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Srebrenica (Oberon Modern Plays)
by Nicolas KentIn July 1995, Bosnian-Serb forces took over the UN-protected enclave of Srebrenica. The atrocities against Bosnian Muslims that followed have been compared to those of the Second World War. The next July in The Hague, as part of the United Nations Criminal Tribunal for the former Yugoslavia, Radovan Karadzic and Ratko Mladic - Bosnian-Serb President and Army Commander respectively - were accused of war crimes.Drawing on the verbatim text of the hearings, Nicolas Kent has produced an account of the events in Srebrenica which is gripping and horrifying in equal measure.Srebenica is part of a series of Tricycle Tribunal Plays published by Oberon Books. The others include The Colour of Justice - The Stephen Lawrence Inquiry, Justifying War - The Hutton Inquiry and Bloody Sunday. The play's text is supplemented with newspaper articles and other background material, making this a useful resource for anyone studying the terrible events of July 1995.
Stage Lighting: Fundamentals and Applications
by Richard E. DunhamThe book’s organization follows a layered approach that builds on basic principles: Light as a Medium (Part 1), Tools of a Lighting Designer (Part 2), Design Fundamentals (Part 3), and Lighting Applications (Part 4). This presents students with a practical and logical sequence when learning basic concepts. The full spectrum of the lighting design process is presented in detail, giving students an example of how one might develop a lighting design from script analysis through concept and plot development, and all the way to an opening. This detailed process with a step-by-step design approach gives students a plan to work from, which they can later modify as they mature and gain confidence as designers. The text contains a more comprehensive discussion of basic technology, light as a physical phenomena, and methodology of designs than is found in most introductory texts, bridging the gap between introductory and advanced lighting courses. The text will appeal to theatrical designers who want to venture into areas of lighting like architectural or virtual lighting design, while at the same time gaining a solid grounding in the fundmentals of lighting design. Lighting Design will also benefit illuminating engineers who want to move away from mere computational approaches in lighting and on to explore techniques along the design approaches of theatrical lighting design. The final 9 chapters cover many specialty areas of lighting design, highlighting the unique and shared qualities that exist between the different aspects of these elements. Discussions involve traditional entertainment areas like theatre, as well as lesser known facets of the industry including film/video, landscape lighting, retail/museum lighting, virtual lighting, concert, spectacle performances, and architectural lighting. Models of design tasks demonstrate the actual use and development of plots/sections, schedules, photometrics tables, and cut sheets, rather than simply talking about what they are. This hands-on approach provides students with a firm understanding of how to actually use these tools and processes.
Stage Lighting: Fundamentals and Applications
by Richard E. DunhamThe book’s organization follows a layered approach that builds on basic principles: Light as a Medium (Part 1), Tools of a Lighting Designer (Part 2), Design Fundamentals (Part 3), and Lighting Applications (Part 4). This presents students with a practical and logical sequence when learning basic concepts. The full spectrum of the lighting design process is presented in detail, giving students an example of how one might develop a lighting design from script analysis through concept and plot development, and all the way to an opening. This detailed process with a step-by-step design approach gives students a plan to work from, which they can later modify as they mature and gain confidence as designers. The text contains a more comprehensive discussion of basic technology, light as a physical phenomena, and methodology of designs than is found in most introductory texts, bridging the gap between introductory and advanced lighting courses. The text will appeal to theatrical designers who want to venture into areas of lighting like architectural or virtual lighting design, while at the same time gaining a solid grounding in the fundmentals of lighting design. Lighting Design will also benefit illuminating engineers who want to move away from mere computational approaches in lighting and on to explore techniques along the design approaches of theatrical lighting design. The final 9 chapters cover many specialty areas of lighting design, highlighting the unique and shared qualities that exist between the different aspects of these elements. Discussions involve traditional entertainment areas like theatre, as well as lesser known facets of the industry including film/video, landscape lighting, retail/museum lighting, virtual lighting, concert, spectacle performances, and architectural lighting. Models of design tasks demonstrate the actual use and development of plots/sections, schedules, photometrics tables, and cut sheets, rather than simply talking about what they are. This hands-on approach provides students with a firm understanding of how to actually use these tools and processes.
