- Table View
- List View
Greek Fragments in Postmodern Frames: Rewriting Tragedy 1970-2005 (Classical Presences)
by Eleftheria IoannidouGreek Fragments in Postmodern Frames takes as its subject adaptation of Greek tragedy in the last decades, arguing that rewritings of Greek tragic texts in this period can be used as a tool to uncover a significant dialogue with postmodernism. Despite the large number of staged and written adaptations of Greek tragic texts in recent years, the idea still persists that tragedy is incompatible with postmodernism, with the long-standing debate over the demise of the genre in the modern era undergoing a recent resurgence with the claim that postmodernism precludes tragedy both as an aesthetic form and as a way of perceiving the world. This volume focuses on the adaptation of Greek tragedy between 1970 and 2005 and explores a wide range of adaptations from a variety of different countries: the plays under discussion are characterized by an extended intertextual engagement with their prototype texts - instead of simply adapting the Greek myth, they rewrite the classical text in ways akin to the renegotiation of authorship and textuality proffered by poststructuralist thought. Such adaptive strategies are not only integral to the wider problematics of interrogating the authority of the classical canon and the power structures embedded in its reception, but also have also given rise to the development of peculiar tragic modes and tropes towards the end of the twentieth and into the twenty-first century. In analysing these tropes and demonstrating the ways in which Greek tragic texts have been rethought and rewritten in the adaptions presented, this volume seeks on the one hand to show how tragedy continues to provide a means of articulating contemporary cultural and political preoccupations, while on the other it draws upon a cultural materialist methodology to resist fixed definitions of tragedy and to question established frames and representations.
Greek Fragments in Postmodern Frames: Rewriting Tragedy 1970-2005 (Classical Presences)
by Eleftheria IoannidouGreek Fragments in Postmodern Frames takes as its subject adaptation of Greek tragedy in the last decades, arguing that rewritings of Greek tragic texts in this period can be used as a tool to uncover a significant dialogue with postmodernism. Despite the large number of staged and written adaptations of Greek tragic texts in recent years, the idea still persists that tragedy is incompatible with postmodernism, with the long-standing debate over the demise of the genre in the modern era undergoing a recent resurgence with the claim that postmodernism precludes tragedy both as an aesthetic form and as a way of perceiving the world. This volume focuses on the adaptation of Greek tragedy between 1970 and 2005 and explores a wide range of adaptations from a variety of different countries: the plays under discussion are characterized by an extended intertextual engagement with their prototype texts - instead of simply adapting the Greek myth, they rewrite the classical text in ways akin to the renegotiation of authorship and textuality proffered by poststructuralist thought. Such adaptive strategies are not only integral to the wider problematics of interrogating the authority of the classical canon and the power structures embedded in its reception, but also have also given rise to the development of peculiar tragic modes and tropes towards the end of the twentieth and into the twenty-first century. In analysing these tropes and demonstrating the ways in which Greek tragic texts have been rethought and rewritten in the adaptions presented, this volume seeks on the one hand to show how tragedy continues to provide a means of articulating contemporary cultural and political preoccupations, while on the other it draws upon a cultural materialist methodology to resist fixed definitions of tragedy and to question established frames and representations.
Apocalypse: The Lords of Deliverance Compendium (Lords Of Deliverance Ser. #2.5)
by Larissa IoneThey're here.They ride.The Four Horsemen of the ApocalypseBorn of a match between good and evil, four siblings stand between hell's minions and everything they want to destroy. They are the Lords of Deliverance, and they have the power to ward off Doomsday . . . or let it ride . . . With character descriptions, key player background information, a handy glossary of terms and special abilities, a Q&A inspired by reader questions and an all-new, exclusive short story, this is a must-read for every Larissa Ione fan. As an added bonus, this compendium includes an extended sneak peek at the next book in the Lords of Deliverance series, Lethal Rider.
