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Xueqin and Xakespeare: Reading The Story of the Stone through Hamlet (Routledge Studies in Comparative Literature)
by Judith ForsythThis monograph offers a detailed consideration of the five-volume novel written by Cao Xueqin and translated into English as The Story of the Stone, when read through William Shakespeare’s drama Hamlet, Prince of Denmark, A Tragedy in Five Acts. The book builds on the superlative David Hawkes/John Minford English language translation, which is inspired by resonances between the English Shakespearean literary heritage and the dynasties-old Chinese literary tradition inherited by Cao Xueqin. The Introduction sets out the potential for the significant cultural exchange between these two great literary works, each an inexhaustible inspiration of artistic and scholarly re-interpretation. Two chapters bring into consideration two universal literary themes: patriarchy – filial obedience and family honour, and tragic romantic love. These chapters are structured so that a key episode in Hamlet provides the initial perspective, which is then carried through to an episode in The Story of the Stone which offers points of complementarity: in-depth interpretation draws on inter-textual, historical and contemporary contexts referenced from the immense body of scholarly research which has accumulated around these iconic works. The third chapter proposes a new reading of the problematic ‘shrew’ character in the novel, Wang Xi-feng, through tracing the similarities of the structure of the narration of her life and death with a Shakespearean five-act tragedy.
Year 10 (Modern Plays)
by Simon VinnicombeGripping drama of teenage struggle by talented new writer'I walk to parks and stare into space...just stand there and sometimes I cry, so much that I feel I might not ever stop . . . I stand in the parks with all the fruit bowls, drinking Special Brew and talking to themselves, I'm like a disappointed old man and I'm fifteen years old...'In the suburbs of south London, Jack moves to a new school where he is confronted by aggression, violence and anger. He dreams that time would speed up and hurry by, but then he meets Jamie. And suddenly she makes him wish time could just slow down and stop. An emotionally-charged, bruising yet tender story of the journey of a year in the life of a fifteen year old boy.'captures all the frustration, anger and fear of the introspective, put-upon teenager, and the helplessness of parents and teachers . . . I believed every word. Which is truly terrifying' Lyn Gardner, Guardian
Year 10 (Modern Plays)
by Simon VinnicombeGripping drama of teenage struggle by talented new writer'I walk to parks and stare into space...just stand there and sometimes I cry, so much that I feel I might not ever stop . . . I stand in the parks with all the fruit bowls, drinking Special Brew and talking to themselves, I'm like a disappointed old man and I'm fifteen years old...'In the suburbs of south London, Jack moves to a new school where he is confronted by aggression, violence and anger. He dreams that time would speed up and hurry by, but then he meets Jamie. And suddenly she makes him wish time could just slow down and stop. An emotionally-charged, bruising yet tender story of the journey of a year in the life of a fifteen year old boy.'captures all the frustration, anger and fear of the introspective, put-upon teenager, and the helplessness of parents and teachers . . . I believed every word. Which is truly terrifying' Lyn Gardner, Guardian
A Year of Shakespeare: Re-living the World Shakespeare Festival
by Paul Edmondson Paul Prescott Erin SullivanA Year of Shakespeare gives a uniquely expert and exciting overview of the largest Shakespeare celebration the world has ever known: the World Shakespeare Festival 2012. This is the only book to describe and analyse each of the Festival's 73 productions in well-informed,lively reviews by eminent and up-and-coming scholars and critics from the UK and around the world. A rich resource of critical interest to all students, scholars and lovers of Shakespeare, the book also captures the excitement of this extraordinary event.A Year of Shakespeare provides:• a ground-breaking collection of Shakespearean reviews, covering all of the Festival's productions;• a dynamic visual record through a wide range of production photographs;• incisive analysis of the Festival's significance in the wider context of the Cultural Olympiad 2012.All the world really is a stage, and it's time for curtain-up…