Staging Politics and Gender: French Women’s Drama, 1880–1923
by C. BeachIn Staging Politics and Gender , Cecilia Beach examines the political and feminist plays of French playwrights who have largely been overlooked until now. Beach highlights the importance of theatrical endeavors which women perceived as a powerful way to promote political opinions. The author analyzes the work of Louise Michel, Nelly Roussel, Marie Leneru, Vera Starkoff, and Madeline Pelletier and discusses anarchist theatre and forms of social protest theatre at the turn of the century.
The Stalin Trilogy: Lenin In Love, The Teddy Bears' Picnic, The Potsdam Quartet (oberon Modern Playwrights) (Oberon Modern Playwrights)
by David PinnerIncludes the plays Lenin in Love, The Teddy Bears' Picnic and The Potsdam QuartetThree gripping political plays: Lenin in Love takes up the alleged sexual troika and sadistic inclinations of one of the foremost political leaders of the 20th century.The Teddy Bears' Picnic is an ironic comedy which shows Stalin playing relaxed host and bon viveur in his country retreat. His Politburo guests are somewhat less relaxed. The Potsdam Quartet features four embittered musicians hired to entertain Stalin, Truman, Atlee and Churchill as they ‘divide up the world'.
Stephens Plays: Bluebird; Christmas; Herons; Port (Contemporary Dramatists)
by Simon StephensFirst collection from the 2004 Pearson Award-winning playwrightSimon Stephens Plays: 1 brings together four of the early plays from the winner of the 2002 Pearson Best New Play Award. Since Bluebird in 1998, Stephens has gained recognition for humane plays that display a sharp observation and compassionate response to the lives of ordinary people in urban locations.Bluebird: Cabbie Jimmy overhears the weird, wonderful and violent tales of his passengers he confronts his past and his estranged wife. 'A rough gem of a play' - The TimesChristmas: One night in an East end pub, four men confront their past and brace themselves for an uncertain future. 'Beautifully crafted' - What's OnHerons: The disturbing story of one teenager on a violent estate in London, which saw Stephens nominated for an Olivier Award for Most Promising Playwright in 2001.Port: One woman's struggle to cope with and finally escape her life in Stockport. (Winner of Pearson Award for Best New Play.)'A brilliant writer of immense imagination with an acute observation of people's foibles' - Independent
Talking to Terrorists (Oberon Modern Playwrights)
by Robin Soans‘I looked around the room and I thought, I'm the only person in this room that hasn't killed anyone’Talking to Terrorists is a play commissioned by the Royal Court and Out of Joint. The writer, director Max Stafford-Clark, and actors interviewed people from around the world who have been involved in terrorism. They wanted to know what makes ordinary people do extreme things. As well as those who crossed the line, they met peacemakers, warriors, journalists, hostages and psychologists. Their stories take us from Uganda, Israel, Turkey, Iraq and Ireland - to the heart of the British establishment.Talking to Terrorists was produced Out of Joint Theatre Company at the Royal Court Theatre and on a UK tour in 2005.
The Taming of the Shrew: Literary Touchstone Classic (Macmillan Collector's Library #46)
by William ShakespeareControversial and sexually charged, The Taming of the Shrew is possibly William Shakespeare's first play, and certainly among the most performed. Petruchio's courtship of the unwilling 'shrew' Katherina poses the question: is it an examination of brute male domination or a passionate love story with a powerful moral message? To read it is to gain unique insight into a portrait of a marriage as created by a true master. This Macmillan Collector's Library edition is illustrated throughout by renowned artist Sir John Gilbert (1817-1897), and includes an introduction by Ned Halley.Designed to appeal to the booklover, the Macmillan Collector's Library is a series of beautiful gift editions of much loved classic titles. Macmillan Collector's Library are books to love and treasure.
