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Ben Jonson and Theatre: Performance, Practice and Theory
by Richard Cave Elizabeth Schafer Brian WoollandBen Jonson and Theatre is an investigation and celebration of Jonson's plays from the point of view of the theatre practitioner as well as the teacher. Reflecting the increasing interest in the wider field of Renaissance drama, this book bridges the theory/practice divide by debating how Jonson's drama operates in performance. Ben Jonson and Theatre includes: * discussions with and between practitioners * essays on the staging of the plays * edited transcripts of interviews with contemporary practitioners The volume includes contributions from Joan Littlewood, Sam Mendes, John Nettles, Simon Russell Beale and Geoffrey Rush, Oscar-winning actor for Shine.
Ben Jonson and Theatre: Performance, Practice and Theory
by Richard Cave Elizabeth Schafer Brian WoollandBen Jonson and Theatre is an investigation and celebration of Jonson's plays from the point of view of the theatre practitioner as well as the teacher. Reflecting the increasing interest in the wider field of Renaissance drama, this book bridges the theory/practice divide by debating how Jonson's drama operates in performance. Ben Jonson and Theatre includes: * discussions with and between practitioners * essays on the staging of the plays * edited transcripts of interviews with contemporary practitioners The volume includes contributions from Joan Littlewood, Sam Mendes, John Nettles, Simon Russell Beale and Geoffrey Rush, Oscar-winning actor for Shine.
Best of British: Cinema and Society from 1930 to the Present (Cinema and Society)
by Jeffrey Richards Anthony AldgateThe new, revised and expanded paperback edition of this widely-used textbook for film history brings up to date its authors' demonstration of how a close study of films in their historical and cultural settings can enrich our understanding of both cinema and historical events. It introduces three new chapters, one focusing on _The Blue Lamp_ and changes in cinema's depiction of the police from that key 1949 film up to the 1960s, another on the 'British New Wave' centring on _The Loneliness of the Long Distance Runner_, and a third which, starting from _Scandal_ and its recreation of the 1960s Profumo scandal, goes on to examine the 'retro' fashion for covering crimes of the 1940s, '50s and '60s in films of the 1980s like _Let Him Have It, Dance with a Stranger_ and _Chicago Joe and the Showgirl_. This edition has a new, accessible format and provides a valuable Resource Section for teachers, students and scholars.
Brecht Sourcebook (Worlds of Performance)
by Henry Bial Carol MartinBertolt Brecht is one of the most prolific and influential writer-directors of the twentieth century. This fascinating anthology brings together in one volume many of the most important articles written about Brecht between 1957 and 1997. The collection explores a wide range of viewpoints about Brecht's theatre theories and practice, as well as including three plays not otherwise available in English: The Beggar or The Dead Dog, Baden Lehrstuck and The Seven Deadly Sins of the Lower Middle Class. Editors Martin and Bial have brought together a unique compendium which covers all the key areas including: * the development of Brecht's aesthetic theories * the relationship of Epic theatre to orthodox dramatic theatre * Brecht's collaboration with Kurt Weill, Paul Dessau and Max Frisch * Brecht's influence on a variety of cultures and contexts including England, Italy , Moscow and Japan. Together these essays are an ideal companion to Brecht's plays, and provide an invaluable reconsideration of Brecht's work. Contributors include: Werner Hecht, Mordecai Gorelik, Eric Bentley, Jean-Paul Sartre, Kurt Weill, Ernst Bloch, Darko Suvin, Carl Weber, Paul Dessau, Denis Calandra, W. Stuart McDowell, Ernst Schmacher, Hans-Joachim Bunge, Martin Esslin, Artuto Lazzari, Tadashi Uchino, Diana Taylor, Elin Diamond, and Lee Baxandall.
