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On the Waterfront (BFI Film Classics)
by Leo BraudyI could have been a contender, I could have been somebody.' So speaks the haunted former boxer Terry Malloy (Marlon Brando) to his brother Charley (Rod Steiger) in a scene from On the Waterfront (Elia Kazan, 1954) that is one of the most famous in all cinema. Set among unionised New York longshoremen, Kazan's film (from a screenplay by Budd Schulberg) recounts Terry's struggle against corruption and his ultimate, hard-won victory. The marvellous performances of Brando, Steiger and Eva Marie Saint (as well as Karl Malden and Lee J. Cobb), Boris Kaufman's photography and Leonard Bernstein's score all justify the film's fame. But On the Waterfront is also notorious, regarded by many as an attempt at justifying the decision on the part of Kazan (and Schulberg) to name names before the House UnAmerican Activities Committee. That controversial decision is still incendiary today (as was evidenced in the furore that surrounded Kazan's Academy Award for Lifetime Achievement in 1999). With Kazan's death in 2003 and Brando's in 2004, a reappraisalof On the Waterfront is timely and necessary. In this definitive study, Leo Braudy tells the complicated story of the film's production. He revisits the facts behind the controversy of Kazan's testimony but, above all, he analyses the elements which contribute to the enduring appeal of On the Waterfront: the Method-inspired acting, the music and cinematography, the use of authentic locations and its powerfully symbolic depiction of post-war American values.
Film Theory And Criticism: Introductory Readings (PDF)
by Leo Braudy Marshall CohenSince publication of the first edition in 1974, Leo Braudy and Marshall Cohen's Film Theory and Criticism has been the most widely used and cited anthology of critical writings about film. Now in its eighth edition, this landmark text continues to offer outstanding coverage of more than a century of thought and writing about the movies. Incorporating classic texts by pioneers in film theory and cutting-edge essays by contemporary scholars, the text examines both historical and theoretical viewpoints on the subject.
Film Theory And Criticism (PDF)
by Leo Braudy Marshall CohenSince publication of the first edition in 1974, Leo Braudy and Marshall Cohen's Film Theory and Criticism has been the most widely used and cited anthology of critical writings about film. Now in its seventh edition, this landmark text continues to offer outstanding coverage of more than a century of thought and writing about the movies. Incorporating classic texts by pioneers in film theory―including Rudolf Arnheim, Siegfried Kracauer, and André Bazin―and cutting-edge essays by such contemporary scholars as David Bordwell, Tania Modleski, Thomas Schatz, and Richard Dyer, the book examines both historical and theoretical viewpoints on the subject.
Doris Day
by Eric BraunAn in-depth and fascinating study of one of Hollywood's most popular icons - fully updated and including previously unreleased pictures.Doris Day is almost always portrayed as the sunny, squeaky-clean girl next door. This wholesome image kept her at the top for twenty-four years and thirty-nine films.But behind the effervescent, ever-cheerful image that Doris Day portrayed through dozens of classic Hollywood movies was an extraordinary story of private pain. Her dazzling smile hid a tormented personal life that included four marriages, and a terrifying accident that nearly ended her life. And yet for generations of movie-goers Doris Day remained the embodiment of innocent beauty and apple-pie homeliness, and even today she exerts a powerful fascination for millions of fans around the world.
Kleiner Kanon großer Filme
by Michael Braun Stefan NeuhausWas macht einen Film groß? Für Truffaut war es niemals das ‚Runde‘ oder ‚Perfekte‘, Peter Hamm ergänzte, dass das Vergnügen des Kritikers oft da anfange, wo das der anderen aufhöre, bei Stilbrüchen etwa oder Exzessen. Was sind überhaupt Gründe dafür, bestimmte Filme besonders sehenswert zu finden? Die von Literatur-, Film- und Kulturwissenschaftler:innen geschriebenen Beiträge dieses Bands präsentieren je einen Film und begründen ausführlich, weshalb gerade er zu den größten der Geschichte gehört. Die Auswahl ist weder exklusiv noch elitär, sie regt zum Nachdenken an, weshalb uns auch Filme jenseits des Blockbuster-Kinos und der gängigen Kanonlisten in den Bann schlagen. Inmitten bekannter Klassiker von Lang, Chaplin, Hitchcock & Co. und jüngerer Meisterwerke von Haneke, Almodóvar und Sofia Coppola gibt es manchen Geheimtipp zu entdecken.
