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New Mozart Documents: A Supplement to O.E.Deutsch’s Documentary Biography

by Cliff Eisen

O.E.Deutsch's documentary biography of Mozart, first published in German in 1961 and translated into English in 1965, presented all the contemporary documentation on Mozart then known to scholars. During three decades of research more have come to light, and Dr Eisen himself has substantially augmented their number with a methodical search through contemporary research material - newspapers, diaries, memoirs, books and many others. This new edition presents all the material discovered since the English edition of the Deutsch volume, with full description and documentation. This book is essential reading for anyone concerned with the basic information on Mozart's life, his activities and the reception of his music.

Shelley's Italian Experience (Studies in Romanticism)

by Alan M. Weinberg

Focusing on Shelley's 'Italian experience', the present study both addresses itself to the living context which nurtured Shelley's creativity, and explores a neglected but essential component of his work. The poet's four years of self-exile in Italy (1818-1822) were, in fact, the most decisive of his career. As he responded to Italy, his poetry acquired a new subtlety and complexity of vision. Endowed with remarkably keen powers of absorption, the poet imaginatively reshaped the rich cultural heritage of Italy and the vital qualities of its landscape and climate.

Dynamics Of Role-Playing In Jacobean Tragedy: (pdf)

by Joan L Hall

Oscar Wilde Eros and Aesthetics

by Patricia Flanagan Behrendt

This study explores the relationship between Wilde's treatment of sexual subject matter and the development of his literary aesthetics from the earliest volume of poetry through the social comedies which highlighted his career. In addition, the study considers the earliest critical responses to Wilde's works, since they reveal how references to sexual subject matter, particularly to homoerotic themes, were received in Wilde's own period.

Jane Austen: A Literary Life

by Jan Fergus J. Luke Wood

Previous biographies have set Jane Austen within her social context. This biography places her firmly within her professional context as one of an increasing number of women who published novels between 1790 and 1820. Being a professional writer was, apart from her family, more important to Austen than anything else in her life.

T. S. Eliot: A Literary Life (Literary Lives)

by Tony Sharpe

Part of a series which offers accounts of the literary careers of the most widely read British and Irish authors. This volume looks at T.S.Eliot and traces the professional, publishing and social contexts which shaped his writing.

Marian Evans: A Literary Life (Literary Lives)

by Kerry McSweeney

Barbara Pym and the Novel of Manners: (pdf)

by Annette Weld

Ivy Compton-Burnett

by Kathy J Gentile

The twenty novels of Ivy Compton-Burnett comprise a tightly constructed, radically renovated house of fiction. This study finds that her work is grounded on a rational feminism that defies the Christianized moral ethic which restricts traditional novels by and about women. Compton-Burnett condenses the abuses of patriarchy, and its attendant hierarchy, into the closed arena of the Victorian/Edwardian family. Through this fictional technique of condensation, her 'insular' English novels paradoxically expose contradictions and illegitimate foundations of masculinized Western civilization.

Theatre of the English and Italian Renaissance (Warwick Studies in the European Humanities)

by J. R. Mulryne Margaret Shrewring

Theatre of the English and Italian Renaissance studies interrelationships between English and Italian Theatre of the Renaissance period, including texts, performance and performance spaces, and cultural parallels and contrasts. Connections are traced between Italian writers including Aretino, Castiglione and Zorenzo Valla and such English playwrights as Shakespeare, Lyly and Ben Jonson. The impact of Italian popular tradition on Shakespeare's comedies is analysed, together with Jonson's theatrical recreation of Venice, and Italian sources for the court masques of Jonson, Daniel and Campion.

Irish Writing: Exile and Subversion (Insights)

by Paul Hyland

This is a collection of original essays by international scholars which focuses on Irish writing in English from the eighteenth century to the present. The essays explore the recurrent motif of exile and the subversive potential of Irish writing in political, cultural and literary terms. Case-studies of major writers such as Swift, Joyce, and Heaney are set alongside discussions of relatively unexplored writing such as radical pamphleteering in the age of the French Revolution and the contribution of women writers to Nationalistic journalism.

