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English L2 Reading: Getting to the Bottom (ESL & Applied Linguistics Professional Series)
by Barbara M. Birch Sean FulopEnglish L2 Reading: Getting to the Bottom uses research-based insights to examine bottom-up skills in reading English as a second language. This fourth edition clearly presents core concepts alongside their practical applications to teaching contexts, with updated research findings, a new focus on metalinguistic awareness, and new resources for students. The text’s pedagogical features help readers connect linguistic details and psycholinguistic theory with practical explanations and teaching suggestions. Pre-reading Questions challenge readers to analyze their own experiences. Study Guide Questions allow readers to review, discuss, and assess their knowledge. Discussion Questions elaborate on themes in each chapter, while the new Language Awareness Activities help develop metalinguistic awareness. Three Appendices provide tables that list the graphemes and the phonemes of English, as well as a brand-new dictionary pronunciation guide. New to the fourth edition: Substantially revised and updated research on linguistics New, evidence-based models on the reading process Language Awareness Activities that highlight metalinguistic awareness Word study examples in each chapter For teachers, teacher trainers, reading researchers, or anyone interested in teaching reading, this popular, comprehensive, myth-debunking text provides clear and practical guidance towards effectively supplementing top-down teaching approaches with bottom-up reading strategies.
English L2 Reading: Getting to the Bottom (ESL & Applied Linguistics Professional Series)
by Barbara M. Birch Sean FulopEnglish L2 Reading: Getting to the Bottom uses research-based insights to examine bottom-up skills in reading English as a second language. This fourth edition clearly presents core concepts alongside their practical applications to teaching contexts, with updated research findings, a new focus on metalinguistic awareness, and new resources for students. The text’s pedagogical features help readers connect linguistic details and psycholinguistic theory with practical explanations and teaching suggestions. Pre-reading Questions challenge readers to analyze their own experiences. Study Guide Questions allow readers to review, discuss, and assess their knowledge. Discussion Questions elaborate on themes in each chapter, while the new Language Awareness Activities help develop metalinguistic awareness. Three Appendices provide tables that list the graphemes and the phonemes of English, as well as a brand-new dictionary pronunciation guide. New to the fourth edition: Substantially revised and updated research on linguistics New, evidence-based models on the reading process Language Awareness Activities that highlight metalinguistic awareness Word study examples in each chapter For teachers, teacher trainers, reading researchers, or anyone interested in teaching reading, this popular, comprehensive, myth-debunking text provides clear and practical guidance towards effectively supplementing top-down teaching approaches with bottom-up reading strategies.
Echo AQA GCSE German Foundation: Teacher's Guide (PDF)
by Melanie Birdsall Michael WardleSimple, straight-forward teacher's notes and a customisable Scheme of Work CD-ROM for Echo: AQA GCSE (Foundation), provide you with support to plan and deliver lessons.
Second Language Acquisition and the Critical Period Hypothesis (Second Language Acquisition Research Series)
by David BirdsongSecond Language Acquisition and the Critical Period Hypothesis is the only book on the market to provide a diverse collection of perspectives, from experienced researchers, on the role of the Critical Period Hypothesis in second language acquisition. It is widely believed that age effects in both first and second language acquisition are developmental in nature, with native levels of attainment in both to be though possible only if learning began before the closure of a "window of opportunity" – a critical or sensitive period. These seven chapters explore this idea at length, with each contribution acting as an authoritative look at various domains of inquiry in second language acquisition, including syntax, morphology, phonetics/phonology, Universal Grammar, and neurofunctional factors. By presenting readers with an evenly-balanced take on the topic with viewpoints both for and against the Critical Period Hypothesis, this book is the ideal guide to understanding this critical body of research in SLA, for students and researchers in Applied Linguistics and Second Language Acquisition.
