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The Englishman's Chair: Origins, Design, and Social History of Seat Furniture in England
by John GloagOriginally published in 1964, The Englishman’s Chair is a history of English chairs, written as a continuous story from the 15th to the 20th Century and because of the revealing powers inherent in chair-making and design, it is also an unconventional footnote to English social history. The changes in taste, and fashion, the increase of skill, the introduction of new materials and the long battle between dignity and comfort are discussed, as is the impact that modern industrial designers have had on chair design.
The Englishman's Chair: Origins, Design, and Social History of Seat Furniture in England
by John GloagOriginally published in 1964, The Englishman’s Chair is a history of English chairs, written as a continuous story from the 15th to the 20th Century and because of the revealing powers inherent in chair-making and design, it is also an unconventional footnote to English social history. The changes in taste, and fashion, the increase of skill, the introduction of new materials and the long battle between dignity and comfort are discussed, as is the impact that modern industrial designers have had on chair design.
Roots, Shoots, Buckets & Boots: Gardening Together with Children
by Sharon LovejoyRoots, Shoots, Buckets & Boots features 12 spirited, easy-to-implement ideas for theme gardens that parents and kids can grow together.
Small Pleasures: Longlisted for the Women's Prize for Fiction
by Clare ChambersLONGLISTED FOR THE WOMEN'S PRIZE FOR FICTION 2021'A WORD-OF-MOUTH HIT' Evening Standard 'A very fine book... It's witty and sharp and reads like something by Barbara Pym or Anita Brookner, without ever feeling like a pastiche'David Nicholls'Perfect'India Knight 'Beautiful' Jessie Burton'Wonderful'Richard Osman 'Miraculous'Tracy Chevalier 'A wonderful novel. I loved it'Nina Stibbe 'Effortless to read, but every sentence lingers in the mind' Lissa Evans 'This is one of the most beautiful books I have ever read. I honestly don't want you to be without it'Lucy Mangan'Gorgeous... If you're looking for something escapist and bittersweet, I could not recommend more' Pandora Sykes'Remarkable... Small Pleasures is no small pleasure'The Times'An irresistible novel - wry, perceptive and quietly devastating'Mail on Sunday'Chambers' eye for undemonstrative details achieves a Larkin-esque lucidity' Guardian'An almost flawlessly written tale of genuine, grown-up romantic anguish' The Sunday Times 1957, the suburbs of South East London. Jean Swinney is a journalist on a local paper, trapped in a life of duty and disappointment from which there is no likelihood of escape. When a young woman, Gretchen Tilbury, contacts the paper to claim that her daughter is the result of a virgin birth, it is down to Jean to discover whether she is a miracle or a fraud. As the investigation turns her quiet life inside out, Jean is suddenly given an unexpected chance at friendship, love and - possibly - happiness. But there will, inevitably, be a price to pay.Book of the Year for: The Times, Daily Telegraph, Evening Standard, Daily Express, Metro, Spectator, Red Magazine and Good Housekeeping
Wood Finishing: Pergamon Series of Monographs on Furniture and Timber
by John W. CollierWood Finishing provides a comprehensive guide to wood finishing. The emphasis of the book is on tackling practical topics. The text first details the material components of wood finishing, such as strippers, revivers, stoppers, and varnishes. Next, the selection covers the various processes in wood finishing, which include waxing, filling, spraying, and flatting. The next chapter talks about supplementary topics, such as the chemistry of timber, hazards, workshop practices, and testing finishes. The title also tackles the various tools utilized in wood finishing, which include brushes, spray paints, coating machines, and tumbling barrels. The book will be of great use to anyone who wants to expand knowledge in woodworking.
