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Trojan Women (Greek Tragedy in New Translations)
by EuripidesAmong surviving Greek tragedies only Euripides' Trojan Women shows us the extinction of a whole city, an entire people. Despite its grim theme, or more likely because of the centrality of that theme to the deepest fears of our own age, this is one of the relatively few Greek tragedies that regularly finds its way to the stage. Here the power of Euripides' theatrical and moral imagination speaks clearly across the twenty-five centuries that separate our world from his. The theme is really a double one: the suffering of the victims of war, exemplified by the woman who survive the fall of Troy, and the degradation of the victors, shown by the Greeks' reckless and ultimately self-destructive behavior. It offers an enduring picture of human fortitude in the midst of despair. Trojan Women gains special relevance, of course, in times of war. It presents a particularly intense account of human suffering and uncertainty, but one that is also rooted in considerations of power and policy, morality and expedience. Furthermore, the seductions of power and the dangers both of its exercise and of resistance to it as portrayed in Trojan Women are not simply philosophical or rhetorical gambits but part of the lived experience of Euripides' day. And their analogues in our own day lie all too close at hand. This new powerful translation of Trojan Women includes an illuminating introduction, explanatory notes, a glossary, and suggestions for further reading.
The Women of Troy (Student Editions)
by EuripidesThere's no decent way to say an indecent thingAn industrial port of a war-torn city. Women survivors wait to be shipped abroad. Officials come and go. A grandmother, once queen, watches as her remaining family are taken from her one by one. The city burns around them. First performed in 415BC, the play focuses on the human cost of war and the impact of loss.This new Student Edition of The Women of Troy includes a commentary and notes by Emma Cole, which looks at the Trojan War as represented in Greek literature and myth; the context in which Euripides was writing and within which the play was first performed; how it would have been originally staged and dramaturgical challenges met; as well as recent performance history of the play, including Katie Mitchell's iconic 2007 production at the National Theatre. Euripides' great anti-war play is published here in Don Taylor's classic translation.
The Women of Troy (Student Editions)
by EuripidesThere's no decent way to say an indecent thingAn industrial port of a war-torn city. Women survivors wait to be shipped abroad. Officials come and go. A grandmother, once queen, watches as her remaining family are taken from her one by one. The city burns around them. First performed in 415BC, the play focuses on the human cost of war and the impact of loss.This new Student Edition of The Women of Troy includes a commentary and notes by Emma Cole, which looks at the Trojan War as represented in Greek literature and myth; the context in which Euripides was writing and within which the play was first performed; how it would have been originally staged and dramaturgical challenges met; as well as recent performance history of the play, including Katie Mitchell's iconic 2007 production at the National Theatre. Euripides' great anti-war play is published here in Don Taylor's classic translation.
Medea (Modern Plays)
by Euripides Mike BartlettIf there's a God, which at the moment I DOUBT, I want you to curse him.If there's any justice, I want them - both of them - in a car crash.Her husband's gone and her future isn't bright. Imprisoned in her marital home, Medea can't work, can't sleep and increasingly can't cope. While her child plays, she plots her revenge.This startlingly modern version of Euripides' classic tragedy explores the private fury bubbling under public behaviour and how in today's world a mother, fuelled by anger at her husband's infidelity, might be driven to commit the worst possible crime.The production is written and directed by one of the UK's most exciting and in-demand writers, Mike Bartlett, who has received critical acclaim for his plays including Earthquakes in London; Cock (Olivier Award), a new stage version of Chariots of Fire, and Love Love Love. This programme text coincides with a run at the Headlong Theatre in London from the 27th of September to the 1st of December 2012.
Medea (Modern Plays)
by Euripides Mike BartlettIf there's a God, which at the moment I DOUBT, I want you to curse him.If there's any justice, I want them - both of them - in a car crash.Her husband's gone and her future isn't bright. Imprisoned in her marital home, Medea can't work, can't sleep and increasingly can't cope. While her child plays, she plots her revenge.This startlingly modern version of Euripides' classic tragedy explores the private fury bubbling under public behaviour and how in today's world a mother, fuelled by anger at her husband's infidelity, might be driven to commit the worst possible crime.The production is written and directed by one of the UK's most exciting and in-demand writers, Mike Bartlett, who has received critical acclaim for his plays including Earthquakes in London; Cock (Olivier Award), a new stage version of Chariots of Fire, and Love Love Love. This programme text coincides with a run at the Headlong Theatre in London from the 27th of September to the 1st of December 2012.
