- Table View
- List View
Time and Performer Training
by Mark Evans Konstantinos Thomaidis Libby WorthTime and Performer Training addresses the importance and centrality of time and temporality to the practices, processes and conceptual thinking of performer training. Notions of time are embedded in almost every aspect of performer training, and so contributors to this book look at: age/aging and children in the training context how training impacts over a lifetime the duration of training and the impact of training regimes over time concepts of timing and the ‘right’ time how time is viewed from a range of international training perspectives collectives, ensembles and fashions in training, their decay or endurance. Through focusing on time and the temporal in performer training, this book offers innovative ways of integrating research into studio practices. It also steps out beyond the more traditional places of training to open up time in relation to contested training practices that take place online, in festival spaces and in folk or amateur practices. Ideal for both instructors and students, each section of this well-illustrated book follows a thematic structure and includes full-length chapters alongside shorter provocations. Featuring contributions from an international range of authors who draw on their backgrounds as artists, scholars and teachers, Time and Performer Training is a major step in our understanding of how time affects the preparation for performance.
Time and Performer Training
by Mark Evans Konstantinos Thomaidis Libby WorthTime and Performer Training addresses the importance and centrality of time and temporality to the practices, processes and conceptual thinking of performer training. Notions of time are embedded in almost every aspect of performer training, and so contributors to this book look at: age/aging and children in the training context how training impacts over a lifetime the duration of training and the impact of training regimes over time concepts of timing and the ‘right’ time how time is viewed from a range of international training perspectives collectives, ensembles and fashions in training, their decay or endurance. Through focusing on time and the temporal in performer training, this book offers innovative ways of integrating research into studio practices. It also steps out beyond the more traditional places of training to open up time in relation to contested training practices that take place online, in festival spaces and in folk or amateur practices. Ideal for both instructors and students, each section of this well-illustrated book follows a thematic structure and includes full-length chapters alongside shorter provocations. Featuring contributions from an international range of authors who draw on their backgrounds as artists, scholars and teachers, Time and Performer Training is a major step in our understanding of how time affects the preparation for performance.
Auditions: The Complete Guide
by Richard EvansAuditions are an integral part of every performer's life. From getting into drama school through to a successful career in an overcrowded industry, Auditions: The Complete Guide offers crucial advice, resources and tried and tested techniques to maximise success before, during and after each audition. Written by an established casting director and former actor, with over 35 years of experience on a wide range of productions, this book offers a wealth of personal and professional insights, covering: • drama and theatre schools • showcases • amateur and professional auditions • contemporary, classical, physical and musical theatre • television and commercial castings, movie screen tests and self taping • voice-overs and radio drama • networking • recalls and workshops • handling job offers, and rejection From training to triumph, nerves to networking and camera to casting couch, Auditions: The Complete Guide is an entertaining, accessible and indispensable read for every performer. Richard Evans CDG has cast a wide variety of productions in all media since 1989 and, prior to this, worked as an actor for 10 years. He has devised and presented audition and career development workshops at many top drama and theatre schools worldwide, and at the Actors Centre, London and has written Auditions: A Practical Guide (Routledge, 2009) and 'A Casting Director’s Perspective' for The Actors’ Yearbook, 2005. He is a member of The Casting Directors’ Guild of Great Britain and Ireland. www.auditionsthecompleteguide.com
Auditions: The Complete Guide
by Richard EvansAuditions are an integral part of every performer's life. From getting into drama school through to a successful career in an overcrowded industry, Auditions: The Complete Guide offers crucial advice, resources and tried and tested techniques to maximise success before, during and after each audition. Written by an established casting director and former actor, with over 35 years of experience on a wide range of productions, this book offers a wealth of personal and professional insights, covering: • drama and theatre schools • showcases • amateur and professional auditions • contemporary, classical, physical and musical theatre • television and commercial castings, movie screen tests and self taping • voice-overs and radio drama • networking • recalls and workshops • handling job offers, and rejection From training to triumph, nerves to networking and camera to casting couch, Auditions: The Complete Guide is an entertaining, accessible and indispensable read for every performer. Richard Evans CDG has cast a wide variety of productions in all media since 1989 and, prior to this, worked as an actor for 10 years. He has devised and presented audition and career development workshops at many top drama and theatre schools worldwide, and at the Actors Centre, London and has written Auditions: A Practical Guide (Routledge, 2009) and 'A Casting Director’s Perspective' for The Actors’ Yearbook, 2005. He is a member of The Casting Directors’ Guild of Great Britain and Ireland. www.auditionsthecompleteguide.com
The Tale of Little Bevan
by Robert Alan EvansIn a peaceful Norfolk village, three people are seeking happiness. But as the harvest moon fills and the party begins, ancient forces are brought to life. While Tony and Mikey get trapped in the tunnels below the village, Gill's plan for revenge turns sour.A darkly comic journey through twenty-four hours in the life of a village, Robert Alan Evans's play was created in collaboration with those living in rural communities across Norfolk and Suffolk today.The Tale of Little Bevan by Robert Alan Evans was premiered by Pentabus in October 2019 in a tour taking in village halls across England.
