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The Caucasian Chalk Circle (Methuen Student Editions Ser.)
by Bertolt BrechtThe city burns in the heat of civil war and a servant girl sacrifices everything to protect an abandoned child. But when peace is finally restored, the boy's mother comes to claim him. Calling upon the ancient tradition of the Chalk Circle, a comical judge sets about resolving the dispute. But in a culture of corruption and deception, who wins? Written by the grand master of storytelling and peopled with vivid and amusing characters, this is one of the greatest plays of the last century. This Caucasian Chalk Circle is translated by award-winning writer Alistair Beaton, who also wrote the bitingly witty stage play Feelgood and the celebrated TV dramas The Trial of Tony Blair and A Very Social Secretary. The play was toured by Shared Experience in 2009.
English Theatre in Transition 1881-1914 (Routledge Library Editions: Victorian Theatre)
by James WoodfieldOriginally published in 1984. The turn of the nineteenth and twentieth centuries was a time of considerable change in the English theatre. Victorian attitudes were shocked or shattered by the new drama of Ibsen; the major figure of George Bernard Shaw dominated the period; theatre censorship was the subject of a long and furious contest; and staging conventions changed from the spectacular stylings of Irving and Beerbohm Tree to the masking and statuesque styles of Isadora Duncan and the inner realism of Stanislavsky. This book traces the activities of the leading figures in the English theatre, notably William Archer who introduced Ibsen to this country and who became one of the main promoters of the idea of a National Theatre. Other personalities discussed include Harley Granville Barker, particularly his association with Shaw at the Court Theatre and his part in campaigns against censorship and for changes in the staging of Shakespeare, and Edward Gordon Craig, whose rebellion against the Victorian theatre took and anti-realist direction. This is a stimulating account of the background to the modern English theatre which can only increase appreciation of its standard and variety.
English Theatre in Transition 1881-1914 (Routledge Library Editions: Victorian Theatre)
by James WoodfieldOriginally published in 1984. The turn of the nineteenth and twentieth centuries was a time of considerable change in the English theatre. Victorian attitudes were shocked or shattered by the new drama of Ibsen; the major figure of George Bernard Shaw dominated the period; theatre censorship was the subject of a long and furious contest; and staging conventions changed from the spectacular stylings of Irving and Beerbohm Tree to the masking and statuesque styles of Isadora Duncan and the inner realism of Stanislavsky. This book traces the activities of the leading figures in the English theatre, notably William Archer who introduced Ibsen to this country and who became one of the main promoters of the idea of a National Theatre. Other personalities discussed include Harley Granville Barker, particularly his association with Shaw at the Court Theatre and his part in campaigns against censorship and for changes in the staging of Shakespeare, and Edward Gordon Craig, whose rebellion against the Victorian theatre took and anti-realist direction. This is a stimulating account of the background to the modern English theatre which can only increase appreciation of its standard and variety.
Feminist Theatre: Introduction to Plays of Contemporary British and American Women (pdf) (Modern Dramatists)
by Helene Keyssar
King Lear: Critical Essays (Shakespearean Criticism #Series Number 33)
by Kenneth MuirOriginally published in 1984. With selections organised chronologically, this collection presents the best writing on one of Shakespeare’s most studied plays. The structure displays the changing responses to the play and includes a wide range of criticism from the likes of Coleridge, Hazlitt, Moulton, Granville-Barker, Orwell, Levin, Stampfer, Gardner and Speaight interspersed with short entries from Keats, Raleigh, Freud and others. The final chapter by the editor elucidates his own thoughts on Lear, building on his commentary in the Introduction which puts the collection in context.
King Lear: Critical Essays (Shakespearean Criticism)
by Kenneth MuirOriginally published in 1984. With selections organised chronologically, this collection presents the best writing on one of Shakespeare’s most studied plays. The structure displays the changing responses to the play and includes a wide range of criticism from the likes of Coleridge, Hazlitt, Moulton, Granville-Barker, Orwell, Levin, Stampfer, Gardner and Speaight interspersed with short entries from Keats, Raleigh, Freud and others. The final chapter by the editor elucidates his own thoughts on Lear, building on his commentary in the Introduction which puts the collection in context.