Brecht Sourcebook (Worlds of Performance)
by Henry Bial Carol MartinBertolt Brecht is one of the most prolific and influential writer-directors of the twentieth century. This fascinating anthology brings together in one volume many of the most important articles written about Brecht between 1957 and 1997. The collection explores a wide range of viewpoints about Brecht's theatre theories and practice, as well as including three plays not otherwise available in English: The Beggar or The Dead Dog, Baden Lehrstuck and The Seven Deadly Sins of the Lower Middle Class. Editors Martin and Bial have brought together a unique compendium which covers all the key areas including: * the development of Brecht's aesthetic theories * the relationship of Epic theatre to orthodox dramatic theatre * Brecht's collaboration with Kurt Weill, Paul Dessau and Max Frisch * Brecht's influence on a variety of cultures and contexts including England, Italy , Moscow and Japan. Together these essays are an ideal companion to Brecht's plays, and provide an invaluable reconsideration of Brecht's work. Contributors include: Werner Hecht, Mordecai Gorelik, Eric Bentley, Jean-Paul Sartre, Kurt Weill, Ernst Bloch, Darko Suvin, Carl Weber, Paul Dessau, Denis Calandra, W. Stuart McDowell, Ernst Schmacher, Hans-Joachim Bunge, Martin Esslin, Artuto Lazzari, Tadashi Uchino, Diana Taylor, Elin Diamond, and Lee Baxandall.
British Cinema of the 90s
by Robert MurphyThis work examines major box office hits like 'The Full Monty' as well as critically acclaimed films like 'Under the Skin'. It explores the role of distribution and exhibition, the Americanisation of British film culture, Hollywood and Europe, changing representations of sexuality and ethnicity.
British Crime Cinema (British Popular Cinema)
by Steve Chibnall Robert MurphyThis is the first substantial study of British cinema's most neglected genre. Bringing together original work from some of the leading writers on British popular film, this book includes interviews with key directors Mike Hodges (Get Carter) and Donald Cammel (Performance). It discusses an abundance of films including:* acclaimed recent crime films such as Shallow Grave, Shopping, and Face.* early classics like They Made Me A Fugitive* acknowledged classics such as Brighton Rock and The Long Good Friday* 50s seminal works including The Lavender Hill Mob and The Ladykillers.
British Crime Cinema (British Popular Cinema)
by Steve Chibnall Robert MurphyThis is the first substantial study of British cinema's most neglected genre. Bringing together original work from some of the leading writers on British popular film, this book includes interviews with key directors Mike Hodges (Get Carter) and Donald Cammel (Performance). It discusses an abundance of films including:* acclaimed recent crime films such as Shallow Grave, Shopping, and Face.* early classics like They Made Me A Fugitive* acknowledged classics such as Brighton Rock and The Long Good Friday* 50s seminal works including The Lavender Hill Mob and The Ladykillers.
Broadway Babies Say Goodnight: Musicals Then and Now
by Mark SteynThe glorious tradition of the Broadway musical from Irving Berlin to Jerome Kern and Rodgers and Hammerstein to Stephen Sondheim. And then . . . Cats and Les Miz. Mark Steyn's Broadway Babies Say Goodnight is a sharp-eyed view of the whole span of Broadway musical history, seven decades of brilliant achievements the best of which are among the finest works American artists have made. Show Boat, Oklahoma!, Carousel, Gypsy, and more. In an energetic blend of musical history, analysis, and backstage chat, Mark Steyn shows us the genius behind the 'simple' musical, and asks hard questions about the British invasion of Broadway and the future of the form. In this delicious book he gives us geniuses and monsters, hits and atomic bombs, and the wonderful stories that prove show business is a business which -- as the song goes --there's no business like.
Broadway Babies Say Goodnight: Musicals Then and Now
by Mark SteynThe glorious tradition of the Broadway musical from Irving Berlin to Jerome Kern and Rodgers and Hammerstein to Stephen Sondheim. And then . . . Cats and Les Miz. Mark Steyn's Broadway Babies Say Goodnight is a sharp-eyed view of the whole span of Broadway musical history, seven decades of brilliant achievements the best of which are among the finest works American artists have made. Show Boat, Oklahoma!, Carousel, Gypsy, and more. In an energetic blend of musical history, analysis, and backstage chat, Mark Steyn shows us the genius behind the 'simple' musical, and asks hard questions about the British invasion of Broadway and the future of the form. In this delicious book he gives us geniuses and monsters, hits and atomic bombs, and the wonderful stories that prove show business is a business which -- as the song goes --there's no business like.