Bound By Night (Moonbound Clan #1)
by Larissa IoneNicole Martin was only eight years old when she narrowly survived a massacre: her family's vampire slaves rebelled and killed everyone in her household. Twenty years later, Nicole now dedicates herself to finding a vaccine against vampirism . . . and eradicating the gruesome memories that give her nightmares.Riker, a member of the wild vampire Moon Clan, is haunted by his own demons - his wife Lorraine had been captured and enslaved by the Martin family. It was during a botched escape attempt that she was killed, along with their unborn child. Still wracked with grief and anger, Riker is now fuelled solely by the desire to rescue vampire slaves . . . and slaughter their owners. When Riker stumbles upon Nicole in a chance meeting, he immediately recognizes her as a member of the Martin family that once enslaved his wife -and she recognizes him as the wild vampire she saw kissing a pregnant slave in the moments before her violent death - an image that has haunted her dreams for years. When Riker kidnaps Nicole and they spend a night together in a cave on the way back to his clan, suddenly they begin to realize that they aren't as different from one another as they may have thought - and they're finding themselves drawn to one another . . .
Chained By Night (Moonbound Clan #2)
by Larissa IoneThe future of his tribeLeader of the vampire clan MoonBound, Hunter will do what he must to save his people from extinction-or worse, a torturous eternity as vampire slaves and subjects of human experimentation. To keep his enemies at bay, he has agreed to mate a rival clan leader's daughter in return for peace between the clans and an ally in the looming war with the humans.The lover of his soulBut survival comes at a price. First, Hunter must break an ancient curse by successfully negotiating three deadly tests. Then he must resist the searing passions of the gorgeous vampire warrior he despises but is bound to mate. Will Hunter stay true to his word? Or will he risk everything for the woman he really loves: the vampire seductress's identical twin sister?
Desire Unchained: Number 2 in series (Demonica Novel #2)
by Larissa IonePleasure is their ultimate weapon . . . Runa Wagner never meant to fall in love with the sexy stranger who seemed to know her every deepest desire. But she couldn't resist the unbelievable passion that burned between them, a passion that died when she discovered his betrayal and found herself forever changed. Now, determined to make Shade pay for the transformation that haunts her, Runa searches for him, only to be taken prisoner by his darkest enemy. A Seminus Demon with a love-curse that threatens him with eternal torment, Shade hoped he'd seen the last of Runa and her irresistible charm. But when he wakes up in a dank dungeon chained next to an enraged and mysteriously powerful Runa, he realises that her effect on him is more dangerous than ever. As their captor casts a spell that bonds them as lifemates, Shade and Runa must fight for their lives and their hearts - or succumb to a madman's evil plans.
Ecstasy Unveiled: Number 4 in series (Demonica Novel #4)
by Larissa IoneLore is a Seminus half-breed demon who has been forced to act as his master's assassin. Now to earn his freedom and save his sister's life, he must complete one last kill. Powerful and ruthless, he'll stop at nothing to carry out this deadly mission.Idess is an earthbound angel with a wild side sworn to protect the human Lore is targeting. She's determined to thwart her wickedly handsome adversary by any means necessary - even if that means risking her vow of eternal chastity. But what begins as a simple seduction soon turns into a passion that leaves both angel and demon craving complete surrender.Torn between duty and desire, Lore and Idess must join forces as they battle their attraction for each other. Because an enemy from the past is rising again - one hell-bent on vengeance and unthinkable destruction.
Eternal Rider: Number 1 in series (Lords of Deliverance #6)
by Larissa IoneThe prophecies were there but no one listened. Until now. They are the Lords of Deliverance and they have the power to usher in Doomsday . . . or prevent it.His name is Ares, and the fate of mankind rests on his powerful shoulders. If he falls to the forces of evil, the world falls too. As one of the Four Horsemen of the Apocalypse, he is far stronger than any mortal, but even he cannot fight his destiny forever. Not when his own brother plots against him. Yet there is one last hope. Gifted in a way other humans can't - or won't - understand, Cara Thornhart is the key to both this Horseman's safety and his doom. But involving Cara will prove treacherous, even beyond the maddening, dangerous desire that seizes them the moment they meet. For staving off eternal darkness could have a staggering cost: Cara's life.
