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Don't. Make. Tea. (Modern Plays)
by Rob DrummondIf you could press a button and one hundred thousand vulnerable citizens died instantly but the rest of the population of the planet was guaranteed prosperity, would you press that button?Chris never wanted to end up here. She's a proud woman and hates asking for help but when her condition deteriorated she had no choice but to claim disability benefits. Ralph believes in the new system. He knows it works. He knows it can work for Chris. He's here today, in her home, to assess her. To prove to her that there has been no mistake – she is fit and capable of working. Chris knows he is wrong. Knows her life will be over if his verdict stands. Can she persuade him to change his mind? And, if not, how far is she willing to go to save herself?Rob Drummond's Don't. Make. Tea. confronts the lengths disabled people must go to in order to preserve themselves in an unjust system.This edition was published to coincide with the Birds of Paradise Theatre Company UK tour, which opened in March 2024.
Don't. Make. Tea. (Modern Plays)
by Rob DrummondIf you could press a button and one hundred thousand vulnerable citizens died instantly but the rest of the population of the planet was guaranteed prosperity, would you press that button?Chris never wanted to end up here. She's a proud woman and hates asking for help but when her condition deteriorated she had no choice but to claim disability benefits. Ralph believes in the new system. He knows it works. He knows it can work for Chris. He's here today, in her home, to assess her. To prove to her that there has been no mistake – she is fit and capable of working. Chris knows he is wrong. Knows her life will be over if his verdict stands. Can she persuade him to change his mind? And, if not, how far is she willing to go to save herself?Rob Drummond's Don't. Make. Tea. confronts the lengths disabled people must go to in order to preserve themselves in an unjust system.This edition was published to coincide with the Birds of Paradise Theatre Company UK tour, which opened in March 2024.
The Dream of a Ridiculous Man (Modern Plays)
by Fyodor DostoevskyMad – Foolish – Ridiculous – I've been called many things.On an uneventful Wednesday in a drab Borough of East London, an ordinary man has a startling revelation: life is an unhappy accident in a meaningless universe.He gets himself a gun.But before he can use it, he dreams of an innocent, alternative earth, where people live in harmony with nature and each other. Elated, he sets out to tell the world about his dream and share his new vision of a happy planet.Dostoevsky's tragic-comic adventure The Dream of a Ridiculous Man is transported to 21st-century London in a one-person tale of wonder with an urgent warning for our world, adapted by Laurence Boswell. A funny and serious story of hope, that with love and trust we can build a better world. Maybe.This edition was published to coincide with the world premiere at London's Marylebone Theatre in March 2024.
The Dream of a Ridiculous Man (Modern Plays)
by Fyodor DostoevskyMad – Foolish – Ridiculous – I've been called many things.On an uneventful Wednesday in a drab Borough of East London, an ordinary man has a startling revelation: life is an unhappy accident in a meaningless universe.He gets himself a gun.But before he can use it, he dreams of an innocent, alternative earth, where people live in harmony with nature and each other. Elated, he sets out to tell the world about his dream and share his new vision of a happy planet.Dostoevsky's tragic-comic adventure The Dream of a Ridiculous Man is transported to 21st-century London in a one-person tale of wonder with an urgent warning for our world, adapted by Laurence Boswell. A funny and serious story of hope, that with love and trust we can build a better world. Maybe.This edition was published to coincide with the world premiere at London's Marylebone Theatre in March 2024.
Zwischen Provinz und Staatstheater: Die Institution des Stadttheaters am Beispiel der Augsburger Bühne zwischen 1877 und 2018 (Theater #167)
by Christine Holl-EnzlerBühnen unter der Trägerschaft einer Stadt bilden die überwiegende Grundlage der Theaterstätten im deutschsprachigen Raum. Am Beispiel des Theaters in Augsburg widmet sich Christine Holl-Enzler erstmals einer umfassenden Erörterung der Institution des Stadttheaters. Gleichzeitig geht sie der Frage nach, ob das Stadttheater als Provinzbühne verstanden wird und nimmt außerdem dessen kulturelle Bedeutung für die Stadtgesellschaft in den Blick. Durch das spezielle Verständnis, das Theater als Institution zu begreifen, bieten sich neue Erkenntnisse für Bühnen in der Provinz, denen der Sprung in den Rang eines Staatstheaters gelingen kann.