Caravaggio (BFI Film Classics)
by Leo Bersani Ulysse DutoitCaravaggio (1986), Derek Jarman's portrait of the Italian Baroque artist, shows the painter at work with models drawn from Rome's homeless and prostitutes, and his relationship with two very different lovers: Ranuccio, played by Sean Bean, and Lena, played by Tilda Swinton. It is probably the closest Derek Jarman came to a mainstream film. And yet the film is a uniquely complex and lucid treatment of Jarman's major concerns: violence, history, homosexuality, and the relation between film and painting. In particular, according to Leo Bersani and Ulysse Dutoit, Caravaggio is unlike Jarman's other work in avoiding a sentimentalising of gay relationships and in making no neat distinction between the exercise and the suffering of violence.Film-making involves a coercive power which, for Bersani and Dutoit, Jarman may, without admitting it to himself, have found deeply seductive. But in Caravaggio this power is renounced, and the result is Jarman's most profound, unsettling and astonishing reflection on sexuality and identity.
A Catalogue of the Shaw-Hellier Collection (Routledge Revivals)
by Ian LedshamIn this compilation, first published in 1999, Ian Ledsham compiles an extensive catalogue of the Shaw-Hellier Collection, complete with diagrams regarding how we use text.
A Catalogue of the Shaw-Hellier Collection (Routledge Revivals)
by Ian LedshamIn this compilation, first published in 1999, Ian Ledsham compiles an extensive catalogue of the Shaw-Hellier Collection, complete with diagrams regarding how we use text.
Certain Fragments: Texts and Writings on Performance
by Tim EtchellsWhat is the relationship between performance and play? Between performance and technology? Between performance and death? Certain Fragments is an extraordinary exploration of what lies at the heart of contemporary theatre. Written by the artistic director of Forced Entertainment, acknowledged to be Britains most brilliant experimental theatre company (Guardian), Certain Fragments investigates the processes of devising performance, the role of writing in an interdisciplinary theatre, and the influence of the city on contemporary art practice. Tim Etchells unique and provocative voice shifts from intimate anecdote to critical analysis and back again. And as in his theatre-making so in his book: with Certain Fragments Etchells disrupts traditional notions of creative, academic, and intellectual work. The book is an exciting and radical fusion of story-telling and criticism. It also makes available, for the first time, four seminal Forced Entertainment texts by Etchells.
Certain Fragments: Texts and Writings on Performance
by Tim EtchellsWhat is the relationship between performance and play? Between performance and technology? Between performance and death? Certain Fragments is an extraordinary exploration of what lies at the heart of contemporary theatre. Written by the artistic director of Forced Entertainment, acknowledged to be Britains most brilliant experimental theatre company (Guardian), Certain Fragments investigates the processes of devising performance, the role of writing in an interdisciplinary theatre, and the influence of the city on contemporary art practice. Tim Etchells unique and provocative voice shifts from intimate anecdote to critical analysis and back again. And as in his theatre-making so in his book: with Certain Fragments Etchells disrupts traditional notions of creative, academic, and intellectual work. The book is an exciting and radical fusion of story-telling and criticism. It also makes available, for the first time, four seminal Forced Entertainment texts by Etchells.
The Cinema Book
by Bloomsbury PublishingThe Cinema Book is widely recognised as the ultimate guide to cinema. Authoritative and comprehensive, the third edition has been extensively revised, updated and expanded in response to developments in cinema and cinema studies. Lavishly illustrated in colour, this edition features a wealth of exciting new sections and in-depth case studies. Sections address Hollywood and other World cinema histories, key genres in both fiction and non-fiction film, issues such as stars, technology and authorship, and major theoretical approaches to understanding film.
Claude Chabrol (French Film Directors Series)
by Guy AustinThis is the first book-length study in English on Chabrol since 1970. Chabrol has always been a neglected figure in the French New Wave but has recently been declared 'possibly the greatest living film director in France'.. Coincides with the recent renewal of interest in Chabrol, which has seen his back catalogue released in the UK on video.. Celebration of Chabrol's fiftieth film recently, Rien ne va plus prompted many festivals and retrospectives. Publication coincides with Chabrol's new film which is discussed in this study.. Writtten by one of the liveliest critics in French cinema - author of Contemporary French Cinema.
