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Ms. Match (Mills And Boon Blaze Ser. #424)

by Jo Leigh

Waking up in a hotel room next to a nearly naked Gwen Christopher is a shocker for Paul Bennet.

Ms. Taken (Mills And Boon Temptation Ser. #516)

by Jo Leigh

Single female in love with the boss. Please return favor…

Ms. Taken Identity

by Dan Begley

PhD candidate Mitch Samuel's life isn't going exactly according to plan: his girlfriend just dumped him (to be fair, he did forget to pick her up at the airport), his estranged father has landed in the hospital, and his literary masterpiece-one part Shakespeare, one part Steinbeck, and all parts lyrical epic-has been rejected for the umpteenth time. However, after a chance encounter at Starbucks with the queen of women's fiction- Katharine Longwell-who seems to take a liking to him, he senses an opportunity for literary riches, if not reputation. After telling her that his (imaginary) female cousin is an aspiring chick-lit author, he secures a promise from her that she'll help his "cousin" get published. The only problem is, Mitch needs a manuscript, and fast. Unfortunately, try as he might to get inside a woman's head by reading Vogue and Cosmo, watching Oxygen and Oprah, nothing seems to work. That's when his roommate Bradley suggests that he try a dance class at the studio where Bradley's sister Marie takes lessons. Self-conscious about his own skills, and unwilling to reveal his true intentions, Mitch attends the first class under an alias: Jason Gallagher, pharmaceutical rep. What could go wrong?Nothing, except that Mitch/Jason quickly finds himself hooked on dancing, and on the charming Marie. Who has no idea who he really is. Or that he knows her brother. Or why he's there. Suddenly, his novel-writing project is becoming a lot more than he bargained for...

Much Ado About Matchmaking (Mills And Boon Silhouette Ser.)

by Myrna Mackenzie

WHAT, ME MARRY? NEVER!

Much Ado About Nada: A hilarious, heartwarming modern retelling of Jane Austen's Persuasion

by Uzma Jalaluddin

'Much Ado About Nada is the contemporary take on Persuasion that I've been waiting for. Jalaluddin expertly balances explorations of family, faith, and love in a smart and authentic way. I am such a fan' EMILY HENRYOnce they were sweetheartsNow they're strangersWorse than strangers - practically enemies But will a chance encounter offer Nada and Baz a second chance at love?Nada Syed is stuck. At twenty-nine, she's living with her parents and mourning the failure of her start-up baby, which failed because of a double-crossing business partner.Nada's best friend Haleema is determined to pry her from her shell - and what better place than at the giant annual Muslim conference? And did Haleema mention that Baz will be there?What Haleema doesn't know is that Nada and Baz have a secret history. And in their chance encounter at the conference, that history comes hurtling at Nada, bringing a moment of reckoning. Will Nada find a way to let go of the past but hold onto her dreams?'Warm, witty and utterly charming. I'll read anything Uzma Jalaluddin writes' KATE QUINN'Perfection! Uzma Jalaluddin is one of the best writers in romance today, and this gorgeous book proves it' SARAH MACLEAN

Much Ado About Nothing: A Critical Reader (Arden Early Modern Drama Guides)

by Deborah Cartmell Peter J. Smith

This volume offers an accessible and thought-provoking guide to this major Shakespearean comedy, surveying its key themes and evolving critical preoccupations. It also provides a detailed and up-to-date history of the play's rich stage and screen performance, looking closely at major contemporary performances, including Josie Rourke's film starring David Tennant and Catherine Tate, Vanessa Redgrave and James Earl Jones at the Old Vic, and the RSC's recent rebranding of it as a sequel. Moving through to four new critical essays, the guide opens up fresh perspectives, including contemporary directors' deployment of older actors within the lead roles, the play's relationship to Love's Labour's Lost, its presence on Youtube and the ways in which tales and ruses in the play belong to a wider concern with varieties of crime. The volume finishes with a guide to critical, web-based and production-related resources and an annotated bibliography provide a basis for further research.