Bühne und Möglichkeitsraum: Franz Lehárs »Das Land des Lächelns« am Aalto-Theater Essen, 2019 (Theater #163)
by Lukas Kretschmer»Es könnte alles auch ganz anders sein.« Vom Entwurf und Konzept bis zur Realisierung eines Bühnenbildes ergeben sich unterschiedliche Modellierungen von Möglichkeiten. Lukas Kretschmer dokumentiert den bühnenbildnerischen Entwurfsprozess zu Franz Lehárs Operette »Das Land des Lächelns« am Aalto-Theater Essen (2019), umgesetzt als künstlerische Forschung. Dabei ist der konkrete Bühnenraum des Theaters sowohl als Entscheidungsraum wie auch - zusammen mit dem Bühnenbildentwurf - als Teil eines Möglichkeitsraums zentrales Element der künstlerisch-forschenden Praxis. Am Beispiel des explorativen Einzelfalls wird deutlich, wie ein solcher Möglichkeitsraum als Ausdruck von Konzept und Wahrnehmung entwickelt und erfahren werden kann.
The Art of Movement: Rudolf Laban’s Unpublished Writings
by Dick McCawThe Art of Movement: Rudolf Laban’s Unpublished Writings offers new perspectives on the thinking and practice of Rudolf Laban – one of the pioneers of modern European dance and movement analysis. A wealth of Laban’s previously untranslated writings broadens our understanding of his work through new perspectives on his thinking and practice. Alongside these key primary sources, interviews with Laban’s family and colleagues and editorial commentaries shed new light on the significance of his life and career. Laban’s own texts also offer further elaboration of the key themes of his work – eukinetics, choreutics, lay dance, pedagogy and dance notation. This essential companion to The Laban Sourcebook is an ideal resource for any students or scholars of modern dance, dance studies, dance history and movement analysis looking for a deeper understanding of this seminal figure in their field.
Genre Transgressions: Dialogues on Tragedy and Comedy (ISSN)
by Ramona Mosse Anna StreetThis collection gathers a set of provocative essays that sketch innovative and interdisciplinary approaches to Genre Theory in the 21st century. Focusing on the interaction between tragedy and comedy, both renowned and emerging scholarly and creative voices from philosophy, theater, literature, and cultural studies come together to engage in dialogues that reconfigure genre as social, communal, and affective.In revisiting the challenges to aesthetic categorization over the course of the 20th century, this volume proposes a shift away from the prescriptive and hierarchical reading of genre to its crucial function in shaping thought and enabling shared experience and communication. In doing so, the various essays acknowledge the diverse contexts within which genre needs to be thought afresh: media studies, rhetoric, politics, performance, and philosophy.
The Routledge Companion to the Anthropology of Performance (Routledge Companions)
by Lauren Miller David SyringThe Routledge Companion to the Anthropology of Performance provides a cutting-edge, comprehensive overview of the foundations, epistemologies, methodologies, key topics and current debates, and future directions in the field. It brings together work from the disciplines of anthropology and performance studies, as well as adjacent fields. Across 31 chapters, a diverse range of international scholars cover topics including: Ritual Theater Storytelling Music Dance Textiles Land Acknowledgments Indigenous Identity Visual Arts Embodiment Cognition Healing Festivals Politics Activism The Law Race and Ethnicity Gender and Sexuality Class Religion, Spirituality, and Faith Disability Leisure, Gaming, and Sport In addition, the included Appendix offers tools, exercises, and activities designed by contributors as useful suggestions to readers, both within and beyond academic contexts, to take the insights of performance anthropology into their work. This is a valuable reference for scholars and upper-level students in anthropology, performance studies, and related disciplines, including religious studies, art, philosophy, history, political science, gender studies, and education.
