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Tony Harrison Plays 2: The Misanthrope; Phaedra Britannica; The Prince's Plays
by Tony HarrisonThis second collection of Tony Harrison's poetry for the stage contains his adaptations of Molière, Racine and Victor Hugo. Included are the plays The Misanthrope, Phaedra Britannica and The Prince's Plays.The volume contains introductions, written by Tony Harrison, to each of the plays.
Tony Harrison Plays 6: Hecuba; Fram; Iphigenia in Crimea
by Tony HarrisonTony Harrison's sixth collection includes a foreword by Lee Hall. The book contains Harrison's translation of Euripides's Hecuba, which inaugurated the modern amphitheatre of Delphi in 2005; the remarkable Fram, which opened at the National Theatre in 2008; and Iphigenia in Crimea, after Euripides, which premiered on BBC Radio 3 to mark Tony Harrison's eightieth birthday in 2016.'Tony is that incredibly rare beast: as great a playwright as he is a poet.' Lee Hall 'I am convinced that Tony Harrison is one of the truly great poets writing in English today.' Melvyn BraggHecuba 'Harrison's urgent translation never lets us forget the aching topicality of Euripides' study of the powerful and the powerless.' Guardian Fram'Harrison brings gloriously rich life to the stage, by turns funny and rending. His couplets are a feast for rhyme junkies.' Financial Times'As visually resplendent a piece of theatre as you will see all year. The words more than hold their own, however, expressing in rhymes to be relished that poetry might yet, if not lead us out of the darkness, at least make us feel ashamed we're still stuck in it.' Sunday Times Iphigenia in Crimea Set in Sebastapol, 1854, inthe midst of the Crimean war, a lieutenant decides to stage an all-male production of Euripides's tragedy. After initial raucous incredulity, the atmosphere changes as the men commit themselves to the drama until, as it draws to a close, ancient and modern worlds collide and warfare resumes in earnest.
Too Fast: Plays For Young People: Frank And Ferdinand; Gap; Cloud Busting; Those Legs; Shooting Truth; Bassett; Gargantua; Children Of Killers; The Beauty Manifesto; Too Fast (Play Anthologies Ser.)
by Douglas MaxwellTeachers' Notes by Anthony BanksSensation Nation is a vocal group founded and led by the unstoppable DD. Her grand plan is for the group to storm next year’s Britain’s Got Talent. But first they need a gig, and more importantly a heartbreaking backstory that will win them votes later on down the line. So she’s booked them in to sing at a funeral. And not just any funeral either. Sensation Nation is to sing at the funeral of Ali Monroe, an older girl from their school who was killed in a car crash.Too Fast is an ensemble comedy for young performers with a strong emotional heart and a huge theatrical reveal in the final scene. It was originally produced as part of National Theatre Connections 2011.
Top Girls (Modern Classics)
by Caryl ChurchillMarlene hosts a dinner party in a London restaurant to celebrate her promotion to managing director of 'Top Girls' employment agency. Her guests are five women from the past: Isabella Bird (1831- 1904) - the adventurous traveller; Lady Nijo (b1258) - the mediaeval courtesan who became a Buddhist nun and travelled on foot through Japan; Dull Gret, who as Dulle Griet in a Bruegel painting, led a crowd of women on a charge through hell; Pope Joan - the transvestite early female pope and last but not least Patient Griselda, an obedient wife out of Chaucer's Canterbury Tales. As the evening continues we are involved with the stories of all five women and the impending crisis in Marlene's own life. A classic of contemporary theatre, Churchill's play is seen as a landmark for a new generation of playwrights. It was premiered by the Royal Court in 1982."Top Girls has a combination of directness and complexity which keeps you both emotionally and intellectually alert. You can smell life, and at the same time feel locked in an argument with an agile and passionate mind." (John Peter, Sunday Times)
Top Girls (Modern Classics)
by Caryl ChurchillMarlene hosts a dinner party in a London restaurant to celebrate her promotion to managing director of 'Top Girls' employment agency. Her guests are five women from the past: Isabella Bird (1831- 1904) - the adventurous traveller; Lady Nijo (b1258) - the mediaeval courtesan who became a Buddhist nun and travelled on foot through Japan; Dull Gret, who as Dulle Griet in a Bruegel painting, led a crowd of women on a charge through hell; Pope Joan - the transvestite early female pope and last but not least Patient Griselda, an obedient wife out of Chaucer's Canterbury Tales. As the evening continues we are involved with the stories of all five women and the impending crisis in Marlene's own life. A classic of contemporary theatre, Churchill's play is seen as a landmark for a new generation of playwrights. It was premiered by the Royal Court in 1982."Top Girls has a combination of directness and complexity which keeps you both emotionally and intellectually alert. You can smell life, and at the same time feel locked in an argument with an agile and passionate mind." (John Peter, Sunday Times)
Top Girls (Student Editions)
by Caryl Churchill Sophie BushMarlene thinks the eighties are going to be stupendous. Her sister Joyce has her doubts. Her daughter Angie is just frightened. Since its premiere in 1982, Top Girls has become a seminal play of the modern theatre. Set during a period of British politics dominated by the presence of the newly elected Prime Minister Margaret Thatcher, Churchill's play prompts us to question our notions of women's success and solidarity. Its sharp look at the society and politics of the 1980s is combined with a timeless examination of women's choices and restrictions regarding career and family.This new Student Edition features an introduction by Sophie Bush, Senior Lecturer at Sheffield Hallam University, UK prepared with the contemporary student in mind. METHUEN DRAMA STUDENT EDITIONS are expertly annotated texts of a wide range of plays from the modern and classic repertoires. A well as the complete text of the play itself, this volume contains:· A chronology of the play and the playwright's life and work· an introductory discussion of the social, political, cultural and economic context in which the play was originally conceived and created· a succinct overview of the creation processes followed and subsequent performance history of the piece· an analysis of, and commentary on, some of the major themes and specific issues addressed by the text· a bibliography of suggested primary and secondary materials for further study.
