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The Monster and Other Stories
by Stephen Crane Dover Thrift EditionsThe harrowing title tale from this collection recounts the experiences of an African-American coachman who becomes horribly disfigured after rescuing his employer's son from a fire. A study of race and tolerance as well as the challenges posed by deformity, this major work by the author of The Red Badge of Courage originally appeared in 1898. The last of Stephen Crane's work to be published in his lifetime, the story was rediscovered in the mid-twentieth century and acclaimed by Ralph Ellison as "one of the parents of the modern American novel."This volume also features two additional short stories by Crane: "The Blue Hotel," in which a nervous visitor is led astray by his own preconceptions about the Wild West, and "His New Mittens," the touching tale of a little boy who allows himself to be goaded into a snowball fight and attempts to outrun his mistake.
Gender and Romance in Chaucer's "Canterbury Tales"
by Susan CraneIn this fresh look at Chaucer's relation to English and French romances of the late Middle Ages, Crane shows that Chaucer's depictions of masculinity and femininity constitute an extensive and sympathetic response to the genre. For Chaucer, she proposes, gender is the defining concern of romance. As the foundational narratives of courtship, romances participate in the late medieval elaboration of new meanings around heterosexual identity. Crane draws on feminist and genre theory to argue that Chaucer's profound interest in the cultural construction of masculinity and femininity arises in large part from his experience of romance.In depicting the maturation of young women and men, romances stage an ideology of identity that is based in gender difference. Less obviously gendered concerns of romance--social hierarchy, magic, and adventure--are also involved in expressing femininity and masculinity. The genders prove to be not simply binary opposites but overlapping and shifting coreferents. Precarious social standing can carry a feminine taint; women's adventures recall but also contradict those of men. This lively study reveals that Chaucer's redeployments of romance are particularly sensitive to the crucial place gender holds in the genre.Originally published in 1994.The Princeton Legacy Library uses the latest print-on-demand technology to again make available previously out-of-print books from the distinguished backlist of Princeton University Press. These editions preserve the original texts of these important books while presenting them in durable paperback and hardcover editions. The goal of the Princeton Legacy Library is to vastly increase access to the rich scholarly heritage found in the thousands of books published by Princeton University Press since its founding in 1905.
Nothing Happened: A History
by Susan A. CraneThe past is what happened. History is what we remember and write about that past, the narratives we craft to make sense out of our memories and their sources. But what does it mean to look at the past and to remember that "nothing happened"? Why might we feel as if "nothing is the way it was"? This book transforms these utterly ordinary observations and redefines "Nothing" as something we have known and can remember. "Nothing" has been a catch-all term for everything that is supposedly uninteresting or is just not there. It will take some—possibly considerable—mental adjustment before we can see Nothing as Susan A. Crane does here, with a capital "n." But Nothing has actually been happening all along. As Crane shows in her witty and provocative discussion, Nothing is nothing less than fascinating. When Nothing has changed but we think that it should have, we might call that injustice; when Nothing has happened over a long, slow period of time, we might call that boring. Justice and boredom have histories. So too does being relieved or disappointed when Nothing happens—for instance, when a forecasted end of the world does not occur, and millennial movements have to regroup. By paying attention to how we understand Nothing to be happening in the present, what it means to "know Nothing" or to "do Nothing," we can begin to ask how those experiences will be remembered. Susan A. Crane moves effortlessly between different modes of seeing Nothing, drawing on visual analysis and cultural studies to suggest a new way of thinking about history. By remembering how Nothing happened, or how Nothing is the way it was, or how Nothing has changed, we can recover histories that were there all along.
On Bathos: Literature, Art, Music
by Sara Crangle Peter NichollsWhile the sublime has garnered a great deal of critical attention over the past twenty years, its counterpart, bathos, has yet to receive any extended treatment. Generally understood as an inadvertent descent to the low, vulgar, and ludicrous in writing or art, the term "bathos" was popularised by Pope, who used it to satirise his contemporaries. Ironically likening bathos to the depths of profundity, Pope lauded his peers for their influential writings whilst openly deriding their absurd misuses of figure and rhetorical device. Pope's method proved prophetic: today, artists regularly celebrate and incorporate bathetic practice. This essay collection considers how bathos has become so central to literature, fine art, and music. The innovative and diverse contributions assess the consequences of this endemic inversion of aesthetic standards, and consider where artistic production might go after hitting, and so comfortably inhabiting, rock bottom.
