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Women Talk Back to Shakespeare: Contemporary Adaptations and Appropriations (New Interdisciplinary Approaches to Early Modern Culture)
by Jo Eldridge CarneyThis study explores more recent adaptations published in the last decade whereby women—either authors or their characters—talk back to Shakespeare in a variety of new ways. "Talking back to Shakespeare", a term common in intertextual discourse, is not a new phenomenon, particularly in literature. For centuries, women writers—novelists, playwrights, and poets—have responded to Shakespeare with inventive and often transgressive retellings of his work. Thus far, feminist scholarship has examined creative responses to Shakespeare by women writers through the late twentieth century. This book brings together the "then" of Shakespeare with the "now" of contemporary literature by examining how many of his plays have cultural currency in the present day. Adoption and surrogate childrearing; gender fluidity; global pandemics; imprisonment and criminal justice; the intersection of misogyny and racism—these are all pressing social and political concerns, but they are also issues that are central to Shakespeare’s plays and the early modern period. By approaching material with a fresh interdisciplinary perspective, Women Talk Back to Shakespeare is an excellent tool for both scholars and students concerned with adaptation, women and gender, and intertextuality of Shakespeare’s plays.
Brecht and Critical Theory: Dialectics and Contemporary Aesthetics (Routledge Advances in Theatre & Performance Studies #2)
by Sean CarneyArguing that Brecht’s aesthetic theories are still highly relevant today, and that an appreciation of his theory and theatre is essential to an understanding of modern critical theory, this book examines the influence of Brecht’s aesthetic on the pre-eminent materialist critics of the twentieth century: Louis Althusser, Walter Benjamin, Roland Barthes, Frederic Jameson, Theodor W. Adorno and Raymond Williams. Re-reading Brecht through the lens of post-structuralism, Sean Carney asserts that there is a Lacanian Brecht and a Derridean Brecht: the result of which is a new Brecht whose vital importance for the present is located in decentred theories of subjectivity. Brecht and Critical Theory maps the many ways in which Brechtian thinking pervades critical thought today, informing the critical tools and stances that make up the contemporary study of aesthetics.
Brecht and Critical Theory: Dialectics and Contemporary Aesthetics (Routledge Advances in Theatre & Performance Studies)
by Sean CarneyArguing that Brecht’s aesthetic theories are still highly relevant today, and that an appreciation of his theory and theatre is essential to an understanding of modern critical theory, this book examines the influence of Brecht’s aesthetic on the pre-eminent materialist critics of the twentieth century: Louis Althusser, Walter Benjamin, Roland Barthes, Frederic Jameson, Theodor W. Adorno and Raymond Williams. Re-reading Brecht through the lens of post-structuralism, Sean Carney asserts that there is a Lacanian Brecht and a Derridean Brecht: the result of which is a new Brecht whose vital importance for the present is located in decentred theories of subjectivity. Brecht and Critical Theory maps the many ways in which Brechtian thinking pervades critical thought today, informing the critical tools and stances that make up the contemporary study of aesthetics.
Dynamic Acting through Active Analysis: Konstantin Stanislavsky, Maria Knebel, and Their Legacy
by Sharon Marie CarnickeIn the 21st century, actors face radical changes in plays and performance styles, as they move from stage to screen and grapple with new technologies that present their art to ever-expanding audiences. Active Analysis offers the flexibility of mind, body, and spirit now urgently needed in acting. Dynamic Acting through Active Analysis brings to light this timely legacy, born during the worst era of Soviet repression and hidden for decades from public view. Part I unfolds like a mystery novel through letters, memoirs, and transcripts of Konstantin Stanislavsky's last classes. Far from the authoritarian director of his youth, he reveals himself as a generous mentor, who empowers actors with a brand new collaborative approach to rehearsals. His assistant, Maria Knebel, first bears witness to his forward-looking ideas and then builds the bridge to new plays in new styles through her directing and influential teaching. Part II follows a 21st century company of diverse actors as they experience the joy of applying Active Analysis to their own creative and professional work.
Dynamic Acting through Active Analysis: Konstantin Stanislavsky, Maria Knebel, and Their Legacy
by Sharon Marie CarnickeIn the 21st century, actors face radical changes in plays and performance styles, as they move from stage to screen and grapple with new technologies that present their art to ever-expanding audiences. Active Analysis offers the flexibility of mind, body, and spirit now urgently needed in acting. Dynamic Acting through Active Analysis brings to light this timely legacy, born during the worst era of Soviet repression and hidden for decades from public view. Part I unfolds like a mystery novel through letters, memoirs, and transcripts of Konstantin Stanislavsky's last classes. Far from the authoritarian director of his youth, he reveals himself as a generous mentor, who empowers actors with a brand new collaborative approach to rehearsals. His assistant, Maria Knebel, first bears witness to his forward-looking ideas and then builds the bridge to new plays in new styles through her directing and influential teaching. Part II follows a 21st century company of diverse actors as they experience the joy of applying Active Analysis to their own creative and professional work.