Love's Argument: Gender Relations in Shakespeare
by Marianne NovyNovy demonstrates how the plays are theatrical transformations of tensions in both ideals and practices in Renaissance society. Analyzing the dramatic images of lover and beloved, of husband and wife, of parent and child, Novy examines the ways in which the conflicts are resolved in the comedies and romances and how they are acted out in the tragedies. Chapters on individual plays provide original interpretations that delineate the tone and texture of gender relations.A UNC Press Enduring Edition -- UNC Press Enduring Editions use the latest in digital technology to make available again books from our distinguished backlist that were previously out of print. These editions are published unaltered from the original, and are presented in affordable paperback formats, bringing readers both historical and cultural value.
Masterpieces: Ripen Our Darkness; The Devil's Gateway; Masterpiece; Neaptide; Byrthrite (Modern Classics)
by Sarah DanielsYou are not at liberty to avenge the pornography industry in this country. We have the censorship laws for that.Masterpieces opens on three couples having dinner in a restaurant, exchanging sexist jokes. The response is varied: some of them laugh uproariously, some of them uncomfortably, and one is deeply unhappy. Their domestic discussion about the morality of pornography is suddenly amplified a thousand-fold in the next scene in which Rowena is on trial for murder. She had just been to see a 'snuff' film in which a porn actress is actually mutilated and killed on screen, and on her way home is approached threateningly by a man who she ends up pushing under a train because he was harassing her. The play is the story of Rowena's journey, through seeing a porn magazine for the first time to a thwarted attempt to help an unhappy prostitute, from uncomfortable laughter to radical and disgusted protest at female subjugation.Masterpieces is an angry and defiant play, first staged in 1983, at the Royal Exchange Theatre, Manchester, before transferring to the Royal Court Theatre, London. It earned Daniels a London Theatre Critics Award for Most Promising Playwright.This edition introduces Sarah Daniels into the Modern Classics series and features an introduction by Elaine Aston, Professor of Contemporary Performance at Lancaster University.
The Modern Stage and Other Worlds (Routledge Revivals)
by Austin E. QuigleyModern plays are strikingly diverse and, as a result, any attempt to locate an underlying unity between them encounters difficulties: to focus on what they have in common is often to overlook what is of primary importance in particular plays; to focus on their differences is to note the novelty of the plays without increasing their accessibility. In this study, first published in 1985, Austin E. Quigley takes as his paradigm case the relationship between the world of the stage and the world of the audience, and explores various modes of communication between domains. He asks how changes in the structure of the drama relate to changes in the structure of the theatre, and changes in the role of the audience. Detailed interpretations of plays by Pinero, Ibsen, Strindberg, Brecht, Ionesco, Beckett and Pinter question principles about the modern theatre and establish links between drama structure and theatre structure, theme, and performance space.
The Modern Stage and Other Worlds (Routledge Revivals)
by Austin E. QuigleyModern plays are strikingly diverse and, as a result, any attempt to locate an underlying unity between them encounters difficulties: to focus on what they have in common is often to overlook what is of primary importance in particular plays; to focus on their differences is to note the novelty of the plays without increasing their accessibility. In this study, first published in 1985, Austin E. Quigley takes as his paradigm case the relationship between the world of the stage and the world of the audience, and explores various modes of communication between domains. He asks how changes in the structure of the drama relate to changes in the structure of the theatre, and changes in the role of the audience. Detailed interpretations of plays by Pinero, Ibsen, Strindberg, Brecht, Ionesco, Beckett and Pinter question principles about the modern theatre and establish links between drama structure and theatre structure, theme, and performance space.
New British Political Dramatists: Howard Brenton, David Hare, Trevor Griffiths and David Edgar (Modern Dramatists)
by John BullAnyone interested in contemporary British theatre, everyone horrified by contemporary British society, should buy it, read it, and ponder the next move.' Plays and Players
On the Art of the No Drama: The Major Treatises of Zeami
by Masakazu Yamazaki J. Thomas RimerThis annotated translation is the first systematic rendering into any Western language of the nine major treatises on the art of the Japanese No theater by Zeami Motokivo (1363-1443). Zeami, who transformed the No from a country entertainment into a vehicle for profound theatrical and philosophical experience, was a brilliant actor himself, and his treatises touch on every aspect of the theater of his time. His theories, mixing philosophical and practical insights, often seem strikingly contemporary. Since their discovery early in this century. these secret treatises have been considered among the most valuable and representative documents in the history of Japanese aesthetics. They discuss subjects from the art of the playwright to the reciprocal nature of the relationship between performer and audience.
