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One-Way Street
by Walter BenjaminPresented in a new edition with expanded notes, this genre-defying meditation on the semiotics of late-1920s Weimar culture, composed of 60 short prose pieces that vary wildly in style and theme, offers a fresh opportunity to encounter Walter Benjamin at his most virtuosic and experimental, writing in a vein that anticipates later masterpieces.
Origin of the German Trauerspiel
by Walter BenjaminFocusing on the 17th-century play of mourning, Walter Benjamin identifies allegory as the constitutive trope of modernity, bespeaking a haunted, bedeviled world of mutability and eternal transience. In this rigorous elegant translation, history as trauerspiel is the condition as well as subject of modern allegory in its inscription of the abyssal.
The Work of Art in the Age of Its Technological Reproducibility, and Other Writings on Media
by Walter BenjaminBenjamin’s famous “Work of Art“ essay sets out his boldest thoughts—on media and on culture in general. This book contains the second, and most daring, of the four versions of the “Work of Art“ essay—the one that addresses the utopian developments of the modern media.
The Work of Art in the Age of Its Technological Reproducibility, and Other Writings on Media
by Walter BenjaminBenjamin’s famous “Work of Art” essay sets out his boldest thoughts—on media and on culture in general—in their most realized form, while retaining an edge that gets under the skin of everyone who reads it. In this essay the visual arts of the machine age morph into literature and theory and then back again to images, gestures, and thought. This essay, however, is only the beginning of a vast collection of writings that the editors have assembled to demonstrate what was revolutionary about Benjamin’s explorations on media. Long before Marshall McLuhan, Benjamin saw that the way a bullet rips into its victim is exactly the way a movie or pop song lodges in the soul. This book contains the second, and most daring, of the four versions of the “Work of Art” essay—the one that addresses the utopian developments of the modern media. The collection tracks Benjamin’s observations on the media as they are revealed in essays on the production and reception of art; on film, radio, and photography; and on the modern transformations of literature and painting. The volume contains some of Benjamin’s best-known work alongside fascinating, little-known essays—some appearing for the first time in English. In the context of his passionate engagement with questions of aesthetics, the scope of Benjamin’s media theory can be fully appreciated.
The Work of Art in the Age of Its Technological Reproducibility, and Other Writings on Media (PDF)
by Walter Benjamin Edmund Jephcott Rodney Livingstone Brigid Doherty Michael Jennings Thomas LevinBenjamin's famous "Work of Art" essay sets out his boldest thoughts - on media and on culture in general - in their most realized form, while retaining an edge that gets under the skin of everyone who reads it. In this essay the visual arts of the machine age morph into literature and theory and then back again to images, gestures, and thought.This essay, however, is only the beginning of a vast collection of writings that the editors have assembled to demonstrate what was revolutionary about Benjamin's explorations on media. Long before Marshall McLuhan, Benjamin saw that the way a bullet rips into its victim is exactly the way a movie or pop song lodges in the soul.This book contains the second, and most daring, of the four versions of the "Work of Art" essay - the one that addresses the utopian developments of the modern media. The collection tracks Benjamin's observations on the media as they are revealed in essays on the production and reception of art; on film, radio, and photography; and on the modern transformations of literature and painting. The volume contains some of Benjamin's best-known work alongside fascinating, little-known essays - some appearing for the first time in English. In the context of his passionate engagement with questions of aesthetics, the scope of Benjamin's media theory can be fully appreciated.
The Feature Structure of Functional Categories: A Comparative Study of Arabic Dialects (Oxford Studies in Comparative Syntax)
by Elabbas BenmamounFocusing on the relation between functional categories and lexical and phrasal categories in Arabic dialects, Benmamoun proposes that universally functional categories are specified for categorial features which determine their relation with lexical categories. Language variation is attributed to differences with respect to the categorial feature specifications of functional categories and how they interact with lexical categories. The book brings new insights to issues related to the syntax of functional categories, the relation between syntax and the morpho-phonological component, and comparative syntax.
The Routledge Handbook of Arabic Linguistics (Routledge Language Handbooks)
by Elabbas Benmamoun Reem BassiouneyThe Routledge Handbook of Arabic Linguistics introduces readers to the major facets of research on Arabic and of the linguistic situation in the Arabic-speaking world. The edited collection includes chapters from prominent experts on various fields of Arabic linguistics. The contributors provide overviews of the state of the art in their field and specifically focus on ideas and issues. Not simply an overview of the field, this handbook explores subjects in great depth and from multiple perspectives. In addition to the traditional areas of Arabic linguistics, the handbook covers computational approaches to Arabic, Arabic in the diaspora, neurolinguistic approaches to Arabic, and Arabic as a global language. The Routledge Handbook of Arabic Linguistics is a much-needed resource for researchers on Arabic and comparative linguistics, syntax, morphology, computational linguistics, psycholinguistics, sociolinguistics, and applied linguistics, and also for undergraduate and graduate students studying Arabic or linguistics.
