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Narrating the New African Diaspora: 21st Century Nigerian Literature in Context (African Histories and Modernities)
by Maximilian FeldnerThis book provides the first comprehensive survey and collection of Nigerian diaspora literature, offering readings of novelists such as Chimamanda Ngozi Adichie, Sefi Atta, Helon Habila, Helen Oyeyemi, Taiye Selasi, Chika Unigwe, Chris Abani, and Ike Oguine. As members of the new African diaspora, their literature captures experiences of recent Nigerian migration to the United States and the United Kingdom. Examining representative novels, such as Adichie’s Half of a Yellow Sun and Americanah, Habila’s Waiting for an Angel, Abani’s GraceLand, and Oyeyemi’s The Icarus Girl, the book discusses these novels’ literary and narrative methods and provides detailed analyses of two of the most common themes: depictions of migratory experiences and representations of Nigeria. Placing the novels in their relevant historical, sociological, philosophical, and theoretical contexts, Narrating the New African Diaspora presents an insightful study of current anglophone Nigerian narrative literature.
Narrative and History (Theory and History)
by Alun MunslowBased on the assumption that reality, reference and representation work together, this introductory textbook explains and illustrates the various ways in which historians write the past as history. For the first time, the full range of leading narrative theorists such as Paul Ricoeur, Hayden White, Frank Ankersmit, Seymour Chatman and Gérard Genette have been brought together to explain the narrative-making choices all author-historians make when creating historical explanations. Combining theory with practice, Alun Munslow expands the boundaries of the discipline and charts a new role for unconventional historical forms and modes of expression. Clear but comprehensive, this is an ideal resource for undergraduate and postgraduate students taking courses on History and Theory, History and Method, and Historiography.
Narrative and History (Theory and History)
by Alun MunslowBased on the assumption that reality, reference and representation work together, this introductory textbook explains and illustrates the various ways in which historians write the past as history. For the first time, the full range of leading narrative theorists such as Paul Ricoeur, Hayden White, Frank Ankersmit, Seymour Chatman and Gérard Genette have been brought together to explain the narrative-making choices all author-historians make when creating historical explanations. Combining theory with practice, Alun Munslow expands the boundaries of the discipline and charts a new role for unconventional historical forms and modes of expression.Clear but comprehensive, this is an ideal resource for undergraduate and postgraduate students taking courses on history and theory, history and method, and historiography.
Narrative and Self-Understanding
by Garry L. HagbergThis exciting new edited collection bridges the gap between narrative and self-understanding. The problem of self-knowledge is of universal interest; the nature or character of its achievement has been one continuing thread in our philosophical tradition for millennia. Likewise the nature of storytelling, the assembly of individual parts of a potential story into a coherent narrative structure, has been central to the study of literature. But how do we gain knowledge from an artform that is by definition fictional, by definition not a matter of ascertained fact, as this applies to the understanding of our lives? When we see ourselves in the mimetic mirror of literature, what we see may not just be a matter of identifying with a single protagonist, but also a matter of recognizing long-form structures, long-arc narrative shapes that give a place to – and thus make sense of – the individual bits of experience that we place into those structures. But of course at precisely this juncture a question arises: do we make that sense, or do we discover it? The twelve chapters brought together here lucidly and steadily reveal how the matters at hand are far more intricate and interesting than any such dichotomy could accommodate. This is a book that investigates the ways in which life and literature speak to each other.
A Narrative History of the American Press
by Gregory A. BorchardBeginning with the American Revolution and spanning over two hundred years of American journalism, A Narrative History of the American Press provides an overview of the events, institutions, and people who have shaped the press, from the creation of the First Amendment to today. Gregory A. Borchard’s introductory text helps readers develop an understanding of the role of the press in both the U.S. and world history, and how American culture has shaped—and been shaped by—the role of journalism in everyday life. The text, along with a rich array of supplemental materials available online, provides students with the tools used by both reporters and historians to understand the present through the past, allowing readers to use the history of journalism as a lens for implementing their own storytelling, reporting, and critical analysis skills.