To Repair the World: Zelda Fichandler and the Transformation of American Theater (ISSN)
by Mary B. RobinsonThis book is a biography in the form of an oral history about a woman whose founding of Arena Stage in Washington, DC in 1950 shifted live professional theater away from Broadway and inspired the creation of non-profit theaters around the country. Dianne Wiest, James Earl Jones, Stacy Keach, and Jane Alexander, among many others, share their memories of this intrepid pioneering woman during Arena Stage’s early years.As Head of New York University’s Graduate Acting Program for 25 years, Zelda Fichandler also trained a younger generation of gifted actors. Marcia Gay Harden, Rainn Wilson, Mahershala Ali, and other developing actors who became “artist-citizens” under her guidance, talk about the ways in which she transformed their lives.Theater practitioners who have lived during Zelda Fichandler’s time will find this book a fascinating and entertaining read––as will all theater lovers, especially those in Washington, DC. And through this vivid and compelling oral history, students and aspiring artists will come to grasp how the theatrical past can shed essential light on the theater of today and tomorrow.
To Repair the World: Zelda Fichandler and the Transformation of American Theater (ISSN)
by Mary B. RobinsonThis book is a biography in the form of an oral history about a woman whose founding of Arena Stage in Washington, DC in 1950 shifted live professional theater away from Broadway and inspired the creation of non-profit theaters around the country. Dianne Wiest, James Earl Jones, Stacy Keach, and Jane Alexander, among many others, share their memories of this intrepid pioneering woman during Arena Stage’s early years.As Head of New York University’s Graduate Acting Program for 25 years, Zelda Fichandler also trained a younger generation of gifted actors. Marcia Gay Harden, Rainn Wilson, Mahershala Ali, and other developing actors who became “artist-citizens” under her guidance, talk about the ways in which she transformed their lives.Theater practitioners who have lived during Zelda Fichandler’s time will find this book a fascinating and entertaining read––as will all theater lovers, especially those in Washington, DC. And through this vivid and compelling oral history, students and aspiring artists will come to grasp how the theatrical past can shed essential light on the theater of today and tomorrow.
Reading Lessons: The books we read at school, the conversations they spark and why they matter
by Carol AthertonAn English teacher's love letter to reading and the many ways literature can make us, and our lives, better.How can a Victorian poem help teenagers understand YouTube misogyny? Can Jane Eyre encourage us to speak out? What can Lady Macbeth teach us about empathy? Should our expectations for our future be any greater than Pip’s? And why is it so important to make space for these conversations in the first place?In a career spanning almost three decades, English teacher Carol Atherton has taught generations of students texts that will be familiar to many of us from our own schooldays. But while the staples of exam syllabuses and reading lists remain largely unchanged, their significance – and their relevance – evolves with each class, as it encounters them for the first time.Each chapter of Reading Lessons invites us to take a fresh look at these novels, plays and poems, revealing how they have shaped our beliefs, our values, and how we interact as a society. As she recalls her own development as a teacher, Atherton emphasizes the vital, undervalued role a teacher plays, illustrates how essential reading is for developing our empathy and makes a passionate case for the enduring power of literature.'Beautifully written, sensitive and full of warmth ... A vital point of reflection for anyone who has taught, or been taught, English literature' Jeffrey Boakye'A love letter to literature itself ... At a time when English is under attack as an academic subject, Carol Atherton’s powerful defence of it reminds us what we are in danger of losing' Robert Douglas-Fairhurst, author of The Turning Point
Staging Restoration Comedy: The Royal Shakespeare Company, 1967-2019
by David RobertsSince its 1967 production of Vanbrugh’s The Relapse, the Royal Shakespeare Company has been the world’s leading producer of Restoration Comedies. This book is the first to document and critique the company’s history of engagement with that repertoire. It reviews the spaces in which productions have been performed, design principles, casting, voicing, textual adaptation, musical direction, actor perspectives, and the problems of how to confront, adopt or depart from received notions of Restoration style. It goes on to posit that, for all the RSC’s explorations of Restoration Comedy, the company has maintained the repertoire as a fringe interest played out in niche spaces, while recycling many of the assumptions it claims to challenge, and that what is needed is the writer-led intervention seen in RSC and National Theatre adaptations of French drama from the same period. Only then can Restoration Comedy begin to engage wider audiences in new sites of political, historical andcultural meaning.