This Program Is Brought to You By...: Distributing Television News Online
by Prof. Joshua A. BraunJournalism, television, cable, and online media are all evolving rapidly. At the nexus of these volatile industries is a growing group of individuals and firms whose job it is to develop and maintain online distribution channels for television news programming. Their work, and the tensions surrounding it, provide a fulcrum from which to pry analytically at some of the largest shifts within our media landscape. Based on fieldwork and interviews with different teams and organizations within MSNBC, this multi-disciplinary work is unique in its focus on distribution, which is rapidly becoming as central as production, to media work.
Die Oper Schwarzschwanenreich von Siegfried Wagner: Werkanalyse (Beiträge zur Kultur- und Sozialgeschichte der Musik #9)
by Isolde BrauneDas Buch geht davon aus, daß sämtliche Opern Siegfried Wagners (1868-1930) vom Gedanken der Läuterung getragen sind. Dieser ist in seinem siebenten Werk – sagenhaft eingekleidet – ausgeführt als Befreiung vom Bann des Schwarzschwanenreichs.Kompositorisch bewegt sich Siegfried Wagner auf der Grenze zwischen Spätromantik und Moderne.Die vorliegende Werkanalyse ist literatur- und musikwissenschaftlich angelegt und umfaßt eine Beschreibung der von ihm spezifisch ausgeprägten Form der Oper und weiter eine Analyse von Entstehungsverlauf und Werkstruktur. Insbesondere werden Wort-Ton-Beziehungen (Intratextualität) behandelt und so die semantische Tiefenstruktur der Oper erschlossen.Stofflich und ideell leitet sich das Werk Siegfried Wagners aus persönlichen Erlebnissen und aus der Lektüre auf dem Gebiet von Dichtung, Philosophie und Geschichtlichem sowie von Sagensammlungen her. So läßt sich hier eine Linie griechisch-antiker und christlicher Mystik nachzeichnen.Es geht darum, Vorgänge in der Seele des Komponisten zu beleuchten, welche von ihm in verfremdeter Form ins Licht der Bühne gestellt werden.Gerade in der Analyse aber gelangt man an Grenzen des Wissenschaftlichen und Analysierbaren. Es stellt sich ein Kontakt mit einem Bereich – Mystik, Psyche – her, der sich lediglich erlebnishaft erschließen läßt. Auf diesen weisen die Mittel der Form hin.Dies betrifft v.a. die Metaphorik des Textes, die harmonische Struktur der Musik und die Form des Gesanges in literarischer und musikalischer Hinsicht.