Second Language Acquisition and the Critical Period Hypothesis (Second Language Acquisition Research Series)
by David BirdsongSecond Language Acquisition and the Critical Period Hypothesis is the only book on the market to provide a diverse collection of perspectives, from experienced researchers, on the role of the Critical Period Hypothesis in second language acquisition. It is widely believed that age effects in both first and second language acquisition are developmental in nature, with native levels of attainment in both to be though possible only if learning began before the closure of a "window of opportunity" – a critical or sensitive period. These seven chapters explore this idea at length, with each contribution acting as an authoritative look at various domains of inquiry in second language acquisition, including syntax, morphology, phonetics/phonology, Universal Grammar, and neurofunctional factors. By presenting readers with an evenly-balanced take on the topic with viewpoints both for and against the Critical Period Hypothesis, this book is the ideal guide to understanding this critical body of research in SLA, for students and researchers in Applied Linguistics and Second Language Acquisition.
Spazi Riflessivi in Passeggeri Notturni
by Daniela Bisello Antonucci Paola NastriSpazi Riflessivi in Passeggeri Notturni è un testo innovativo e versatile per l’insegnamento dell’italiano tramite riflessioni ed elaborazioni su questioni sociali emerse dalla lettura di Passeggeri notturni, racconti brevi di Gianrico Carofiglio. Il testo, indicato per un livello intermedio-avanzato, propone una vasta gamma di esercizi grammaticali contestualizzati e attività interdisciplinari che confrontano letterature e arti diverse e affrontano discussioni socio-culturali.
Spazi Riflessivi in Passeggeri Notturni
by Daniela Bisello Antonucci Paola NastriSpazi Riflessivi in Passeggeri Notturni è un testo innovativo e versatile per l’insegnamento dell’italiano tramite riflessioni ed elaborazioni su questioni sociali emerse dalla lettura di Passeggeri notturni, racconti brevi di Gianrico Carofiglio. Il testo, indicato per un livello intermedio-avanzato, propone una vasta gamma di esercizi grammaticali contestualizzati e attività interdisciplinari che confrontano letterature e arti diverse e affrontano discussioni socio-culturali.
Postcolonial Criticism and Representations of African Dictatorship: The Aesthetics of Tyranny
by Cecile BishopThe figure of the dictator looms large in representations of postcolonial Africa. Since the late 1970s, writers, film-makers and theorists have sought to represent the realities of dictatorship without endorsing the colonialist cliches portraying Africans as incapable of self-government. Against the heavily-politicized responses provoked by this dilemma, Bishop argues for a form of criticism that places the complexity of the reader's or spectator's experiences at the heart of its investigations. Ranging across literature, film and political theory, this study calls for a reengagement with notions - often seen as unwelcome diversions from political questions - such as referentiality, genre and aesthetics. But rather than pit 'political' approaches against formal and aesthetic procedures, the author presents new insights into the interplay of the political and the aesthetic. Cecile Bishop is a Junior Research Fellow in French at Somerville College, Oxford.
Postcolonial Criticism and Representations of African Dictatorship: The Aesthetics of Tyranny
by Cecile BishopThe figure of the dictator looms large in representations of postcolonial Africa. Since the late 1970s, writers, film-makers and theorists have sought to represent the realities of dictatorship without endorsing the colonialist cliches portraying Africans as incapable of self-government. Against the heavily-politicized responses provoked by this dilemma, Bishop argues for a form of criticism that places the complexity of the reader's or spectator's experiences at the heart of its investigations. Ranging across literature, film and political theory, this study calls for a reengagement with notions - often seen as unwelcome diversions from political questions - such as referentiality, genre and aesthetics. But rather than pit 'political' approaches against formal and aesthetic procedures, the author presents new insights into the interplay of the political and the aesthetic. Cecile Bishop is a Junior Research Fellow in French at Somerville College, Oxford.
