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Adam in Seventeenth Century Political Writing in England and New England

by Julia Ipgrave

Designed to contribute to a greater understanding of the religious foundations of seventeenth century political writing, this study offers a detailed exploration of the significance of the figure and story of Adam at that time. The book investigates seventeenth-century writings from England and New England-examining writings by Roger Williams and John Eliot, Gerrard Winstanley, John Milton, and John Locke-to explore the varying significance afforded to the Biblical figure of Adam in theories of the polity. In so doing, it counters over-simplified views of modern secular political thought breaking free from the confines of religion, by showing the diversity of political models and possibilities that Adamic theories supported. It provides contextual background for the appreciation of seventeenth-century culture and other cultural artefacts, and feeds into current scholarly interest in the relationship between religion and the public sphere, and in stories of origins and Creation.

Adam in Seventeenth Century Political Writing in England and New England

by Julia Ipgrave

Designed to contribute to a greater understanding of the religious foundations of seventeenth century political writing, this study offers a detailed exploration of the significance of the figure and story of Adam at that time. The book investigates seventeenth-century writings from England and New England-examining writings by Roger Williams and John Eliot, Gerrard Winstanley, John Milton, and John Locke-to explore the varying significance afforded to the Biblical figure of Adam in theories of the polity. In so doing, it counters over-simplified views of modern secular political thought breaking free from the confines of religion, by showing the diversity of political models and possibilities that Adamic theories supported. It provides contextual background for the appreciation of seventeenth-century culture and other cultural artefacts, and feeds into current scholarly interest in the relationship between religion and the public sphere, and in stories of origins and Creation.

The Exes: An Opposites Attract Romance

by Anam Iqbal

Can opposites ever really attract? When star-crossed lovers Karim and Zara's worlds collide, they have to work out just how far they’re willing to go to give their love a chance. When Karim and Zara meet, sparks shouldn’t fly.They’ve got nothing in common: Karim - with his on-and offline clique, The Exes - is a globally renowned influencer. Zara is just a normal teen, trying to get into uni, and not bring shame to the family by getting distracted by silly boys.Sparks do fly though. With Zara, Karim can finally let his guard down, while his glamorous world offers Zara an escape from her parent’s control.But someone has their eye on them – a secret gossip who’s been spilling truths about The Exes for years.While Karim and Zara’s dates get swoonier, the blogger’s posts get more personal – and more threatening. Can Karim and Zara unmask their tormentor in time to get their happily ever after? Or does fate have other plans in store for them?

Buffoon

by Anosh Irani

Three-time Governor General’s Literary Award–shortlisted author and playwright Anosh Irani’s critically acclaimed one-man show Buffoon is a masterclass of tragicomic theatre. Born to circus folk who prefer trapezing over parenting, Felix quickly learns to turn life’s misfortunes into jokes. His longing for family and home is piqued at the tender age of seven when he falls hopelessly in love with an older woman, the beguiling Aja, who is eight. In the process, a clown is born, and we watch him grow into a middle-aged buffoon. Over time, Felix stops waiting for someone else to love him; his journey becomes one of loving himself. A story of love, loss, and the fate that binds us, Buffoon is a gut-wrenching one-man show that expertly walks the tightrope between heartbreak and hilarity.

The Men in White

by Anosh Irani

A finalist for the Governor General’s Award for Drama, The Men in White explores urgent themes surrounding the complexities of the modern immigrant experience, Islamophobia, and the unifying power of sport — the masterful playwright and novelist Anosh Irani at his finest.Eighteen-year-old Hasan Siddiqui lives in a bustling Muslim quarter of Bombay. He escapes the drudgery of his work at a chicken slaughterhouse by fostering two fervent dreams — to become a star in cricket, a sport at which he happens to excel, and to win the affections of Haseena, a fiercely intelligent young woman two years his junior. Half a world away in Vancouver, Hasan’s older brother, Abdul, has been working under the table at an Indian restaurant, attempting to set down roots with the hope of one day reuniting with his brother. For Abdul the immigrant dream shows little sign of materializing, but he finds solace in his amateur cricket team. When he and the team’s captain decide to take action to end their losing streak, they talk of recruiting the talented Hasan for the rest of the season. But bringing Hasan from India to Canada will take much more than just a plane ticket, and rising tensions demonstrate that not all members of the team agree with the high cost.