Top Girls (Student Editions)
by Caryl Churchill Sophie BushMarlene thinks the eighties are going to be stupendous. Her sister Joyce has her doubts. Her daughter Angie is just frightened. Since its premiere in 1982, Top Girls has become a seminal play of the modern theatre. Set during a period of British politics dominated by the presence of the newly elected Prime Minister Margaret Thatcher, Churchill's play prompts us to question our notions of women's success and solidarity. Its sharp look at the society and politics of the 1980s is combined with a timeless examination of women's choices and restrictions regarding career and family.This new Student Edition features an introduction by Sophie Bush, Senior Lecturer at Sheffield Hallam University, UK prepared with the contemporary student in mind. METHUEN DRAMA STUDENT EDITIONS are expertly annotated texts of a wide range of plays from the modern and classic repertoires. A well as the complete text of the play itself, this volume contains:· A chronology of the play and the playwright's life and work· an introductory discussion of the social, political, cultural and economic context in which the play was originally conceived and created· a succinct overview of the creation processes followed and subsequent performance history of the piece· an analysis of, and commentary on, some of the major themes and specific issues addressed by the text· a bibliography of suggested primary and secondary materials for further study.
Topless Mum (Oberon Modern Plays)
by Ron HutchinsonThere's a photo and he says he's on it even though he isn't on it but he says he is and Barry took it and it's summat to do wi' me only it were Barry that took it, only he didn't, is that it?'Ron Hutchinson's powerful new satire on the media's manipulation of the images of war. When a soldier returns home after serving in Afghanistan he tempts a newspaper editor with personal photos that seem to expose outrageous acts of brutality. But when their authenticity is questioned, how far can the story be spun to stop the real truth leaking out...
Topografie des Laiendarsteller-Diskurses: Zur Konstruktion von Laiendarstellerinnen und Laiendarstellern im Kinospielfilm (Film, Fernsehen, Medienkultur)
by Anna Luise KissDie Besetzung von Laien im Kinospielfilm hat eine lange Geschichte und ist bis heute verbreitet. Anna Luise Kiss analysiert Laiendarstellerinnen und Laiendarsteller erstmals als diskursive Phänomene, die auf der Basis filmischer und paratextueller Informationen durch Rezipientinnen und Rezipienten hervorgebracht werden. Mittels einer Kombination von Film- und Paratextanalysen werden die Mechanismen, die zur diskursiven Herausbildung der Laien als Darsteller ihrer selbst, Performer und Naturtalente beitragen, anschaulich gemacht und im Sinne einer kartografischen Erkundung die Topografie des Laiendarsteller-Diskurses herausgearbeitet.
Torben Betts: A Listening Heaven; Mummies And Daddies; Clockwatching (Oberon Modern Plays Ser.)
by Torben BettsThree pitch-black comedies from an exciting new writer. A Listening Heaven, which focuses on one family’s painful inability to grieve for a dead son, was first produced in 1999 to critical acclaim at the Stephen Joseph Theatre in Scarborough, where Betts was the resident dramatist. Mummies and Daddies, developed at the RNT Studio, brutally yet hilariously lays bare the soullessness of consumerism. In Clockwatching, produced at both the SJT and the Orange Tree Theatre in 2001, a despotic man descends into helplessness when his servile wife falls seriously ill. With an introduction by Connal Orton.
Torn (Modern Plays)
by Nathaniel Martello-WhiteWhere you standing? I say where you standing on this? You think it happened or you don't think it happened?Generations of secrets have broken the Brook family.Siblings split-up, traded-off, treated differently.Angel, the youngest, has called a family meeting to sift through the wreckage. And she's not leaving until they've confronted the truth about how and why her family failed her.Torn by British playwright and actor Nathaniel Martello-White was published to coincide with its world premiere at the Royal Court Theatre Upstairs on 7 September 2016.