Coward the Dramatist: Morals and Manners (Bernard Shaw and His Contemporaries)
by Roger KojeckyDiscussions of Coward’s achievement in the theatre between 1920 and 1966 have tended to stay with the colourful biography. The more analytical literary approach adopted here places Coward’s success in its wider theatrical context, making the connections with the work of other dramatists. He developed his technique according to what worked with theatre audiences. Taking up the well-made play, he brought in a more colloquial dialogue, explored, for instance, the morality and psychology of marriage and free love, and frequently exploited the dramatic possibilities of characters grouped into two camps. The book considers both the ‘pleasant’ and ‘unpleasant’ plays (to use the Shavian terms), and the episodic patriotic plays. It Includes Coward’s ambivalent approach to the ‘theatre of war’ in the 20th century. (123)
Contemporary Farce on the Global Stage: or, Serious Laughter
by David GramContemporary Farce on the Global Stage provides audiences and practitioners a detailed survey of how the genre of farce has evolved in the 21st century. Often dismissed as frivolous, farce speaks a universal language, with the power to incisively interrogate our world through laughter.Unlike farces of the past, where a successful resolution was a given and we could laugh uproariously at adulterous behaviour, farce no longer guarantees an audience a happy ending where everything works out. Contemporary farce is no longer ‘diverting us’ with laughter. It is reflecting the fractured world around us. With a foreword by award-winning playwright Ken Ludwig, the book introduces readers to the Mechanics of Farce, and the ‘Four Ps,’ which are key elements for understanding, appreciating, and exploring the form. The Five Doors to Contemporary Farce identify five major categories into which farces fall. Behind each door are a wide selection of plays, modern and contemporary examples from all over the world, written by a diverse group of playwrights who traverse gender, race, ethnicity, and sexual orientation. Supplementing each section are comments, observations, and reflections from award-winning playwrights, directors, actors, designers, dramaturgs, and scholars.Designed specifically to give theatre-makers a rounded understanding that will underpin their own productions, this book will also be of use to theatre and performance studies students.
Mind Mangler: Member of the Tragic Circle (Modern Plays)
by Mr Henry Lewis Mr Henry Shields Jonathan SayerHenry Lewis and Jonathan Sayer, the multi award-winning team behind the sold-out global smash hit The Play That Goes Wrong and the BBC comedy series The Goes Wrong Show, star in this hilarious new comedy by Mischief.Join the 'Mind Mangler' as he returns to the stage following a disappointing two-night run at the Luton Holiday Inn conference centre, suite 2b. His new two-man show solo spectacular is predicted to spiral into chaos as he attempts to read your mind...Following a sold out run at the Edinburgh Festival this summer, Mind Mangler is a guaranteed night of 'laugh filled, mind-bending silliness' (Broadway World) that will leave you gasping for breath. Not to be missed!
Mind Mangler: Member of the Tragic Circle (Modern Plays)
by Mr Henry Lewis Mr Henry Shields Jonathan SayerHenry Lewis and Jonathan Sayer, the multi award-winning team behind the sold-out global smash hit The Play That Goes Wrong and the BBC comedy series The Goes Wrong Show, star in this hilarious new comedy by Mischief.Join the 'Mind Mangler' as he returns to the stage following a disappointing two-night run at the Luton Holiday Inn conference centre, suite 2b. His new two-man show solo spectacular is predicted to spiral into chaos as he attempts to read your mind...Following a sold out run at the Edinburgh Festival this summer, Mind Mangler is a guaranteed night of 'laugh filled, mind-bending silliness' (Broadway World) that will leave you gasping for breath. Not to be missed!