Virginia Woolf A Literary Life (Literary Lives Ser.)

by J. Mepham

This book tells the story of Virginia Woolf's literary career. It emphasises the importance of her ownership of the Hogarth Press, whereby she gained the freedom to write as she pleased. This made possible a career of extraordinary formal innovations. Each of her books was unlike every other. Her career was a series of different choices, statements and masks. This book attempts to discover why, at each point in her career, she chose to write as she did.

Politics Of Theatre And Drama (Insights)

by G. Holderness

Evelyn Waugh: New Directions

by Alain Blayac

In this volume of essays casting new light on aspects of Waugh's life and writings, the essential Waugh emerges as a diffident artist and a sensitive recorder not only of the Roaring Twenties but also of his century. Evelyn Waugh's undisputed talent and controversial personality are set off in a series of studies that provide new elements towards the understanding of the man and the artist: the annulment of his first marriage, his relations with the BBC are for the first time dealt with in depth and objectivity.

Kafka and Dostoyevsky: The Shaping of Influence

by W.J. Dodd

This book evaluates the importance of Dostoyevsky's life and imaginative fiction as a stimulus to Kafka's own writing. Dostoyevskian material is situated within detailed readings of particular works. The principle sources discussed are The Double, Notes from Underground, Crime and Punishment, and Dostoyevsky's (auto) biography. It is argued that Kafka's use of Dostoyevsky is driven by antagonism as much as by admiration.

Sibling Love and Incest in Jane Austen’s Fiction

by Glenda A Hudson

English lit scholar Glenda Hudson examines Jane Austen's presentation of sibling love and rivalry in the context of the dramatic social and historical changes in the late 18th century--and also analyzes the incest motif in numerous works of the period.

Hard Times (The Critics Debate)

by A. Samuels

Possibly the least liked of Dickens's novels, Hard Times has generated considerable critical disagreement, usually not for what it is about, but for how good it is. Allen Samuels considers the critical views of several 19th and 20th century critics to show how they have responded in their various ways to this question. Believing that ultimately the question of value is a dead duck, he offers his own interpretation in which he considers how the novel dramatizes within itself the competing rivalry of the literary and sociological imaginations. He focusses on three key critical areas: the novel's genre, the metaphors of reading within the text, and the theme of self-interest as characterised by Bitzer's success.

The Language of James Joyce (The Language of Literature)

by Katie Wales Geoff Scott

This book presents the first sustained analysis for students of the language and style of Joyce's major prose works in the light of current work in language studies, stylistics and literary theory. Each chapter addresses a particular aspect of the style of a prose work or text, rhetoric (Dubliners, and A Portrait of the Artist as a Young Man), speech and thought presentation and word-play (Ulysses) and sound-play (Finnegans Wake). The book is written specifically for undergraduates and general readers interested in Joyce who may lack a linguistic background.

Christopher Isherwood (Palgrave Modern Novelists Series)

by Stephen Wade

The study introduces the reader to the nature and scope of Isherwood's fiction, together with some exploration of the main background influences on his novels, from his time in Nazi Germany in the thirties to his American writing and the period of his religious conversion to Vedanta. The main emphasis is on Isherwood as a writer who has not generally been read and studied as a practitioner of religious or philosophical fiction. His American writing has often been dismissed as evidence of a decline in quality. This study seeks to redress the balance of critical enquiry as well as to introduce Isherwood to new readers and students of the modern novel.

Under Eastern Eyes: The West as Reflected in Recent Russian Emigre Writing (Studies in Russia and East Europe)

by Arnold McMillin

This collection of essays concerns perceptions of the West as reflected in the work of Russian writers of the Third Wave of emigration. The authors include several well-known writers such as Aksenov, Gladilin, Zinik and Loseff as well as Soviet and Western scholars, and the result is both varied and surprising: in the light it throws on the Russian mentality, on the phenomenon of exile and on aspects of the West. It will interest students of contemporary literature, of the Soviet mentality, and of exile in general.

George Eliot

by Kristin Brady

This book offers a critique of traditional Eliot biography and criticism that has interpreted the author in terms of essentialist notions about gender. Kristin Brady then offers a feminist reading of Eliot's life by considering the ways in which it uncovers splits within patriarchal ideologies. Finally, she analyses Eliot's writing, offering dynamic new readings of many of Eliot's texts.

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