The Woods
by Robert Alan EvansWhy you always got to dig things up?A cabin deep in the woods.A lost boy buried in the snow.A lone woman.And her wolf.You think you could keep him?You know where that ends up.Don't you.You no good with kids.The Woods by Robert Alan Evans premiered at Royal Court Theatre, London, in September 2018.
Othello: A Critical Reader (Arden Early Modern Drama Guides)
by Robert C. EvansOthello has long been, and remains, one of Shakespeare's most popular works. It is a favourite work of scholars, students, and general readers alike. Perhaps more than any other of Shakespeare's tragedies, this one seems to speak most clearly to contemporary readers and audiences, partly because it deals with such pressing modern issues as race, gender, multiculturalism, and the ways love, jealousy, and misunderstanding can affect relations between romantic partners. The play also features Iago, one of Shakespeare's most mesmerizing and puzzling villains. This guide offers students and scholars an introduction to the play's critical and performance history, including notable stage productions and film versions. It includes a keynote chapter outlining major areas of current research on the play and four new critical essays. Finally, a guide to critical, web-based and production-related resources and an annotated bibliography provide a basis for further research.
Othello: A Critical Reader (Arden Early Modern Drama Guides)
by Robert C. EvansOthello has long been, and remains, one of Shakespeare's most popular works. It is a favourite work of scholars, students, and general readers alike. Perhaps more than any other of Shakespeare's tragedies, this one seems to speak most clearly to contemporary readers and audiences, partly because it deals with such pressing modern issues as race, gender, multiculturalism, and the ways love, jealousy, and misunderstanding can affect relations between romantic partners. The play also features Iago, one of Shakespeare's most mesmerizing and puzzling villains. This guide offers students and scholars an introduction to the play's critical and performance history, including notable stage productions and film versions. It includes a keynote chapter outlining major areas of current research on the play and four new critical essays. Finally, a guide to critical, web-based and production-related resources and an annotated bibliography provide a basis for further research.
Guide to Producing a Fashion Show: - with STUDIO
by Judith C. Everett Kristen K. Swanson José Blanco F.Guide to Producing a Fashion Show, Fourth Edition, explains all aspects of fashion show production including: reasons to produce a show, planning, model selection, merchandise selection, staging and music, budgeting, show preparation, execution, and evaluation. The fourth edition has behind-the-scenes examples, best practices and innovative approaches in fashion show production-from promotion using social media to selecting music and models. Whether you are experienced or a novice, this text shows you step-by-step how to plan, organize, promote, and execute an exciting fashion show.New to this Edition- Includes examples from couture and ready-to-wear shows, as well as innovative approaches including non-traditional fashion shows and fashion presentations- New information on careers in the fashion industry that are related to fashion show production, like styling, public relations, and event management- New perforated worksheets include documents and templates to plan a fashion show- 25% new photographs- Discussions of diversity in the fashion industry and current trends- More coverage and examples from menswear and global fashion capitalsPLEASE NOTE: Purchasing or renting this ISBN does not include access to the STUDIO resources that accompany this text. To receive free access to the STUDIO content with new copies of this book, please refer to the book + STUDIO access card bundle ISBN 9781501335259.