Medea and Other Plays: Medea And Other Plays (World's Classics)
by Euripides John Davie Richard RutherfordThat proud, impassioned soul, so ungovernable now that she has felt the sting of injustice’‘Medea’, in which a spurned woman takes revenge upon her lover by killing her children, is one of the most shocking and horrific of all the Greek tragedies. Dominating the play is Medea herself, a towering and powerful figure who demonstrates Euripides’ unusual willingness to give voice to a woman’s case. ‘Alcestis’, a tragicomedy, is based on a magical myth in which Death is overcome, and ‘The Children of Heracles’ examines the conflict between might and right, while ‘Hippolytus’ deals with self-destructive integrity and moral dilemmas. These plays show Euripides transforming the awesome figures of Greek mythology into recognizable, fallible human beings.John Davie’s accessible prose translation is accompanied by a general introduction and individual prefaces to each play.Previously published as Alcestis and Other Plays
Euripides: Bacchae (PDF) (Cambridge Translations From Greek Drama Ser.cambridge Translations From Greek Drama Series)
by Eurípides David Franklin Judith Affleck John HarrisonTreating ancient plays as living drama. Classical Greek drama is brought vividly to life in this series of new translations. Students are encouraged to engage with the text through detailed commentaries, including suggestions for discussion and analysis. In addition, numerous practical questions stimulate ideas on staging and encourage students to explore the play's dramatic qualities. Bacchae is suitable for students of both Classical Civilisation and Drama. Useful features include full synopsis of the play, commentary alongside translation for easy reference and a comprehensive introduction to the Greek Theatre. Bacchae is aimed primarily at A-level and undergraduate students in the UK, and college students in North America.
Medea: Literary Touchstone Classic (Student Editions)
by Euripides Marianne McDonald J. Michael WaltonA student edition of this challenging and popular tragedy with notes and commentary. The most controversial of the Greek tragedians, Euripedes is alsothe most modern in his sympathies, a dramatist who handles the complexemotions of his characters with extraordinary depth and insight. Wronged and discarded by her husband, Medea gradually revealsher revenge in its increasing horror, while the audience is led tounderstand the incomprehensible; a woman who murders her own children.Since its first production (431 BC), the play has exerted anirresistible attraction for actors and directors alike. Translated by J.Michael Walton.
Euripides Plays: Elektra; Orestes and Iphigeneia in Tauris (Classical Dramatists)
by Euripides Kenneth McLeish"Euripides, the Athenian playwright who dared to question the whims of wanton gods, has always been the most intriguing of the Greek tragedians. Now, with translations aimed at the stage rather than the page, his restless intellect strikes the chordThis volume contains some of Euripides' most famous works: Elektra, which reverses previous notions of 'heroic' behaviour; Orestes, in which almost all the characters are driven by base motives of cowardice or revenge; Iphigeneia in Tauris who presumes her brother Orestes dead and her mother Klytemnestra and stepfather Aigisthos still living, is visited by a surprise guest.Elektra, Oresetes and Iphigeneia in Tauris were performed together as Agamemnon's children at The Gate Theatre in 1995 and show the consequences of Agamemnon's "sacrifice" of his daughter at the start of the Trojan war.
Bacchae (Plays For Performance Ser.)
by Euripides Robin RobertsonDionysus, god of wine and ecstasy, has come to Thebes, and the women are streaming out of the city to worship him on the mountain, drinking and dancing in wild frenzy. The king, Pentheus, denouces this so-called 'god' as a charlatan. But no mortal can deny a god and no man can ever stand against Dionysus.This stunning translation, by the award-winning poet Robin Robertson, reinvigorated Euripides' devastating take of a god's revenge for contemporary readers, bringing the ancient verse to fervid, brutal life.
The Women of Troy (Modern Plays)
by Euripides Don TaylorAn industrial port of a war-torn city. Women survivors wait to be shipped abroad. Officials come and go. A grandmother, once Queen, watches as her remaining family are taken from her one by one. The city burns around them. Euripides' great anti-war tragedy is published in Don Taylor's translation to coincide with the National Theatre's production directed by Katie Mitchell in the Lyttelton auditorium. This edition of the play features an introduction by the translator setting the play in its historical and dramaturgical context.