Meaty: Essays By Samantha Irby, Creator Of The Blog Bitches Gotta Eat

by Samantha Irby

ONE OF STYLIST'S BEST NEW BOOKS FOR 2020'This is an unforgettable book.' Roxane Gay Meditations on the terror of love; tips for getting your disgusting meat carcass ready for some new, hot sex; a frank self-evaluation upon the occasion of one's 30th birthday; and, finally, the answer to the question on everyone's minds: Would dying alone really be so terrible? Blogger and comedian Samantha Irby covers it all with wit and honesty - and serves it with a side of Instagram frittata.

We Are Never Meeting in Real Life: Essays

by Samantha Irby

'I cannot remember the last time I was so moved by a book. We Are Never Meeting in Real Life is as close to perfect as an essay collection can get.' - Roxane Gay, New York Times bestselling author of Difficult Women and Bad FeministIn this painfully funny collection, Samantha Irby captures powerful emotional truths while chronicling the rubbish bin she calls her life. From an ill-fated pilgrimage to Nashville to scatter her estranged father's ashes to awkward sexual encounters to the world's first completely honest job application, and more, sometimes you just have to laugh, even when your life is permanently pear-shaped.

Wow, No Thank You.: The #1 New York Times Bestseller

by Samantha Irby

THE NUMBER ONE NEW YORK TIMES BESTSELLER'Irby might be our great bard of quarantine.' New York Times'Samantha Irby is the king of sparkling misanthropy and tender, loving dread.' Jia TolentinoStaring down the barrel of her fortieth year, Samantha Irby is confronting the ways her life has changed since the days she could work a full 11 hour shift on 4 hours of sleep, change her shoes and put mascara on in the back of a moving cab and go from drinks to dinner to the club without a second thought. Recently, things are more 'Girls Gone Mild.' In Wow, No Thank You Irby discusses the actual nightmare of living in a rural idyll, weighs in on body negativity (loving yourself is a full-time job with shitty benefits) and poses the essential question: Sure sex is fun but have you ever googled a popular meme?'A laugh. A fart. A snort. Or some combination thereof. Be prepared to totally lose control of the noises that come out of your body while reading the latest essay collection from humor writer Samantha Irby.' Bustle'The only writer who can make me laugh with abandon in public... Her signature irreverence is intact, of course, but it can't mask the heart she leaves bleeding on the page.' Elle'Samantha Irby is hilarious... Nothing is off limits and I love it.' Candice Carty-Williams

Can't Forget About You (Modern Plays)

by David Ireland

Twenty-five year-old east Belfast man Stevie meets forty-nine year-old Glaswegian widow Martha while recovering from a painful breakup with his ex-girlfriend. Stevie and Martha are immediately attracted to each other. Although their relationship is based entirely upon sexual attraction, they find themselves falling in love. This challenges the expectations of Stevie's conservative Christian mother and his ultra-Unionist, Ulster-Scots-speaking sister who work hard to break the pair up. Stevie and Martha must decide if their relationship has a real future and if they can both overcome the pain of their heartbroken pasts.While primarily a hilarious comedy, Can't Forget About You touches on deeper themes such as grief, loss, sexual mores, cultural identity, sectarianism, generation, and the question of how Northern Ireland moves on from the politics of the past and faces the future.

Can't Forget About You (Modern Plays)

by David Ireland

Twenty-five year-old east Belfast man Stevie meets forty-nine year-old Glaswegian widow Martha while recovering from a painful breakup with his ex-girlfriend. Stevie and Martha are immediately attracted to each other. Although their relationship is based entirely upon sexual attraction, they find themselves falling in love. This challenges the expectations of Stevie's conservative Christian mother and his ultra-Unionist, Ulster-Scots-speaking sister who work hard to break the pair up. Stevie and Martha must decide if their relationship has a real future and if they can both overcome the pain of their heartbroken pasts.While primarily a hilarious comedy, Can't Forget About You touches on deeper themes such as grief, loss, sexual mores, cultural identity, sectarianism, generation, and the question of how Northern Ireland moves on from the politics of the past and faces the future.

Cyprus Avenue (Modern Plays)

by David Ireland

Gerry Adams has disguised himself as a newborn baby and successfully infiltrated my family home.Eric Miller is a Belfast Loyalist. He believes his five-week old granddaughter is Gerry Adams.His family keep telling him to stop living in the past and fighting old battles that nobody cares about anymore, but his cultural heritage is under siege. He must act.David Ireland's black comedy takes one man's identity crisis to the limits as he uncovers the modern day complexity of Ulster Loyalism.Cyprus Avenue was first performed at the Abbey Theatre, Dublin, on 11 February 2016, before transferring to the Royal Court Theatre, London in April 2016.