Coping with Christmas: A Fabulously Festive Christmas Companion
by Fanny Cradock Johnnie CradockWith a new introduction by Felicity Cloake “Fanny Cradock is the Queen of Christmas cooking” – The Telegraph
Designed for Recreation: A Practical Handbook for All Concerned with Providing Leisure Facilities in the Countryside (Routledge Revivals)
by Elisabeth BeazleyOriginally published in 1969, at a time when there was an ever-increasing number of people going to the coast and countryside at weekends and on holiday, this book filled a gap by providing detail on the physical results of all that needed to be done for the leisure-seeking public. It discusses juggling the needs of the public whilst maintaining the quality of the natural environment – a balancing act which remains as relevant in the 21st Century as when the book was first published. The book is intended for all those making provision for public recreation and countryside protection. The passing of the Countryside Act in 1968 in the UK necessitated detailed work for local authorities: the design and siting of car parks; public lavatories; litter bins, camp and picnic sites; swimming pools and information centres to name but a few. Elisabeth Beazley discusses the principles involved and illustrates successful and cautionary examples from both sides of the Atlantic as well as Continental Europe
Designed for Recreation: A Practical Handbook for All Concerned with Providing Leisure Facilities in the Countryside (Routledge Revivals)
by Elisabeth BeazleyOriginally published in 1969, at a time when there was an ever-increasing number of people going to the coast and countryside at weekends and on holiday, this book filled a gap by providing detail on the physical results of all that needed to be done for the leisure-seeking public. It discusses juggling the needs of the public whilst maintaining the quality of the natural environment – a balancing act which remains as relevant in the 21st Century as when the book was first published. The book is intended for all those making provision for public recreation and countryside protection. The passing of the Countryside Act in 1968 in the UK necessitated detailed work for local authorities: the design and siting of car parks; public lavatories; litter bins, camp and picnic sites; swimming pools and information centres to name but a few. Elisabeth Beazley discusses the principles involved and illustrates successful and cautionary examples from both sides of the Atlantic as well as Continental Europe
A Short Dictionary of Furniture: Containing Over 2,600 Entries That Include Terms and Names Used in Britain and the USA
by John GloagOriginally published in 1952 but enlarged and revised in 1969, this dictionary became a standard authoritative work of reference. It contains 2,612 entries and over 1,000 illustrations, reproduced from contemporary sources and from drawings by Ronald Escott, Marcelle Barton and Maureen Stafford. The work is divided into 6 sections: the first and second concern the description and design of furniture, the third contains the entries, the fourth gives a list of furniture makers in Britain and North America, section five records books and periodicals on furniture and design and the concluding section sets out in tabular form the periods with the materials used, and types of craftsmen employed from 1100 to 1950.
A Short Dictionary of Furniture: Containing Over 2,600 Entries That Include Terms and Names Used in Britain and the USA
by John GloagOriginally published in 1952 but enlarged and revised in 1969, this dictionary became a standard authoritative work of reference. It contains 2,612 entries and over 1,000 illustrations, reproduced from contemporary sources and from drawings by Ronald Escott, Marcelle Barton and Maureen Stafford. The work is divided into 6 sections: the first and second concern the description and design of furniture, the third contains the entries, the fourth gives a list of furniture makers in Britain and North America, section five records books and periodicals on furniture and design and the concluding section sets out in tabular form the periods with the materials used, and types of craftsmen employed from 1100 to 1950.
100 Victorian Architectural Designs for Houses and Other Buildings (Dover Architecture)
by A. J. Bicknell Co.Originally published in 1878, this now-rare collection of designs supplies views of a remarkable variety of modestly priced structures: houses, villas, cottages, many others. Handsome drawings of perspective views and elevations, some of which include floor plans, plus suggestions for interior design. 98 black-and-white illustrations.
The Art and Philosophy of the Garden
by David Fenner Ethan FennerThe Art and Philosophy of the Garden offers the first authoritative and comprehensive philosophical discussion of the aesthetics of gardens. Philosopher David Fenner and horticulturist Ethan Fenner address such questions as: what is a garden? Are some gardens works of art? What does it mean to appreciate gardens aesthetically? Given that gardens are always changing in a variety of ways, how is it possible to compare, evaluate, or find meaning in them? How can we interpret gardens? How do we value gardens and gardening? While grounded in Western thought, Fenner and Fenner bring to bear global ideas and examples of gardens and gardening techniques. Inspired by a surge of philosophical interest in gardening, Fenner and Fenner argue that some gardens are indeed works of art. They explore how we might understand the aesthetic properties of gardens, and focus on what it means to "read" the formal aspects of gardens -- what the authors call "garden form" -- as a basis for interpreting a garden. They discuss the intersection of gardens/gardening and value: questions such as what sort of value gardens possess; whether and how ethics are relevant to gardens; how gardens may be evaluated and compared; and the value of the practice of gardening. This comprehensive philosophical discussion on the aesthetics of gardens and gardening will not only interest those concerned with garden theory but will interest any thoughtful and intellectually curious gardener.