Entertaining Angels (Oberon Modern Plays)
by Richard Everett‘I've made four thousand six hundred medium-sized quiches and personally baked two tons of light crust pastry. And for what?’As a clergy wife, Grace has spent a lifetime on best behaviour. Now, following the death of her husband Bardolph, she is enjoying the new-found freedom to do and say exactly as she pleases. But the return of her eccentric missionary sister Ruth, together with some disturbing revelations force Grace to confront the truth of her marriage.With sharp-edged comedy and probing wit, this new play asks whether God can be trusted to do anything right at all. 'Or is the whole thing a divine exercise in trial and error?'‘Everett's play asks serious questions about loss, faith and just how well we can ever know those we love ... [a] fine new play... Everett, a dramatist new to me, has come up with that increasingly rare commodity, a boulevard comedy that is both entertaining and affecting.... this is a funny, touching and genuinely thought-provoking comedy, and one that surely deserves a West End transfer after its run in Chichester.’ - Charles Spencer, Daily Telegraph ‘A very English comedy with some real emotion... a sure-fire Chichester hit’ - Fiona Mountford, The Evening Standard
The Palgrave Handbook of Musical Theatre Producers
by William A. Everett Laura MacdonaldThis handbook is the first to provide a systematic investigation of the various roles of producers in commercial and not-for-profit musical theatre. Featuring fifty-one essays written by international specialists in the field, it offers new insights into the world of musical theatre, its creation and its promotion. Key areas of investigation include the lives and works of producers whose work is part of a US and worldwide musical theatre legacy, as well as the largely critically-neglected role of the musical theatre producer in the making, marketing, and performance of musicals. Also explored are the shifting roles of producers in musical theatre and their popular portrayals, offering a reader-friendly collection for fans, scholars, students, and practitioners of musical theatre alike.
To Be Or Not To Be: And everything else you should know from Shakespeare
by Liz EversThe works of William Shakespeare have been a permanent feature on school curricula for years, and almost everbody can boast even a basic knowledge of his life and craft. But, with thirty-eight plays, over 150 sonnets and numerous other poems, there's such a wealth of material it's no wonder we sometimes forget the finer details. To Be Or Not To Be is a fresh, new look at Shakespeare's work showing how and why it remains such an integral part of popular culture and the English language. From what drove Ophelia mad, to the real meaning behind the phrase 'Wherefore art thou, Romeo?', this book covers everything: from the characters, essential plotlines and the famous lines from a host of Shakespeare's greatest works, to illuminating information on the playwright himself. This is a true Shakespearian treasure trove that nobody should be without.
Aeschylus' Oresteia: Translation and Theatrical Commentary
by Michael EwansThis is a fully revised new edition of Michael Ewans’ 1995 English translation of the Oresteia, taking into account the extensive work published on the trilogy in recent years.Accompanying this lucid, accurate and actable translation is a substantial introduction, outlining the festival setting of the plays, the original performance conditions and performance style, the form and meaning of the trilogy, the issues surrounding the act of translation, and finally a survey of some major productions since 1980. The text itself is a thoroughly competitive translation into modern English verse, now significantly revised in the light of recent scholarship on the text. It is followed by a theatrical commentary on each scene and chorus, providing unique insights into how the plays might have been staged in ancient Athens and how they can be staged today. The book also includes notes on the translation, two glossaries of names and Greek terms, selected further reading, and a chronology of Aeschylus’ life and times.Aeschylus’ Oresteia: Translation and Theatrical Commentary is the most comprehensive English edition of Aeschylus’ masterpiece, and this new edition fully meets the needs of teachers, students and practitioners working on the trilogy as well as those interested in ancient Greek drama and literature more broadly.
Aeschylus' Oresteia: Translation and Theatrical Commentary
by Michael EwansThis is a fully revised new edition of Michael Ewans’ 1995 English translation of the Oresteia, taking into account the extensive work published on the trilogy in recent years.Accompanying this lucid, accurate and actable translation is a substantial introduction, outlining the festival setting of the plays, the original performance conditions and performance style, the form and meaning of the trilogy, the issues surrounding the act of translation, and finally a survey of some major productions since 1980. The text itself is a thoroughly competitive translation into modern English verse, now significantly revised in the light of recent scholarship on the text. It is followed by a theatrical commentary on each scene and chorus, providing unique insights into how the plays might have been staged in ancient Athens and how they can be staged today. The book also includes notes on the translation, two glossaries of names and Greek terms, selected further reading, and a chronology of Aeschylus’ life and times.Aeschylus’ Oresteia: Translation and Theatrical Commentary is the most comprehensive English edition of Aeschylus’ masterpiece, and this new edition fully meets the needs of teachers, students and practitioners working on the trilogy as well as those interested in ancient Greek drama and literature more broadly.