Cyprus Avenue (Modern Plays)

by David Ireland

Gerry Adams has disguised himself as a newborn baby and successfully infiltrated my family home.Eric Miller is a Belfast Loyalist. He believes his five-week old granddaughter is Gerry Adams.His family keep telling him to stop living in the past and fighting old battles that nobody cares about anymore, but his cultural heritage is under siege. He must act.David Ireland's black comedy takes one man's identity crisis to the limits as he uncovers the modern day complexity of Ulster Loyalism.Cyprus Avenue was first performed at the Abbey Theatre, Dublin, on 11 February 2016, before transferring to the Royal Court Theatre, London in April 2016.

Cyprus Avenue (Modern Plays)

by David Ireland

Gerry Adams has disguised himself as a newborn baby and successfully infiltrated my family home.Eric Miller is a Belfast Loyalist. He believes his five-week old granddaughter is Gerry Adams.His family keep telling him to stop living in the past and fighting old battles that nobody cares about anymore, but his cultural heritage is under siege. He must act.David Ireland's black comedy takes one man's identity crisis to the limits as he uncovers the modern day complexity of Ulster Loyalism.Cyprus Avenue was first performed at the Abbey Theatre, Dublin in 2016, before transferring to the Royal Court Theatre, The MAC in Belfast and The Public Theater in New York.

Cyprus Avenue (Modern Plays)

by David Ireland

Gerry Adams has disguised himself as a newborn baby and successfully infiltrated my family home.Eric Miller is a Belfast Loyalist. He believes his five-week old granddaughter is Gerry Adams.His family keep telling him to stop living in the past and fighting old battles that nobody cares about anymore, but his cultural heritage is under siege. He must act.David Ireland's black comedy takes one man's identity crisis to the limits as he uncovers the modern day complexity of Ulster Loyalism.Cyprus Avenue was first performed at the Abbey Theatre, Dublin in 2016, before transferring to the Royal Court Theatre, The MAC in Belfast and The Public Theater in New York.

Cyprus Avenue (Modern Classics)

by David Ireland

“Ireland's play slyly makes the case that it is not discrimination that ensures survival . . . but rather the ability to be two opposing things at once: Irish and British, politician and terrorist, even comedy and tragedy. If tragicomedy is the natural Irish form, Ireland makes his own inversion here, beginning with amused splutters, ending in hard gulps” Irish TimesEric Miller is a Belfast Loyalist. He believes his five-week old granddaughter is Gerry Adams. His family keep telling him to stop living in the past and fighting old battles that nobody cares about anymore, but his cultural heritage is under siege. He must act.David Ireland's black comedy takes one man's identity crisis to the limits as he uncovers the modern day complexity of Ulster Loyalism.Cyprus Avenue premiered at the Abbey Theatre, Dublin in 2016, before transferring to the Royal Court Theatre, The MAC in Belfast and The Public Theater in New York. It won Best New Play at the Irish Times Theatre Awards and the James Tait Black Prize for Drama, 2017.This edition features a new introduction by Dr. Stefanie Lehner.

Cyprus Avenue (Modern Classics)

by David Ireland

“Ireland's play slyly makes the case that it is not discrimination that ensures survival . . . but rather the ability to be two opposing things at once: Irish and British, politician and terrorist, even comedy and tragedy. If tragicomedy is the natural Irish form, Ireland makes his own inversion here, beginning with amused splutters, ending in hard gulps” Irish TimesEric Miller is a Belfast Loyalist. He believes his five-week old granddaughter is Gerry Adams. His family keep telling him to stop living in the past and fighting old battles that nobody cares about anymore, but his cultural heritage is under siege. He must act.David Ireland's black comedy takes one man's identity crisis to the limits as he uncovers the modern day complexity of Ulster Loyalism.Cyprus Avenue premiered at the Abbey Theatre, Dublin in 2016, before transferring to the Royal Court Theatre, The MAC in Belfast and The Public Theater in New York. It won Best New Play at the Irish Times Theatre Awards and the James Tait Black Prize for Drama, 2017.This edition features a new introduction by Dr. Stefanie Lehner.