Stanislavsky in Focus: An Acting Master for the Twenty-First Century
by Sharon Marie CarnickeFirst published in 1998. Routledge is an imprint of Taylor & Francis, an informa company.
Stanislavsky in Focus: An Acting Master for the Twenty-First Century
by Sharon Marie CarnickeFirst published in 1998. Routledge is an imprint of Taylor & Francis, an informa company.
Coloring Whiteness: Acts of Critique in Black Performance (Theater: Theory/Text/Performance)
by Faedra C CarpenterColoring Whiteness pays homage to the ways that African American artists and performers have interrogated tropes and mythologies of whiteness to reveal racial inequalities, focusing on comedy sketches, street theater, visual art, video, TV journalism, and voice-over work since 1964. By investigating enactments of whiteness—from the use of white makeup and suggestive masks, to literary motifs and cultural narratives regarding “white” characteristics and qualities—Faedra Chatard Carpenter explores how artists have challenged commonly held notions of racial identity. Through its layered study of expressive culture, her book considers how artistic and performance strategies are used to “color” whiteness and complicate blackness in our contemporary moment. Utilizing theories of performance and critical race studies, Coloring Whiteness is also propelled by Carpenter’s dramaturgical sensibilities. Her analysis of primary performance texts is informed not only by traditional print and visual materials, but also by her interviews with African American theater artists, visual artists, and cultural critics. The book is an invaluable contribution to the fields of theater and performance studies, African American studies, cultural studies, critical race studies, and American studies.
Anna Karenina
by Marina CarrVronsky What were you thinking about with your head stuck to the watering can? Anna Oh, the same, always the same. I was thinking about my happiness and about my unhappiness.Russia is changing. Rules have been broken. Chaos is looming. Families are falling apart. Tolstoy's Anna Karenina is an examination of a country in the midst of extraordinary change. Through the impact of one woman's decision, it looks at the troubling cost of love on the human soul. Marina Carr brings a new perspective to Anna Karenina in her stage adaptation of this epic love story, which opened at the Abbey Theatre, Dublin, in December 2016.
By the Bog of Cats: Low In The Dark, The Mai, Portia Coughlan, By The Bog Of Cats...
by Marina CarrSet in the mysterious landscape of the bogs of rural Ireland, Carr's lyrical and timeless play tells the story of Hester Swane, an Irish traveller with a deep and unearthly connection to her land. Tormented by the memory of a mother who deserted her, Hester is once again betrayed, this time by the father of her child, the man she loves. On the brink of despair, she embarks on a terrible journey of vengeance as the secrets of her tangled history are revealed.'A piece of poetic realism steeped in the past... Carr has an extraordinary ability to move between the mythic and the real.' Guardian'A great play... a great work of poetry... the word should soon carry across both sides of the Atlantic.' IndependentBy the Bog of Cats premiered at the Abbey Theatre, Dublin, in 1998. It was revived at Wyndham's Theatre, London, in November 2004.
The Cordelia Dream: On Raftery's Hill; Ariel; Woman And Scarecrow; The Cordelia Dream; Marble
by Marina CarrHaunted by her dream of Cordelia and Lear, a woman confronts an elderly man, her lifelong antagonist and rival. During their passionate altercation he dismisses her success as a composer and demands she make the ultimate sacrifice: for him to flourish she, his protégée, must be silent. Five years later, she returns for a final and devastating encounter.Marina Carr's The Cordelia Dream premiered in December 2008 at Wilton's Music Hall, London, in a production by the Royal Shakespeare Company.
Girl on an Altar
by Marina CarrA sinister night.Evil and edge in the air.What are they celebrating?Clytemnestra's world is torn apart when Agamemnon sacrifices their daughter for the sake of war. Ten years later, the couple are reunited. What follows is a dangerous battle fuelled by love, grief and power. Marina Carr's adaptation of the infamous Greek myth brings Clytemnestra's story to the fore and asks if it is possible to forgive the unforgivable.He turns to me in hall one evening, wine on him, sentimental. There is nothing I would not do to have your good opinion again, he says.Girl on an Altar opened at the Kiln Theatre, London, in May 2022.
iGirl
by Marina CarrI NeanderthalPrince of the PlainsI saw EdenIt wasn't muchI sawThe treeThe gatesRustyBut stillIntactI sawThe triple lockThe jack bootThe size of an oakI retreatedWiselyGod they WereUgly Marina Carr's iGirl premiered at the Abbey Theatre, Dublin, in October 2021.