Beekeeping for Gardeners: The complete step-by-step guide to keeping bees in your garden
by Richard RickittA comprehensive gardener's guide to sustainable beekeeping.Beekeeping has changed. While once it was a hobby that pursued the rich rewards of honey and wax, many new beekeepers now instead seek the gratification of knowing that they are aiding the survival of one of the world's most important creatures. Keeping bees today is as much about providing the right habitats and resources to help pollinators thrive as it is about chasing every drop of golden honey.This beautifully illustrated guide to the ancient hobby of beekeeping shows today's gardeners how to create beautiful gardens that are richly rewarding for people and bees alike. Flowers, shrubs, trees and vegetable plots can provide colourful beauty and delicious produce as well as vital pollen and nectar when bees need it the most. There are lists of the top-performing plants and how and where to grow them, including window boxes, lawns, borders, wild gardens and even ponds.Beekeeping for Gardeners looks at the pleasures and benefits of keeping honey bees in gardens of all types and sizes, both rural and urban. It explains the practicalities involved in keeping bees in the domestic garden setting, as well as on rooftops, allotments, parks, farmland and other locations. Importantly, and unlike any book before, this guide sets the delightful hobby of beekeeping within the context of the wider environment, asking how it can best serve the needs of all types of pollinator and the local ecology in general.Whether you're looking to attract more bumblebees and solitary bees or want to install a beehive, this wonderful book contains all the guidance you'll need to have a garden buzzing with bees.
Birkenhead Park: The People's Garden and an English Masterpiece
by Robert LeeWhen it was officially opened on Easter Monday, 5th April 1847, Birkenhead park became the first municipally funded park in Britain. It was a pioneer in the development of urban public parks, designed for use by everyone, irrespective of social class, ethnicity or age. In terms of town planning, it demonstrated the importance of including green infrastructure in urban development as a vital contribution to public health and wellbeing. Paxton’s design for the park was heralded as ‘a masterpiece of human creative genius’ : it served as a vehicle for the global transmission of the English landscape school and led to the creation of numerous public parks everywhere, most famously Central Park, New York, incorporating of many of Paxton’s design features. This book addresses a long-standing gap in the Park’s historiography. Regarded as ‘one of the greatest wonders of the age’, it is an important contribution to nineteenth-century landscape history with a local focus, but of international significance. But it seeks to interpret the Park’s development until 1914 within a political and cultural context, drawing on economic and social history, as a means of explaining why it was not until the late-nineteenth century that it finally became a focal point for recreation and public health.
Chiswick House Gardens: 300 years of creation and re-creation
by David JacquesThe grounds at Chiswick House are amongst the most iconic of all the historic gardens of Europe. In the 1720s they reflected Lord Burlington’s innovative ideas on Palladianism and antique gardens, whilst the area transformed by William Kent to give a rustic appearance in the early 1730s has been recognised as one of, or perhaps the, birthplace of the landscape garden. The grounds were periodically brought to the forefront of taste, reaching another high point as the venue for spectacular garden parties under the 6th Duke of Devonshire. As a garden of many periods it has given rise to passionate national debates since World War II on the principles of restoration, and as a public park it has been an important project assisted by the National Lottery Heritage Fund. Its renewed high state of keeping and its tranquil beauty belies its ‘deep’ history of intellectual debate, social tensions and practical difficulties. The book concentrates on the four main periods when Chiswick gardens were in the national spotlight, two when being in the forefront of taste and two concerning the restorations, the first being in the 1950s when the whole question of garden restoration was entirely new. The second restoration, on and off since 1988 intersects with the development of a philosophical stance and national policy on the restoration of parks and gardens. There is much of interest for art and architectural historians, garden historians, social historians and those local and international visitors who enjoy the finest public park in West London.
A Cultural History of Furniture in Antiquity (The Cultural Histories Series)
Covering the period from 2500 BCE to the Byzantine Era, this volume focuses on the social history of furniture found in houses, tombs and temples as narrated through the archaeological evidence. The earliest furniture can be seen as an attempt by humans to enhance their safety, comfort and social standing but it can also offer opportunities for understanding human behavior, values and thought: fine furniture was among the most valuable of possessions in the ancient world so it expressed power, wealth and status. It was appreciated as art, used in diplomacy (both as a gift and as tribute) and recorded as booty. At the same time, its practical and ceremonial uses yield important clues about the domestic environment and daily life in antiquity, as well as revealing aspects of sacred belief and funerary practices.Drawing upon a wealth of visual and textual sources, this volume presents essays that examine key characteristics of the furniture of the period on the themes of Design and Motifs; Makers, Making, and Materials; Types and Uses; The Domestic Setting; The Public Setting; Exhibition and Display; Furniture and Architecture; Visual Representations; and Verbal Representations.