The Women of Troy: Hecuba; The Women Of Troy; Iphigenia At Aulis; Cyclops (Modern Plays)
by Euripides Don TaylorAn industrial port of a war-torn city. Women survivors wait to be shipped abroad. Officials come and go. A grandmother, once Queen, watches as her remaining family are taken from her one by one. The city burns around them. Euripides' great anti-war tragedy is published in Don Taylor's translation to coincide with the National Theatre's production directed by Katie Mitchell in the Lyttelton auditorium. This edition of the play features an introduction by the translator setting the play in its historical and dramaturgical context.
Medea and Other Plays: Medea And Other Plays (World's Classics)
by Euripides Philip VellacottMedea, in which a spurned woman takes revenge upon her lover by killing her children, is one of the most shocking and horrific of all the Greek tragedies. Dominating the play is Medea herself, a towering and powerful figure who demonstrates Euripides' unusual willingness to give voice to a woman's case. Alcestis, a tragicomedy, is based on a magical myth in which Death is overcome, and The Children of Heracles examines the conflict between might and right, while Hippolytus deals with self-destructive integrity and moral dilemmas. These plays show Euripides transforming the awesome figures of Greek mythology into recognizable, fallible human beings.
Orestes and Other Plays (Penguin Classics Series)
by Euripides Philip VellacottWritten during the long battles with Sparta that were to ultimately destroy ancient Athens, these six plays by Euripides brilliantly utilize traditional legends to illustrate the futility of war. The Children of Heracles holds a mirror up to contemporary Athens, while Andromache considers the position of women in Greek wartime society. In The Suppliant Women, the difference between just and unjust battle is explored, while Phoenician Women describes the brutal rivalry of the sons of King Oedipus, and the compelling Orestes depicts guilt caused by vengeful murder. Finally, Iphigenia in Aulis, Euripides' last play, contemplates religious sacrifice and the insanity of war. Together, the plays offer a moral and political statement that is at once unique to the ancient world, and prophetically relevant to our own.
My People (Modern Plays)
by Caradoc Evans Steffan DonnellyIn a chapel service in rural Wales, all is not what it seems . . . A stage adaptation of one of the most celebrated and controversial short-story collections in the history of Anglo-Welsh literature. Originally published in 1915, the searing stories of My People – darkly comic, poignant, with flashes of savagery – exposed the hypocrisy and avarice nestling side-by-side in a Nonconformist community in the rural West Wales of the early 1900s.First produced n the centenary year of the publication of the original collection, this radical reimagining makes us question whether the events depicted in these remarkable stories are consigned to the past, or can we discern uncomfortable parallels in our modern life?This programme text edition was published to coincide with the world premiere of the stage adaptation on 5 November 2015 at Clwyd Theatr Cymru, in a co-production with Invertigo Theatre.
My People (Modern Plays)
by Caradoc Evans Steffan DonnellyIn a chapel service in rural Wales, all is not what it seems . . . A stage adaptation of one of the most celebrated and controversial short-story collections in the history of Anglo-Welsh literature. Originally published in 1915, the searing stories of My People – darkly comic, poignant, with flashes of savagery – exposed the hypocrisy and avarice nestling side-by-side in a Nonconformist community in the rural West Wales of the early 1900s.First produced n the centenary year of the publication of the original collection, this radical reimagining makes us question whether the events depicted in these remarkable stories are consigned to the past, or can we discern uncomfortable parallels in our modern life?This programme text edition was published to coincide with the world premiere of the stage adaptation on 5 November 2015 at Clwyd Theatr Cymru, in a co-production with Invertigo Theatre.
my heart is hitchhiking down peachtree street (Oberon Modern Plays)
by Fergus EvansFergus has lived in England for almost seven years. He hasn't been back to his hometown in five. Using animation, storytelling and spoken word, my heart is hitchhiking down peachtree st is a one man show about living far away from home. It's about the stories you tell people when they ask where you're from. It's about knowing that once you leave, you can't go back.
The Day The Waters Came (Oberon Modern Plays)
by Lisa EvansWinner of the Writers' Guild of Great Britain Best Play for Children and Young People 2011It is summer, 2005, New Orleans. Maya Marsalis takes you by the hand, sometimes the throat, and leads you through her landscape the day Hurricane Katrina came, the levees broke, the world watched and the US Government did nothing. Go with her, as she shows you how her world and that of thousands of black American citizens changed forever, the day the waters came. A sister piece to Evans’ seminal play for young audiences Stamping, Shouting And Singing Home, this new play explores the environmental and social impact of Hurricane Katrina on the communities in New Orleans.