A Year of Shakespeare: Re-living the World Shakespeare Festival
by Paul Edmondson Paul Prescott Erin SullivanA Year of Shakespeare gives a uniquely expert and exciting overview of the largest Shakespeare celebration the world has ever known: the World Shakespeare Festival 2012. This is the only book to describe and analyse each of the Festival's 73 productions in well-informed,lively reviews by eminent and up-and-coming scholars and critics from the UK and around the world. A rich resource of critical interest to all students, scholars and lovers of Shakespeare, the book also captures the excitement of this extraordinary event.A Year of Shakespeare provides:• a ground-breaking collection of Shakespearean reviews, covering all of the Festival's productions;• a dynamic visual record through a wide range of production photographs;• incisive analysis of the Festival's significance in the wider context of the Cultural Olympiad 2012.All the world really is a stage, and it's time for curtain-up…
The 'Year Of The Monkey' And Other Plays: The Year of the Monkey , Designs for Living , Sodom (Modern Plays)
by Claire DowieThe latest collection of plays from "the female counterpart to Quentin Crisp" (Evening Standard)The Year of the Monkey, originally written for BBC Radio 3, comprises Bonfire Night, in which a daughter takes her sweet revenge; Arsehammers, where a grandson is sure that his grandfather's strange disappearances reveal supernatural powers, The Allotment, in which a quiet community of pensioners create a radical, anarchic commune by mistake, and The Year of the Monkey, where a mother yearns for some bad behaviour to puncture the boredom of her middle-class life.Designs for Living is a modern love story, challenging conventions of identity and sexuality.Sodom reveals Old Testament morality alive and well in middle England."Claire Dowie is the supreme advocate of rebellion. She debunks conformity, non-conformity - or almost anything which can be defined" - The Stage"She makes you laugh as she kicks you in the teeth" - Guardian
The 'Year Of The Monkey' And Other Plays: The Year of the Monkey , Designs for Living , Sodom (Modern Plays)
by Claire DowieThe latest collection of plays from "the female counterpart to Quentin Crisp" (Evening Standard)The Year of the Monkey, originally written for BBC Radio 3, comprises Bonfire Night, in which a daughter takes her sweet revenge; Arsehammers, where a grandson is sure that his grandfather's strange disappearances reveal supernatural powers, The Allotment, in which a quiet community of pensioners create a radical, anarchic commune by mistake, and The Year of the Monkey, where a mother yearns for some bad behaviour to puncture the boredom of her middle-class life.Designs for Living is a modern love story, challenging conventions of identity and sexuality.Sodom reveals Old Testament morality alive and well in middle England."Claire Dowie is the supreme advocate of rebellion. She debunks conformity, non-conformity - or almost anything which can be defined" - The Stage"She makes you laugh as she kicks you in the teeth" - Guardian
Year of the Rat (Oberon Modern Plays)
by Roy Smiles1948: George Orwell is attempting to finish his final novel - Nineteen Eighty Four - before ill-health forces him off the solated Scottish island he has made his home. Holed up with a shotgun and literary-circle bombshell Sonia Brownell for company he’s desperately hoping for a last chance at happiness.But George is no womaniser and is sure to make a hash of things particularly after his childhood friend and notorious lecher Cyril Connolly turns up. Will he seduce Sonia or will Cyril scupper his plans? Can he survive his friends, both real and imaginary, and finish his masterpiece before death comes knocking? Year of the Rat had its UK premiere at West Yorkshire Playhouse in March 2008.
Years of Sunlight (Oberon Modern Plays)
by Michael McLean‘I told you it’d happen. In this town. It’d come to fruition. It’s like rivers of blood with Scousers’ Skelmersdale, Lancashire. Haunted by memories of his closest friend Emlyn, Paul returns to the ashes of his childhood home in a Liverpool overspill estate and implores his mother to leave it all behind. Envisaged by the government as “social utopias” in the 1960s, towns like Skelmersdale promised visionary housing and opportunities for thousands of Liverpudlians uprooted from their overcrowded city. Traversing a 30-year friendship, Years of Sunlight is a haunting cry for those left feeling shipwrecked from their old communities and abandoned by the post-industrial political system.