Much Ado About Nothing: A Critical Reader (Arden Early Modern Drama Guides)

by Deborah Cartmell Peter J. Smith

This volume offers an accessible and thought-provoking guide to this major Shakespearean comedy, surveying its key themes and evolving critical preoccupations. It also provides a detailed and up-to-date history of the play's rich stage and screen performance, looking closely at major contemporary performances, including Josie Rourke's film starring David Tennant and Catherine Tate, Vanessa Redgrave and James Earl Jones at the Old Vic, and the RSC's recent rebranding of it as a sequel. Moving through to four new critical essays, the guide opens up fresh perspectives, including contemporary directors' deployment of older actors within the lead roles, the play's relationship to Love's Labour's Lost, its presence on Youtube and the ways in which tales and ruses in the play belong to a wider concern with varieties of crime. The volume finishes with a guide to critical, web-based and production-related resources and an annotated bibliography provide a basis for further research.

Much Ado About Nothing (Short, Sharp Shakespeare Stories #5)

by Anna Claybourne

Mistaken identities, deceipt, lovers' quarrels and a happy ending... discover the entertaining story at the heart of Much Ado About Nothing, one of Shakespeare's best-loved comedies. The age-appropriate text in Short, Sharp Shakespeare Stories: Much Ado About Nothing introduces readers to the play by re-telling the story in modern English, making it an ideal introduction to Shakespeare for children of 9 and above. The book also contains information about the background to Much Ado About Nothing, its major themes, language, and Shakespeare's life during the time he was writing the play, so is a useful resource for project work, or for anyone studying the play itself.Gossip, and its role in society in 16th century England, is also examined, to give the play a factual grounding.Anna Claybourne's concise, witty text really brings out the humour and the drama of the stories, rendering them as relevant today as they were in Shakespeare's time. Comparisons with themes in modern life: love, revenge, family relationships, political power struggles, etc., serve to reinforce this.The text is supported by Tom Morgan-Jones' fantastic artwork, giving the series real visual appeal. Short, Sharp Shakespeare Stories allow children today to be as enthralled by Shakespeare's tales as audiences were 400 years ago. Other titles in the series include Macbeth, A Midsummer Night's Dream, The Tempest, Romeo and Juliet and Hamlet.

Much Ado About Nothing (Shakespeare Handbooks)

by Alison Findlay

This Handbook provides an introductory guide to Much Ado About Nothing offering a scene-by-scene theatrically aware commentary, contextual documents, a brief history of the text and first performances, case studies of key productions, a survey of film and TV adaptation, a wide sampling of critical opinion and further reading.

Much Ado About Nothing (Shakespeare Handbooks)

by Alison Findlay

This Handbook provides an introductory guide to Much Ado About Nothing offering a scene-by-scene theatrically aware commentary, contextual documents, a brief history of the text and first performances, case studies of key productions, a survey of film and TV adaptation, a wide sampling of critical opinion and further reading.

Much Ado About Nothing: Language and Writing (Arden Student Skills: Language and Writing)

by Indira Ghose

Much Ado About Nothing presents a world of glittering surfaces and exquisite social performances. The language of the play sparkles with a fireworks of wit and dazzling bouts of repartee, most memorably in the "merry war" of words between the reluctant lovers, Benedick and Beatrice. A closer look at the language of the play, however, reveals it to be laced with violence and charged with the desire to humiliate others. Wit is deployed as a weapon to ridicule one's opponent; much of the humour circulates incessantly around the theme of cuckoldry, a major source of male anxiety in the period. The most drastic use of language is to slander Hero by accusing her of a lack of chastity - an accusation that spelt social death for a woman in the early modern age. The death that Hero feigns mirrors accurately the devastating effects of the assassination of her character by the smart set of young noblemen in the play. This study guide focuses on examining the array of the uses of language that the play displays, and probes into the ideas about language that it explores. The book looks at key film versions of the play by Kenneth Branagh and Joss Whedon which are often used on courses, whilst also offering practical questions and tips to help students develop their own critical writing skills and deepen their understanding of the play.