Shakespeare's adolescents: Age, gender and the body in Shakespearean performance and early modern culture
by Victoria SpareyShakespeare’s adolescents examines the varied representation of adolescent characters in Shakespeare’s plays. Using early modern medical knowledge and an understanding of contemporary theatrical practices, the book unpacks complexities that surrounded the cultural and theatrical representations of ‘signs’ associated with an individual’s physical maturation. Each chapter explores the implications of different ‘signs’ of puberty, in verbal cues, facial adornments, vocal traits and body sizes, to illuminate how Shakespeare presents vibrant adolescent selves and stories.By analysing female and male puberty together in its discussion of adolescence, Shakespeare’s adolescents provides fresh insight into the age-based symmetry of early modern adolescent identities. The book uses the adolescent’s state of transformation to illuminate how the unfixed nature of adolescence was valued in early modern culture and through Shakespeare’s celebrated characters and actors.
Shakespeare's adolescents: Age, gender and the body in Shakespearean performance and early modern culture
by Victoria SpareyShakespeare’s adolescents examines the varied representation of adolescent characters in Shakespeare’s plays. Using early modern medical knowledge and an understanding of contemporary theatrical practices, the book unpacks complexities that surrounded the cultural and theatrical representations of ‘signs’ associated with an individual’s physical maturation. Each chapter explores the implications of different ‘signs’ of puberty, in verbal cues, facial adornments, vocal traits and body sizes, to illuminate how Shakespeare presents vibrant adolescent selves and stories.By analysing female and male puberty together in its discussion of adolescence, Shakespeare’s adolescents provides fresh insight into the age-based symmetry of early modern adolescent identities. The book uses the adolescent’s state of transformation to illuminate how the unfixed nature of adolescence was valued in early modern culture and through Shakespeare’s celebrated characters and actors.
Macbeth: The New Oxford Shakespeare (Oxford World's Classics)
by William Shakespeare'Will all great Neptune's ocean wash this blood clean from my hand?' Dark and violent, Macbeth is a restless, haunting exploration of the human costs of violence and power. One of the most theatrically spectacular of Shakespeare's plays, Macbeth has endured as a psychologically and supernaturally sinister work. Emma Smith's introduction considers the historical and contemporary contexts of the play, from the influence of the Gunpowder Plot as an act of domestic terrorism, to the combination of banal domesticity and pure horror in the play's setting and events. The New Oxford Shakespeare offers authoritative editions of Shakespeare's works with introductory materials designed to encourage new interpretations of the plays and poems. Using the text from the landmark The New Oxford Shakespeare Complete Works: Modern Critical Edition, these volumes offer readers the latest thinking on the authentic texts (collated from all surviving original versions of Shakespeare's work) alongside innovative introductions from leading scholars. The texts are accompanied by a comprehensive set of critical apparatus to give readers the best resources to help understand and enjoy Shakespeare's work. ABOUT THE SERIES: For over 100 years Oxford World's Classics has made available the widest range of literature from around the globe. Each affordable volume reflects Oxford's commitment to scholarship, providing the most accurate text plus a wealth of other valuable features, including expert introductions by leading authorities, helpful notes to clarify the text, up-to-date bibliographies for further study, and much more.
Utpal Dutt and Political Theatre in Postcolonial India (Elements in Theatre, Performance and the Political)
by null Mallarika Sinha RoyAmong the most significant playwrights and theatre-makers of postcolonial India, Utpal Dutt (1929–1993), was an early exponent of rethinking colonial history through political theatre. Dutt envisaged political theatre as part of the larger Marxist project, and his incorporation of new developments in Marxist thinking, including the contributions of Antonio Gramsci, makes it possible to conceptualise his protagonists as insurgent subalterns. A decolonial approach to staging history remained a significant element in Dutt's artistic project. This Element examines Dutt's passionate engagement with Marxism and explores how this sense of urgency was actioned through the writing and producing of plays about the peasant revolts and armed anti-colonial movements which took place during the period of British rule. Drawing on contemporary debates in political theatre regarding the autonomy of the spectator and the performance of history, the author locates Dutt's political theatre in a historical frame.