What Would the Spice Girls Do?: How the Girl Power Generation Grew Up
by Lauren Bravo'A joyous and energetic celebration of girlhood, friendship and pop culture. If you have ever sung into the lid of a can of Impulse body spray, you need to read this.' Daisy BuchananThe words 'girl power' conjure vivid memories of short skirts and platform boots. But it wasn't just about the look, it was about feminism. The Spice Girls gave a generation their first glimpse of the power of friendship, of staying true to yourself, of sheer bloody-mindedness. And the girl power generation went on to kick-start a new conversation around gender equality.We may have grown up asking What Would the Spice Girls Do?, but their particular brand of feminism is as relevant today as it was twenty years ago – we still need that fun and fearlessness, we still need accessible and all-embracing equality… we still need a zig-a-zig-ah.‘Lauren Bravo is one of my very favourite writers.’ Dolly Alderton‘The Spice Girls’ arrival on the pop scene marked the gateway to a modern form of feminism, all dressed up as a riotously good time.’ Stylist
Sean Connery: The measure of a man
by Christopher BraySean Connery's personification of secret agent James Bond invigorated Britain and its cinema, allowing a cash-strapped, morale-sapped country in decline to fancy itself still a player on the world stage. But while Bond would make Connery the first actor to command a million dollar-plus fee, the man himself was forever pouring scorn on the fantasies audiences found it increasingly hard to separate him from.Spirited, argumentative and sardonically celebratory, Christopher Bray's Sean Connery is both a biography of a star and an investigation of what can happen to a man when the images he creates take over his life. And it's an analysis of what it means to be star-struck - a critical tribute to a secular icon who has shaped so many dreams. In this skillfully crafted biography, Christopher Bray challenges the assumptions and rumours prevelent in previous biographies with characteristic wit and skill. His previous book Michael Caine: A Class Act, was described by the Telegraph as 'an extremely enjoyable interpretation of a fascinating body of work.' Apart from his notable performances as James Bond in seven Bond films including Dr. No, From Russia With Love and Goldfinger, Sean Connery won an Oscar for The Untouchables and appeared in Indiana Jones and the Last Crusade, Highlander and The Rock. He has also starred in The Man Who Would Be King, Murder on the Orient Express and Zardoz.
The Twenty-First Century Performance Reader
by Teresa Brayshaw Anna Fenemore Noel WittsThe Twenty-First Century Performance Reader combines extracts from over 70 international practitioners, companies, collectives and makers from the fields of Dance, Theatre, Music, Live and Performance Art, and Activism to form an essential sourcebook for students, researchers and practitioners. This is the follow-on text from The Twentieth-Century Performance Reader, which has been the key introductory text to all kinds of performance for over 20 years since it was first published in 1996. Contributions from new and emerging practitioners are placed alongside those of long-established individual artists and companies, representing the work of this century’s leading practitioners through the voices of over 140 individuals. The contributors in this volume reflect the diverse and eclectic culture of practices that now make up the expanded field of performance, and their stories, reflections and working processes collectively offer a snapshot of contemporary artistic concerns. Many of the pieces have been specially commissioned for this edition and comprise a range of written forms – scholarly, academic, creative, interviews, diary entries, autobiographical, polemical and visual. Ideal for university students and instructors, this volume’s structure and global span invites readers to compare and cross-reference significant approaches outside of the constraints and simplifications of genre, encouraging cross-disciplinary understandings. For those who engage with new, live and innovative approaches to performance and the interplay of radical ideas, The Twenty-First Century Performance Reader is invaluable.
The Twenty-First Century Performance Reader
by Teresa Brayshaw Anna Fenemore Noel WittsThe Twenty-First Century Performance Reader combines extracts from over 70 international practitioners, companies, collectives and makers from the fields of Dance, Theatre, Music, Live and Performance Art, and Activism to form an essential sourcebook for students, researchers and practitioners. This is the follow-on text from The Twentieth-Century Performance Reader, which has been the key introductory text to all kinds of performance for over 20 years since it was first published in 1996. Contributions from new and emerging practitioners are placed alongside those of long-established individual artists and companies, representing the work of this century’s leading practitioners through the voices of over 140 individuals. The contributors in this volume reflect the diverse and eclectic culture of practices that now make up the expanded field of performance, and their stories, reflections and working processes collectively offer a snapshot of contemporary artistic concerns. Many of the pieces have been specially commissioned for this edition and comprise a range of written forms – scholarly, academic, creative, interviews, diary entries, autobiographical, polemical and visual. Ideal for university students and instructors, this volume’s structure and global span invites readers to compare and cross-reference significant approaches outside of the constraints and simplifications of genre, encouraging cross-disciplinary understandings. For those who engage with new, live and innovative approaches to performance and the interplay of radical ideas, The Twenty-First Century Performance Reader is invaluable.