A Narrative History of the American Press
by Gregory A. BorchardBeginning with the American Revolution and spanning over two hundred years of American journalism, A Narrative History of the American Press provides an overview of the events, institutions, and people who have shaped the press, from the creation of the First Amendment to today. Gregory A. Borchard’s introductory text helps readers develop an understanding of the role of the press in both the U.S. and world history, and how American culture has shaped—and been shaped by—the role of journalism in everyday life. The text, along with a rich array of supplemental materials available online, provides students with the tools used by both reporters and historians to understand the present through the past, allowing readers to use the history of journalism as a lens for implementing their own storytelling, reporting, and critical analysis skills.
Narrative kultureller Transformationen: Zu interkulturellen Schreibweisen in der deutschsprachigen Literatur der Gegenwart (Interkulturalität. Studien zu Sprache, Literatur und Gesellschaft #14)
by Hamid TafazoliDas Weltbild der Moderne umfasst mit dem Begriff »Zeitgeist« Versuche, die Denkweise und Eigenart einer bestimmten Epoche zu vergegenwärtigen. Mit dem literarischen Erzählen als Medium der Kulturerzeugung stellt Hamid Tafazolis Studie diejenigen Artikulationsformen in den Mittelpunkt, an denen sich die Welt- und Selbstbilder der Kulturen ablesen lassen. Sie richtet den spezifischen Blick auf Erzählungen, die das kulturelle Gedächtnis Deutschlands und Irans gestalten, und begründet, dass Migration lediglich eine der epochalen Komponenten der Artikulationsformen ausmacht, auf die der »Zeitgeist« keineswegs reduziert werden kann.
Narrative Machine: The Naturalist, Modernist, and Postmodernist Novel (Narrative Theory and Culture)
by Zena MeadowsongNarrative Machine: The Naturalist, Modernist, and Postmodernist Novel advances a new history of the novel, identifying a crucial link between narrative innovation and the historical process of mechanization. In the late nineteenth century, the novel grapples with a new and increasingly acute problem: In its attempt to represent the colossal power of modern machinery—the steam-driven machines of the Industrial Revolution, the electrical machines of the modern city, and the atomic and digital machines developed after the Second World War—it encounters the limitations of traditional representative strategies. Beginning in the naturalist novel, the machine is typically portrayed as a mythic monster, and though that monster represents a potentially horrific reality—the superhuman power of mechanization—it also disrupts the documentary objectives of narrative realism (the dominant mode of nineteenth-century fiction). The mechanical monster, realistic and yet at odds with traditional realist strategies, tears the form of the novel apart. In doing so, it unleashes a series of innovations that disclose, critique, and contest the force of mechanization: the innovations associated with literary naturalism, modernism, and postmodernism.
Narrative Machine: The Naturalist, Modernist, and Postmodernist Novel (Narrative Theory and Culture)
by Zena MeadowsongNarrative Machine: The Naturalist, Modernist, and Postmodernist Novel advances a new history of the novel, identifying a crucial link between narrative innovation and the historical process of mechanization. In the late nineteenth century, the novel grapples with a new and increasingly acute problem: In its attempt to represent the colossal power of modern machinery—the steam-driven machines of the Industrial Revolution, the electrical machines of the modern city, and the atomic and digital machines developed after the Second World War—it encounters the limitations of traditional representative strategies. Beginning in the naturalist novel, the machine is typically portrayed as a mythic monster, and though that monster represents a potentially horrific reality—the superhuman power of mechanization—it also disrupts the documentary objectives of narrative realism (the dominant mode of nineteenth-century fiction). The mechanical monster, realistic and yet at odds with traditional realist strategies, tears the form of the novel apart. In doing so, it unleashes a series of innovations that disclose, critique, and contest the force of mechanization: the innovations associated with literary naturalism, modernism, and postmodernism.