Jack Lindsay: Writer, Romantic, Revolutionary
by Anne Cranny-FrancisThis book offers an in-depth analysis of the work of prolific writer, activist and publisher, Jack Lindsay (1900-1990). It maps the development of his ideas across the twentieth century by reference to the five British writers about whom he published major studies: William Blake, John Bunyan, Charles Dickens, George Meredith and William Morris. At the same time it maps the formation through the twentieth-century of Left cultural politics, which Lindsay repeatedly anticipated in areas such as the fundamental interconnectedness of human beings and the natural world, the formative role of culture in both social and individual being, the crucial role of the senses in embodied being and the rejection of mind/body dualism. Through his analysis Lindsay foretold both the social alienation and the environmental degradation that characterise the beginning of the twenty-first century, while his interdisciplinary research and transdisciplinary analysis provide models for how we might address these critical concerns.
Don't Know Tough: 'Southern noir at its finest' NEW YORK TIMES
by Eli Cranor'A searing and stunningly poignant study in what makes us and what breaks us' S. A. Cosby, New York Times bestselling author of Razorblade Tears and Blacktop Wasteland'A gripping novel about rage and trauma, redemption and damnation, football and family' Steph ChaFriday Night Lights with a Southern Gothic twist - a powerful debut noir for fans of S. A. Cosby and Megan Abbott.In Denton, Arkansas, the fate of the high school football team rests on the shoulders of Billy Lowe, a volatile but talented running back. Billy comes from an extremely troubled home: a trailer park where he is terrorized by his unstable mother's abusive boyfriend. Billy takes out his anger on the field, but when his savagery crosses a line, he faces suspension.Without Billy Lowe, the Denton Pirates can kiss their playoff bid goodbye. But the head coach, Trent Powers, who just moved from California with his wife and two children for this job, has more than just his paycheck riding on Billy's bad behavior. As a born-again Christian, Trent feels a divine calling to save Billy-save him from his circumstances, and save his soul.Then Billy's abuser is found murdered in the Lowe family trailer, and all evidence points toward Billy. Now nothing can stop an explosive chain of violence that could tear the whole town apart on the eve of the playoffs.WINNER OF THE PETER LOVESEY FIRST CRIME NOVEL CONTEST A USA Today Best Book of the Year (So Far)An Amazon Editor's PickCrimeReads Most Anticipated Books of 2022New York Post Top Reads for the Week'Southern noir at its finest, a cauldron of terrible choices and even more terrible outcomes' The New York Times Book Review
Ozark Dogs: the acclaimed US crime thriller from the award-nominated author
by Eli Cranor'Eli Cranor is that rare writer who can make you gasp, cry and cheer often in the same paragraph' S. A. COSBY'Ozark Dogs tunnels into your brain with feverish power. A story of family burdens and dark legacies, it's thrillingly told, deeply wrenching, not to be missed.' MEGAN ABBOTTAfter his son is convicted of murder, Vietnam War veteran Jeremiah Fitzjurls takes over the care of his granddaughter, Joanna, raising her with as much warmth as can be found in an Ozark junkyard outfitted to be an armory. He teaches her how to shoot and fight, but there is not enough training in the world to protect her when the dreaded Ledfords, notorious meth dealers and fanatical white supremacists, come to collect on Joanna as payment for a long-overdue blood debt. Headed by rancorous patriarch Bunn and smooth-talking, erudite Evail, the Ledfords have never forgotten what the Fitzjurls family did to them, and they will not be satisfied until they have taken an eye for an eye. As they seek revenge, and as Jeremiah desperately searches for his granddaughter, their narratives collide in this immersive story about family and how far some will go to honor, defend-or in some cases, destroy it.Praise for Eli Cranor:'Southern noir at its finest, a cauldron of terrible choices and even more terrible outcomes . . . one of the best debuts of 2022' New York Times'A gripping novel about rage and trauma, redemption and damnation,. . . Cranor's characters bristle with desperation and frustrated masculinity, a volatile cauldron of emotion that brings tension to every page' Steph Cha'A major work from a bright, young talent' USA Today
The Noble Savage: Jean-Jacques Rousseau, 1754-1762
by Maurice CranstonIn this second volume of the unparalleled exposition of Rousseau's life and works, Cranston completes and corrects the story told in Rousseau's Confessions, and offers a vivid, entirely new history of his most eventful and productive years. "Luckily for us, Maurice Cranston's The Noble Savage: Jean-Jacques Rousseau, 1754-1762 has managed to craft a highly detailed account of eight key years of Rousseau's life in such a way that we can both understand and even, on occasion, sympathize."—Olivier Bernier, Wall Street Journal Maurice Cranston (1920-1993), a distinguished scholar and recipient of the James Tait Black Memorial Prize for his biography of John Locke, was professor of political science at the London School of Economics. His numerous books include The Romantic Movement and Philosophers and Pamphleteers, and translations of Rousseau's The Social Contract and Discourse on the Origins of Inequality.