The Taming of the Shrew: Literary Touchstone Classic
by William Shakespeare G. R. Hibbard M. J. KidnieThe beautiful but sharp-tongued Katherina has sworn never to accept the demands of any would-be husband. But when she is pursued by the wily Petruchio, it seems that she has finally met her match. And as he meets her own caustic words with a feigned, capricious cruelty, Katherina quickly comes to understand the absurdity of her shrewish behaviour, in one of the greatest of all comic battles of the sexes.
Tejas Verdes (Oberon Modern Plays)
by Robert Shaw Fermín Cabal‘We are not beggars. I am not here for you to cast your pity at me like breadcrumbs tossed to a cripple. Because I know you’re listening to me; and my voice won’t be silent, not yet.’Tejas Verdes (‘Green Gables’), once a sea-side resort, was an infamous Chilean torture and detention centre during the early years following the Pinochet coup in 1973. Fermín Cabal’s humane and powerful play traces the life of a young woman who vanished one night in Santiago. Beneath the tolling of the church bells, her voice and the voices of those who share her story ring out with poetic beauty and overwhelming love.
Telstar: The Joe Meek Story (Oberon Modern Plays Ser.)
by Nick Moran James HicksSet in the backdrop of early 60s London, Telstar is the story of the World's first Independent record producer, Joe Meek. A maverick genius who enjoyed phenomenal early success with ‘Telstar’, the biggest selling record of its time, before bad luck, depression, heart break and paranoia forced him to murder and suicide.A gay, amphetamine addicted, talented but deeply troubled soul who dabbled in the occult, Meek is already an iconic figure in the world of British pop, whose messy end had a bizarre inevitability.Far from being a maudlin tale, this stranger than fiction true story is a brilliantly sharp and beautifully observed satirical comedy.Telstar opened at the New Ambassadors Theatre in London’s West End in June 2005, with a blistering central performance from Con O’Neill as Joe Meek.
The Tempest (PDF)
by William Shakespeare Rex GibsonThis new edition of The Tempest is part of the established Cambridge School Shakespeare series and has been substantially updated with new and revised activities throughout. Remaining faithful to the series' active approach it treats the play as a script to be acted, explored and enjoyed. As well as the complete script of The Tempest, you will find a variety of classroom-tested activities, an eight-page colour section and an enlarged selection of notes including information on characters, performance, history and language.
Theatre and Celebrity in Britain 1660-2000
by Mary Luckhurst Jane MoodyTheatre has always been a site for selling outrage and sensation, a place where public reputations are made and destroyed in spectacular ways. This is the first book to investigate the construction and production of celebrity in the British theatre. These exciting essays explore aspects of fame, notoriety and transgression in a wide range of performers and playwrights including David Garrick, Oscar Wilde, Ellen Terry, Laurence Olivier and Sarah Kane. This pioneering volume examines the ingenious ways in which these stars have negotiated their own fame. The essays also analyze the complex relationships between discourses of celebrity and questions of gender, spectatorship and the operation of cultural markets.
The Theatre of Joseph Conrad: Reconstructed Fictions
by Richard J. HandAlthough the dramatic dimension to Joseph Conrad's fiction is frequently acknowledged, his own experiments in drama have traditionally been marginalized. However, in all of Conrad's plays we see a distinct effort to investigate seriously the dramatic form and some of his plays are startlingly ahead of their time. Furthermore, all of the plays are adaptations and comprise One Day More , based on Tomorrow , Laughing Anne , based on Because of the Dollars, Victory: A Drama and The Secret Agent . The creation of these reveals much about the history, theory and practice of this fascinating cultural process.
Theatre, Performance, and the Historical Avant-garde (PDF)
by Gunter BerghausThis comprehensive study traces the origins of European modernism in nineteenth-century Paris, then branches out to examine four major movements of the theatrical avant-garde that sprung from this epicenter in the early twentieth-century: Expressionism, Futurism, Dadaism, and Constructivism.