Crisis Theatre and The Living Newspaper (Elements in Theatre, Performance and the Political)
by null Sarah Jane Mullan null Sarah BartleyCrisis Theatre and The Living Newspapers traces a history of the living newspaper as a theatre of crisis from Soviet Russia (1910s), through the Federal Theatre Project of the Great Depression in America (1930s), to Augusto Boal's teatro jornal in Brazil (1970s), and its resonance with documentary forms deployed in the final years of apartheid in South Africa (1990s), up until the present day in the UK (2020s). Across this Element, the author is interested in what a transnational and transhistorical examination of the living newspaper through the lens of crisis reveals about the ways in which theatre can intervene in our collective social, economic and political life. By holding these diverse examples together, the author asserts the Living Newspaper as a form of Crisis Theatre.
Macbeth: The New Oxford Shakespeare (Oxford World's Classics)
by William Shakespeare'Will all great Neptune's ocean wash this blood clean from my hand?' Dark and violent, Macbeth is a restless, haunting exploration of the human costs of violence and power. One of the most theatrically spectacular of Shakespeare's plays, Macbeth has endured as a psychologically and supernaturally sinister work. Emma Smith's introduction considers the historical and contemporary contexts of the play, from the influence of the Gunpowder Plot as an act of domestic terrorism, to the combination of banal domesticity and pure horror in the play's setting and events. The New Oxford Shakespeare offers authoritative editions of Shakespeare's works with introductory materials designed to encourage new interpretations of the plays and poems. Using the text from the landmark The New Oxford Shakespeare Complete Works: Modern Critical Edition, these volumes offer readers the latest thinking on the authentic texts (collated from all surviving original versions of Shakespeare's work) alongside innovative introductions from leading scholars. The texts are accompanied by a comprehensive set of critical apparatus to give readers the best resources to help understand and enjoy Shakespeare's work. ABOUT THE SERIES: For over 100 years Oxford World's Classics has made available the widest range of literature from around the globe. Each affordable volume reflects Oxford's commitment to scholarship, providing the most accurate text plus a wealth of other valuable features, including expert introductions by leading authorities, helpful notes to clarify the text, up-to-date bibliographies for further study, and much more.
Fitting and Pattern Alteration: A Multi-Method Approach to the Art of Style Selection, Fitting, and Alteration - with STUDIO
by Judith Rasband Elizabeth Liechty Della Pottberg-SteineckertFitting and Pattern Alteration: A Multi-Method Approach to the Art of Style Selection, Fitting, and Alteration, Fourth Edition, shows readers how to recognize, evaluate, and correct fit for a variety of body types, sizes, for women, men, and children. This comprehensive guide presents proven methods of style selection, fitting, and alteration. The authors use a multi-level approach that is both logical and easy to follow, and each procedure is clearly identified and fully illustrated with a second color added to clarify the procedure and show directional measuring. Each figure is drawn to scale ensuring consistency and accuracy. The cause for the fitting problem is clearly identified and explained--giving readers the why behind each fitting procedure. Highlights of this edition include discussions of sustainable practices, body diversity, and now includes examples for menswear and childrenswear. New to this Edition -Discusses sustainable practices, in accordance with industry standards -Now includes diverse body sizes, body types, and discussions around body positivity -Newly added examples for menswear and childrenswear STUDIO Features Include-Study smarter with self-quizzes featuring scored results and personalized study tips -Review concepts with flashcards of terms and definitions Instructor Resources-Instructor's Guide to help integrate the text into your classroom-PowerPoint Slides for every chapter
Shakespeare for Every Night of the Year
by Colin SalterImmerse yourself in the sublime words of the Bard with this sumptuous anthology of Shakespeare, with one entry for every night of the year. Chosen especially by a Shakespeare fanatic to reflect the changing seasons and daily events, the entries in this glorious book include: Romeo and Juliet on Valentine's Day. A Midsummer Night's Dream in Midsummer. The witches of Macbeth around their cauldron on Halloween. Also featured is one of Shakespeare's only two mentions of football for the anniversary of the first FA cup final. Beautifully illustrated with favourite scenes from Shakespeare's best-loved plays, this magnificent volume is a fun introduction to the well-known work and lesser known plays and poetry and is designed to be accessible to both adults and curious children. Keep this book by your bedside and luxuriate in the rich language of the greatest writer the world has ever known, for entertainment, relaxation and timeless wisdom every night of the year.