Postcolonial Witnessing: Trauma Out of Bounds
by Stef CrapsPostcolonial Witnessing argues that the suffering engendered by colonialism needs to be acknowledged more fully, on its own terms, in its own terms, and in relation to traumatic First World histories if trauma theory is to have any hope of redeeming its promise of cross-cultural ethical engagement.
Tricks of the Light: Essays on Art and Spectacle
by Jonathan CraryEssays on media systems and contemporary art by a leading theorist of modern visual cultureTricks of the Light brings together essays by critic and art historian Jonathan Crary, internationally known for his groundbreaking and widely admired studies of modern Western visual culture. This collection features a compelling selection of Crary's responses to modern and contemporary art and to the transformations of twentieth-century media systems and urban/technological environments. These wide-ranging and provocative texts explore the work of painters, performance artists, writers, architects, and photographers, including Allan Kaprow, Eleanor Antin, Ed Ruscha, John Berger, Bridget Riley, J.G. Ballard, Rem Koolhaas, Gretchen Bender, Dennis Oppenheim, Paul Virilio, Robert Irwin, and Uta Barth. There are also reflections on filmmakers Fritz Lang, Stanley Kubrick, Jean-Luc-Godard, David Cronenberg, and others. The book is enhanced by several expansive essays on the unstable status of television, both amid its beginnings in the 1930s and then during its assimilation into new assemblages and networks in the 1980s and 90s. These assess its many-sided role in the reshaping of subjectivity, temporality, and the operation of power. Like all of Crary's work, his writing here is grounded in the acuteness of his engagement with perceptual artifacts of many kinds and in his nuanced reading of historical processes and their cultural reverberations.
Urban Legends: 666 Absolutely True Stories That Happened to a Friend...of a Friend?of a Friend
by Thomas J. CraughwellA fascinating, creepy, frightening, disgusting, and hilarious collection of some of the world's most popular and enduring tall tales.With themes that run the gamut from funny to sick, risqué to informative, and frightening to disgusting, Urban Legends features fantastic yarns that are remarkable for their uncanny ability to travel the world by word of mouth. We've all heard the one about the alligators that roam New York City's sewers, or how "Mikey" of Life Cereal fame died from eating Pop Rocks mixed with Coke. And what about the flustered parents who left their baby on the car roof, or the scuba diver who was found in the middle of a forest after a fire? These classic tall tales are featured here in all of their creepy glory along with hundreds of others, and they're guaranteed to amuse, enlighten, and intrigue, but be careful: they may stick in your mind forever.
Visible and Invisible Whiteness: American White Supremacy through the Cinematic Lens
by Alice Mikal CravenVisible and Invisible Whiteness examines the complicity between Classical Hollywood narratives or genres and representations of white supremacy in the cinema. Close readings of D.W. Griffith’s The Birth of a Nation by James Agee and James Baldwin explore these authors’ perspectives on the American mythologies which ground Griffith’s film. The intersectionality of Bordwell’s theories on Classical Hollywood Narrative versus Art Cinema and Richard Dyer’s seminal work on whiteness forms the theoretical base for the book. Featured films are those which have been undervalued or banned due to their hybrid natures with respect to Hollywood and Art Cinema techniques, such as Samuel Fuller’s White Dog and Jean Renoir’s The Southerner. The book offers comparative analyses of American studio-based directors as well as European and European émigrés directors. It appeals to scholars of Film Theory, African American and Whiteness Studies. It provides insight for readers concerned about the re-emergence of white supremacist tensions in contemporary America.