Everything Between Us (Modern Plays)

by David Ireland

I bit into your heart and I chewed on it slowly like a connoisseur. I swallowed it. I remember thinking it was an especially small heart and easy to digest. But no matter what I did you wouldn't die. A searing and darkly funny two-hander for women which looks at the Truth and Reconciliation Commission in Northern Ireland, written by the playwright of Cyprus Avenue, David Ireland.It is day one of the newly formed Truth and Reconciliation Commission for Northern Ireland at Stormont. As Sandra Richardson prepares to take her seat on the commission, her long-lost sister Teeni explodes into the chamber and attacks the South African chairwoman, Dikeledi Mashiane. Is this part of a terrorist plot or just her sister's way of announcing her return to Belfast? Deep in the heart of the Northern Irish Parliament, overshadowed by the legacy of hurt, Sandra and Teeni must fight through decades of violence, anger and denial to discover if reconciliation is possible on the pathway to peace. A taut and fast paced two-woman showdown, Everything Between Us is a dramatic, dark, unflinching comedy written by Northern Ireland's boldest contemporary writer. Everything Between Us premiered in Washington DC, USA, in 2011, followed by productions in Northern Ireland and Scotland, winning playwright David Ireland the Stewart Parker Trust Award, BBC Radio Drama Award and the Meyer Whitworth Award for Best New Play. This edition was published to coincide with the London premiere at the Finborough Theatre in April 2017.

Everything Between Us (Modern Plays)

by David Ireland

I bit into your heart and I chewed on it slowly like a connoisseur. I swallowed it. I remember thinking it was an especially small heart and easy to digest. But no matter what I did you wouldn't die. A searing and darkly funny two-hander for women which looks at the Truth and Reconciliation Commission in Northern Ireland, written by the playwright of Cyprus Avenue, David Ireland.It is day one of the newly formed Truth and Reconciliation Commission for Northern Ireland at Stormont. As Sandra Richardson prepares to take her seat on the commission, her long-lost sister Teeni explodes into the chamber and attacks the South African chairwoman, Dikeledi Mashiane. Is this part of a terrorist plot or just her sister's way of announcing her return to Belfast? Deep in the heart of the Northern Irish Parliament, overshadowed by the legacy of hurt, Sandra and Teeni must fight through decades of violence, anger and denial to discover if reconciliation is possible on the pathway to peace. A taut and fast paced two-woman showdown, Everything Between Us is a dramatic, dark, unflinching comedy written by Northern Ireland's boldest contemporary writer. Everything Between Us premiered in Washington DC, USA, in 2011, followed by productions in Northern Ireland and Scotland, winning playwright David Ireland the Stewart Parker Trust Award, BBC Radio Drama Award and the Meyer Whitworth Award for Best New Play. This edition was published to coincide with the London premiere at the Finborough Theatre in April 2017.

Not Now (Modern Plays)

by David Ireland

Matthew, I don't give a f*** who's Irish and who's not. I'm just thinking about what's best for your career. And that's how themmuns in London'll see you. Calling yourself British just embarrasses them.The morning after his father's funeral, an unsure and still grief-stricken Matthew prepares to fly to London to audition for the prestigious drama school, RADA.When his painter-decorator Uncle Ray interrupts his private rendition of Richard III's opening monologue to offer some unwanted direction and dubious career advice, Matthew starts to doubt whether he should really be leaving Belfast in the first place.First presented by A Play, A Pie and A Pint at Òran Mór in May 2022. Not Now received its English premiere at the Finborough Theatre, London, in November 2022.Playwright David Ireland is the multi award-winning author of Cyprus Avenue.

Not Now (Modern Plays)

by David Ireland

Matthew, I don't give a f*** who's Irish and who's not. I'm just thinking about what's best for your career. And that's how themmuns in London'll see you. Calling yourself British just embarrasses them.The morning after his father's funeral, an unsure and still grief-stricken Matthew prepares to fly to London to audition for the prestigious drama school, RADA.When his painter-decorator Uncle Ray interrupts his private rendition of Richard III's opening monologue to offer some unwanted direction and dubious career advice, Matthew starts to doubt whether he should really be leaving Belfast in the first place.First presented by A Play, A Pie and A Pint at Òran Mór in May 2022. Not Now received its English premiere at the Finborough Theatre, London, in November 2022.Playwright David Ireland is the multi award-winning author of Cyprus Avenue.