The Routledge Handbook of Arabic Linguistics (Routledge Language Handbooks)
by Elabbas Benmamoun Reem BassiouneyThe Routledge Handbook of Arabic Linguistics introduces readers to the major facets of research on Arabic and of the linguistic situation in the Arabic-speaking world. The edited collection includes chapters from prominent experts on various fields of Arabic linguistics. The contributors provide overviews of the state of the art in their field and specifically focus on ideas and issues. Not simply an overview of the field, this handbook explores subjects in great depth and from multiple perspectives. In addition to the traditional areas of Arabic linguistics, the handbook covers computational approaches to Arabic, Arabic in the diaspora, neurolinguistic approaches to Arabic, and Arabic as a global language. The Routledge Handbook of Arabic Linguistics is a much-needed resource for researchers on Arabic and comparative linguistics, syntax, morphology, computational linguistics, psycholinguistics, sociolinguistics, and applied linguistics, and also for undergraduate and graduate students studying Arabic or linguistics.
Memory, Subjectivities, and Representation: Approaches to Oral History in Latin America, Portugal, and Spain (Palgrave Studies in Oral History)
by Rina Benmayor Pilar Dominguez Prats María Eugenia Cardenal De La NuezThis collection presents diverse scholarly approaches to oral narratives in the Spanish and Portuguese-speaking worlds. Eleven essays, originally written in Spanish, Portuguese, and English, coalesce around major themes that have long concerned oral historians and social scientists: collective memories of conflictive national pasts, subjectivity in re/framing social identities, and visual and performative re/presentations of identity and public memory.
Nietzsche und die Lyrik: Ein Kompendium
by Christian Benne Claus ZittelDas Kompendium nimmt zum ersten Mal die umfangreiche Lyrik Nietzsches in ihrer Gesamtheit in den Blick und gibt so einen Nachweis der Gleichberechtigung von Nietzsches Lyrik im Kontext seines Schaffens. Im Mittelpunkt stehen Beiträge, die einzelne Gedichte und lyrische Zusammenhänge durch genaue Lektüre unter der Prämisse erschließen, dass es sich bei ihnen um spezifisch philosophische Redeweisen handelt. Dazu zählt auch die Aufmerksamkeit gegenüber textueller Genese sowie der Präsentation der Gedichte. Dergestalt verfolgt der Band das Ziel, am Beispiel Nietzsches dem Verhältnis von Philosophie und Literatur in seiner ganzen Komplexität auf die Spur zu kommen: dem Dichterischen der Philosophie, dem Denkerischen der Dichtung.
Elizabeth Bowen and the Dissolution of the Novel: Still Lives
by A. Bennett N. Royle Katherine WatsonElizabeth Bowen and the Dissolution of the Novel argues that the Anglo- Irish writer Elizabeth Bowen (1899-1973) is one of the most important, though undervalued, practitioner of the twentieth-century novel in English. This is an innovative study with significant implications for contemporary critical and theoretical writing. The authors contend that Bowen's work calls for a radically new conception of criticism and theory - and of the novel itself.
Alan Bennett Plays 1: Forty Years On, Getting On, Habeas Corpus and Enjoy
by Alan BennettThis collection of Alan Bennett's work includes his first play and West End hit, Forty Years On, as well as Getting On, Habeus Corpus, and Enjoy.Forty Years On'Alan Bennett's most gloriously funny play ... a brilliant, youthful perception of a nation in decline, as seen through the eyes of a home-grown school play ... a classic.' Daily MailGetting OnWinner of the Evening Standard Best Comedy Award in 1971, Getting on is an account of a middle-aged Labour MP, so self-absorbed that he remains blind to the fact that his wife is having an affair with the handyman, his mother-in-law in dying, his son is getting ready to leave home, his best friend thinks him a fool and that to everyone who comes into contact with him he is a self-esteeming joke.Habeus Corpus'After two elegiac comedies about the decline of old England, Mr Bennett has now written a gorgeously vulgar but densely plotted facre that is a downright celebration of sex and the human body ... a combination of hurtling action with verbal brilliance.' GuardianEnjoyEnjoy uncannily foresaw the attitudes to English working-class life now enshrined in themeparks. 'The classic tug in Bennett between childhod Yorkshire and intellectual sophistication has never been better, or more daringly expressed.' Observer
Alan Bennett Plays 2: Kafka's Dick; Insurance Man; Old Country; Englishman Abroad; Question of Attribution
by Alan BennettThis second volume of plays by Alan Bennett includes his two Kafka plays, one an hilarious comedy, the other a profound and searching drama. Also included is An Englishman Abroad and A Question of Attribution. The fascination of these two plays lies in the way they question our accepted notions of treachery and, in different ways, make a sympathetic case for Guy Burgess and Anthony Blunt.