Narrative Muster im Kontext von Wort und Bild: Eine empirische Studie zum schriftlichen Erzählen in der Grundschule
by Lis SchülerAn der Schnittstelle von Sprach- und Literaturdidaktik kristallisiert sich die schreibdidaktische Relevanz eines rezeptiven Zugangs zum Erzählen heraus. Zugänge wie Sage, Gemälde und Figur eröffnen Schülerinnen und Schülern im Grundschulalter die Möglichkeit, sich einzuschreiben in Inhalte und Formen des Erzählens, die über prototypische sprachliche Mittel und Strukturen weit hinausgehen. Die Sprachformen, die die Kinder erproben, zeigen, dass ihre Sprachkompetenz nicht nur als literale, sondern auch als ästhetische, literarische Kompetenz zutage treten kann – und zwar grundsätzlich unabhängig vom Sozialindex des Einzugsgebiets und vom sprachlichen Hintergrund der Kinder. Mit einem Geleitwort von Prof. Dr. Mechthild Dehn und Prof. Dr. Petra Hüttis-Graff.
Narrative Reliability, Racial Conflicts and Ideology in the Modern Novel (Literary Criticism and Cultural Theory)
by Marta Puxan-OlivaHow does racial ideology contribute to the exploration of narrative voice? How does narrative (un)reliability help in the production and critique of racial ideologies? Through a refreshing comparative analysis of well-established novels by Joseph Conrad, William Faulkner, James Weldon Johnson, Albert Camus and Alejo Carpentier, this book explores the racial politics of literary form. Narrative Reliability, Racial Conflicts and Ideology in the Modern Novel contributes to the emergent attention in literary studies to the interrelation of form and politics, which has been underexplored in narrative theory and comparative racial studies. Bridging cultural, postcolonial, racial studies and narratology, this book brings context specificity and awareness to the production of ideological, ambivalent narrative texts that, through technical innovation in narrative reliability, deeply engage with extremely violent episodes of colonial origin in the United Kingdom, the United States, Algeria, and the French and Spanish Caribbean. In this manner, the book reformulates and expands the problem of narrative reliability and highlights the key uses and production of racial discourses so as to reveal the participation of experimental novels in early and mid-20th century racial conflicts, which function as test case to display a broad, new area of study in cultural and political narrative theory.
Narrative Reliability, Racial Conflicts and Ideology in the Modern Novel (Literary Criticism and Cultural Theory)
by Marta Puxan-OlivaHow does racial ideology contribute to the exploration of narrative voice? How does narrative (un)reliability help in the production and critique of racial ideologies? Through a refreshing comparative analysis of well-established novels by Joseph Conrad, William Faulkner, James Weldon Johnson, Albert Camus and Alejo Carpentier, this book explores the racial politics of literary form. Narrative Reliability, Racial Conflicts and Ideology in the Modern Novel contributes to the emergent attention in literary studies to the interrelation of form and politics, which has been underexplored in narrative theory and comparative racial studies. Bridging cultural, postcolonial, racial studies and narratology, this book brings context specificity and awareness to the production of ideological, ambivalent narrative texts that, through technical innovation in narrative reliability, deeply engage with extremely violent episodes of colonial origin in the United Kingdom, the United States, Algeria, and the French and Spanish Caribbean. In this manner, the book reformulates and expands the problem of narrative reliability and highlights the key uses and production of racial discourses so as to reveal the participation of experimental novels in early and mid-20th century racial conflicts, which function as test case to display a broad, new area of study in cultural and political narrative theory.
Narratives in Research and Interventions on Cyberbullying among Young People
by Heidi Vandebosch Lelia GreenThis book describes innovative ways to do research about, and design interventions for, cyberbullying by children and adolescents. It does this by taking a narrative approach. How can narrative research methods complement the mostly quantitative methods (e.g. surveys, experiments, ….) in cyberbullying research ? And how can stories be used to inform young people about the issue and empower them? Throughout the book, special attention is paid to new information and communication technologies, and the opportunities ICTs provide for narrative research (e.g. as a source of naturally occurring stories on cyberbullying), and for narrative health interventions (e.g. via Influencers). The book thus integrates research and insights from the fields of cyberbullying, narrative methods, narrative health communication, and new information and communication technologies.
