicated following on the performance and rap circuit. Brand New Ancients, also available from Picador, won the Ted Hughes Award for New Work in Poetry and has played to packed concert halls on both sides of the Atlantic.
Selected Poems: Selected Poems
by Paul FarleyPaul Farley is now widely recognized as one of the leading English poets writing today. Selected Poems takes stock of a singular talent of great formal gifts: for readers new to his work, this is an ideal and generous introduction, drawing on four collections from his acclaimed debut The Boy from the Chemist is Here to See You to his most recent, The Dark Film. Farley is a cultural archivist, a nostalgist of the darkest and most unsettling kind, and a meticulous curator of those fleeting details which define our lives and times most poignantly: he already reads like one of the poets by whom future generations will know us best. His Selected Poems is a marvellous introduction to one of poetry’s most capacious and eclectic imaginations.
Drowning in Wheat: Selected Poems
by John KinsellaDrowning in Wheat collects the best of three decades of John Kinsella's astonishing poetry in one volume. Kinsella is universally acknowledged as one of the greatest living Australian poets, and arguably the most important 'eco-poet' of the age; however, this collection also reveals a writer of unexpected and remarkable versatility, and one fluent in an almost bewildering range of forms, registers and voices. Despite its great thematic range, Kinsella's overarching project emerges all the more clearly: Drowning in Wheat is a clarion call and a call to order, a plea to listen to the earth - and to understand our own place within it while we still can. It is also an ideal introduction to one of the essential poets of the age.
Some Desperate Glory: The First World War the Poets Knew
by Max EgremontWhile the First World War devastated Europe, it inspired profound poetry – words in which the atmosphere and landscape of battle are evoked perhaps more vividly than anywhere else. The poets – many of whom were killed – show not only the war’s tragedy but the hopes and disappointments of a generation of men. In Some Desperate Glory, historian and biographer Max Egremont gives us a transfiguring look at the life and work of this assemblage of poets. Wilfred Owen with his flaring genius; the intense, compassionate Siegfried Sassoon; the composer Ivor Gurney; Robert Graves who would later spurn his war poems; the nature-loving Edward Thomas; the glamorous Fabian Socialist Rupert Brooke; and the shell-shocked Robert Nichols all fought in the war, and their poetry is a bold act of creativity in the face of unprecedented destruction. Some Desperate Glory includes a chronological anthology of their poems, with linking commentary, telling the story of the war through their art. This unique volume unites the poetry and the history of the war, so often treated separately, granting readers the pride, strife, and sorrow of the individual soldier’s experience coupled with a panoramic view of the war’s toll on an entire nation.
The Divine Comedy
by Clive James Dante Alighieri‘Finally I realised that I had been practising for this job every time I wrote a quatrain . . . I had spent all this time – the greater part of a lifetime – preparing my instruments’ The Divine Comedy is the precursor of modern literature, and Clive James’s vivif translation – his life’s work and decades in the making – presents Dante’s entire epic poem in a single song. While many poets and translators have attempted to capture the full glory of The Divine Comedy in English, many have fallen short. Victorian verse translations established an unfortunate tradition of reproducing the sprightly rhyming measures of Dante but at the same time betraying the strain on the translator’s powers of invention. For Dante, the dramatic human stories of Hell were exciting, but the spiritual studies of Purgatory and the sublime panoramas of Heaven were no less so. In this incantatory translation, James – defying the convention by writing in quatrains – tackles these problems head-on and creates a striking and hugely accessible translation that gives us The Divine Comedy as a whole, unified, and dramatic work.
What Are We Fighting For? (Macmillan Poetry): New Poems About War
by Brian Moses Roger StevensWhat Are We Fighting For? explores the concept of war in a brilliantly accessible way for younger readers. Fascinating and moving in equal measure, there are poems about incredibly brave dogs, cats and pigeons; the Christmas truce of WWI when soldiers played football in No Man's Land; poems about rationing and what it was like to be an evacuee, poems about modern warfare and the reality of war today; plus lots of amazing true historical facts.This cross-curricular poetry book is a brilliant way to get young readers thinking about both the historical and philosophical aspects of war.