Theatre, Politics, and Markets in Fin-de-Siècle Paris: Staging Modernity (Palgrave Studies in Theatre and Performance History)
by S. CharnowSince the Enlightenment, French theatre has occupied a prominent place within French thought, society and culture, but as a subject of study it has remained a purview of theatre historians, literary scholars and aestheticians. They focus on the emergence of the modern theatre as change generated from within bourgeois literary drama but ignore theatre as a complex social practice. Theatre, Politics, and Markets in Fin-de-Siècle Paris investigates the dynamic relationships among the avant-garde, official culture and the commercial sphere, arguing against the neat divide of 'high' and 'low' culture by showing how cultural forms of varying social origins influenced each other.
Thom Pain: (based On Nothing) (Oberon Modern Plays)
by Will EnoFrom the last lonely wilderness, the last dark corner of these overlit times, in the camouflage of the common man, Thom Pain takes the stage, fumbling with his heart, squinting into the light. With terrible timing and impeccable regret, over-educated in the wrong ways, and wounded in the right ones, he appears. Teeth bared, as he picks a piece of lint off his suit.Listen to the language writhe, as he tries to say hello. Meet Thom Pain. A man who has only had, by his own reckless reckoning, three or four things happen to him in life. A man who is, by his own admittedly uninformed admission, a man much like a man or woman like you.Thom Pain opened at the Edinburgh Fringe in 2004, with a transfer to the Soho Theatre later that year.
Three Spanish Golden Age Plays: The Duchess of Amalfi's Steward; The Capulets and Montagues; Cleopatra (Play Anthologies)
by Lope De Vega Roja Zorrila Gwynne EdwardsThree classic Spanish plays, made famous by Shakespeare and WebsterTwo of the most famous and successful playwrights of Spain's Golden Age of playwriting were Lope de Vega (1562-1635) and Rojas Zorrilla (1607-48). From their prodigious output, the three plays in this volume, based on similar sources to Shakespeare's and Webster's versions, provide a fascinating comparison with their Jacobean counterparts.Lope's The Duchess of Amalfi's Steward, in contrast to Webster's play, focuses on the nobility of love, with characters who are complex and appealing. His Romeo-and-Juliet story, The Capulets and Montagues, is a fast-moving mixture of serious and comic, with an ending that will surprise and entertain. Rojas' treatment of Cleopatra, with its rich imagery, emphasises the love theme, held within a knot of jealous relationships. A full introduction by Gwynne Edwards sets the plays in context and provides a thorough study of the individual works.
The Threepenny Opera (Student Editions)
by Bertolt Brecht Kurt WeillOne of Bertolt Brecht's best-loved and most performed plays, The Threepenny Opera was first staged in 1928 at the Theater am Schiffbauerdamm, Berlin (now the home of the Berliner Ensemble). Based on the eighteenth-century The Beggar's Opera by John Gay, the play is a satire on the bourgeois society of the Weimar Republic, but set in a mock-Victorian Soho. With Kurt Weill's music, which was one of the earliest and most successful attempts to introduce the jazz idiom into the theatre, it became a popular hit throughout the western world.This new edition is published here in John Willett and Ralph Manhein's classic translation with commentary and notes by Anja Hartl.
To Be A Playwright (Routledge Revivals)
by Janet NeiprisOriginally published in 2005, To Be A Playwright is an insightful and detailed guide to the craft of playwriting. Part memoir and part how-to guide, this useful book outlines the tools and techniques necessary to the aspiring playwright. Comprised of a collection of memoirs and lectures which blend seamlessly to deliver a practical hands-on guide to playwriting, this book illuminates the elusive challenges confronting creators of dynamic expression and offers a roadmap to craft of playwrighting.
To Be A Playwright (Routledge Revivals)
by Janet NeiprisOriginally published in 2005, To Be A Playwright is an insightful and detailed guide to the craft of playwriting. Part memoir and part how-to guide, this useful book outlines the tools and techniques necessary to the aspiring playwright. Comprised of a collection of memoirs and lectures which blend seamlessly to deliver a practical hands-on guide to playwriting, this book illuminates the elusive challenges confronting creators of dynamic expression and offers a roadmap to craft of playwrighting.