Developing Writing Skills in French
by Graham Bishop Bernard HaezewindtDesigned for intermediate to advanced students, this text equips readers with the necessary skills to write confidently in French in a range of situations. Suitable for use as a classroom text or as a self-study course, it is carefully structured to ensure a better understanding of the effect of choice of words, register and style.Each chapter contains a selection of model texts, activities and clear notes on the format, style and language demonstrated. Every activity also has a model answer in the key, which also offers advice, explanations and further examples to support the student's learning. Features include:* key learning points clearly indicated at the beginning of each chapter* a rich selection of model texts from a variety of different media.Based on a well-reviewed Open University course and written by experienced teachers of the language, Developing Writing Skills in French has been trialled with non-native speakers of French to produce a valuable resource that will help students write appropriately for a variety of contexts.
Developing Writing Skills in French
by Graham Bishop Bernard HaezewindtDesigned for intermediate to advanced students, this text equips readers with the necessary skills to write confidently in French in a range of situations. Suitable for use as a classroom text or as a self-study course, it is carefully structured to ensure a better understanding of the effect of choice of words, register and style.Each chapter contains a selection of model texts, activities and clear notes on the format, style and language demonstrated. Every activity also has a model answer in the key, which also offers advice, explanations and further examples to support the student's learning. Features include:* key learning points clearly indicated at the beginning of each chapter* a rich selection of model texts from a variety of different media.Based on a well-reviewed Open University course and written by experienced teachers of the language, Developing Writing Skills in French has been trialled with non-native speakers of French to produce a valuable resource that will help students write appropriately for a variety of contexts.
German Political Thought and the Discourse of Platonism: Finding the Way Out of the Cave
by Paul BishopTaking Plato’s allegory of the cave as its starting-point, this book demonstrates how later European thinkers can be read as a reaction and a response to key aspects of this allegory and its discourse of enchainment and liberation. Focusing on key thinkers in the tradition of European (and specifically German) political thought including Kant, Marx, Hegel, Nietzsche, Heidegger, and the Frankfurt School, it relates them back to such foundational figures as Rousseau, Aristotle, and in particular Plato. All these thinkers are considered in relation to key passages from their major works, accompanied by an explanatory commentary which seeks to follow a conceptual and imagistic thread through the labyrinth of these complex, yet fascinating, texts. This book will appeal in particular to scholars of political theory, philosophy, and German language and culture.
Foundations French 1 (Macmillan Foundation Languages)
by Dounia Bissar Helen Phillips Cécile Tschirhartpalgrave foundations french 1 – a lively introduction for complete beginners• Designed for and used extensively on Institution-wide Language Programmes (IWLPs) including language options and electives, Open Learning Programmes and similar provision• 10 units fit the 20-24 week teaching year• Scripted and unscripted dialogues provide a diverse range of audio material• Integrated pair- and groupwork activities throughout• Contains a comprehensive self-study section for non-contact hours• Carefully reviewed and updated following extensive lecturer feedback• New photos and illustrations• CDs with every bookDounia Bissar is French Co-ordinator on the Open Language Programme at the London Metropolitan University.Helen Phillips is Deputy Director Applied Foreign Languages at the University of Bristol Language Centre.Cécile Tschirhart is Deputy Head of the Department of Education and formerly Director of the Open Language Programme at the London Metropolitan University.Tom Carty was Languages Programme Leader at Staffordshire University and the University of WolverhamptonPic of 2 CDs as per cover image CD2 audio CDs come with this bookMP3 files and digital licences are available for institutions from Palgrave Macmillan. Visit http://www.palgrave.com/modernlanguages/license.asp#Digital
Africa's Lost Classics: New Histories of African Cinema
by Lizelle BisschoffUntil recently, the story of African film was marked by a series of truncated histories: many outstanding films from earlier decades were virtually inaccessible and thus often excluded from critical accounts. However, various conservation projects since the turn of the century have now begun to make many of these films available to critics and audiences in a way that was unimaginable just a decade ago. In this accessible and lively collection of essays, Lizelle Bisschoff and David Murphy draw together the best scholarship on the diverse and fragmented strands of African film history. Their volume recovers over 30 'lost' African classic films from 1920-2010 in order to provide a more complex genealogy and begin to trace new histories of African filmmaking: from 1920s Egyptian melodramas through lost gems from apartheid South Africa to neglected works by great Francophone directors, the full diversity of African cinema will be revealed.