The Habit of Art: A Play
by Alan BennettAuden often said that metre and rhyme led him down unexpected paths to thoughts he wouldn't otherwise have had, and in this respect versification and fornication are not so different. Benjamin Britten, sailing uncomfortably close to the wind with his new opera, Death in Venice, seeks advice from his former collaborator and friend, W H Auden. During this imagined meeting, their first for twenty-five years, they are observed and interrupted by amongst others their future biographer and a young man from the local bus station.You are a rent boy. I am a poet. Over the wall lives the Dean of Christ Church. We all have our parts to play.Alan Bennett's new play is as much about the theatre as it is about poetry or music. It looks at the unsettling desires of two difficult men, and at the ethics of biography. It reflects on growing old, on creativity and inspiration, and on persisting when all passion's spent: ultimately, on the habit of art. 'In the end,' said Auden, 'art is small beer. The really serious things in life are earning one's living and loving one's neighbour.'
The History Boys: Educational Edition (Faber Educational Editions Ser.)
by Alan BennettAn unruly bunch of bright, funny sixth-form boys in pursuit of sex, sport and a place at university. A maverick English teacher at odds with the young and shrewd supply teacher. A headmaster obsessed with results; a history teacher who thinks he's a fool.In Alan Bennett's new play, staff room rivalry and the anarchy of adolescence provoke insistent questions about history and how you teach it; about education and its purpose.The History Boys premi�red at the National in May 2004.'Nothing could diminish the incendiary achievement of this subtle, deep-wrought and immensely funny play about the value and meaning of education .. In short, a superb, life-enhancing play.' Guardian
Hymn and Cocktail Sticks
by Alan BennettIt's a dwindling band; old-fashioned and of a certain age, you can pick us out at funerals and memorial services because we can sing the hymns without the book. Alan Bennett writes: In 2001 the Medici Quartet commissioned the composer George Fenton to write them a piece commemorating their thirtieth anniversary. George Fenton appeared in my play Forty Years On and has written music for many of my plays since, and he asked me to collaborate on the commission. Hymn was the result. First performed at the Harrogate Festival in August 2001, it's a series of memoirs with music. Besides purely instrumental passages for the quartet, many of the speeches are under-scored, incorporating some of the hymns and music I remember from my childhood and youth. The text includes both words and music. Hymn is coupled with Cocktail Sticks, an oratorio without music that revisits some of the themes and conversations of Alan Bennett's memoir A Life Like Other People's. A son talks to his dead father as his mother yearns for a different life. It's funny, tender and sad. The pinnacle of my social life is a scrutty bit of lettuce and tomato and some tinned salmon. Mind you, I read in Ideal Home that if you mix tinned salmon with this soft cheese you can make it into one of those moussy things. Shove a bit of lemon on it and it looks really classy.
The Lady in the Van: The Complete Edition
by Alan BennettAdapted for the screen by the author from his celebrated memoir, Alan Bennett's The Lady in the Van, is directed by long-standing collaborator Nicholas Hytner.The film tells the true story of the relationship between Alan Bennett and the singular Miss Shepherd, a woman of uncertain origins who 'temporarily' parked her van in Bennett's London driveway and proceeded to live there for 15 years. Their unique story is funny, poignant and life-affirming.The Complete Lady in the Van contains a Foreword by Nicholas Hytner, a substantial Introduction with diary entries by Alan Bennett, the original memoir and the screenplay. The book includes numerous illustrations by David Gentleman, who sketched on set throughout filming, and a colour plate-section including behind-the-scenes photographs and stills from the film
The Lady in the Van: A Play
by Alan BennettAdapted by the author from his autobiographical memoir, The Lady in the Van tells the story of Miss Mary Shepherd, whom Alan Bennett first came across when she was living in the street near his home in Camden Town. Taking refuge with her van in his garden originally for three months, she ended up staying fifteen years. Funny, touching and unexpectedly spectacular, The Lady in the Van marked the return to the stage of one of our leading playwrights.The Lady in the Van with Maggie Smith opened at the Queen's Theatre, London, in December 1999.
The Madness of George III
by Alan BennettGeorge III's behaviour has often been odd, but now he is deranged, with rumours circulating that he has even addressed an oak tree as the King of Prussia. Doctors are brought in, the government wavers and the Prince Regent manoeuvres himself into power.Alan Bennett's play explores the court of a mad king, and the fearful treatments he was forced to undergo. It is about the nature of kingship itself, showing how by subtle degrees the ruler's delirium erodes his authority and status.