Much Ado About Nothing: Language And Writing (Arden Student Skills: Language and Writing)

by Indira Ghose

Much Ado About Nothing presents a world of glittering surfaces and exquisite social performances. The language of the play sparkles with a fireworks of wit and dazzling bouts of repartee, most memorably in the "merry war" of words between the reluctant lovers, Benedick and Beatrice. A closer look at the language of the play, however, reveals it to be laced with violence and charged with the desire to humiliate others. Wit is deployed as a weapon to ridicule one's opponent; much of the humour circulates incessantly around the theme of cuckoldry, a major source of male anxiety in the period. The most drastic use of language is to slander Hero by accusing her of a lack of chastity - an accusation that spelt social death for a woman in the early modern age. The death that Hero feigns mirrors accurately the devastating effects of the assassination of her character by the smart set of young noblemen in the play. This study guide focuses on examining the array of the uses of language that the play displays, and probes into the ideas about language that it explores. The book looks at key film versions of the play by Kenneth Branagh and Joss Whedon which are often used on courses, whilst also offering practical questions and tips to help students develop their own critical writing skills and deepen their understanding of the play.

Much Ado About Nothing: Shakespeare Stories for Children (A Shakespeare Story #10)

by Andrew Matthews

Over two million Shakespeare Shorts sold! Discover the world of Shakespeare with this collection of brilliant stories - perfect for readers of all ages.Beatrice and Benedick are perfect for each other - but they're too busy arguing to see it. Meanwhile, Claudio and Hero are happily head-over-heels in love... Will these two very different couples find their happy ending? Not if the villain Don John has anything to do with it!A wonderful retelling of this classic Shakespeare story.Have you read all of The Shakespeare Stories books? Available in this series: A Midsummer Night's Dream, Macbeth, Romeo and Juliet, The Tempest, Hamlet, Twelfth Night, Antony and Cleopatra, Much Ado About Nothing, The Merchant of Venice, Henry V, Julius Caesar, As You Like It, Othello, The Taming of the Shrew, Richard III, and King Lear.

Much Ado About Nothing (Shakespeare Today)

by Jenny Oldfield

Jenny Oldfield creates a hilarious narrative retelling of Shakespeare's comedy, Much Ado About Nothing.When AC Messina's star striker Claudio falls for the team manager'sdaughter, Hero, he sets in motion an escalating web of deceit. Fuelled by a combination of liesand genuine misunderstandings, Claudio is fooled into believing thatHero is having an affair, and rejects her on their wedding day; whilststar defender Benedick is tricked into falling in love with his worstenemy, Hero's cousin Beatrice. With a delightful cast of reporters,footballers, WAGs and revenge-obsessed scoundrels, will thetruth ever be unravelled? But more to the point, will it result in anycelebrity weddings?The Shakespeare Today series captures the magic of Shakespeare's original play and sets it in an accessible and contemporary style.

Much Ado About Nothing

by William Shakespeare

This new edition of Much Ado About Nothing is part of the established Cambridge School Shakespeare series and has been substantially updated with new and revised activities throughout. Remaining faithful to the series' active approach it treats the play as a script to be acted, explored and enjoyed. As well as the complete script of Much Ado About Nothing, you will find a variety of classroom-tested activities, an eight-page colour section and an enlarged selection of notes including information on characters, performance, history and language.

Much Ado About Nothing

by William Shakespeare

Two couples—Benedick and Beatrice, and Hero and Claudio—must overcome deception, gossip, and, occasionally, their own misplaced pride if their love is to persevere.

Much Ado About Nothing: Webster's Spanish Thesaurus Edition (Macmillan Collector's Library #193)

by William Shakespeare

Comedy and tragedy intertwine when two very different couples fall in and out of love. Part of the Macmillan Collector’s Library; a series of stunning, clothbound, pocket sized classics with gold foiled edges and ribbon markers. These beautiful books make perfect gifts or a treat for any book lover. This edition features illustrations by renowned artist Sir John Gilbert and a new introduction from Professor Tiffany Stern.Whilst Beatrice and Benedick both despise love, exchanging insults and mockery rather than vows, for Hero and Claudio it is love at first sight. But as their marriage preparations begin, so too do Don John’s dirty tricks. Can his scheming get in the way of true love? And can an elaborate plan to bring fiery Beatrice and cynical Benedick closer together really come off? In Much Ado About Nothing, one of Shakespeare’s most popular plays, nothing is quite what it seems.