Visible and Invisible Whiteness: American White Supremacy through the Cinematic Lens
by Alice Mikal CravenVisible and Invisible Whiteness examines the complicity between Classical Hollywood narratives or genres and representations of white supremacy in the cinema. Close readings of D.W. Griffith’s The Birth of a Nation by James Agee and James Baldwin explore these authors’ perspectives on the American mythologies which ground Griffith’s film. The intersectionality of Bordwell’s theories on Classical Hollywood Narrative versus Art Cinema and Richard Dyer’s seminal work on whiteness forms the theoretical base for the book. Featured films are those which have been undervalued or banned due to their hybrid natures with respect to Hollywood and Art Cinema techniques, such as Samuel Fuller’s White Dog and Jean Renoir’s The Southerner. The book offers comparative analyses of American studio-based directors as well as European and European émigrés directors. It appeals to scholars of Film Theory, African American and Whiteness Studies. It provides insight for readers concerned about the re-emergence of white supremacist tensions in contemporary America.
Richard Wright in a Post-Racial Imaginary
by Alice Mikal Craven William E. DowIn African American fiction, Richard Wright was one of the most significant and influential authors of the twentieth century. Richard Wright in a Post-Racial Imaginary analyses Wright's work in relation to contemporary racial and social issues, bringing voices of established and emergent Wright scholars into dialogue with each other. The essays in this volume show how Wright's best work asks central questions about national alienation as well as about international belonging and the trans-national gaze. Race is here assumed as a superimposed category, rather than a biological reality, in keeping with recent trends in African-American studies. Wright's fiction and almost all of his non-fiction lift beyond the mainstays of African-American culture to explore the potentialities and limits of black trans-nationalism. Wright's trans-native status, his perpetual "outsidedness" mixed with the "essential humanness" of his activist and literary efforts are at the core of the innovative approaches to his work included here.
Of Latitudes Unknown: James Baldwin's Radical Imagination
by Alice Mikal Craven William E. Dow Yoko NakamuraOf Latitudes Unknown is a multi-faceted study of James Baldwin's radical imagination. It is a selective and thoughtful survey that re-investigates the grounds of Baldwin studies and provides new critical approaches, subjects, and orientations for Baldwin criticism. This volume joins recent critical collections in “un-fragmenting” Baldwin and establishing further conjunctions in his work: the essay and the novel; the polemical and the aesthetic; his use of and participation in visual forms; and his American as well as international identities. But it goes beyond other recent studies by focusing on new entities of Baldwin's radical imagination: his English and French language selves; his late encounters with Africa; his appearances on French television and interviews with French journalists; and his unrecognized literary journalism. Of Latitudes Unknown also addresses Baldwin's relations with the Arab world, his anticipation of contemporary film and media studies, and his paradoxical public intellectualism. As it reassesses Baldwin's contributions to and influences on world literary history, Of Latitudes Unknown equally explores why the critical appreciation of Baldwin's writing continues to flourish, and why it remains a vast territory whose parts lie open to much deeper exploration and elaboration.
Of Latitudes Unknown: James Baldwin's Radical Imagination
by Alice Mikal Craven William E. Dow Yoko NakamuraOf Latitudes Unknown is a multi-faceted study of James Baldwin's radical imagination. It is a selective and thoughtful survey that re-investigates the grounds of Baldwin studies and provides new critical approaches, subjects, and orientations for Baldwin criticism. This volume joins recent critical collections in “un-fragmenting” Baldwin and establishing further conjunctions in his work: the essay and the novel; the polemical and the aesthetic; his use of and participation in visual forms; and his American as well as international identities. But it goes beyond other recent studies by focusing on new entities of Baldwin's radical imagination: his English and French language selves; his late encounters with Africa; his appearances on French television and interviews with French journalists; and his unrecognized literary journalism. Of Latitudes Unknown also addresses Baldwin's relations with the Arab world, his anticipation of contemporary film and media studies, and his paradoxical public intellectualism. As it reassesses Baldwin's contributions to and influences on world literary history, Of Latitudes Unknown equally explores why the critical appreciation of Baldwin's writing continues to flourish, and why it remains a vast territory whose parts lie open to much deeper exploration and elaboration.