Me, I'm Afraid of Virginia Woolf: A Day Out, Sunset Across the Bay, A Visit From Mrs. Pr
by Alan BennettAlan Bennett is the acknowledged master of the television play. This vintage collection of his work from the 1970s illustrates his skill and mastery of the medium from the beginning. Perceptive, poignant, truthful and very funny, the work here gives as much enjoyment in the reading as it did in the viewing, and provides a welcome addition to the Bennett canon.The television plays included are A Day Out, Sunset Across the Bay, A Visit from Miss Prothero, Me, I'm Afraid of Virginia Woolf, Green Forms, The Old Crowd and Afternoon Off. This volume contains a new general introduction by Alan Bennett, as well as the original preface by Lindsay Anderson to The Old Crowd.A companion volume of Alan Bennett's work from the late 1970s and early 1980s is published as Rolling Home.
People: A Centenary Of Service 1919-2019
by Alan BennettA sale? Why not? Release all your wonderful treasures onto the open market and they are there for everyone to enjoy. It's a kind of emancipation, a setting them free to range the world ... a saleroom here, an exhibition there; art, Lady Stacpoole, is a rover.People spoil things; there are so many of them and the last thing one wants is them traipsing through one's house. But with the park a jungle and a bath on the billiard table, what is one to do? Dorothy wonders if an attic sale could be a solution. People premieres at the National Theatre, London, in October 2012.As with Alan Bennett's previous two plays, The History Boys and The Habit of Art, People will open in the Lyttelton Theatre in a production directed by the National's artistic director Nicholas Hytner.- How're you doing?- Not sure.- Well why don't you get on the mobile to your dick and find out.
A Private Function
by Alan BennettThe Old CrowdA Private FunctionPrick Up Your Ears102 Boulevard HaussmannThe Madness of King GeorgeStarring characters as diverse as George III, Marcel Proust, Joe Orton, and a pig called Betty, Alan Bennett's masterful work for the screen gives as much enjoyment in the reading as it did in the viewing.This classic collection contains a new essay by Alan Bennett, besides the original introductions to A Private Function, Prick Up Your Ears and The Madness of King George.Two companion volumes of Alan Bennett's TV plays are published as Me, I'm Afraid of Virginia Woolf and Rolling Home.
Rolling Home: One Fine Day, All Day on the Sands, Our Winnie, Rolling Home
by Alan BennettFunny, touching and real, this second collection of Alan Bennett's classic work for television from the late 1970s and early 1980s is full of fine observations of life as it is lived. Often imitated but never equalled, Bennett's work is a masterclass in how to write for the small screen and gives as much enjoyment in the reading as it did in the viewing.The television plays included in this volume are Our Winnie, All Day on the Sands, One Fine Day, Marks, Say Something Happened, Rolling Home and Intensive Care. This volume also contains a new general introduction by Alan Bennett.A companion volume of Alan Bennett's work from the 1970s is published as Me, I'm Afraid of Virginia Woolf.
Six Poets: An Anthology by Alan Bennett
by Alan BennettWriters like to elude their public, lead them a bit of a dance. They take them down untrodden paths, land them in unknown country where they have to ask for directions.In this personal anthology, Alan Bennett has chosen over seventy poems by six well-loved poets, discussing the writers and their verse in his customary conversational style through anecdote, shrewd appraisal and spare but telling biographical detail. Ranging from hidden treasures to famous poems, this is a collection for the beginner and the expert alike. Speaking with candour about his own reactions to the work, Alan Bennett creates profound and witty portraits of Thomas Hardy, A. E. Housman, John Betjeman, W. H. Auden, Louis MacNeice and Philip Larkin, all the more enjoyable for being in his own particular voice.Anybody writing poetry in the thirties had somehow to come to terms with Auden. Auden, you see, had got a head start on the other poets. He'd got into the thirties first, like someone taking over the digs.
Talking Heads (York Notes Advanced Ser.)
by Alan BennettThe complete ebook edition of Alan Bennett's celebrated monologuesAlan Bennett sealed his reputation as the master of observation with Talking Heads, a series of twelve groundbreaking monologues, originally filmed for BBC Television, starring Patricia Routledge, Thora Hird, Maggie Smith, Julie Walters, Stephanie Cole, Eileen Atkins, David Haig, Penelope Wilton and Alan Bennett himself. Each monologue has been refilmed by the BBC in 2020 with a new cast, starring Jodie Comer, Monica Dolan, Martin Freeman, Tamsin Greig, Sarah Lancashire, Lesley Manville, Lucian Msamati, Maxine Peake, Rochenda Sandall, Kristin Scott Thomas, Imelda Staunton and Harriet Walter.Uplifting, deeply moving, full of humanity and wit, this definitive volume remains essential, glorious reading.