On the Art of the No Drama: The Major Treatises of Zeami (Princeton Library of Asian Translations #158)
by J. Thomas Rimer Masakazu YamazakiThis annotated translation is the first systematic rendering into any Western language of the nine major treatises on the art of the Japanese No theater by Zeami Motokivo (1363-1443). Zeami, who transformed the No from a country entertainment into a vehicle for profound theatrical and philosophical experience, was a brilliant actor himself, and his treatises touch on every aspect of the theater of his time. His theories, mixing philosophical and practical insights, often seem strikingly contemporary. Since their discovery early in this century. these secret treatises have been considered among the most valuable and representative documents in the history of Japanese aesthetics. They discuss subjects from the art of the playwright to the reciprocal nature of the relationship between performer and audience.
A Private Function
by Alan BennettThe Old CrowdA Private FunctionPrick Up Your Ears102 Boulevard HaussmannThe Madness of King GeorgeStarring characters as diverse as George III, Marcel Proust, Joe Orton, and a pig called Betty, Alan Bennett's masterful work for the screen gives as much enjoyment in the reading as it did in the viewing.This classic collection contains a new essay by Alan Bennett, besides the original introductions to A Private Function, Prick Up Your Ears and The Madness of King George.Two companion volumes of Alan Bennett's TV plays are published as Me, I'm Afraid of Virginia Woolf and Rolling Home.
Richard II: Critical Essays (Shakespearean Criticism)
by Jeanne T. NewlinOriginally published in 1984. The four parts of this collection of articles, from 1601 to the 1970s, look at the historical and political dynamics of the play, the play in the theatre, the psychology of its characters, and its poetry and rhetoric. Bringing together the best that was written about Richard II, this volume represents the collective wisdom of Shakespeare scholars and provides the most insightful criticism in one place. An unpopular play for many years due to the perceived weak main character and the theme of deposition, the play later gained popularity and interest in its psychology and political investigation. The poetry in particular has garnered enthusiastic response and is mentioned in most of the pieces included here.
Richard II: Critical Essays (Shakespearean Criticism)
by Jeanne T. NewlinOriginally published in 1984. The four parts of this collection of articles, from 1601 to the 1970s, look at the historical and political dynamics of the play, the play in the theatre, the psychology of its characters, and its poetry and rhetoric. Bringing together the best that was written about Richard II, this volume represents the collective wisdom of Shakespeare scholars and provides the most insightful criticism in one place. An unpopular play for many years due to the perceived weak main character and the theme of deposition, the play later gained popularity and interest in its psychology and political investigation. The poetry in particular has garnered enthusiastic response and is mentioned in most of the pieces included here.
Strife: A Drama In Three Acts (Student Editions)
by John Galsworthy Non WorrallJohn Galsworthy (1867-1933), novelist and dramatist, is most widely known as the author of The Forsyte Saga, but recent productions testify to the power that his plays still exert over modern audiences and the strength and relevance of the issues he raiseStrife charts the progress of an industrial strike, seen from both the workers' and directors' points of view as well as the directors and looks at the relationship between wives across the class divide as they attempt to persuade their obdurate husbands to broker a deal.
Tartuffe
by Christopher HamptonFrench billionaire Orgon, relocated to Los Angeles with his family, has fallen under the spell of Tartuffe, a radical American evangelist. So comprehensively is he hoodwinked that Tartuffe looks set to steal his fortune, drive away his son, seduce his wife and marry his daughter.Molière's classic comedy, adapted by Christopher Hampton and directed by the former dramaturg of the French People's National Theatre, Gérald Garutti, premiered in May 2018, the West End's first dual language theatre production.This is a bilingual edition of the text.