Performing Opera: A Practical Guide for Singers and Directors (Performance Books)
by Michael EwansIn Performing Opera: A Practical Guide for Singers and Directors Michael Ewans provides a detailed and practical workbook to performing many of the most commonly produced operas. Drawing on examples from twenty-four operas ranging in period from Gluck and Mozart to Britten and Tippett, it illustrates exactly how opera functions as dramatic form. Grounded in close analyses of performances of thirty scenes and five whole operas by first-rate singers and celebrated directors, Performing Opera provides readers with an appreciation of the unique challenges and skills required by performers and directors. It will assist them in their own performance and equip them with detailed knowledge of works most commonly featured in the repertoire. In the first part of the book the analysis progresses from scenes in which the singers are silent, via arias and monologues, duets and confrontations, up to ensembles. Wider issues are subsequently addressed: encounters with offstage events, encounters with the numinous, characterization, and the sense of inevitability in tragic opera.
Performing Opera: A Practical Guide for Singers and Directors (Performance Books)
by Michael EwansIn Performing Opera: A Practical Guide for Singers and Directors Michael Ewans provides a detailed and practical workbook to performing many of the most commonly produced operas. Drawing on examples from twenty-four operas ranging in period from Gluck and Mozart to Britten and Tippett, it illustrates exactly how opera functions as dramatic form. Grounded in close analyses of performances of thirty scenes and five whole operas by first-rate singers and celebrated directors, Performing Opera provides readers with an appreciation of the unique challenges and skills required by performers and directors. It will assist them in their own performance and equip them with detailed knowledge of works most commonly featured in the repertoire. In the first part of the book the analysis progresses from scenes in which the singers are silent, via arias and monologues, duets and confrontations, up to ensembles. Wider issues are subsequently addressed: encounters with offstage events, encounters with the numinous, characterization, and the sense of inevitability in tragic opera.
Staging Ancient Greek Plays: A Practical Guide
by mr Michael EwansMerging the theoretical framework with the practical elements of staging an ancient Greek play, this indispensable guide offers directors and actors an excellent starting point for mounting their production. Considering the conditions of ancient Greek performance and the conventions of the Greek theatre, the book examines large questions, including those related to ancient Greek values, myth and the individual ('characterization'), and the gods and fate – all of which must be taken into consideration when approaching a contemporary production.This practical guide also explores with analysed examples, the issues that today's theatre-makers should consider in order to successfully stage ancient Greek drama. These topics include: - choice of translation - setting - costumes - masks - mode of delivery - acting style for both tragedy and comedy - handling of the chorus - solutions to staging Greek drama
Staging Ancient Greek Plays: A Practical Guide
by mr Michael EwansMerging the theoretical framework with the practical elements of staging an ancient Greek play, this indispensable guide offers directors and actors an excellent starting point for mounting their production. Considering the conditions of ancient Greek performance and the conventions of the Greek theatre, the book examines large questions, including those related to ancient Greek values, myth and the individual ('characterization'), and the gods and fate – all of which must be taken into consideration when approaching a contemporary production.This practical guide also explores with analysed examples, the issues that today's theatre-makers should consider in order to successfully stage ancient Greek drama. These topics include: - choice of translation - setting - costumes - masks - mode of delivery - acting style for both tragedy and comedy - handling of the chorus - solutions to staging Greek drama
LAMDA Acting Anthology: Volume 5
by Lamda ExamsThis anthology presents the set selection of solo and duologue scenes for Learners entering LAMDA Graded Examinations in Performance: Acting from Grade 1 to Grade 5. The 100 speeches and scenes in this collection include excerpts from published plays and adapted novels, as well as new, original material written specifically for this anthology. There are monologues for solo performance and duologue scenes for two performers, all carefully curated to offer a broad range of material written by a variety of acclaimed playwrights, from Euripides, Shakespeare and Ibsen to Caryl Churchill, Chinonyerem Odimba and Jack Thorne. Also included is a foreword by actor and LAMDA graduate Ruth Wilson. For Learners taking LAMDA Examinations, this anthology offers a wide choice of characters and worlds to explore. There is material for younger candidates who are just entering the world of performance, as well as material for older, more experienced actors. For the general reader, this anthology is an ideal starting point for discovering the work of contemporary playwrights, as well as reconnecting with celebrated writers of the past.