Mean Time
by Carol Ann DuffyIn her prize-winning fourth collection, Mean Time, Poet Laureate Carol Ann Duffy dramatizes scenes from childhood, adolescence and adulthood, finding moments of grace or consolation in memory, love and language amid the complexities of life. These are powerful poems of loss, betrayal and desire.
Aimless Love: New and Selected Poems
by Billy CollinsAimless Love is Billy Collins’ first compilation of poems in twelve years, and a wonderful successor to his first, the bestselling Taking Off Emily Dickinson’s Clothes. Aimless Love presents more than fifty new poems together with generous selections from his four previous books. No poet writing today communicates so directly and effectively, and no living poet has managed to both enrich the tapestry of contemporary poetry and expand it so dramatically: his poems appeal to readers and live audiences across the globe, and have been translated into more than a dozen languages. By turns playful, ironic and serious, Collins’s poetry unearths the wonder in the everyday: in his own words, his poems ‘begin in Kansas and end in Oz’. Weaving the themes of love, loss, joy and poetry itself, these poems showcase the best work of this ‘poet of plenitude, irony, and Augustan grace’.
The Golden Mean
by John GlendayAfter the success of Grain (shortlisted for the Griffin Poetry Prize, poetry's most prestigious international award) John Glenday returns with The Golden Mean.Glenday's poetry - once something of a closely guarded secret - now has many devotees, and this new book shows why: Glenday's mastery of the short translucent lyric and his unashamed and direct concern with matters of the spirit, of love, of human nature and natural law - means he can often read as a Spanish or East European poet in immaculate translation. But for all its apparently weightless and aerodynamic grace, Glenday's poetry can be playful, experimental and occasionally even surreal, and his voice local and intimate.The Golden Mean shows Glenday's full range, and a poet at the height of his imaginative powers.
There Will Be No More Nonsense
by Lorraine MarinerFurniture, Lorraine Mariner's debut collection, was shortlisted for both the Forward Prize for Best First Collection and the Seamus Heaney Centre Poetry Prize. Her poetry is sharp, quirky and skilful. Praise for Furniture: 'Pleasingly direct and conversational, almost aggressively anti-poetic. The poems are spoken in the voice of a young woman who inches her way through a blizzard of bewilderment at life’s unpredictable twists and turns’ Tablet
Brand New Ancients
by Kate TempestKate Tempest is one of the most exciting and innovative performers to have emerged in spoken-word poetry in many years; her dramatic poem Brand New Ancients won the prestigious Ted Hughes Prize for innovation in poetry. Tempest’s wholly unique blend of street poetry, rap and storytelling – combined with the spellbinding delivery of an open-air revivalist – has won her legions of followers all over the UK. Her remarkable stage presence is wholly audible in this poem, a spoken story written to be told with live music. Brand New Ancients is the tale of two families and their intertwining lives, set against the background of the city and braided with classical myth. Here, Tempest shows how the old myths still live on in our everyday acts of violence, bravery, sacrifice and love – and that our lives make tales no less dramatic and powerful than those of the old gods.
The Whole & Rain-domed Universe
by Colette BryceThe Whole & Rain-domed Universe is Colette Bryce's much-anticipated follow-up to Self-Portrait in the Dark. The book presents the reader with an extraordinarily clear-eyed, vivid and sometimes disturbing account of growing up in Derry during the Troubles, with many ghosts both raised and laid to rest. The Whole & Rain-domed Universe is a riveting poetic document of the time; Bryce turns her clear, singing line to darker ends than she has before, describing not just the warmth and eccentricity of family and the claustrophobia of home-life, but also the atmosphere of suspicion, and the real and present threat of terrible violence. Bryce is one of the most widely acclaimed poets of the post-Heaney generation, and this is her most directly personal and compelling work to date.
Poetry Notebook: 2006–2014
by Clive JamesClive James is one of our finest critics and best-loved cultural voices. He is also a prize-winning poet. Since he was first enthralled by the mysterious power of poetry, he has been a dedicated student. In fact, for him, poetry has been nothing less than the occupation of a lifetime, and in this book he presents a distillation of all he's learned about the art form that matters to him most.With his customary wit, delightfully lucid prose style and wide-ranging knowledge, James explains the difference between the innocuous stuff that often passes for poetry today and a real poem: the latter being a work of unity that insists on being heard entire and threatens never to leave the memory. A committed formalist and an astute commentator, he offers close and careful readings of individual poems and poets (from Shakespeare to Larkin, Keats to Pound), and in some case second readings or re-readings late in life - just to be sure he wasn't wrong the first time! Whether discussing technical details of metaphorical creativity or simply praising his five favourite collections of all time, he is never less than captivating.