Richard Wright in a Post-Racial Imaginary
by Alice Mikal Craven William E. Dow Yoko NakamuraIn African American fiction, Richard Wright was one of the most significant and influential authors of the twentieth century. Richard Wright in a Post-Racial Imaginary analyses Wright's work in relation to contemporary racial and social issues, bringing voices of established and emergent Wright scholars into dialogue with each other. The essays in this volume show how Wright's best work asks central questions about national alienation as well as about international belonging and the trans-national gaze. Race is here assumed as a superimposed category, rather than a biological reality, in keeping with recent trends in African-American studies. Wright's fiction and almost all of his non-fiction lift beyond the mainstays of African-American culture to explore the potentialities and limits of black trans-nationalism. Wright's trans-native status, his perpetual "outsidedness" mixed with the "essential humanness" of his activist and literary efforts are at the core of the innovative approaches to his work included here.
Christina Wished
by Gene CravenChristina, raven-haired beauty and fount of lewd desires, must push her sexuality to its limits to prove her worthiness to the enigmatic Mr Robson and his sensual assistant, Ms Gilbert.Susan, a luscious but meek shop-girl, finds release and undreamt-of power as exotic aphrodisiacs unlock her wanton core and lead her into the realm of submission and domination.Together they share a flat with the mysterious Cathy, a girl who seems to like dressing in rubber and leather. How soon before they discover the truth about the Princess Catherine, her deluxe disciplinary treatment, and the power that binds them all?
Black Summer (Washington Poe #2)
by M. W. Craven'Dark, sharp and compelling' PETER JAMES'Fantastic' MARTINA COLE'Britain's answer to Harry Bosch' MATT HILTON'A powerful thriller from an explosive new talent' DAVID MARK ______________________After The Puppet Show, a new storm is coming . . .Jared Keaton, chef to the stars. Charming. Charismatic. Psychopath . . . He's currently serving a life sentence for the brutal murder of his daughter, Elizabeth. Her body was never found and Keaton was convicted largely on the testimony of Detective Sergeant Washington Poe.So when a young woman staggers into a remote police station with irrefutable evidence that she is Elizabeth Keaton, Poe finds himself on the wrong end of an investigation, one that could cost him much more than his career.Helped by the only person he trusts, the brilliant but socially awkward Tilly Bradshaw, Poe races to answer the only question that matters: how can someone be both dead and alive at the same time?And then Elizabeth goes missing again - and all paths of investigation lead back to Poe. Praise for Black Summer: 'I cannot recall the last time I binge read a novel in 36 hours . . . truly mind-blowing' A. A. Dhand'Washington Poe - a rising giant in detective fiction' Alison Bruce'I loved this book!' Jo Jakeman'A twisty thriller with a killer plot, backed up by solid research with characters you'll want to keep spending time with' Ed James 'One of the best British crime novels I've read in a long time. It's a great, brilliantly researched plot, not so much a whodunnit, more how the hell can that be? Simply an unputdownable page-turner' Nick Oldham'Black Summer grabs you from the very first page. A dark and brilliantly twisted crime thriller, bringing back the inimitable Washington Poe and Tilly Bradshaw. You have to leave your fingerprints all over it.' Colin Falconer'Dark and twisted in all the right places. Poe is a great mix of compelling, complex & charismatic, and well on his way to becoming one of the standout characters in crime fiction' Robert Scragg'A book that shines with tension, wit and invention' William Shaw'In Tilly and Poe, MW Craven has created a stand-out duo who are two of the most compelling characters in crime fiction in recent years. They deserve to join the ranks of Holmes and Watson, Rebus and Clarke, Hill and Jordan . . .' Fiona Cummins'Dark, thrilling and unputdownable with sharply drawn characters that stride off the page' Victoria Selman
Body Breaker (Avison Fluke)