Africa's Lost Classics: New Histories of African Cinema
by Lizelle BisschoffUntil recently, the story of African film was marked by a series of truncated histories: many outstanding films from earlier decades were virtually inaccessible and thus often excluded from critical accounts. However, various conservation projects since the turn of the century have now begun to make many of these films available to critics and audiences in a way that was unimaginable just a decade ago. In this accessible and lively collection of essays, Lizelle Bisschoff and David Murphy draw together the best scholarship on the diverse and fragmented strands of African film history. Their volume recovers over 30 'lost' African classic films from 1920-2010 in order to provide a more complex genealogy and begin to trace new histories of African filmmaking: from 1920s Egyptian melodramas through lost gems from apartheid South Africa to neglected works by great Francophone directors, the full diversity of African cinema will be revealed.
A Guide to Supervising Non-native English Writers of Theses and Dissertations: Focusing on the Writing Process
by John BitchenerFocused on the writing process, A Guide to Supervising Non-native English Writers of Theses and Dissertations presents approaches that can be employed by supervisors to help address the writing issues or difficulties that may emerge during the provisional and confirmation phases of the thesis/dissertation journey. Pre-writing advice and post-writing feedback that can be given to students are explained and illustrated. A growing number of students who are non-native speakers of English are enrolled in Masters and PhD programmes at universities across the world where English is the language of communication. These students often encounter difficulties when writing a thesis or dissertation in English – primarily, understanding the requirements and expectations of the new academic context and the conventions of academic writing. Designed for easy use by supervisors, this concise guide focuses specifically on the relationship between reading for and preparing to write the various part-genres or chapters; the creation of argument; making and evaluating claims, judgements and conclusions; writing coherent and cohesive text; meeting the generic and discipline-specific writing conventions; designing conference abstracts and PowerPoint presentations; and writing journal articles.
A Guide to Supervising Non-native English Writers of Theses and Dissertations: Focusing on the Writing Process
by John BitchenerFocused on the writing process, A Guide to Supervising Non-native English Writers of Theses and Dissertations presents approaches that can be employed by supervisors to help address the writing issues or difficulties that may emerge during the provisional and confirmation phases of the thesis/dissertation journey. Pre-writing advice and post-writing feedback that can be given to students are explained and illustrated. A growing number of students who are non-native speakers of English are enrolled in Masters and PhD programmes at universities across the world where English is the language of communication. These students often encounter difficulties when writing a thesis or dissertation in English – primarily, understanding the requirements and expectations of the new academic context and the conventions of academic writing. Designed for easy use by supervisors, this concise guide focuses specifically on the relationship between reading for and preparing to write the various part-genres or chapters; the creation of argument; making and evaluating claims, judgements and conclusions; writing coherent and cohesive text; meeting the generic and discipline-specific writing conventions; designing conference abstracts and PowerPoint presentations; and writing journal articles.
Written Corrective Feedback in Second Language Acquisition and Writing
by John Bitchener Dana R. FerrisWhat should language and writing teachers do about giving students written corrective feedback? This book surveys theory, research, and practice on the important and sometimes controversial issue of written corrective feedback, also known as “error/grammar correction,” and its impact on second language acquisition and second language writing development. Offering state-of-the-art treatment of a topic that is highly relevant to both researchers and practitioners, it critically analyzes and synthesizes several parallel and complementary strands of research — work on error/feedback (both oral and written) in SLA and studies of the impact of error correction in writing/composition courses — and addresses practical applications. Drawing from both second language acquisition and writing/composition literature, this volume is the first to intentionally connect these two separate but important lines of inquiry.