Yeats’s Legacies: Yeats Annual No. 21 (PDF)
by Warwick GouldThe two great Yeats Family Sales of 2017 and the legacy of the Yeats family’s 80-year tradition of generosity to Ireland’s great cultural institutions provide the kaleidoscope through which these advanced research essays find their theme. Hannah Sullivan’s brilliant history of Yeats’s versecraft challenges Poundian definitions of Modernism; Denis Donoghue offers unique family memories of 1916 whilst tracing the political significance of the Easter Rising; Anita Feldman addresses Yeats’s responses to the Rising’s appropriation of his symbols and myths, the daring artistry of his ritual drama developed from Noh, his poetry of personal utterance, and his vision of art as a body reborn rather than a treasure preserved amid the testing of the illusions that hold civilizations together in ensuing wars. Warwick Gould looks at Yeats as founding Senator in the new Free State, and his valiant struggle against the literary censorship law of 1929 (with its present-day legacy of Irish anti-blasphemy law still presenting a constitutional challenge). Drawing on Gregory Estate documents, James Pethica looks at the evictions which preceded Yeats’s purchase of Thoor Ballylee in Galway; Lauren Arrington looks back at Yeats, Ezra Pound, and the Ghosts of The Winding Stair (1929) in Rapallo. Having co-edited both versions of A Vision, Catherine Paul offers some profound reflections on ‘Yeats and Belief’. Grevel Lindop provides a pioneering view of Yeats’s impact on English mystical verse and on Charles Williams who, while at Oxford University Press, helped publish the Oxford Book of Modern Verse. Stanley van der Ziel looks at the presence of Shakespeare in Yeats’s Purgatory. William H. O’Donnell examines the vexed textual legacy of his late work, On the Boiler while Gould considers the challenge Yeats’s intentionalism posed for once-fashionable post-structuralist editorial theory. John Kelly recovers a startling autobiographical short story by Maud Gonne. While nine works of current biographical, textual and literary scholarship are reviewed, Maud Gonne is the focus of debate for two reviewers, as are Eva Gore-Booth, Constance and Casimir Markievicz, Rudyard Kipling, David Jones, T. S. Eliot and his presence on the radio.
Yellow Moon: The Ballad Of Leila And Lee
by David GreigYellow Moon is a modern Bonnie and Clyde tale that follows the fortunes of two teenagers on the run. Silent Leila is an introverted girl who has a passion for celebrity magazines. Stag Lee Macalinden is the deadest of dead-end kids in a dead-end town. They never meant to get mixed up in a murder... but now they need a place to hide.Yellow Moon explores what it means to live in a celebrity-obsessed world and what it is that defines who you are when you're 17 years old. The play premiered at the Circle Studio of Citizens' Theatre, Glasgow, in September 2006, and won the 2008 Brain Way Award for Best Play for Young People.
Yer Granny (Oberon Modern Plays)
by Douglas MaxwellYer Granny is a riotous new comedy about a diabolical 100-year-old granny who’s literally eating her family out of house and home. She’s already eaten their fish and chip shop into bankruptcy and now she’s working her way through their kitchen cupboards, pushing the Russo family to desperate measures just to survive beyond 1977. As proud head of the family, Cammy is determined that The Minerva Fish Bar will rise again and that family honour will be restored – and all in time for the Queen’s upcoming Jubilee visit. But before Cammy’s dream can come true and before Her Maj can pop in for a chat, a single sausage and a royal seal of approval, the family members must ask themselves how far they will go to solve a problem like Yer Granny.
Yerma: Blood Wedding; Yerma; Dona Rosita The Spinster (Student Editions)
by Federico Garcia LorcaYerma (meaning 'Barren') is one of three tragic plays about peasants and rural life that make up Lorca's 'rural trilogy'. It is possibly Lorca's harshest play following a woman's Herculean struggle against the curse of infertility. The woman's barrenness becomes a metaphor for her marriage in a traditional society that denies women sexual or social equality. Her desperate desire for a child drives her to commit a terrible crime at the end of the play.
Yerma (Student Editions)
by Federico Garcia Lorca Gwynne EdwardsYerma (meaning 'Barren') is one of three tragic plays about peasants and rural life that make up Lorca's 'rural trilogy'. It is possibly Lorca's harshest play following a woman's Herculean struggle against the curse of infertility. The woman's barrenness becomes a metaphor for her marriage in a traditional society that denies women sexual or social equality. Her desperate desire for a child drives her to commit a terrible crime at the end of the play.
Yerma (Oberon Modern Plays)
by Federico Garcia Lorca Pam GemsIn a remote Spanish village Yerma, a woman of full of life and passion, longs for a child but is unable to conceive. This compelling and elemental tale of a woman's quest for a child taps into some of the most universal themes of theatre - love, passion, sexuality, marriage. In this adaptation, Pam Gems has stripped the text to the poetic core of Lorca's words in all their epic glory. Vibrant and sweeping, combining elements of dance and song, Yerma is an exhilarating theatrical event.