Immortal Rider: Number 2 in series (Lords of Deliverance #7)
by Larissa IoneThe prophecies were there but no one listened. Until now. They are the Lords of Deliverance and they have the power to usher in Doomsday . . . or prevent it.Sexy, powerful and immortal, Limos is on a crash course with destiny. She's been marked as Satan's bride and her jealous fiancé wants her all to himself. The only way this Horseman can keep herself - and everyone else - safe is to keep her distance. But not even Limos can save herself from the secrets she's kept . . . or resist the seductive allure of one very brave human. Arik Wagner knows the saying 'love hurts' better than most, yet he never thought stealing a kiss from Limos would land him in Hell. Literally. It takes all his military training to survive the demon torture, but once he's topside, Arik realises that the agony has just begun. With the Apocalypse looming and Satan demanding his bride, will Arik and Limos surrender to the desire smouldering between them? Or will giving in to their passion unleash hell on earth?
Lethal Rider: Number 3 in series (Lords of Deliverance #8)
by Larissa IoneThe prophesies were there . . . but no one listened. They are the four Horsemen of the Apocalypse and they have the power to usher in Doomsday . . . or prevent it.Eight months ago, demon-slayer Regan Matthews seduced the fourth Horseman of the Apocalypse, Thanatos. Now, she's pregnant with his child - a child who, if prophecies are to believed, is fated to save the world. But things aren't always as they appear, and the baby conceived by two warriors may yet be the very catalyst that kicks off Armageddon. Thanatos, who will be Death when his Seal breaks, never thought he'd have a family, but as he grows close to Regan and his unborn son, he allows himself to dream. But as the world edges closer to the end of days and his evil brother plots against him, Thanatos realises that the sacrifice he must make will destroy everything he dreamed of having.
Passion Unleashed: Number 3 in series (Demonica Novel #3)
by Larissa IoneForbidden Temptations. Fatal Desires.Serena Kelley is an archaeologist and treasure hunter - and a woman with a secret. Since she was seven, she's been a keeper of a powerful charm that grants her health and immortality . . . as long as she stays a virgin. But Serena isn't all that innocent. And when a dangerously handsome stranger brings her to the brink of ecstasy, she wonders if she's finally met the one man she cannot resist.Wraith is a Seminus demon with a death wish. But when an old enemy poisons him, he must find Serena and persuade her to give him the only known antidote in the universe - her charm. Yet, as she begins to surrender to his seductions and Wraith senses the cure is within his grasp, he realises a horrible truth: he's falling for the woman whose life he must take in order to save his own.
Pleasure Unbound: Number 1 in series (Demonica Novel #1)
by Larissa IoneTayla Mancuso is a demon-slayer who hungers for sensual pleasure - but fears it will always be denied her. Until she lands in a hospital run by demons in disguise, and the head doctor, Eidolon, makes her body burn with unshakable desire. But to prove her ultimate loyalty to her peers, she must betray the surgeon who saved her life.Eidolon cannot resist this fiery, dangerous woman who fills him with both rage and passion. Not only is she his enemy, but she could very well be the hunter who has been preying upon his people. Torn between his need for the truth and his quest to find his perfect mate before a horrific transformation claims him forever, Eidolon will dare the unthinkable - and let Tayla possess him, body and soul . . .
Reaver: Number 6 in series (Demonica Novel #10)
by Larissa IoneWARRIOR OF HEAVENReaver is an angel with a past, a record, and a less-than-heavenly attitude. Powerful enough to fight alongside the fiercest battle angels-and crazy enough to risk his wings on a one-way mission to hell-he's agreed to go where no angel has ever gone before . . . to steal the most seductive and dangerous prize of Satan himself.ANGEL OF HELLHarvester is one of the Fallen, a once-heroic angel who sacrificed her wings to work as an undercover agent in hell. But now her cover has been blown, and she's been doomed to an eternity of agonizing torture. Even if Reaver can snatch her away from Satan's lair, even if they can fight their way out of the underworld's darkest depths, there is one thing Harvester can never escape-her newfound thirst for an angel's blood . . .