by M. W. Craven'This is high quality crime writing' A A DhandThe second dark and twisted thriller in the Avison Fluke series by M. W. Craven, the acclaimed author of The Puppet Show.Investigating how a severed hand ends up on the third green of a Cumbrian golf course is not how Detective Inspector Avison Fluke has planned to spend his Saturday. So when a secret protection unit from London swoops in quoting national security, he's secretly pleased. But trouble is never far away. A young woman arrives at his lakeside cabin with a cryptic message: a code known to only a handful of people and it forces Fluke back into the investigation he's only just been barred from. In a case that will change his life forever, Fluke immerses himself in a world of New Age travellers, corrupt cops and domestic extremists. Before long he's alienated his entire team, has been arrested under the Terrorism Act - and has made a pact with the Devil himself. But a voice has called out to him from beyond the grave. And Fluke is only getting started...Praise for M. W. Craven:'Dark, sharp and compelling' PETER JAMES'Fantastic' MARTINA COLE'Britain's answer to Harry Bosch' MATT HILTON'Thrilling' MICK HERRON'Brilliantly inventive' WILLIAM SHAW'A powerful thriller from an explosive new talent' DAVID MARK
Born in a Burial Gown (Avison Fluke)
by M. W. Craven'Deeply layered, fiendishly clever and absorbing' Matt Hilton, author of the Joe Hunter seriesThe first gritty thriller in the Avison Fluke series by M. W. Craven, the acclaimed author of The Puppet Show.Detective Inspector Avison Fluke is a man on the edge. He has committed a crime to get back to work, concealed a debilitating illness and is about to be made homeless. Just as he thinks things can't get any worse, the body of a young woman is found buried on a Cumbrian building site.Shot once in the back of the head, it is a cold, calculated execution. When the post-mortem reveals she has gone to significant expense in disguising her appearance, Fluke knows this is no ordinary murder. With the help of a psychotic ex-Para, a gangland leader and a woman more interested in maggots than people, Fluke must find out who she was and why she was murdered before he can even think about finding her killer...Praise for M. W. Craven:'Dark, sharp and compelling' PETER JAMES'Fantastic' MARTINA COLE'Britain's answer to Harry Bosch' MATT HILTON'Thrilling' MICK HERRON'Brilliantly inventive' WILLIAM SHAW'A powerful thriller from an explosive new talent' DAVID MARK
The Botanist: a gripping new thriller from The Sunday Times bestselling author (Washington Poe #5)
by M. W. Craven'Mesmerising, macabre and murderously funny. The Botanist is M.W. Craven at his sinister best. I couldn't love this series more' Chris Whitaker'Another classy thriller from the king of Cumbrian crime' Paul FinchThis is going to be the longest week of Washington Poe's life...Detective Sergeant Washington Poe can count on one hand the number of friends he has. And he'd still have his thumb left. There's the guilelessly innocent civilian analyst, Tilly Bradshaw of course. Insanely brilliant, she's a bit of a social hand grenade. He's known his beleaguered boss, Detective Inspector Stephanie Flynn for years as he has his nearest neighbour, full-time shepherd/part-time dog sitter, Victoria.And then there's Estelle Doyle. Dark and dangerous and sexy as hell. It's true the caustic pathologist has never walked down the sunny side of the street, but has she gone too far this time? Shot twice in the head, her father's murder appears to be an open and shut case. Estelle has firearms discharge residue on her hands, and, in a house surrounded by fresh snow, hers are the only footprints. Since her arrest she's only said three words: 'Tell Washington Poe.'Meanwhile, a poisoner called the Botanist is sending the nation's most reviled people poems and pressed flowers. Twisted and ingenious, he seems to be able to walk through walls and, despite the advance notice given to his victims, and regardless of the security measures taken, he is able to kill with impunity.Poe hates locked room mysteries and now he has two to solve. To unravel them he's going to have to draw on every resource he has: Tilly Bradshaw, an organised crime boss, even an alcoholic ex-journalist. Because if he doesn't, the bodies are going to keep piling up . . .Praise for The Botanist: 'Unputdownable, gripping, clever and with a rich seam of trademark Craven humour running through it' Imran Mahmood'A sinful treat' Vaseem Khan'Fast, furious, and utterly enjoyable.' Keith NixonPraise for M W Craven:The Curator shortlisted for the VN Thriller of the Year 2022 & longlisted for the Crime Writers' Association Gold Dagger 2021 Dead Ground longlisted for the Theakston Old Peculiar Crime Novel of the Year 2022 & longlisted for the Crime Writers' Association Ian Fleming Steel Dagger 2022'Heart-pounding, hilarious, sharp and shocking, Dead Ground is further proof that M.W. Craven never disappoints. Miss this series at your peril.' Chris Whitaker'Dark and entertaining, this is top rank crime fiction.' Vaseem Khan, Author of the Malabar House series and the Baby Ganesh Agency series'Fantastic' Martina Cole'Dark, sharp and compelling' Peter James'A brutal and thrilling page turner' The Sun'A thrilling curtain raiser for what looks set to be a great new series' Mick Herron'A powerful thriller from an explosive new talent. Tightly plotted, and not for the faint hearted!'David Mark'A gripping start to a much anticipated new series' Vaseem Khan