Disinformation
by Frances LevistonFrances Leviston's first collection, Public Dream, was one of the most acclaimed debuts of recent years, and praised for combining 'technical mastery with a lucidity that verges on the hypnotic' (Independent).Leviston's keenly-anticipated second book sees both an intellectual and dramatic intensification of her project. We often credit poetry as a kind of truth-telling, but it can also be an agent and a vessel of disinformation: in the course of making its proofs and confessions, it also seeks to persuade and seduce by any means it can. Leviston uses both sides of poetry's tongue to address one of the key questions of the age: how have we come to know what we think we know? In the title poem, a woman preparing for a child's birthday party suddenly glimpses the invisible screen of false data behind which she lives - and her own complicity in its power. Many of these poems are concerned with ruined or abandoned structures, dismembered and disappearing bodies, constructed and deconstructed identities; behind them lie the false gods who manipulate the streams of information with which we must navigate the contemporary world. In Leviston's inimitably vivid and vital language,Disinformation challenges us to rescue our idea of identity from that mass of glib truth and persistent falsehood - and proposes how we might begin to think of poetry itself as a means to that end.
Ritual Lighting: Laureate Poems
by Carol Ann DuffyCarol Ann Duffy was appointed Poet Laureate of the United Kingdom in May 2009. In the first five years of her laureateship, she has written brilliant, challenging, lyrical and relevant poetry about people, places and significant moments, past and present. From Chaucer to Shakespeare, from Valentine's Day to Christmas Eve, from the industrial cities to the White Cliffs of Dover, this selection of her public poems celebrates our nation and its rituals.Beautifully illuminated by Stephen Raw - a wonderful textual artist who recreates words, lines and poems in the most elegant and sumptuous form - Ritual Lighting marks the half-way point of Carol Ann Duffy's Laureateship in gorgeous style, and is a stunning gift book from Britain's most popular poet.
Sentenced to Life: Poems
by Clive JamesIn his insightful collection of poems Clive James looks back over an extraordinarily rich life with a clear-eyed and unflinching honesty. There are regrets, but no trace of self-pity in these verses, which - for all their open dealings with death and illness - are primarily a celebration of what is treasurable and memorable in our time here. Again and again, James reminds us that he is not only a poet of effortless wit and lyric accomplishment: he is also an immensely wise one, who delights in using poetic form to bring a razor-sharp focus to his thought. Miraculously, these poems see James writing with his insight and energy not only undiminished but positively charged by his situation: Sentenced to Life represents a career high point from one of the greatest literary intelligences of the age.
Jackself
by Jacob PolleyWinner of the T. S. Eliot Prize for Poetry.Jackself is the fourth collection from one of Britain's finest poets, and sees Jacob Polley at the height of his powers. In one of the most original books of poetry to appear in the last decade, Jackself spins a kind of 'fictionalized autobiography' through nursery rhymes, riddles and cautionary tales, and through the many 'Jacks' of our folktale, legend, phrase and fable - everyman Jacks and no one Jacks, Jackdaw, Jack-O-Lantern, Jack Sprat, Cheapjack and Jack Frost. At once playful and terrifying, lyric and narratively compelling, Jackself is an unforgettable exploration of an innocence and childhood lost in the darker corners of Reiver country and of English folklore, and once more shows Polley as one of the most remarkable imaginations at work in poetry today.T. S. Eliot judging panel described Jackself as 'a firework of a book; inventive, exciting and outstanding in its imaginative range and depth of feeling'.
The Bonniest Companie
by Kathleen JamieIn her extraordinary collection, Kathleen Jamie examines her native Scotland - a country at once wild and contained, rural and urban - and her place within it. In the author's own words: '2014 was a year of tremendous energy in my native Scotland, and knowing I wanted to embrace that energy and participate in my own way, I resolved to write a poem a week, and follow the cycle of the year.' The poems also venture into childhood and family memory - and look to ahead to the future. The Bonniest Companie is a visionary response to a year shaped and charged by both local and global forces, and will stand as a remarkable document of our times.