Revenant: Number 7 in series (Demonica Novel #11)
by Larissa IoneHELL HATH NO FURY . . .For five thousand years, Revenant believed he was alone in the world, a fallen angel beyond any redemption. Now he finds he has a twin brother who had all the light and love Revenant was denied. Caught in a tug of war between Heaven and Hell, he must weigh his thirst for revenge against his desire for a mysterious female named Blaspheme-a female whose very origins could deliver him into salvation . . . or destruction. LIKE AN ANGEL SCORNEDBlaspheme has a deadly secret: she's the forbidden offspring of an angel and a fallen angel. Hunted by both heavenly and satanic forces, she has survived only by laying low and trusting no one. When Revenant claims he can save them both, how can she possibly believe him? But the powerful angel is persistence incarnate and for Blaspheme, there's no place she can hide in Heaven or Hell where he won't find her . . .
Rogue Rider: Number 4 in series (Lords of Deliverance #9)
by Larissa IoneThe prophecies were there but no one listened. Until now.They are the Lords of Deliverance and they have the power to ward off Doomsday . . . or let it ride.Jillian Cardiff came to this remote mountain town to forget the demon attack that almost killed her. Instead, she rescues - and falls for - a gorgeous stranger who has no memory of anything other than his name. Handsome, charming and protective, Reseph seems like the kind of man that Jillian can trust. But with hints of a troubling history of his own, he's also the kind of man that can be very dangerous . . .Reseph may not know his background, or why he mysteriously appeared in Jillian's life, but he knows he wants to stay. Yet when Jillian's neighbours are killed and demon hunters arrive on the scene, Reseph fears that he's putting Jillian in danger. And once it's revealed that Reseph is also Pestilence, the Horseman responsible for ravaging the world with death and destruction, he and Jillian must face the greatest challenge of all: can they forget the horrors of a chilling past to save the future they both desire?
Sin Undone: Number 5 in series (Demonica Novel #5)
by Larissa IoneHer touch is deadly. His hunger can't be denied.As the only female Seminus demon ever born, master assassin Sinead Donnelly is used to being treated like an outcast. She spent decades enslaved and now vows she'll die before she'll relinquish her freedom again. Then Sin's innate ability to kill her enemies goes awry: She creates a lethal new werewolf virus that sparks a firestorm of panic and violence. Half-werewolf, half-vampire Conall Dearghul is charged with bringing in Sin to face punishment for the plague. And she's no stranger: He's bound to her by blood and the one sexual encounter they shared has left him hungering for her raw sensuality. Worse, Sin is the underworld's most wanted and Con soon learns he's the only one who can help her . . . and that saving her life might mean sacrificing his own.
Dark Seduction Box Set: A Paranormal Romance Collection
by Larissa Ione Kendra Leigh Castle Mimi Jean Pamfiloff Katie MacAlisterA box set of five paranormal romance novels that will slay you!Dark Awakening, by Kendra Leigh Castle When a feud among the immortals escalates into all-out war, Tynan MacGillivray is ordered by his ruthless queen to locate a Seer who can secure victory for their clan. Ty's search leads him to a quiet New England town, but once he has the Seer in his grasp, her touch awakens within him a hunger like he's never known . . .Pleasure Unbound, by Larissa Ione Tayla Mancuso is a demon-slayer who lands in a hospital run by demons in disguise. The head doctor, Eidolon, makes her body burn with unslakable desire, but she knows she must betray the surgeon who saved her life. Eidolon cannot resist this fiery, dangerous woman, yet she could very well be the hunter who has been preying upon his people. With his need to find the perfect mate before a horrific transformation claims him forever, will Eidolon dare the unthinkable-and let Tayla possess him, body and soul?Dragon Fall, by Katie MacAlister Aoife Dakar sees extraordinary things . . . too bad no one else believes that she witnessed a supernatural murder. Returning to the scene for proof, Aoife encounters a gloriously naked man who can shift into a dragon. Kostya has no time for a human woman, no matter how gorgeous she is. But to survive the coming battle for the fate of his race, he needs a mate of true heart and soul . . .Accidentally in Love with a...God?, by Mimi Jean Pamfiloff Emma Keane is your average city girl. There's just one thing setting her apart: the disembodied male voice speaking to her through her mind. Sounds kind of crazy? But crazy turns downright deadly when the voice persuades her to travel to the wilds of the Mayan jungle. There she will free his body-his incredibly hot, muscled, naked body.