Written Corrective Feedback in Second Language Acquisition and Writing
by John Bitchener Dana R. FerrisWhat should language and writing teachers do about giving students written corrective feedback? This book surveys theory, research, and practice on the important and sometimes controversial issue of written corrective feedback, also known as “error/grammar correction,” and its impact on second language acquisition and second language writing development. Offering state-of-the-art treatment of a topic that is highly relevant to both researchers and practitioners, it critically analyzes and synthesizes several parallel and complementary strands of research — work on error/feedback (both oral and written) in SLA and studies of the impact of error correction in writing/composition courses — and addresses practical applications. Drawing from both second language acquisition and writing/composition literature, this volume is the first to intentionally connect these two separate but important lines of inquiry.
Teaching Writing for Academic Purposes to Multilingual Students: Instructional Approaches (ESL & Applied Linguistics Professional Series)
by John Bitchener Neomy Storch Rosemary WetteExamining what is involved in learning to write for academic purposes from a variety of perspectives, this book focuses in particular on issues related to academic writing instruction in diverse contexts, both geographical and disciplinary. Informed by current theory and research, leading experts in the field explain and illustrate instructional programs, tasks, and activities that help L2/multilingual writers develop knowledge of different genres, disciplinary expectations, and expertise in applying what they have learned in both educational and professional contexts.
Teaching Writing for Academic Purposes to Multilingual Students: Instructional Approaches (ESL & Applied Linguistics Professional Series)
by John Bitchener Neomy Storch Rosemary WetteExamining what is involved in learning to write for academic purposes from a variety of perspectives, this book focuses in particular on issues related to academic writing instruction in diverse contexts, both geographical and disciplinary. Informed by current theory and research, leading experts in the field explain and illustrate instructional programs, tasks, and activities that help L2/multilingual writers develop knowledge of different genres, disciplinary expectations, and expertise in applying what they have learned in both educational and professional contexts.
Écrire comme on aimerait lire: Parfaire ses compétences et son style
by Catherine Black Louise ChaputÉcrire comme on aimerait lire est un ouvrage destiné à des étudiants avancés de français. Il vise à étendre les connaissances en matière de vocabulaire et de style afin de libérer l’écriture. Il s’articule autour de quatre axes : la précision lexicale, l’amélioration des phrases, l’emploi des figures de style et la bonne compréhension des dénotations et connotations. En tant que tel, il sera aussi un outil de référence pour la traduction de la L1 vers la L2. Cet ouvrage vise les étudiants de français des niveaux DALF C1 et C2 du CECRL (Cadre Européen Commun de Référence pour les Langues) et ceux au niveau Advanced High de l’échelle des compétences de ACTFL (the American Council for the Teaching of Foreign Languages).
Écrire comme on aimerait lire: Parfaire ses compétences et son style
by Catherine Black Louise ChaputÉcrire comme on aimerait lire est un ouvrage destiné à des étudiants avancés de français. Il vise à étendre les connaissances en matière de vocabulaire et de style afin de libérer l’écriture. Il s’articule autour de quatre axes : la précision lexicale, l’amélioration des phrases, l’emploi des figures de style et la bonne compréhension des dénotations et connotations. En tant que tel, il sera aussi un outil de référence pour la traduction de la L1 vers la L2. Cet ouvrage vise les étudiants de français des niveaux DALF C1 et C2 du CECRL (Cadre Européen Commun de Référence pour les Langues) et ceux au niveau Advanced High de l’échelle des compétences de ACTFL (the American Council for the Teaching of Foreign Languages).