Songs from My Heart: Poems of Life and Nature
by Daisaku IkedaFor many years Daisaku Ikeda has used poetry to express his innermost observations and sensations. He has given poetic voice to feelings that have emerged from real life, and from the activities of an internationally known champion of peace and education and the leader of a worldwide lay Buddhist movement. With a vigour and simplicity that derive from a style rooted in classical rather than colloquial traditions, his poems celebrate the themes of youth and of progress, and the mysteries of the natural world: whether a wind that sighs 'with its melancholy chant to the traveller', or a 'great sky with its transcendent beauty and stillness', or a moon that shines with the light of the 'silver monarch'. These are poignant meditations above all on time, transience and the eternal - rendered visible through a palette of diverse poetic colour, and framed within a universe where all people are called to strive for a better world. Such a world is characterized not by division, but by peace and love. In that sense, these are verses expressive of the author's deepest hopes and sentiments: not merely poems, but keenly felt songs from his heart.
Void Studies
by Rachael BoastVoid Studies, Rachel Boast's extraordinary new collection, realizes a project that the French Symbolist poet Arthur Rimbaud had proposed, but never written. Études néantes was to consist of poems written as musical études; these would not convey any direct message - but instead summon the abstract spirit of their subject. This 'impossible project' has been completed by Boast in the most astonishing way, and in doing so she has increased the expressive possibilities of poetry itself. These tone poems are indeed works of pure music - but despite their esoteric nature are by no means 'difficult' in the usual sense: instead they conjure the recognizable states, emotions, moods, ambiances and strange atmospheres that lend our lives meaning, and together comprise a kind of lexicon of feeling. Void Studies is an airy and beautiful book - one in which Boast has spun a pure music to both ask and answer the most profound questions poetry can frame.
Gate of Lilacs: A Verse Commentary on Proust
by Clive JamesOver a period of fifteen years Clive James learned French by almost no other method than reading À la recherche du temps perdu. Then he spent half a century trying to get up to speed with Proust's great novel in two different languages. Gate of Lilacs is the unique product of James's love and engagement with Proust's eternal masterpiece. With À la recherche du temps perdu, Proust, in James's words, 'followed his creative instinct all the way until his breath gave out', and now James has done the same. In Gate of Lilacs, James, a brilliant critical essayist and poet, has blended the two forms into one.I had always thought the critical essay and the poem were closely related forms . . . If I wanted to talk about Proust's poetry beyond the basic level of talking about his language - if I wanted to talk about the poetry of his thought - then the best way to do it might be to write a poem.There is nothing like a poem for transmitting a mental flavour. Instead of trying to describe it, you can evoke it. In the end, if À la recherche du temps perdu is a book devoted almost entirely to its author's gratitude for life, for love, and for art, this much smaller book is devoted to its author's gratitude for Proust.
Collected Poems: 1958 - 2015
by Clive JamesClive James's reputation as a poet has become impossible to ignore. His poems looking back over his extraordinarily rich life with a clear-eyed and unflinching honesty, such as 'Japanese Maple' (first published in the New Yorker in 2014), became global news events upon their publication. In this book, James makes his own rich selection from over fifty years' work in verse: from his early satires to these heart-stopping valedictory poems, he proves himself to be as well suited to the intense demands of the tight lyric as he is to the longer mock-epic. Collected Poems displays James's fluency and apparently effortless style, his technical skill and thematic scope, his lightly worn erudition and his emotional power; it will undoubtedly cement his reputation as one of the most versatile and accomplished of contemporary writers.
The Remedies
by Katharine TowersKatharine Towers' second collection is a book of small wonders. From a house drowning in roses to crickets on an August day, from Nerval's lobster to the surrealism of flower remedies, these poems explore the fragility of our relationship with the natural world. Towers also shows us what that relationship can aspire to be: each poem attunes us to another aspect of that world, and shows what strange connections might be revealed when we properly attend to it. The Remedies is a lyric, unforgettable collection which offers just the spiritual assuagement its title promises, and shows Towers emerging as a major poetic talent.