Narratives of Hurricane Katrina in Context: Literature, Film and Television
by Arin KeebleThis book analyzes six key narratives of Hurricane Katrina across literature, film and television from the literary fiction of Jesmyn Ward to the cinema of Spike Lee. It argues that these texts engage with the human tragedy and political fallout of the Katrina crisis while simultaneously responding to issues that have characterized the wider, George W. Bush era of American history; notably the aftermath of 9/11 and ensuing War on Terror. In doing so it recognizes important challenges to trauma studies as an interpretive framework, opening up a discussion of the overlaps between traumatic rupture and systemic or, “slow violence.”
Narratives of Obeah in West Indian Literature: Moving through the Margins
by Janelle RodriquesThis book explores representations of Obeah – a name used in the English/Creole-speaking Caribbean to describe various African-derived, syncretic Caribbean religious practices – across a range of prose fictions published in the twentieth century by West Indian authors. In the Caribbean and its diasporas, Obeah often manifests in the casting of spells, the administration of baths and potions of various oils, herbs, roots and powders, and sometimes spirit possession, for the purposes of protection, revenge, health and well-being. In most Caribbean territories, the practice – and practices that may resemble it – remains illegal. Narratives of Obeah in West Indian Literature analyses fiction that employs Obeah as a marker of the Black ‘folk’ aesthetics that are now constitutive of West Indian literary and cultural production, either in resistance to colonial ideology or in service of the same. These texts foreground Obeah as a social and cultural logic both integral to and troublesome within the creation of such a thing as ‘West Indian’ literature and culture, at once a product of and a foil to Caribbean plantation societies. This book explores the presentation of Obeah as an ‘unruly’ narrative subject, one that not only subverts but signifies a lasting ‘Afro-folk’ sensibility within colonial and ‘postcolonial’ writing of the West Indies. Narratives of Obeah in West Indian Literature will be of interest to scholars and students of Caribbean Literature, Diaspora Studies, and African and Caribbean religious studies; it will also contribute to dialogues of spirituality in the wider Black Atlantic.
Narratives of Obeah in West Indian Literature: Moving through the Margins
by Janelle RodriquesThis book explores representations of Obeah – a name used in the English/Creole-speaking Caribbean to describe various African-derived, syncretic Caribbean religious practices – across a range of prose fictions published in the twentieth century by West Indian authors. In the Caribbean and its diasporas, Obeah often manifests in the casting of spells, the administration of baths and potions of various oils, herbs, roots and powders, and sometimes spirit possession, for the purposes of protection, revenge, health and well-being. In most Caribbean territories, the practice – and practices that may resemble it – remains illegal. Narratives of Obeah in West Indian Literature analyses fiction that employs Obeah as a marker of the Black ‘folk’ aesthetics that are now constitutive of West Indian literary and cultural production, either in resistance to colonial ideology or in service of the same. These texts foreground Obeah as a social and cultural logic both integral to and troublesome within the creation of such a thing as ‘West Indian’ literature and culture, at once a product of and a foil to Caribbean plantation societies. This book explores the presentation of Obeah as an ‘unruly’ narrative subject, one that not only subverts but signifies a lasting ‘Afro-folk’ sensibility within colonial and ‘postcolonial’ writing of the West Indies. Narratives of Obeah in West Indian Literature will be of interest to scholars and students of Caribbean Literature, Diaspora Studies, and African and Caribbean religious studies; it will also contribute to dialogues of spirituality in the wider Black Atlantic.