Claude Chabrol (French Film Directors Series)
by Guy AustinThis is the first book-length study in English on Chabrol since 1970. Chabrol has always been a neglected figure in the French New Wave but has recently been declared 'possibly the greatest living film director in France'.. Coincides with the recent renewal of interest in Chabrol, which has seen his back catalogue released in the UK on video.. Celebration of Chabrol's fiftieth film recently, Rien ne va plus prompted many festivals and retrospectives. Publication coincides with Chabrol's new film which is discussed in this study.. Writtten by one of the liveliest critics in French cinema - author of Contemporary French Cinema.
Collaborative Theatre: Le Theatre du Soleil
by David WilliamsOver the past thirty years Ariane Mnouchkine's 'Théâtre du Soleil' has become one of the most celebrated companies in Europe, and Mnouchkine one of its best-known directors. Collaborative Theatre is the first in-depth sourcebook in English on 'Théâtre du Soleil', providing English readers with first-hand accounts of the development of its collectivist practices and ideals.Collaborative Theatre presents critical and historical essays by theatre scholars from around the world as well as the writings of and interviews with members of le Théâtre du Soleil, past and present. Projects discussed include: 1789, L'Age d'Or, Richard II, L'Indiade and Les Atriades.
Collaborative Theatre: Le Theatre du Soleil
by Eric Prenowitz David WilliamsOver the past thirty years Ariane Mnouchkine's 'Théâtre du Soleil' has become one of the most celebrated companies in Europe, and Mnouchkine one of its best-known directors. Collaborative Theatre is the first in-depth sourcebook in English on 'Théâtre du Soleil', providing English readers with first-hand accounts of the development of its collectivist practices and ideals.Collaborative Theatre presents critical and historical essays by theatre scholars from around the world as well as the writings of and interviews with members of le Théâtre du Soleil, past and present. Projects discussed include: 1789, L'Age d'Or, Richard II, L'Indiade and Les Atriades.
Communications Systems: Engineers' Choices (Routledge Library Editions: Broadcasting #18)
by Geoff LewisCommunications Systems (1999) examines various communications systems using satellites, and includes much information on coding and modulation systems such as MOBIC, digital SNG systems, mobile phones, MPEG, MPEG4 capabilities and Hypermedia, the Grand Alliance TV systems, MUSE and how it is used in Japan, the European and North American Digital Video Broadcasting Systems, MMDS and Digital Audio Broadcasting. It explores the rapid convergence occurring between satellite and terrestrial services. It provides a solid base of principles, including mathematics where necessary, to explain the developments which have taken place within these industries.
Communications Systems: Engineers' Choices (Routledge Library Editions: Broadcasting #18)
by Geoff LewisCommunications Systems (1999) examines various communications systems using satellites, and includes much information on coding and modulation systems such as MOBIC, digital SNG systems, mobile phones, MPEG, MPEG4 capabilities and Hypermedia, the Grand Alliance TV systems, MUSE and how it is used in Japan, the European and North American Digital Video Broadcasting Systems, MMDS and Digital Audio Broadcasting. It explores the rapid convergence occurring between satellite and terrestrial services. It provides a solid base of principles, including mathematics where necessary, to explain the developments which have taken place within these industries.
Contemporary Theatre Review: Women, Politics and Performance in South African Theatre Today
by Lizbeth GoodmanFirst published in 1999, 'Women, Politics and Performance in South African Theatre Today' is an important contribution to Performance.
Contemporary Theatre Review: Women, Politics and Performance in South African Theatre Today
by Lizbeth GoodmanFirst published in 1999, 'Women, Politics and Performance in South African Theatre Today' is an important contribution to Performance.
Corpus Delecti: Performance Art of the Americas
by Coco FuscoThe most comprehensive volume on performance art from the Americas to have appeared in English, Corpus Delecti is a unique collection of historical and critical studies of contemporary Latin performance. Drawing on live art from the 1960s to the present day, these fascinating essays explore the impact of Latin American politics, popular culture and syncretic religions on Latin performance.Including contributions by artists as well as scholars, Fusco's collection bridges the theory/practice divide and discusses a wide variety of genres. Among them are:* body art* carpa* vaudeville* staged political protest* tropicalist musical comedies* contemporary Venezuelan performance art* the Chicano Art movement* queer Latino performanceThe essays demonstrate how specific social and historical contexts have shaped Latin American performance. They also show how those factors have affected the choices artists make, and how their work draw upon and respond to their environment.