Barking in Essex (Modern Plays)
by Clive ExtonFreedom finally beckons for Algie Packer, Essex's most notorious gangster. He's done seven years inside and now he's coming home to collect his reward – £3,672,000 in untraceable notes. But there's something Algie's family have forgotten to mention . . . The Packers are Essex's lovable, but most dysfunctional family. Witness their desperate attempts to cover their tracks before Algie arrives to collect what is rightfully his.Barking In Essex is a riotously funny comedy by Clive Exton, published and produced for the first time in 2013.
Barking in Essex (Modern Plays)
by Clive ExtonFreedom finally beckons for Algie Packer, Essex's most notorious gangster. He's done seven years inside and now he's coming home to collect his reward – £3,672,000 in untraceable notes. But there's something Algie's family have forgotten to mention . . . The Packers are Essex's lovable, but most dysfunctional family. Witness their desperate attempts to cover their tracks before Algie arrives to collect what is rightfully his.Barking In Essex is a riotously funny comedy by Clive Exton, published and produced for the first time in 2013.
Broadway Swings: Covering the Ensemble in Musical Theatre
by J. Austin Eyer Lyndy Franklin SmithIn this textbook for performers, the position of a Swing-an Understudy for the Ensemble-on Broadway is examined from every angle, showing just how vital Swings are to the success of any musical theatre production.Authors J. Austin Eyer and Lyndy Franklin Smith draw on their own experiences as performers, and gather first-hand stories from other Swings about the glories and hardships of their industry. The book features interviews with over 100 Broadway pros-Swing veterans, Stage Managers, Casting Directors, Choreographers, and Directors-including Rob Ashford, Susan Stroman, Jerry Mitchell, Larry Fuller, Tony Stevens, Beverley Randolph, and Frank DiLella.Broadway Swings is the ideal guide for anyone considering a career in this most unique of positions, or anyone curious about what really goes on, behind-the- scenes, in a long-running show.
Broadway Swings: Covering the Ensemble in Musical Theatre
by J. Austin Eyer Lyndy Franklin SmithIn this textbook for performers, the position of a Swing-an Understudy for the Ensemble-on Broadway is examined from every angle, showing just how vital Swings are to the success of any musical theatre production.Authors J. Austin Eyer and Lyndy Franklin Smith draw on their own experiences as performers, and gather first-hand stories from other Swings about the glories and hardships of their industry. The book features interviews with over 100 Broadway pros-Swing veterans, Stage Managers, Casting Directors, Choreographers, and Directors-including Rob Ashford, Susan Stroman, Jerry Mitchell, Larry Fuller, Tony Stevens, Beverley Randolph, and Frank DiLella.Broadway Swings is the ideal guide for anyone considering a career in this most unique of positions, or anyone curious about what really goes on, behind-the- scenes, in a long-running show.
On the Uses of the Fantastic in Modern Theatre: Cocteau, Oedipus, and the Monster (Palgrave Studies in Theatre and Performance History)
by I. Eynat-ConfinoThe book reveals how the fantastic is used in modern theatre as a manipulative device to encode the unspeakable and control audience response, challenging conventional readings of all authors who use the fantastic.
Alfred Fagon Selected Plays
by Alfred FagonDespite the legacy of his eponymous award, Alfred Fagon's stage works have often been forgotten due to them not being available. This anthology of selected plays brings together his shorter works for the first time into one volume that expands his legacy and confirms his place as one of Britain's key writing talents of the twentieth century. Originally an actor, Fagon's writing for the stage, film and television grew throughout the early 1970s, before his breakaway hit The Death of A Black Man was produced at the Hampstead Theatre in 1975. Now one of British theatre's most well-known names, Fagon's legacy is secured due in no small part to the commemorative award in his honour that was established following his death in 1986, to recognise Black British playwrights from the Caribbean, resident in the United Kingdom. Brought together with a critical introduction from Dawn Walton OBE, this collection also includes a reflection and response from a former winner of the Alfred Fagon award, Juliet Gilkes Romero. The plays include: A Day in the Bristol Air Raid Shelter Adventure Inside Thirteen Four Hundred Pounds No Soldiers in St Paul's Shakespeare Country Small World Weekend Lovers