Yerma (Oberon Modern Plays Ser.)
by Federico García Lorca Ursula Rani SarmaLorca's beautiful and savage play is transplanted from the suffocating heat of Spain to a barren landscape much closer to home, bringing Yerma's anguish at her childlessness into heart-breaking focus. Suffocating in a life void of passion, Yerma turns to unconventional sources for answers. Her innocent yet controversial actions send shockwaves through a tiny and stagnant community. Desperate and unbearably lonely, Yerma commits the ultimate act of rebellion, setting her free yet sealing her unhappy fate forever.
Yerma (Oberon Modern Plays)
by Federico García Lorca Simon Stone"Well we’ve got three floors right. Plenty of room… Room for a children’s bedroom. Room for two."London, the present day. A woman is driven to the unthinkable by her desperate desire to have a child.Written and directed by Simon Stone, this radical new version of Lorca’s tragedy of yearning and loss won universal critical acclaim when it premiered at the Young Vic in July 2016. Yerma triumphed at the 2017 Olivier Awards, with the production winning Best Revival, and Piper winning Best Actress. She also won the Evening Standard Natasha Richardson Award for Best Actress. Maureen Beattie, Brendan Cowell, John MacMillan and Charlotte Randle received unanimous praise for their performances.
Yes? No! Maybe…: Seductive Ambiguity in Dance
by Emilyn ClaidCovering fifty years of British dance, from Margot Fonteyn to innovative contemporary practitioners such as Wendy Houstoun and Nigel Charnock, Yes? No! Maybe is an innovative approach to performing and watching dance. Emilyn Claid brings her life experience and interweaves it with academic theory and historical narrative to create a dynamic approach to dance writing. Using the 1970s revolution of new dance as a hinge, Claid looks back to ballet and forward to British independent dance which is new dance’s legacy. She explores the shifts in performer-spectator relationships, and investigates questions of subjectivity, absence and presence, identity, gender, race and desire using psychoanalytical, feminist, postmodern, post-structuralist and queer theoretical perspectives. Artists and practitioners, professional performers, teachers, choreographers and theatre-goers will all find this book an informative and insightful read.
Yes? No! Maybe…: Seductive Ambiguity in Dance
by Emilyn ClaidCovering fifty years of British dance, from Margot Fonteyn to innovative contemporary practitioners such as Wendy Houstoun and Nigel Charnock, Yes? No! Maybe is an innovative approach to performing and watching dance. Emilyn Claid brings her life experience and interweaves it with academic theory and historical narrative to create a dynamic approach to dance writing. Using the 1970s revolution of new dance as a hinge, Claid looks back to ballet and forward to British independent dance which is new dance’s legacy. She explores the shifts in performer-spectator relationships, and investigates questions of subjectivity, absence and presence, identity, gender, race and desire using psychoanalytical, feminist, postmodern, post-structuralist and queer theoretical perspectives. Artists and practitioners, professional performers, teachers, choreographers and theatre-goers will all find this book an informative and insightful read.
Yes Prime Minister: a play
by Antony Jay Jonathan LynnYes, Minister, and the equally successful sequel Yes, Prime Minister captured a niche in the political consciousness of the nation. First broadcast thirty years ago, the original writers of these classic series have reunited to create a bang up to date Yes, Prime Minister for the stage. Spin, blackberries, sexed-up dossiers, sleaze, global warming and a country on the brink of financial meltdown form the backdrop to mayhem at Chequers as the Foreign Minister of Kumranistan makes a seriously compromising offer of salvation. Prime Minister Jim Hacker remains in power with his coterie of close advisors including Cabinet Secretary Sir Humphrey Appleby and Principal Private Secretary Bernard Woolley, but for how long? They govern a whole new world. Yes, Prime Minister premiered in the Festival Theatre, Chichester, in May 2010.
Yes So I Said Yes (Modern Plays)
by David IrelandIt's harder to kill people when there's a peace process on.Ulster Loyalist Alan Black is kept awake every night by his neighbour McCorrick's dog barking. To add to his difficulties, McCorrick refuses to acknowledge that he even owns a dog, let alone one that is creating a disturbance.In a Northern Ireland he barely recognises, where politics has proved just to be the continuation of war by other means, a disconsolate Alan sets out to rid himself of the incessant noise. As he seeks help from authority figures, he finally – as a very last resort – turns to the only voice he can really trust, Eamonn Holmes…Coinciding with the 100th anniversary of the partition of Ireland and the foundation of Northern Ireland, Yes So I Said Yes is a blackly comic, ferocious, dystopian satire about what it's like to feel alone in a place where everyone else is conspiring to erase you and your history.This edition was published to coincide with the production at London's Finborough Theatre in November 2021.