Narratives of Place in Literature and Film (Routledge Research in Cultural and Media Studies)
by Steven Allen Kirsten MøllegaardNarratives of place link people and geographic location with a cultural imaginary through literature and visual narration. Contemporary literature and film often frame narratives with specific geographic locations, which saturate the narrative with cultural meanings in relation to natural and man-made landscapes. This interdisciplinary collection seeks to interrogate such connections to probe how place is narrativized in literature and film. Utilizing close readings of specific filmic and literary texts, all chapters serve to tease out cultural and historical meanings in respect of human engagement with landscapes. Always mindful of national, cultural and topographical specificity, the book is structured around five core themes: Contested Histories of Place; Environmental Landscapes; Cityscapes; The Social Construction of Place; and Landscapes of Belonging.
Narratives of Place in Literature and Film (Routledge Research in Cultural and Media Studies)
by Steven Allen Kirsten MøllegaardNarratives of place link people and geographic location with a cultural imaginary through literature and visual narration. Contemporary literature and film often frame narratives with specific geographic locations, which saturate the narrative with cultural meanings in relation to natural and man-made landscapes. This interdisciplinary collection seeks to interrogate such connections to probe how place is narrativized in literature and film. Utilizing close readings of specific filmic and literary texts, all chapters serve to tease out cultural and historical meanings in respect of human engagement with landscapes. Always mindful of national, cultural and topographical specificity, the book is structured around five core themes: Contested Histories of Place; Environmental Landscapes; Cityscapes; The Social Construction of Place; and Landscapes of Belonging.
Narratology (Classics in Theory Series)
by Genevieve LiveleyThis volume explores the extraordinary contribution that classical poetics has made to twentieth and twenty-first century theories of narrative, aiming not to argue that modern narratologies simply present 'old wine in new wineskins', but rather to identify the diachronic affinities shared between ancient and modern stories about storytelling. By recognizing that modern narratologists bring a particular expertise to bear upon ancient literary theory, and by interrogating ancient and modern narratologies through the mutually imbricating dynamics of their reception, it seeks to arrive at a better understanding of both. Each chapter selects a key moment in the history of narratology on which to focus, providing an overview of significant phases before offering detailed analyses of core theories and texts, from the Russian formalists and Chicago school neo-Aristotelians, through the prestructuralists, structuralists, and poststructuralists, up to the latest unnatural and antimimetic narratologists. The reception history that thus unfolds offers some remarkable plot twists and yields valuable insights into the interpretation of some notoriously difficult ancient works. Plato in the Republic is unmasked as an unreliable narrator and theorist, while Aristotle's On Poets reveals a rare glimpse of the philosopher putting narrative theory into practice in the role of storyteller. Horace's Ars Poetica and the works of ancient scholia by critics and commentators evince a rhetorically conceived poetics and sophisticated reader-response-based narratology which indicate a keen interest in audience affect and cognition - anticipating the cognitive turn in narratology's most recent postclassical phase.
Nation and Region in Grierson’s Linguistic Survey of India
by Javed MajeedGeorge Abraham Grierson’s Linguistic Survey of India is one of the most complete sources on South Asian languages. This book is the first detailed examination of the Survey. It shows how the Survey collaborated with Indian activists to consolidate the regional languages in India. By focusing on India as a linguistic region, it was at odds with the colonial state’s conceptualisation of the subcontinent, in which religious and caste differences were key to its understanding of Indian society. A number of the Survey’s narratives are detachable from its rigorous linguistic imperatives, and together with aspects of Grierson’s other texts, these contributed to the way in which Indian nationalists appropriated and reshaped languages, making them religiously charged ideological symbols of particular versions of the subcontinent. Thus, the Survey played an important role in the emergence of religious nationalism and language conflict in the subcontinent in the 20th century. This volume, like its companion volume Colonialism and Knowledge in Grierson’s Linguistic Survey of India, will be a great resource for scholars and researchers of linguistics, language and literature, history, political studies, cultural studies and South Asian studies.