Much Ado About Nothing: Staged: the origins of YA’s greatest tropes

by William Shakespeare

With a foreword by Holly Bourne, author of Am I Normal Yet?‘I love you with so much of my heart that none is left to protest’Love, deception and discord are flourishing in the court of Messina.Sweet, innocent Hero and the famed soldier Claudio are immediately infatuated, while the bickering Beatrice and Benedick can agree on just one thing: the other is insufferable. Little do they know, two plans are afoot – one to make Beatrice and Benedick fall in love, another to break up Hero and Claudio.Much Ado About Nothing is Shakespeare’s witty comedy of words where sharp-tongued enemies become lovers and sweet romance turns sour.Discover STAGED, a limited collection of Shakespeare’s unabridged plays that celebrates the genius of the Bard and the tropes that continue to delight YA readers to this day.Explore the rest of the STAGED collection:As You Like It – With a foreword by Talia HibbertHamlet – With a foreword by Faridah Àbíké-ÍyímídéMacbeth – With a foreword by Kat DelacorteA Midsummer Night’s Dream – With a foreword by Becky AlbertalliRomeo and Juliet – With a foreword by Jennifer Niven

Much Ado About Nothing: Webster's Spanish Thesaurus Edition (Manga Shakespeare Ser.)

by William Shakespeare Janette Dillon

A vivacious woman and a high-spirited man both claim that they are determined never to marry. But when their friends trick them into believing that each harbours secret feelings for the other, they begin to question whether their witty banter and sharp-tongued repartee conceals something deeper. Schemes abound, misunderstandings proliferate and matches are eventually made in this sparkling and irresistible comedy.

Much Ado About Nothing: Arden Performance Editions (Arden Performance Editions)

by William Shakespeare Anna Kamaralli

Arden Performance Editions are ideal for anyone engaging with a Shakespeare play in performance. With clear facing-page notes giving definitions of words, easily accessible information about key textual variants, lineation, metrical ambiguities and pronunciation, each edition has been developed to open the play's possibilities and meanings to actors and students.Designed to be used and to be useful, each edition has plenty of space for personal annotations and the well-spaced text is easy to read and to navigate.

Much Ado About Nothing: Arden Performance Editions (Arden Performance Editions)

by William Shakespeare Anna Kamaralli

Arden Performance Editions are ideal for anyone engaging with a Shakespeare play in performance. With clear facing-page notes giving definitions of words, easily accessible information about key textual variants, lineation, metrical ambiguities and pronunciation, each edition has been developed to open the play's possibilities and meanings to actors and students.Designed to be used and to be useful, each edition has plenty of space for personal annotations and the well-spaced text is easy to read and to navigate.

Much Ado About Nothing: Revised Edition (The Arden Shakespeare Third Series)

by William Shakespeare Claire McEachern

Much Ado About Nothing presents a battle of the sexes in more ways than one: as both a lightning-fast skirmish of wits between two famously disputatious lovers, and a near-deadly conflict built on conventions of gender and male rivalry. Claire McEachern's new introduction brings this best-seller right up to date, analysing recent developments in criticism and the latest productions of this comedy.

Much Ado About Nothing: Revised Edition (The Arden Shakespeare Third Series)

by William Shakespeare Claire McEachern

Much Ado About Nothing presents a battle of the sexes in more ways than one: as both a lightning-fast skirmish of wits between two famously disputatious lovers, and a near-deadly conflict built on conventions of gender and male rivalry. Claire McEachern's new introduction brings this best-seller right up to date, analysing recent developments in criticism and the latest productions of this comedy.

Much Ado about Nothing (Text and Performance)


In Part 1 Text Pamela Mason explores such themes as the wealth of references to fashion, the way reality can be dressed in verbal disguise and the delicate balance of comic and tragic moods throughout the play. Particular attention is paid to the characters of Beatrice and Benedick and the 'covered fire' of passion beneath their surface wit. Part 2 Performance discusses four major productions in detail: John Gielgud (RSC 1949), Franco Zeffirelli (NT 1965), Trevor Nunn (RSC 1968) and John Barton (RSC 1976).

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