Marina Carr: Sixteen Possible Glimpses; Phaedra Backwards; The Map of Argentina; Hecuba; Indigo
by Marina CarrThis third richly varied collection of plays by Marina Carr was published to coincide with the Royal Shakespeare Company's premiere of Hecuba at the Swan Theatre, Stratford-upon-Avon, in September 2015.Sixteen Possible Glimpses imagines sixteen fleeting moments in Anton Chekhov's short life and work. Phaedra Backwards retells the Phaedra myth to discover what shaped her. The Map of Argentina offers a meditation on love and what happens when it is denied, or pursued and hunted down. Hecuba was written in reaction to the bad press this Trojan queen receives, and reimagines how she may have suffered and reacted. Indigo is a dark and passionate romance amongst fairies, demons, ghouls and every sort of fantastic creature out of folklore and myth.
Marina Carr: On Raftery’s Hill; Ariel; Woman and Scarecrow; The Cordelia Dream; Marble
by Marina CarrOn Raftery's Hill'This is a play that howls to be seen; its courage is matched only by its dramatic power.' Sunday IndependentAriel'An astonishing piece of theatre. Interweaving themes drawn from Irish, Greek and biblical myth, she spins a tale of power that is honest, emotional, dark and true . . . Die to see it.' Irish ExaminerWoman and Scarecrow'Drama doesn't come much richer or stranger than this death-bed lament. Ravishing in its dense, literary language, it is as visceral as it is intellectual. It lingers not only in the ear and brain, but in the imagination and the gut. An extraordinary brew, bittersweet and totally intoxicating.' The TimesThe Cordelia Dream'A brave piece and clearly charged with deep feeling. . . This is certainly unsettling territory and Carr boldly goes for it.' Financial TimesMarble'An extraordinary play that lures us in with a promise of the recognisable only to drag us screaming into the soaring, magnificent possibilities of love and the destruction that it wreaks.' Irish Independent
Marina Carr Plays 1: Love in the Dark; The Mai; Portia Coughlan; By the Bog of Cats...
by Marina CarrThe first collection of plays by Marina Carr introduces the work of a major new voice in playwriting. Love in the Dark'One of the most exciting, new and absolutely original aspects of Carr's writing is the manner in which the sexism of the language and religious imagery is exposed... Marina Carr is a playwright to be watched.' Sunday TribuneThe Mai'The writing is at once gentle and raucous... capable of articulating deep-seated woes and resentments in a manner you rarely find outside Eugene O'Neill.' ObserverPortia Coughlan'A play of precocious maturity and accomplishment.' Irish Times'Portia Coughlan packs a hell of a punch. It hurts to look at it. But it has to be seen.' Irish IndependentBy the Bog of Cats...'A poetic realism steeped in the past... Carr has an extraordinary ability to move between the mythic and the real.' Guardian'A great play... a great work of poetry... the word should soon carry across both sides of the Atlantic.' Independent
Woman and Scarecrow: On Raftery's Hill; Ariel; Woman And Scarecrow; The Cordelia Dream; Marble
by Marina CarrA woman - gaunt and ill, haggard after giving birth eight times - faces death. What was life? What was love? What else could have been? Full of mordant, bitter humour, this is a passionate threnody from one of Ireland's leading playwrights.Woman and Scarecrow premieres at the Royal Court Theatre, London, in June 2006.
On Training and Performance: Traces of an Odin Teatret Actress
by Roberta Carreri"Outstanding … a technical manual (for actors and directors), an historical document of importance, and a volume that is a delight to read." Ian Watson, Rutgers "An extremely valuable personal account of Roberta Carreri’s process as an actor." Alison Hodge, Artistic Director, The Quick and the Dead "An excellent book with a unique voice." Ben Spatz, University of Huddersfield Roberta Carreri is one of acclaimed theatre company Odin Teatret's longest-serving actors, and the last to be trained by Eugenio Barba himself. In this book, she relives the milestones of her professional journey, including: her first experiences of street theatre the discovery of Asian performance traditions pedagogical activities and character creation encounters with artists and spectators the inception of her solo performances, Judith and Salt Interwoven with rich photographic documentation and a wealth of biographical information, this inspiring handbook reveals the professional secrets of an Odin Teatret actor as well as the story of a life of work, research, and passion.
On Training and Performance: Traces of an Odin Teatret Actress
by Roberta Carreri"Outstanding … a technical manual (for actors and directors), an historical document of importance, and a volume that is a delight to read." Ian Watson, Rutgers "An extremely valuable personal account of Roberta Carreri’s process as an actor." Alison Hodge, Artistic Director, The Quick and the Dead "An excellent book with a unique voice." Ben Spatz, University of Huddersfield Roberta Carreri is one of acclaimed theatre company Odin Teatret's longest-serving actors, and the last to be trained by Eugenio Barba himself. In this book, she relives the milestones of her professional journey, including: her first experiences of street theatre the discovery of Asian performance traditions pedagogical activities and character creation encounters with artists and spectators the inception of her solo performances, Judith and Salt Interwoven with rich photographic documentation and a wealth of biographical information, this inspiring handbook reveals the professional secrets of an Odin Teatret actor as well as the story of a life of work, research, and passion.