Tony Harrison Plays 6: Hecuba; Fram; Iphigenia in Crimea
by Tony HarrisonTony Harrison's sixth collection includes a foreword by Lee Hall. The book contains Harrison's translation of Euripides's Hecuba, which inaugurated the modern amphitheatre of Delphi in 2005; the remarkable Fram, which opened at the National Theatre in 2008; and Iphigenia in Crimea, after Euripides, which premiered on BBC Radio 3 to mark Tony Harrison's eightieth birthday in 2016.'Tony is that incredibly rare beast: as great a playwright as he is a poet.' Lee Hall 'I am convinced that Tony Harrison is one of the truly great poets writing in English today.' Melvyn BraggHecuba 'Harrison's urgent translation never lets us forget the aching topicality of Euripides' study of the powerful and the powerless.' Guardian Fram'Harrison brings gloriously rich life to the stage, by turns funny and rending. His couplets are a feast for rhyme junkies.' Financial Times'As visually resplendent a piece of theatre as you will see all year. The words more than hold their own, however, expressing in rhymes to be relished that poetry might yet, if not lead us out of the darkness, at least make us feel ashamed we're still stuck in it.' Sunday Times Iphigenia in Crimea Set in Sebastapol, 1854, inthe midst of the Crimean war, a lieutenant decides to stage an all-male production of Euripides's tragedy. After initial raucous incredulity, the atmosphere changes as the men commit themselves to the drama until, as it draws to a close, ancient and modern worlds collide and warfare resumes in earnest.
Tshepang: The Third Testament (Oberon Modern Plays Ser.)
by Lara Foot Newton‘And besides, nothing ever happens here. Nothing. Niks.’Outside a South African town a silent woman, Ruth, goes through her self-imposed rituals, a child’s crib strapped to her back. An observer, Simon, who has loved Ruth since childhood, tells her story. Tshepang was inspired by the horrifying rape in 2001 of a nine month-old child. The child, Tshepang, gave her name to Lara Foot Newton’s award-winning play, though it is also ‘based on twenty thousand true stories’ - the number of child rapes estimated to occur in South Africa each year. Having premiered in Amsterdam in June 2003, Tshepang opened at the Gate Theatre, London, in September 2004.Winner of the Fleur du Cap Award for Best New South African Play 2003
The Two Noble Kinsmen (The\malone Society Reprints Ser. #No. 169)
by William Shakespeare Peter SwaabConsidered by Thomas de Quincey to be 'perhaps the most superb work in the language', The Two Noble Kinsmen is set in Athens and was co-written by Shakespeare with John Fletcher. This Penguin Shakespeare edition is edited by N. W. Bawcutt with an introduction by Peter Swaab.'Once, he kissed me. I loved my lips the better ten days after'When Theseus, Duke of Athens, learns that the ruler of Thebes has killed three noble kings he swears to take revenge. But after Athens triumphs over the rival city, Theseus is struck by the bravery of two Theban cousins and orders his surgeons to attend to them. Soon, the cousins' lifelong friendship is threatened, as both become overwhelmed with love for the duke's beautiful sister.This book contains a general introduction to Shakespeare's life and Elizabethan theatre, a separate introduction to the play, a chronology, suggestions for further reading, an essay discussing performance options on both stage and screen, and a commentary.
Undressed for Success: Beauty Contestants and Exotic Dancers as Merchants of Morality (Palgrave Studies in Theatre and Performance History)
by B. FoleyUsing the tools of performance studies, gender theory, and cultural history, Brenda Foley explores the striking similarities between beauty pageantry and striptease. For example, women in both project a 'normal' femininity and adhere to a strict hierarchy (Miss America contestants look down upon Miss Universe contestants, while theatrical 'burlesque artists' saw themselves as far above mere carnival strippers). Undressed for Success collects extensive primary source research - newspapers, journals, trade publications, photography collections, press releases, memoirs, and interviews with both strippers and pageant contestants - and employs a wide array of gender, feminist, and performance theory to analyze them.