The Curator: The new must-read thriller from the winner of the CWA Best Crime Novel of 2019 (Washington Poe #3)
by M. W. Craven'Dark, sharp and compelling' PETER JAMES'Fantastic' MARTINA COLE'Britain's answer to Harry Bosch' MATT HILTON'A powerful thriller from an explosive new talent' DAVID MARK______________________It's Christmas and a serial killer is leaving displayed body parts all over Cumbria. A strange message is left at each scene: #BSC6 Called in to investigate, the National Crime Agency's Washington Poe and Tilly Bradshaw are faced with a case that makes no sense. Why were some victims anaesthetized, while others died in appalling agony? Why is their only suspect denying what they can irrefutably prove but admitting to things they weren't even aware of? And why did the victims all take the same two weeks off work three years earlier? And when a disgraced FBI agent gets in touch things take an even darker turn. Because she doesn't think Poe is dealing with a serial killer at all; she thinks he's dealing with someone far, far worse - a man who calls himself the Curator. And nothing will ever be the same again . . .Praise for Mike Craven:'Unlike most procedurals; MW Craven grabs the reader by the scruff of the neck and drags them bodily over the grit and grimness of this expertly-crafted tale; leaving them bruised, broken, but ultimately satisified' Matt Wesolowski on The Curator'Truly mind-blowing' A. A. Dhand on Black Summer'A book that shines with tension, wit and invention' William Shaw on Black Summer'Washington Poe - a rising giant in detective fiction' Alison Bruce on Black Summer'A twisty thriller with a killer plot Ed James on Black Summer'I loved this book!' Jo Jakeman on Black Summer'One of the best British crime novels I've read in a long time . . . Simply an unputdownable page-turner' Nick Oldham on Black Summer'Grabs you from the very first page. A dark and brilliantly twisted crime thriller, bringing back the inimitable Washington Poe and Tilly Bradshaw' Colin Falconer on Black Summer'Dark and twisted in all the right places. Poe is a great mix of compelling, complex & charismatic, and well on his way to becoming one of the standout characters in crime fiction' Robert Scragg on Black Summer'In Tilly and Poe, MW Craven has created a stand-out duo who are two of the most compelling characters in crime fiction in recent years. They deserve to join the ranks of Holmes and Watson, Rebus and Clarke, Hill and Jordan . . .' Fiona Cummins on Black Summer'Dark, thrilling and unputdownable with sharply drawn characters that stride off the page' Victoria Selman on Black Summer'Gleefully gory and witty, with a terrific sense of place' Sunday Times on Black Summer
Cut Short
by M. W. Craven'A brutal and thrilling page-turner' THE SUN'Gleefully gory and witty, with a terrific sense of place' SUNDAY MIRROR'Compelling' HEAT*THREE BRAND NEW SHORT STORIES FROM THE WINNER OF THE CWA BEST CRIME NOVEL OF 2019 AWARD*________________In The Killing Field, Poe and Tilly are having breakfast, wondering how to spend the rest of their holiday, when their presence is requested at a Cumbrian airfield. An airfield that, during the 2001 foot and mouth crisis, was known as the killing field . . .In Why Don't Sheep Shrink?, a global pandemic forces Poe and Tilly to self-isolate together. Things don't go well. They're bickering and on the verge of falling out until Poe finds an old case file: a locked room mystery he's been mulling over for years. Step forward, Tilly Bradshaw . . .Dead Man's Fingers sees Poe, Tilly and Edgar, Poe's English springer spaniel, enjoying a picnic at a nature reserve. When Edgar chases a rabbit, and Poe and Tilly chase after him, they stumble upon a twenty-year-old mystery, a mystery that couldn't be solved until now . . .________________ Praise for M. W. Craven: 'Jaw-droppingly shocking and intense' Women & Home'Pacy, gory and clever, this is our new fave troubled cop/eccentric buddy duo' Crime Monthly'An intriguing, fast-moving mystery' The Times'Superb' Daily Mail'This series really is something special' Morning Star'Atmospherically moody' Peterborough Telegraph'Dark, sharp and compelling' Peter James'Thrilling' Mick Herron'Fantastic' Martina Cole'Brilliantly inventive' William Shaw'Gripping. Taut. Twisty' Imran Mahmood'Mind-blowing' A.A. Dhand'Twisted and terrifying, fresh and funny' Chris Whitaker'Dazzling' Holly Watt'Intelligent. Sophisticated. Intriguing' Mari Hannah