Aventures théâtrales: Guide d’utilisation de la pratique théâtrale en FLE au niveau post-secondaire
by Catherine Black Louise Chaput Tessie Mengin Annie PoirierAventures théâtrales est un guide pratique destiné aux enseignants de FLE désirant incorporer le théâtre dans leur cours afin de développer les compétences orales et de communication. Le livre s’articule autour de quatre parties : un bref historique des origines de l’utilisation du théâtre dans l’enseignement, une partie consacrée à la prononciation dans un contexte dramatique avec de nombreux exercices, un répertoire d’activités séquencées menant à la production de A à Z d’une pièce de théâtre ; la dernière partie montre que, même à distance, dans un contexte virtuel, il est possible de faire du théâtre et d’établir des liens émotionnels entre les participants. Le livre propose aussi une exploration unique du théâtre audio par le biais de pièces radiophoniques, de podcasts (baladodiffusions) et de videocasts (vidéodiffusions). Qu’elles soient en présentiel ou à distance, les activités présentées dans cet ouvrage constituent un ensemble de ressources indispensables à ceux et celles voulant tenter l’aventure théâtrale même sans expérience. Aventures théâtrales vise le niveau B2 du CECRL (Cadre européen commun de référence pour les langues) ou le niveau intermédiaire de ACTFL (American Consortium for the Teaching of Foreign Languages). Aventures théâtrales is a practical guide designed to provide language instructors with the tools to use drama in French language courses, providing essential resources to develop learners’ communication skills through drama activities in the classroom. This book is structured around four axes: The origins of the use of theatre in teaching; the pronunciation of French adapted to dramatic activities; a repertoire of activities leading to the production from A to Z of a show; and the digital adventure: establishing an emotional and energetic connection between participants in a virtual setting. The book also offers a unique exploration of audio theatre, from radio plays to podcasts, with guidance on practical applications outside of the classroom setting. The remote and in person exercises included in this book are an invaluable resource for instructors. Aventures théâtrales is intended for instructors of French at B2 (CEFR) or intermediate (ACTFL) level interested in using drama in courses teaching French as a foreign or second language.
Aventures théâtrales: Guide d’utilisation de la pratique théâtrale en FLE au niveau post-secondaire
by Catherine Black Louise Chaput Tessie Mengin Annie PoirierAventures théâtrales est un guide pratique destiné aux enseignants de FLE désirant incorporer le théâtre dans leur cours afin de développer les compétences orales et de communication. Le livre s’articule autour de quatre parties : un bref historique des origines de l’utilisation du théâtre dans l’enseignement, une partie consacrée à la prononciation dans un contexte dramatique avec de nombreux exercices, un répertoire d’activités séquencées menant à la production de A à Z d’une pièce de théâtre ; la dernière partie montre que, même à distance, dans un contexte virtuel, il est possible de faire du théâtre et d’établir des liens émotionnels entre les participants. Le livre propose aussi une exploration unique du théâtre audio par le biais de pièces radiophoniques, de podcasts (baladodiffusions) et de videocasts (vidéodiffusions). Qu’elles soient en présentiel ou à distance, les activités présentées dans cet ouvrage constituent un ensemble de ressources indispensables à ceux et celles voulant tenter l’aventure théâtrale même sans expérience. Aventures théâtrales vise le niveau B2 du CECRL (Cadre européen commun de référence pour les langues) ou le niveau intermédiaire de ACTFL (American Consortium for the Teaching of Foreign Languages). Aventures théâtrales is a practical guide designed to provide language instructors with the tools to use drama in French language courses, providing essential resources to develop learners’ communication skills through drama activities in the classroom. This book is structured around four axes: The origins of the use of theatre in teaching; the pronunciation of French adapted to dramatic activities; a repertoire of activities leading to the production from A to Z of a show; and the digital adventure: establishing an emotional and energetic connection between participants in a virtual setting. The book also offers a unique exploration of audio theatre, from radio plays to podcasts, with guidance on practical applications outside of the classroom setting. The remote and in person exercises included in this book are an invaluable resource for instructors. Aventures théâtrales is intended for instructors of French at B2 (CEFR) or intermediate (ACTFL) level interested in using drama in courses teaching French as a foreign or second language.