A Cultural History of Furniture in the Age of Empire and Industry (The Cultural Histories Series)
The 19th century in Western culture was a time of both confidence and turbulence. Industrial developments resulted in a number of benefits from a growing middle class to efficiency, convenience and innovation across a range of fields from engineering to architecture. Alongside these improvements, the century began with the extended period of the Napoleonic Wars and was further disrupted by rebellions and revolutions both within Europe and in India, South America and other parts of the world. Slavery was abolished and urbanization increased dramatically.These myriad developments were reflected throughout the period in the proliferation of types of furniture, along with their categorization as 'industrial art' at the international exhibitions and world fairs and the increasingly adventurous range of materials that were sometimes used in their construction. Nonetheless, a strong antiquarian/historicist strand also prompted interest in the revival of past styles in areas of art and design, including furniture. Drawing upon a wealth of visual and textual sources, this volume presents essays that examine key characteristics of the furniture of the period on the themes of Design and Motifs; Makers, Making, and Materials; Types and Uses; The Domestic Setting; The Public Setting; Exhibition and Display; Furniture and Architecture; Visual Representations; and Verbal Representations.
A Cultural History of Furniture in the Age of Enlightenment (The Cultural Histories Series)
The 18th century saw the height of court culture in Europe as well as the beginnings of its demise with conflicts such as the American and French Revolutions. The Scientific Revolution, which had begun in the preceding centuries, also ushered in a new intellectual era which advocated the use of reason to effect change in government and to advance progress in society. For furniture, this meant ever-higher standards of luxury in the designs, techniques and materials utilized for the best pieces, and more structure and specialization in the furniture-making process itself. Furniture also came into its own during this period as a collectable work of art on its own merits.Drawing upon a wealth of visual and textual sources, this volume presents essays that examine key characteristics of the furniture of the period on the themes of Design and Motifs; Makers, Making, and Materials; Types and Uses; The Domestic Setting; The Public Setting; Exhibition and Display; Furniture and Architecture; Visual Representations; and Verbal Representations.
A Cultural History of Furniture in the Age of Exploration (The Cultural Histories Series)
by Professor Megan AldrichThe 16th and 17th centuries in Europe witnessed a significant paradigm shift. Rooted in medieval beliefs and preoccupations, the exploration so characteristic of the period stemmed from religious motives but came to be propelled by commerce and curiosity as Europeans increasingly engaged with the rest of the world. Interiors in both public and private spaces changed to reflect these cultural encounters and, with them, the furniture with which they were populated. Visually, furniture of this period displayed new designs, forms and materials. In its uses, it also mirrored developments in science, technology, government and social relationships as prints became more widely distributed, the Wunderkammer developed and there was religious strife and resistance to absolute monarchical rule.Drawing upon a wealth of visual and textual sources, this volume presents essays that examine key characteristics of the furniture of the period on the themes of Design and Motifs; Makers, Making, and Materials; Types and Uses; The Domestic Setting; The Public Setting; Exhibition and Display; Furniture and Architecture; Visual Representations; and Verbal Representations.
A Cultural History of Furniture in the Middle Ages and Renaissance (The Cultural Histories Series)
The Middle Ages were marked by dramatic social, economic, political, and religious changes. Diverse regional and local conditions, and varied social classes - including peasant, artisan, merchant, clergy, nobility, and rulers - resulted in differing needs for furniture. The social settings for furniture included official and private residences both grand and humble, churches and monasteries, and civic institutions, including places of governance and learning, such as municipal halls, guild halls, and colleges. This volume explores how furniture contributed to the social fabric within these varied spaces.The chronological range of this volume extends from the fall of the Roman Empire through to the early Renaissance, a period which exhibited a wide array of types, styles, and motifs, including Byzantine, Romanesque, Gothic, and Renaissance. Rural and regional styles of furniture are also considered, as well as techniques of furniture manufacture. Drawing upon a wealth of visual and textual sources, this volume presents essays that examine key characteristics of the furniture of the period on the themes of Design and Motifs; Makers, Making, and Materials; Types and Uses; The Domestic Setting; The Public Setting; Exhibition and Display; Furniture and Architecture; Visual Representations; and Verbal Representations.