Disrupted Intersubjectivity: Paralysis and Invasion in Ian McEwan’s Works (Thinking Media)
by Andrei IonescuDisrupted Intersubjectivity investigates two classes of phenomena creating failures of understanding in social interaction, referred to as 'paralysis' and 'invasion.' Both can be understood as disrupted forms of intersubjectivity, the former being characterized by a lack/deficiency of ways of relating to others, and the latter by an unnecessary surplus. By studying the literary accounts of these phenomena in a selection of Ian McEwan's literary works (“Homemade,” On Chesil Beach, Enduring Love, and Atonement), Andrei Ionescu sheds light on the epistemological potential of literature and the structure of human relationships in general. Part of the developing field of cognitive literary studies, Disrupted Intersubjectivity not only uses cognitive scientific theories in order to clarify literary issues, but also investigates to what extent can literature itself contribute to the process of understanding the workings of the human mind. By investigating the metacognitive issues staged and reflected upon in literary works, Ionescu challenges and refines contemporary cognitive and philosophical approaches to intersubjectivity and opens directions for further theoretical and empirical research.
Disrupted Intersubjectivity: Paralysis and Invasion in Ian McEwan’s Works (Thinking Media)
by Andrei IonescuDisrupted Intersubjectivity investigates two classes of phenomena creating failures of understanding in social interaction, referred to as 'paralysis' and 'invasion.' Both can be understood as disrupted forms of intersubjectivity, the former being characterized by a lack/deficiency of ways of relating to others, and the latter by an unnecessary surplus. By studying the literary accounts of these phenomena in a selection of Ian McEwan's literary works (“Homemade,” On Chesil Beach, Enduring Love, and Atonement), Andrei Ionescu sheds light on the epistemological potential of literature and the structure of human relationships in general. Part of the developing field of cognitive literary studies, Disrupted Intersubjectivity not only uses cognitive scientific theories in order to clarify literary issues, but also investigates to what extent can literature itself contribute to the process of understanding the workings of the human mind. By investigating the metacognitive issues staged and reflected upon in literary works, Ionescu challenges and refines contemporary cognitive and philosophical approaches to intersubjectivity and opens directions for further theoretical and empirical research.
The Affects, Cognition, and Politics of Samuel Beckett's Postwar Drama and Fiction: Revolutionary and Evolutionary Paradoxes (New Interpretations of Beckett in the Twenty-First Century)
by Cristina IonicaThe Affects, Cognition, and Politics of Samuel Beckett’s Postwar Drama and Fiction: Revolutionary and Evolutionary Paradoxes theorizes the revolutionary and evolutionary import of Beckett’s works in a global context defined by increasingly ubiquitous and insidious mechanisms of capture, exploitation, and repression, alongside unprecedented demands for high-volume information-processing and connectivity. Part I shows that, in generating consistent flows of solidarity-based angry laughter, Beckett’s works sabotage coercive couplings of the subject to social machines by translating subordination and repression into processes rather than data of experience. Through an examination of Beckett’s attack on gender/ class-related normative injunctions, the book shows that Beckett’s works can generate solidarity and action-oriented affects in readers/ spectators regardless of their training in textual analysis. Part II proposes that Beckett’s works can weaken the cognitive dominance of constrictive “frames” in readers/ audiences, so that toxic ideological formations such as the association of safety and comfort with simplicity and “sameness” are rejected and more complex cognitive operations are welcomed instead—a process that bolsters the mind’s ability to operate at ease with increasingly complex, malleable, extensible, and inclusive frames, as well as with increasing volumes of information.
Love Politics and Possibly Murder
by Jane IonsSally lives with husband Bill, adult son Dan and four of his friends. Her best friend Jan makes a shocking confession and alarmed Sally gives her some very bad advice.