The Mahabharata (Modern Plays)
by Jean-Claude CarrièreA unique dramatization of India's greatest epic poem, fifteen times longer than the Bible, The Mahabharata has played to enthralled audiences throughout Europe, the Far East and America. Regarded as the culmination of Peter Brook's extraordinary research into the possibilities of theatre, the production has been hailed as the 'theatrical event of this century' (Sunday Times). British audiences encountered The Mahabharata, on stage and television, in the late eighties. This volume contains the complete script of Carriere's adaptation in Peter Brook's translation, with introductions by each of them.
Alice in Wonderland and Through the Looking Glass: An Illustrated Classic (Macmillan Collector's Library)
by Lewis CarrollOn a glorious summer's afternoon, young Alice happens upon a smartly dressed rabbit looking at his watch and muttering 'I'm too late!' This being an unexpected occurrence, she follows him down a nearby rabbit hole and falls in Wonderland.Lewis Carroll's timeless children's stories Alice's Adventures in Wonderland and Through the Looking-Glass and What Alice Found There are magically brought to life in this new adaptation by Adrian Mitchell, specially commissioned for a Christmas production by the RSC. The amazing Lobster Quadrille, the Queen of Hearts' infamous croquet match and the Mad Hatter's Tea Party are just a few of the remarkable events and characters in this enchanting play.
Alice's Adventures in Wonderland (Modern Plays)
by Lewis Carroll Simon ReadeWhen Alice falls down a mysterious rabbit hole she stumbles upon a magical fantasy world where anything can happen . . . Take tea with the Mad Hatter, meet the White Rabbit, grin with the Cheshire Cat, and play croquet with the Queen of Hearts, but whatever you do . . . don't lose your head!Lewis Carroll's classic characters spring to life in an enchanting show for the whole family, bursting with music, madness and mystery.Simon Reade's adaptation of Lewis Carroll's much-loved fantasy classic Alice's Adventures in Wonderland is a witty and brilliantly inventive re-working, which won the TMA Award for Best Show for Young People.
Alice's Adventures in Wonderland: Dramatic Adaptation (Modern Plays)
by Lewis Carroll Simon ReadeWhen Alice falls down a mysterious rabbit hole she stumbles upon a magical fantasy world where anything can happen . . . Take tea with the Mad Hatter, meet the White Rabbit, grin with the Cheshire Cat, and play croquet with the Queen of Hearts, but whatever you do . . . don't lose your head!Lewis Carroll's classic characters spring to life in an enchanting show for the whole family, bursting with music, madness and mystery.Simon Reade's adaptation of Lewis Carroll's much-loved fantasy classic Alice's Adventures in Wonderland is a witty and brilliantly inventive re-working, which won the TMA Award for Best Show for Young People.
Adapting Macbeth: A Cultural History (Shakespeare and Adaptation)
by William C. CarrollIn this study, William C. Carroll analyses a wide range of adaptations and appropriations of Macbeth across different media to consider what it is about the play that compels our desire to reshape it. Arguing that many of these adaptations attempt to 'improve' or 'correct' the play's perceived political or aesthetic flaws, Carroll traces how Macbeth's popularity and adaptability stems from several of its formal features: its openly political nature; its inclusion of supernatural elements; its parable of the dangers of ambition; its violence; its brevity; and its domestic focus on a husband and wife. The study ranges across elite and popular culture divides: from Sir William Davenant's adaptation for the Restoration stage (1663–4), an early 18th-century novel, The Secret History of Mackbeth and Verdi's Macbeth, through to 20th- and 21st-century adaptations for stage and screen, as well as contemporary novelizations, young adult literature and commercial appropriations that testify to the play's absorption into contemporary culture.
Adapting Macbeth: A Cultural History (Shakespeare and Adaptation)
by William C. CarrollIn this study, William C. Carroll analyses a wide range of adaptations and appropriations of Macbeth across different media to consider what it is about the play that compels our desire to reshape it. Arguing that many of these adaptations attempt to 'improve' or 'correct' the play's perceived political or aesthetic flaws, Carroll traces how Macbeth's popularity and adaptability stems from several of its formal features: its openly political nature; its inclusion of supernatural elements; its parable of the dangers of ambition; its violence; its brevity; and its domestic focus on a husband and wife. The study ranges across elite and popular culture divides: from Sir William Davenant's adaptation for the Restoration stage (1663–4), an early 18th-century novel, The Secret History of Mackbeth and Verdi's Macbeth, through to 20th- and 21st-century adaptations for stage and screen, as well as contemporary novelizations, young adult literature and commercial appropriations that testify to the play's absorption into contemporary culture.