Yes So I Said Yes (Modern Plays)
by David IrelandIt's harder to kill people when there's a peace process on.Ulster Loyalist Alan Black is kept awake every night by his neighbour McCorrick's dog barking. To add to his difficulties, McCorrick refuses to acknowledge that he even owns a dog, let alone one that is creating a disturbance.In a Northern Ireland he barely recognises, where politics has proved just to be the continuation of war by other means, a disconsolate Alan sets out to rid himself of the incessant noise. As he seeks help from authority figures, he finally – as a very last resort – turns to the only voice he can really trust, Eamonn Holmes…Coinciding with the 100th anniversary of the partition of Ireland and the foundation of Northern Ireland, Yes So I Said Yes is a blackly comic, ferocious, dystopian satire about what it's like to feel alone in a place where everyone else is conspiring to erase you and your history.This edition was published to coincide with the production at London's Finborough Theatre in November 2021.
The Yiddish Queen Lear: AND Woman on the Moon (Oberon Modern Plays Ser.)
by Julia PascalThe Yiddish Queen LearNew York in the late 1930s: a once-famous Yiddish actress gives her theatre business over to her three daughters. The Yiddish Queen Lear is a story of love, infedelity, betrayal and exile, which examines the moment when Jewish East European and American cultures mix, on the eve of the Holocaust. Both a free reworking of Shakespeare’s King Lear and a homage to the lost world of Yiddish theatre, The Yiddish Queen Lear is a vibrant, funny and tragic study of the clashes and connections between two very different worlds."This play is an affecting and electic treat." Evening Standard (The Yiddish Queen Lear)Woman In The MoonSet in the United States, England and Germany, between 1920 and 2001, Woman In The Moon is a dream play inspired by both the legend of Faust and the testimonies of French, Austrian and German survivors from Camp Dora. It explores the connections between the US space programme, the V1 and V2 bombers, and the slave labour in the Third Reich."Brave, intelligent and desperately moving." The Guardian (Woman In The Moon)
Yiddish Theatre: New Approaches (The Littman Library of Jewish Civilization)
by Joel BerkowitzThis volume of essays is the first collection of scholarly studies on the Yiddish theatre to appear in English. Drawing on a variety of academic disciplines, it considers the dramatic and musical repertoire of Yiddish theatre and their historical development, popular and critical reception of productions, and the practice and consequences of state censorship. The time-span covered is broad—from the Middle Ages to the twentieth century—as is the geographical range: Cracow, London, Moscow, New York, St Petersburg, Vienna, and Warsaw. Yiddish Theatre not only presents a comprehensive study of the field but also helps illustrate the significance of the Yiddish theatre as a vital form of expression in the Jewish world. Yiddish drama and theatre has had an enormous capacity to entertain audiences on six continents, while at the same time highlighting social, political, religious, and economic concerns of vital interest to the Jewish people. Yiddish Theatre is a valuable resource for scholars, university students, and general readers interested both in Yiddish theatre specifically and related fields such as Jewish literature and culture, east European history and culture, and European and American theatre. The book contains the most comprehensive bibliography to date of sources relating to the Yiddish theatre.CONTRIBUTORS: Ahuva Belkin, Joel Berkowitz Paola Bertolone, Miroslawa M. Bulat, Brigitte Dalinger, Barbara Henry, John Klier, David Mazower, Leonard Prager, Nahma Sandrow, Nina Warnke, Seth L. Wolitz.
Ying Tong (Play House Ser.)
by Roy SmilesUnder pressure to write The Goon Show to end all Goon shows, Spike Milligan is planning his escape from a mental institution dressed in only his pyjamas.After applying to the British Museum to get his marbles back, he starts to lose his grip on reality and threatens to kill all the Goons. Will his partners in Goon - Harry Secombe and Peter Sellers - be able to stop him?Ying Tong is an hilarious and touching insight into the mind comic genius Spike Milligan who was an inspiration for comedians from Monty Python to The League of Gentlemen and loved by many including Eddie Izzard and Robin Williams.