Nation and Region in Grierson’s Linguistic Survey of India
by Javed MajeedGeorge Abraham Grierson’s Linguistic Survey of India is one of the most complete sources on South Asian languages. This book is the first detailed examination of the Survey. It shows how the Survey collaborated with Indian activists to consolidate the regional languages in India. By focusing on India as a linguistic region, it was at odds with the colonial state’s conceptualisation of the subcontinent, in which religious and caste differences were key to its understanding of Indian society. A number of the Survey’s narratives are detachable from its rigorous linguistic imperatives, and together with aspects of Grierson’s other texts, these contributed to the way in which Indian nationalists appropriated and reshaped languages, making them religiously charged ideological symbols of particular versions of the subcontinent. Thus, the Survey played an important role in the emergence of religious nationalism and language conflict in the subcontinent in the 20th century. This volume, like its companion volume Colonialism and Knowledge in Grierson’s Linguistic Survey of India, will be a great resource for scholars and researchers of linguistics, language and literature, history, political studies, cultural studies and South Asian studies.
Nation-Space in Enlightenment Britain: An Archaeology of Empire (Routledge Studies in Eighteenth-Century Literature)
by Mita ChoudhuryNation-Space in Enlightenment Britain: An Archaeology of Empire is a provocative intervention that extends considerably the parameters of on-going dialogues about British identity during the Enlightenment. Thoughtfully interdisciplinary and with an allegiance to the culture which literary production engenders, this book describes how British identity emerges not despite of but due to its fluid, volatile, and subversive impulses and expressions. The imperial establishment—codified in the logics of the corporation, the academy, the cathedral, the theater, as well the private parlor or garden—derives its power and sustainability from scripting and then championing a solid resistance to precisely those subversive elements which threaten or undermine the foundations of order and liberalism in civil society. Choudhury argues that imperial Britain can best be understood in terms of this culture’s investment in spatial alignments which celebrated a radial interface with remote points of commercial interest. The volume contends Daniel Defoe, Arthur Onslow, David Garrick, Joseph Banks, Daniel Solander, Hans Sloane, Francis Barber, Samuel Johnson, Charles Burney, George Frideric Handel were not merely part of a dazzling line-up of the architects of empire. In retrospect, their contributions and various engagements reflect remarkably modern patterns of the corporatization of culture and this culture’s dependence on, and thus its collusion with, commerce.
Nation-Space in Enlightenment Britain: An Archaeology of Empire (Routledge Studies in Eighteenth-Century Literature)
by Mita ChoudhuryNation-Space in Enlightenment Britain: An Archaeology of Empire is a provocative intervention that extends considerably the parameters of on-going dialogues about British identity during the Enlightenment. Thoughtfully interdisciplinary and with an allegiance to the culture which literary production engenders, this book describes how British identity emerges not despite of but due to its fluid, volatile, and subversive impulses and expressions. The imperial establishment—codified in the logics of the corporation, the academy, the cathedral, the theater, as well the private parlor or garden—derives its power and sustainability from scripting and then championing a solid resistance to precisely those subversive elements which threaten or undermine the foundations of order and liberalism in civil society. Choudhury argues that imperial Britain can best be understood in terms of this culture’s investment in spatial alignments which celebrated a radial interface with remote points of commercial interest. The volume contends Daniel Defoe, Arthur Onslow, David Garrick, Joseph Banks, Daniel Solander, Hans Sloane, Francis Barber, Samuel Johnson, Charles Burney, George Frideric Handel were not merely part of a dazzling line-up of the architects of empire. In retrospect, their contributions and various engagements reflect remarkably modern patterns of the corporatization of culture and this culture’s dependence on, and thus its collusion with, commerce.
National Reckonings: The Last Judgment and Literature in Milton’s England
by Ryan HackenbrachtDuring the tumultuous years of the English Revolution and Restoration, national crises like civil wars and the execution of the king convinced Englishmen that the end of the world was not only inevitable but imminent. National Reckonings shows how this widespread eschatological expectation shaped nationalist thinking in the seventeenth century. Imagining what Christ's return would mean for England's body politic, a wide range of poets, philosophers, and other writers—including Milton, Hobbes, Winstanley, and Thomas and Henry Vaughan,—used anticipation of the Last Judgment to both disrupt existing ideas of the nation and generate new ones. Ryan Hackenbracht contends that nationalism, consequently, was not merely a horizontal relationship between citizens and their sovereign but a vertical one that pitted the nation against the shortly expected kingdom of God. The Last Judgment was the site at which these two imagined communities, England and ecclesia (the universal church), would collide. Harnessing the imaginative space afforded by literature, writers measured the shortcomings of an imperfect and finite nation against the divine standard of a perfect and universal community. In writing the nation into end-times prophecies, such works as Paradise Lost and Leviathan offered contemporary readers an opportunity to participate in the cosmic drama of the world's end and experience reckoning while there was still time to alter its outcome.