Only Here For A Visit: A Life Lived to the Full – from Sporting Glories to Wild Stories
by Alan BrazilThe hilarious, no holds barred autobiography from sporting legend and broadcaster Alan Brazil. As Alan recounts tales from his extraordinary life, he relives the sporting occasions, radio broadcasts and famously long drinking sessions that have defined his career. He takes readers inside the talkSPORT studio for a behind-the-scenes view of his most memorable interviews, and talks for the first time about the on-pitch rivalries and dressing room debriefs of his footballing career.With his typically outspoken and irreverent delivery, Alan shares everything from his thoughts on how the sports he loves have changed to his top tips for picking winners (and many losers) at Cheltenham. And he revels in wine-soaked jaunts in the South of France and late-night supermarket sweeps with Ray Parlour – if you can keep up.Packed full of never-before-told stories, refreshing appraisals, sporting controversy and a cast of larger-than-life characters, this is a brutally honesty and wickedly funny insight into an extraordinary life.
An Actor's Revenge (BFI Film Classics)
by Ian BreakwellEach volume in the 'BFI Film Classics' series features a production history, filmography, notes and bibliography. This text explores 'An Actor's Revenge', directed by Kon Ichikawa, which tells the story of an actor who schemes to destroy the merchants who brought about the death of his parents.
An Actor's Revenge (BFI Film Classics)
by Ian BreakwellEach volume in the 'BFI Film Classics' series features a production history, filmography, notes and bibliography. This text explores 'An Actor's Revenge', directed by Kon Ichikawa, which tells the story of an actor who schemes to destroy the merchants who brought about the death of his parents.
Brecht On Film & Radio (Diaries, Letters and Essays)
by Bertolt Brecht Marc SilbermanFrom Weimar Germany to Hollywood to East Berlin, Brecht on Film and Radio gathers together a selection of Bertolt Brecht's own writings on the new film and broadcast media that revolutionised arts and communication in the twentieth century.Bertolt Brecht's hugely influential views on drama, acting and stage production have long been widely recognised. Less familiar, but of profound importance, are his writings on film and radio. From Weimar Germany to Hollywood to East Berlin, Brecht on Film and Radio gathers together for the first time a selection of Brecht's own writings on the new film and broadcast media that fascinated him throughout his life and revolutionised arts and communication in the twentieth century. Marc Silberman's full editorial commentary sets Brecht's ideas in the context of his other work."I strongly wish that after their invention of the radio the bourgeoisie would make a further invention that enables us to fix for all time what the radio communicates. Later generations would then have the opportunity to marvel how a caste was able to tell the whole planet what it had to say and at the same time how it enabled the planet to see that it had nothing to say." (Bertolt Brecht)
Brecht On Film & Radio (Diaries, Letters and Essays)
by Bertolt Brecht Marc SilbermanFrom Weimar Germany to Hollywood to East Berlin, Brecht on Film and Radio gathers together a selection of Bertolt Brecht's own writings on the new film and broadcast media that revolutionised arts and communication in the twentieth century.Bertolt Brecht's hugely influential views on drama, acting and stage production have long been widely recognised. Less familiar, but of profound importance, are his writings on film and radio. From Weimar Germany to Hollywood to East Berlin, Brecht on Film and Radio gathers together for the first time a selection of Brecht's own writings on the new film and broadcast media that fascinated him throughout his life and revolutionised arts and communication in the twentieth century. Marc Silberman's full editorial commentary sets Brecht's ideas in the context of his other work."I strongly wish that after their invention of the radio the bourgeoisie would make a further invention that enables us to fix for all time what the radio communicates. Later generations would then have the opportunity to marvel how a caste was able to tell the whole planet what it had to say and at the same time how it enabled the planet to see that it had nothing to say." (Bertolt Brecht)
Bertolt Brecht Journals, 1934-55