Sadie (Modern Plays)

by David Ireland

Sadie has a one-night stand with the new office temp, Joao, but it develops into something much more serious when Joao reveals he's in love with her. Sadie is flattered but she has a long history of terrible relationships. She wonders if it's even possible for her to be happy in love? To answer that question, she calls upon her long dead uncle Red and her abusive ex-husband Clark, as well as her new therapist Mairead. Together they help her face some horrifying truths she's kept hidden for too long. Lyric Theatre Belfast, in association with Stephen Rea's Field Day Theatre Company, bring this powerful new play to the stage, to be broadcast on BBC Four as part of BBC Arts 'Lights up' for the new Culture in Quarantine Season – a celebration of British theatre, bringing newly-recorded staged productions from UK theatres to audiences across television, radio, iPlayer and BBC Sounds.Directed by Conleth Hill (Lord Varys, Game of Thrones) it stars award-winning actress Abigail McGibbon.

Sadie (Modern Plays)

by David Ireland

Sadie has a one-night stand with the new office temp, Joao, but it develops into something much more serious when Joao reveals he's in love with her. Sadie is flattered but she has a long history of terrible relationships. She wonders if it's even possible for her to be happy in love? To answer that question, she calls upon her long dead uncle Red and her abusive ex-husband Clark, as well as her new therapist Mairead. Together they help her face some horrifying truths she's kept hidden for too long. Lyric Theatre Belfast, in association with Stephen Rea's Field Day Theatre Company, bring this powerful new play to the stage, to be broadcast on BBC Four as part of BBC Arts 'Lights up' for the new Culture in Quarantine Season – a celebration of British theatre, bringing newly-recorded staged productions from UK theatres to audiences across television, radio, iPlayer and BBC Sounds.Directed by Conleth Hill (Lord Varys, Game of Thrones) it stars award-winning actress Abigail McGibbon.

Ulster American (Modern Plays)

by David Ireland

Would you mind if I asked you a troubling question?Jay is the Oscar-winning actor taking the lead in a new play that connects with his Irish roots. Leigh is the ambitious director who will do anything to get noticed. Ruth is the Northern Irish playwright whose voice must be heard.The stage is set for great success, but when the three meet to discuss the play's challenges and provocations, a line is crossed and the heated discussion quickly escalates to a violent climax. Exploring consent, abuses of power and the confusions of cultural identity, Ulster American is confrontational, brutally funny and not for the faint of heart. David Ireland's recent plays include Cyprus Avenue which won the James Tait Black Award 2017 and Best Play at the Irish Times Theatre Awards 2017. This edition is published to coincide with the world premiere at the Traverse Theatre, Edinburgh, in summer 2018.

Ulster American (Modern Plays)

by David Ireland

Would you mind if I asked you a troubling question?Jay is the Oscar-winning actor taking the lead in a new play that connects with his Irish roots. Leigh is the ambitious director who will do anything to get noticed. Ruth is the Northern Irish playwright whose voice must be heard.The stage is set for great success, but when the three meet to discuss the play's challenges and provocations, a line is crossed and the heated discussion quickly escalates to a violent climax. Exploring consent, abuses of power and the confusions of cultural identity, Ulster American is confrontational, brutally funny and not for the faint of heart. David Ireland's recent plays include Cyprus Avenue which won the James Tait Black Award 2017 and Best Play at the Irish Times Theatre Awards 2017. This edition is published to coincide with the world premiere at the Traverse Theatre, Edinburgh, in summer 2018.

Yes So I Said Yes (Modern Plays)

by David Ireland

It's harder to kill people when there's a peace process on.Ulster Loyalist Alan Black is kept awake every night by his neighbour McCorrick's dog barking. To add to his difficulties, McCorrick refuses to acknowledge that he even owns a dog, let alone one that is creating a disturbance.In a Northern Ireland he barely recognises, where politics has proved just to be the continuation of war by other means, a disconsolate Alan sets out to rid himself of the incessant noise. As he seeks help from authority figures, he finally – as a very last resort – turns to the only voice he can really trust, Eamonn Holmes…Coinciding with the 100th anniversary of the partition of Ireland and the foundation of Northern Ireland, Yes So I Said Yes is a blackly comic, ferocious, dystopian satire about what it's like to feel alone in a place where everyone else is conspiring to erase you and your history.This edition was published to coincide with the production at London's Finborough Theatre in November 2021.

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