East Lynne (Oberon Modern Plays)
by Lisa EvansA classic of Victorian literature, East Lynne was published in 1861. It was a sensational success, selling more than 500,000 copies and making its author as famous in her lifetime as Charles Dickens himself. Beautiful, kind and unblemished, Lady Isabel Vane is the perfect wife and mother. Until, in a fit of jealousy, she leaves her neglectful husband and infant children to elope with her aristocratic suitor. Her fall from grace is absolute. Can she be redeemed? And will she ever see her children again? Dramatic and moving, East Lynne draws aside the curtains of the respectable Victorian middle-classes to reveal their hypocrisy, cruelty and lust. And we witness the terrible punishment of those that dare to disobey a merciless moral code. This dramatisation of East Lynne opened at the New Vic Theatre, Staffordshire, in June 2005.
Getting to the Foot of the Mountain (Oberon Modern Plays)
by Lisa EvansWhen Danielle was a child, three women loomed large in her life: her gritty, responsible mother, her wild-child Aunt, and their best friend. Now a young woman herself and facing the break-up of another relationship, Danielle takes stock of her childhood years - of an absent dad; of her fascination with a neighbourhood "bad boy" - and uncovers a story of everyday heroism and the strange tricks that memory can play.A warm and witty play, Getting to the Foot of the Mountain premiered at the Birmingham Rep in May 2002.
Keep Smiling Through (Oberon Modern Plays)
by Lisa EvansKeswick, 1940 Britain is at war with Germany. Maggie's life is under invasion too: Gran knitting for England, evacuee lodgers, helping with the war effort and now a fund-raising concert party! Husband Rob is due home on RAF leave and best friend Peg has just learnt that she's pregnant but no such luck for Maggie and Rob... Nostalgia, romance, laughter and tears all feature in this comedy world première, full of live music, songs and dance from the war years.
Once We Were Mothers (Oberon Modern Plays)
by Lisa EvansA moving and powerful play about the joy and the heartbreak that motherhood brings to three very different mothers. Ali was always going to be a dancer. She was still dancing the day she gave birth. Careful Kitty, housewife and mother, sits in her silent home and waits for the daughter who doesn't return. And Milena, desperate to protect her children and carrying a terrible secret.
Rise Up (Oberon Modern Plays)
by Lisa EvansThe tide was turning – though local governments disagreed, it would soon be illegal to segregate black Americans from white Americans on public buses, in waiting rooms or in restaurants. And yet – in the early 1960s, many states across the south of America kept discriminating against African Americans… In modern day Britain, four performers tell the stories of the Freedom Riders – principled citizens riding buses across Alabama and Mississippi, drawing attention to this illegal discrimination and facing up to terrifying violence with peaceful resistance. The story of the Freedom Riders is one of ordinary people becoming a civil rights movement, taking on the establishment and changing the world. In a time of Michael Brown, Trayvon Martin and Mark Duggan, what does it mean for people to come together and rise up?
Stamping, Shouting and Singing Home (Oberon Modern Plays)
by Lisa EvansIt is 1950s America, the Deep South; a world on the verge of change but still tainted by everyday injustices and the remnants of slavery.Lizzie and her family long for progress, inspired by Sojourner Truth, freedom fighter, and just one of the many heroes the history books forgot. With Sojourner's dreams pumping in their veins, they fight their own battles, old and new. But when the fight takes a life, can they summon up her courage and keep dreaming, or will it destroy them?A joyful and moving play, interspersed with the uplifting melodies of Negro Spirituals. Come and share in a moving and joyful celebration of freedom, which echoes powerfully in today's world.
Jacques Copeau (Routledge Performance Practitioners)
by Mark EvansThis book examines Jacques Copeau, a leading figure in the development of twentieth-century theatre practice, a pioneer in actor-training, physical theatre and ensemble acting, and a key innovator in the movement to de-centralize theatre and culture to the regions. Noe reissued, Jacques Copeau combines: an overview of Copeau's life and work an analysis of his key ideas a detailed commentary of his 1917 production of Moliere's late farce Les Fourberies de Scapin – the opening performance of his influential New York season a series of practical exercises offering an introduction to Copeau's working methods. As a first step towards critical understanding, and as an initial exploration before going on to further, primary research, Routledge Performance Practitioners are unbeatable value for today's student.