by Bertolt Brecht John Willett"Those who dismiss Brecht as a yea-sayer to Stalinism are advised to read these journals and moderate their opinion." (Paul Bailey, Weekend Telegraph)Brecht's "Work Journals" cover the period from 1938 to 1955, the years of exile in Denmark, Sweden, Finland and America, and his return via Switzerland to East Berlin. His criticisms of the work of other writers and intellectuals are perceptive and polemic, and the accounts of his own writing practice provide insight into the creation of his dramatic works of the period, the development of his political thinking and his theories about epic theatre. Also integrated into the journals are Brecht's immediate reactions to and commentary upon the events of the period: his political exile's view of the course of World War II and his account of the House Un-American Activities committee."A marvellous, motley collage of political ideas, domestic detail, artistic debate, poems, photographs and cuttings from newspapers and magazines, assembled, undoubtedly for posterity by one of the great writers of the century" (New Statesman and Society)
Performance and Civic Engagement
by Ananda Breed Tim PrentkiThis book explores 'civic engagement' as a politically active encounter between institutions, individuals and art practices that addresses the public sphere on a civic level across physical and virtual spaces. Taking a multidisciplinary approach, it tracks across the overlapping discourses of politics, cultural geography and performance, investigating how and why physical and digital spaces can be analysed and utilised to develop new art forms that challenge traditional notions of how performance is political and how politics are performative. Across three sections - Politicising Communities, Applying Digital Agency and Performing Landscapes and Identities - the ten chapters and three interviews cover a wide variety of international perspectives, all informed by innovative ways of addressing the current crisis of social fragmentation through performance. Providing access to many debates on the theory and practice of new media, this book is of significance to readers from a broad set of academic disciplines, including politics, sociology, geography, and performance studies.
Performance and Civic Engagement
by Ananda Breed Tim PrentkiThis book explores 'civic engagement' as a politically active encounter between institutions, individuals and art practices that addresses the public sphere on a civic level across physical and virtual spaces. Taking a multidisciplinary approach, it tracks across the overlapping discourses of politics, cultural geography and performance, investigating how and why physical and digital spaces can be analysed and utilised to develop new art forms that challenge traditional notions of how performance is political and how politics are performative. Across three sections - Politicising Communities, Applying Digital Agency and Performing Landscapes and Identities - the ten chapters and three interviews cover a wide variety of international perspectives, all informed by innovative ways of addressing the current crisis of social fragmentation through performance. Providing access to many debates on the theory and practice of new media, this book is of significance to readers from a broad set of academic disciplines, including politics, sociology, geography, and performance studies.
Creating Digital Animations: Animate Stories with Scratch! (Dummies Junior)
by Derek BreenThe easy way to start animating today! Creating Digital Animations is your ticket to learning animation! Learn how to animate your very own characters using Scratch—the free multimedia tool that lets you create interactive stories, games, and animations. Designed specifically for kids aged seven and up, this easy-to-follow, full-color guide introduces you to important game design concepts through three simple projects. Step-by-step instructions walk you through the four major phases of animation design, showing you how to turn your idea into a real animation with sound effects and more! You'll work just like the pros as you sketch out your main idea, add your own details, and develop a complete, workable character from scratch. If you're curious about coding, animation is the perfect place to start exploring. The Scratch platform doesn't require an actual programming language, but it gets you used to thinking like a programmer while you develop your very own animation. Short on rules but big on fun, this book is your friendly animation coach to get you started on the right foot. Use stick figures to design your characters' 'bones' Flesh out your design and animate movements Create scenes and background locations Add sound to take your animation to the next level Animation is fun! Building your own characters is exciting! And putting the finishing touches on your animation project shows you just how much you can learn while you play. Coding is a valuable skill that will serve you throughout school and beyond, and this book teaches you the basics in a way that leaves you hungry for more. Where will you take your new animation skills next? Creating Digital Animations takes you on the first steps of your journey to wherever you want to go!