A Cultural History of Furniture in the Modern Age (The Cultural Histories Series)
Furniture is a unique witness to the transformations of private and public experience amidst the upheavals of the 20th century. How we work, rest and play are determined by the embodied encounter with furniture, defining and projecting a sense of identity and status, responding to and exemplifying contrasting social conditions, political and economic motivations, aesthetic predilections and debates. Assessing physical and archival evidence drawn from a spectrum of iconic and under-represented case studies, an international team of design historians collaborate in this volume to explore key methodological questions about how the production, consumption and mediation of furniture reveal shifting cultural habits and histories across diverse contexts amidst modernity. Drawing upon a wealth of visual and textual sources, this volume presents essays that examine key characteristics of the furniture of the period on the themes of Design and Motifs; Makers, Making, and Materials; Types and Uses; The Domestic Setting; The Public Setting; Exhibition and Display; Furniture and Architecture; Visual Representations; and Verbal Representations.
A Cultural History of Plants in Antiquity (The Cultural Histories Series)
A Cultural History of Plants in Antiquity covers the period from 10,000 BCE to 500 CE. This period witnessed the transition from hunter-gatherer subsistence to the practice of agriculture in Mesopotamia and elsewhere, and culminated in the fall of the Roman Empire, the end of the Han Dynasty in China, the rise of Byzantium, and the first flowering of Mayan civilization. Human uses for and understanding of plants drove cultural evolution and were inextricably bound to all aspects of cultural practice. The growth of botanical knowledge was fundamental to the development of agriculture, technology, medicine, and science, as well as to the birth of cities, the rise of religions and mythologies, and the creation of works of literature and art. The 6 volume set of the Cultural History of Plants presents the first comprehensive history of the uses and meanings of plants from prehistory to today. The themes covered in each volume are plants as staple foods; plants as luxury foods; trade and exploration; plant technology and science; plants and medicine; plants in culture; plants as natural ornaments; the representation of plants. Annette Giesecke is Professor of Classics at the University of Delaware, USA. Volume 1 in the Cultural History of Plants set.General Editors: Annette Giesecke, University of Delaware, USA, and David Mabberley, University of Oxford, UK.
A Cultural History of Plants in the Early Modern Era (The Cultural Histories Series)
A Cultural History of Plants in the Early Modern Era covers the period from 1400 to 1650, a time of discovery and rediscovery, of experiment and innovation. Renaissance learning brought ancient knowledge to modern European consciousness whilst exploration placed all the continents in contact with one another. The dissemination of knowledge was further speeded by the spread of printing. New staples and spices, new botanical medicines, and new garden plants all catalysed agriculture, trade, and science. The great medical botanists of the period attempted no less than what Marlowe's Dr Faustus demanded - a book “wherein I might see all plants, herbs, and trees that grow upon the earth.” Human impact on plants and our botanical knowledge had irrevocably changed. The 6 volume set of the Cultural History of Plants presents the first comprehensive history of the uses and meanings of plants from prehistory to today. The themes covered in each volume are plants as staple foods; plants as luxury foods; trade and exploration; plant technology and science; plants and medicine; plants in culture; plants as natural ornaments; the representation of plants. Andrew Dalby is an independent scholar and writer, based in France. Annette Giesecke is Professor of Classics at the University of Delaware, USA. Volume 3 in the Cultural History of Plants set.General Editors: Annette Giesecke, University of Delaware, USA, and David Mabberley, University of Oxford, UK.
A Cultural History of Plants in the Modern Era (The Cultural Histories Series)
A Cultural History of Plants in the Modern Era covers the period from 1920 to today - a time when population growth, industrialization, global trade, and consumerism have fundamentally reshaped our relationship with plants. Advances in agriculture, science, and technology have revolutionised the ways we feed ourselves, whilst urbanization and industrial processing have reduced our direct connection with living plants. At the same time, our understanding of both ecology and conservation have greatly increased and our appreciation of the meanings and aesthetics of plants continue to suffuse art and everyday culture. The modern era has witnessed a revolution in both the valuation and the destruction of the natural world - more than ever before, we understand that the vitality of our relationship with plants will shape our future. The 6 volume set of the Cultural History of Plants presents the first comprehensive history of the uses and meanings of plants from prehistory to today. The themes covered in each volume are plants as staple foods; plants as luxury foods; trade and exploration; plant technology and science; plants and medicine; plants in culture; plants as natural ornaments; the representation of plants.Stephen Forbes is an independent scholar and writer, based in Australia. Volume 6 in the Cultural History of Plants set.General Editors: Annette Giesecke, University of Delaware, USA, and David Mabberley, University of Oxford, UK.