Dramatists and their Manuscripts in the Age of Shakespeare, Jonson, Middleton and Heywood: Authorship, Authority and the Playhouse (Routledge Studies in Renaissance Literature and Culture)
by Grace IoppoloThis book presents new evidence about the ways in which English Renaissance dramatists such as William Shakespeare, Ben Jonson, Thomas Heywood, John Fletcher and Thomas Middleton composed their plays and the degree to which they participated in the dissemination of their texts to theatrical audiences. Grace Ioppolo argues that the path of the transmission of the text was not linear, from author to censor to playhouse to audience - as has been universally argued by scholars - but circular. Extant dramatic manuscripts, theatre records and accounts, as well as authorial contracts, memoirs, receipts and other archival evidence, are used to prove that the text returned to the author at various stages, including during rehearsal and after performance. This monograph provides much new information and case studies, and is a fascinating contribution to the fields of Shakespeare studies, English Renaissance drama studies, manuscript studies, textual study and bibliography and theatre history.
Dramatists and their Manuscripts in the Age of Shakespeare, Jonson, Middleton and Heywood: Authorship, Authority and the Playhouse (Routledge Studies in Renaissance Literature and Culture)
by Grace IoppoloThis book presents new evidence about the ways in which English Renaissance dramatists such as William Shakespeare, Ben Jonson, Thomas Heywood, John Fletcher and Thomas Middleton composed their plays and the degree to which they participated in the dissemination of their texts to theatrical audiences. Grace Ioppolo argues that the path of the transmission of the text was not linear, from author to censor to playhouse to audience - as has been universally argued by scholars - but circular. Extant dramatic manuscripts, theatre records and accounts, as well as authorial contracts, memoirs, receipts and other archival evidence, are used to prove that the text returned to the author at various stages, including during rehearsal and after performance. This monograph provides much new information and case studies, and is a fascinating contribution to the fields of Shakespeare studies, English Renaissance drama studies, manuscript studies, textual study and bibliography and theatre history.
Tales of Futures Past: Anticipation and the Ends of Literature in Contemporary China
by Paola IoveneMost studies of Chinese literature conflate the category of the future with notions of progress and nation building, and with the utopian visions broadcast by the Maoist and post-Mao developmental state. The future is thus understood as a preconceived endpoint that is propagated, at times even imposed, by a center of power. By contrast, Tales of Futures Past introduces "anticipation"—the expectations that permeate life as it unfolds—as a lens through which to reexamine the textual, institutional, and experiential aspects of Chinese literary culture from the 1950s to 2011. In doing so, Paola Iovene connects the emergence of new literary genres with changing visions of the future in contemporary China. This book provides a nuanced and dynamic account of the relationship between state discourses, market pressures, and individual writers and texts. It stresses authors' and editors' efforts to redefine what constitutes literature under changing political and economic circumstances. Engaging with questions of translation, temporality, formation of genres, and stylistic change, Iovene mines Chinese science fiction and popular science, puts forward a new interpretation of familiar Chinese avant-garde fiction, and offers close readings of texts that have not yet received any attention in English-language scholarship. Far-ranging in its chronological scope and impressive in its interdisciplinary approach, this book rethinks the legacies of socialism in postsocialist Chinese literary modernity.
Ecocriticism and Italy: Ecology, Resistance, and Liberation (Environmental Cultures)
by Serenella IovinoWinner of the MLA Aldo and Jeanne Scaglione Prize for Italian Studies 2016Winner of the American Association for Italian Studies Book Prize 2016Written by one of Europe's leading critics, Ecocriticism and Italy reads the diverse landscapes of Italy in the cultural imagination. From death in Venice as a literary trope and petrochemical curse, through the volcanoes of Naples to wine, food and environmental violence in Piedmont, Serenella Iovino explores Italy as a text where ecology and imagination meet. Examining cases where justice, society and politics interlace with stories of land and life, pollution and redemption, the book argues that literature, art and criticism are able to transform the unexpressed voices of these suffering worlds into stories of resistance and practices of liberation.