Creating Digital Animations: Animate Stories with Scratch! (Dummies Junior)
by Derek BreenThe easy way to start animating today! Creating Digital Animations is your ticket to learning animation! Learn how to animate your very own characters using Scratch—the free multimedia tool that lets you create interactive stories, games, and animations. Designed specifically for kids aged seven and up, this easy-to-follow, full-color guide introduces you to important game design concepts through three simple projects. Step-by-step instructions walk you through the four major phases of animation design, showing you how to turn your idea into a real animation with sound effects and more! You'll work just like the pros as you sketch out your main idea, add your own details, and develop a complete, workable character from scratch. If you're curious about coding, animation is the perfect place to start exploring. The Scratch platform doesn't require an actual programming language, but it gets you used to thinking like a programmer while you develop your very own animation. Short on rules but big on fun, this book is your friendly animation coach to get you started on the right foot. Use stick figures to design your characters' 'bones' Flesh out your design and animate movements Create scenes and background locations Add sound to take your animation to the next level Animation is fun! Building your own characters is exciting! And putting the finishing touches on your animation project shows you just how much you can learn while you play. Coding is a valuable skill that will serve you throughout school and beyond, and this book teaches you the basics in a way that leaves you hungry for more. Where will you take your new animation skills next? Creating Digital Animations takes you on the first steps of your journey to wherever you want to go!
Forms of the Cinematic: Architecture, Science and the Arts
by Mark E. BreezeThis interdisciplinary collection explores how cinema calls into question its own frame of reference and, at the same time, how its form becomes the matter of its thought. Building on the axiom (cherished by philosophers of cinema from Epstein to Deleuze) that cinema is a medium that thinks in conjunction with its spectators, this book examines how various forms of the cinematic rethink and redraw the terrain of traditional disciplines, thereby enabling different modes of thought and practice. Areas under consideration by a range of leading academics and practitioners include architecture, science, writing in a visual field, event-theory and historiography.
Hollywood, Interrupted: Insanity Chic in Babylon -- The Case Against Celebrity
by Andrew Breitbart Mark EbnerHollywood, Interrupted is a sometimes frightening, occasionally sad, and frequently hysterical odyssey into the darkest realms of showbiz pathology, the endless stream of meltdowns and flameouts, and the inexplicable behavior on the part of show business personalities. Charting celebrities from rehab to retox, to jails, cults, institutions, near-death experiences and the Democratic Party, Hollywood, Interrupted takes readers on a surreal field trip into the amoral belly of the entertainment industry. Each chapter — covering topics including warped Hollywood child-rearing, bad medicine, hypocritical political maneuvering and the complicit media — delivers a meticulously researched, interview-infused, attitude heavy dispatch which analyzes and deconstructs the myths created by the celebrities themselves. Celebrities somehow believe that it's their god-given right to inflict their pathology on the rest of us. Hollywood, Interrupted illustrates how these dysfunctional dilettantes are mad as hell... And we're not going to take it any more.
Reading Contemporary Serial Television Universes: A Narrative Ecosystem Framework (Routledge Advances in Television Studies)
by Paola Brembilla Ilaria A. De PascalisReading Contemporary Serial Television Universes provides a new framework—the metaphor of the narrative ecosystem—for the analysis of serial television narratives. Contributors use this metaphor to address the ever-expanding and evolving structure of narratives far beyond their usual spatial and temporal borders, in general and in reference to specific series. Other scholarly approaches consider each narrative as composed of modular elements, which combine to create a bigger picture. The narrative ecosystem approach, on the other hand, argues that each portion of the narrative world contains all of the main elements that characterize the world as a whole, such as narrative tensions, production structures, creative dynamics and functions. The volume details the implications of the narrative ecosystem for narrative theory and the study of seriality, audiences and fandoms, production, and the analysis of the products themselves.
Reading Contemporary Serial Television Universes: A Narrative Ecosystem Framework (Routledge Advances in Television Studies)
by Paola Brembilla Ilaria A. De PascalisReading Contemporary Serial Television Universes provides a new framework—the metaphor of the narrative ecosystem—for the analysis of serial television narratives. Contributors use this metaphor to address the ever-expanding and evolving structure of narratives far beyond their usual spatial and temporal borders, in general and in reference to specific series. Other scholarly approaches consider each narrative as composed of modular elements, which combine to create a bigger picture. The narrative ecosystem approach, on the other hand, argues that each portion of the narrative world contains all of the main elements that characterize the world as a whole, such as narrative tensions, production structures, creative dynamics and functions. The volume details the implications of the narrative ecosystem for narrative theory and the study of seriality, audiences and fandoms, production, and the analysis of the products themselves.