National Theatre Connections 2019 (Modern Plays)
by Rob Drummond Nell Leyshon Katie Hims Tom Wells Ben Bailey Smith Lajaune Lincoln Dawn King Laura Lomas Katherine Soper Benjamin Kuffuor Luke BarnesNational Theatre Connections is an annual festival which brings new plays for young people to schools and youth theatres across the UK and Ireland. Commissioning exciting work from leading playwrights, the festival exposes actors aged 13-19 to the world of professional theatre-making, giving them full control of a theatrical production - from costume and set design to stage management and marketing campaigns. NT Connections have published over 150 original plays and regularly works with 500 theatre companies and 10,000 young people each year.This anthology brings together 10 new plays by some of the UK's most prolific and current writers and artists alongside notes on each of the texts exploring performance for schools and youth groups. SaltLife is never plain sailing, but when a new government initiative comes into place offering young people the chance to train and learn skills overseas, droves of teens jump at the chance to secure their future. Once on board the transport ship, the promises of the glossy advert seem a far cry from what lies ahead. A play about generations, choices and hope.Class It's school election time and while most of the school is busy enjoying their lunch break, a deadlock is taking place amongst the members of the school council. Bitter rivalries, secret alliances and false promises are laid bare. As a ruthless battle ensues, who will win and does anyone really care? A play about politics, populism and the 'ping' of a text message.The Sad ClubThis is a musical about depression and anxiety. It's a collection of monologues, songs and duologues from all over time and space exploring what about living in this world stops us from being happy and how we might go about tackling those problems. ChaosA girl is locked in a room. A boy brings another boy flowers. A girl has tied herself to a railing. A boy doesn't know who he is. A girl worries about impending catastrophe. A woman jumps in front of a train. A boy's heart falls out his chest. A butterfly has a broken wing.StuffVinny's organising a surprise birthday party for his mate, Anita. It's not going well: his choice of venue is a bit misguided, Anita's not keen on leaving the house, and everyone else has their own stuff going on. Maybe a surprise party wasn't the best idea? A play about trying (but not really managing) to help.FleshA group of teenagers wake up in a forest with no clue how they got there. They find themselves separated into two different teams but have no idea what game they are expected to play. With no food, no water and seemingly no chance of escape, it's only a matter of time before things start to get drastic. But whose side are people on and how far will they go to survive?AgelessIn a not too distant future, Temples pharmaceutical corporation has quite literally changed the face of ageing. Their miracle drug keeps its users looking perpetually teenage. With an ever youthful population, how can society support those who are genuinely young?The Small HoursIt's the middle of the night and Peebs and Epi are the only students left at school over half-term. At the end of their night out, former step-siblings Red and Jazz try to navigate their reunion. With only a couple of hours until morning, Jaffa tries to help Keesh finish an essay. As day breaks, Wolfie is getting up the courage to confess a secret to VJ at a party. Their choices are small yet momentous. The hours are small but feel very, very long. And when the night finally ends, the future is waiting – all of it.terraA group of classmates is torn apart by the opportunity to perform their own dance. As they disagree and bicker, two distinct physical groups emerge and separate into opposing teams. When a strange outsider appears – out of step with everyone else – the divide is disrupted. A contemporary narrative dance piece about individuality, community and heritage.VariationsThirteen-year-old Alice wishes her life was completely different. She wakes up one morning to find that her life is different. In fact, it's so different that all she wants to do is get back to normality.