Torn (Modern Plays)
by Nathaniel Martello-WhiteWhere you standing? I say where you standing on this? You think it happened or you don't think it happened?Generations of secrets have broken the Brook family.Siblings split-up, traded-off, treated differently.Angel, the youngest, has called a family meeting to sift through the wreckage. And she's not leaving until they've confronted the truth about how and why her family failed her.Torn by British playwright and actor Nathaniel Martello-White was published to coincide with its world premiere at the Royal Court Theatre Upstairs on 7 September 2016.
Tory Boyz (Modern Classics)
by James Graham Anthony BanksI just remember, even as a, as a young . . . man, not even man, just a boy . . . when nothing makes sense, and you're not sure who you are . . . the idea of – the strength of the person that stands alone, carves their own path . . . of it not being who you are or where you're from but what you do.Sam, a working-class northern lad, is a Tory researcher working in the office of an education minister. His colleagues know that he's gay, but aware of his career prospects as a possible future MP, he prefers to keep it under wraps, much to the dismay of his Labour opposite number, James, who is trying to keen to have a relationship with him. Has Sam got any chance of rising through the Tory ranks if he comes out of the closet completely? Discovering that he is working in the same office in which Ted Heath originally began his career inspires Sam to research the man and the rumours about his sexuality. Through juxtaposing two careers – Ted Heath's and that of the young, modern Tory researcher – Graham questions whether sexuality matters in today's political world and, if it does, then why.Tory Boyz was first performed by the National Youth Theatre Company at Soho Theatre, London, on 21 July 2008. This edition contains the updated script from 2013 as well as an introduction by Anthony Banks, director and Associate Director for National Theatre Learning.
Tory Boyz: A History Of Falling Things, Tory Boyz, The Man, The Whisky Taster, Sons Of York (Modern Classics)
by James Graham Anthony BanksI just remember, even as a, as a young . . . man, not even man, just a boy . . . when nothing makes sense, and you're not sure who you are . . . the idea of – the strength of the person that stands alone, carves their own path . . . of it not being who you are or where you're from but what you do.Sam, a working-class northern lad, is a Tory researcher working in the office of an education minister. His colleagues know that he's gay, but aware of his career prospects as a possible future MP, he prefers to keep it under wraps, much to the dismay of his Labour opposite number, James, who is trying to keen to have a relationship with him. Has Sam got any chance of rising through the Tory ranks if he comes out of the closet completely? Discovering that he is working in the same office in which Ted Heath originally began his career inspires Sam to research the man and the rumours about his sexuality. Through juxtaposing two careers – Ted Heath's and that of the young, modern Tory researcher – Graham questions whether sexuality matters in today's political world and, if it does, then why.Tory Boyz was first performed by the National Youth Theatre Company at Soho Theatre, London, on 21 July 2008. This edition contains the updated script from 2013 as well as an introduction by Anthony Banks, director and Associate Director for National Theatre Learning.
Total Football (Oberon Modern Plays Ser.)
by David Woods Jon HaynesFootball systems, changing room banter and a couple of mops solve the big questions of life – immortality, happiness and why England always lose, in a new play tackling the beautiful game.After several years of embedded research in the football darklands, a failed attempt to create a UK football team for the 2012 games and pathetic efforts at understanding the offside rule, Ridiculusmus is patching up its metatarsals to examine the melting pot of what it means to be British today.
Total Immediate Collective Imminent Terrestrial Salvation (Oberon Modern Plays)
by Tim CrouchJesus didn’t die so we could be reborn, lady, the stars did. The writer leads his followers towards the end of this world and the start of a new one. The book he’s written predicts it all – the equations, the black hole, all the words we’ll speak till then. On this last day, at this last hour, a defector finds her voice and returns. Total Immediate Collective Imminent Terrestrial Salvation is a new play by Tim Crouch (Adler & Gibb, The Author, An Oak Tree, Beginners). It tells the story of a man who, compensating for his own failure, manipulates a group of people to sit in a place together and believe in something that isn’t true.
The Total Work of Art: From Bayreuth to Cyberspace
by Matthew Wilson SmithThe Total Work of Art provides a broad survey that incorporates many canonical artists into a single narrative. With particular attention to the influence of the Total Work of Art on modern theatre and performance, this brief introduction will also be of interest to students in such fields as film studies, music history, history of art, cultural studies, and modern European literatures.
The Total Work of Art: From Bayreuth to Cyberspace
by Matthew Wilson SmithThe Total Work of Art provides a broad survey that incorporates many canonical artists into a single narrative. With particular attention to the influence of the Total Work of Art on modern theatre and performance, this brief introduction will also be of interest to students in such fields as film studies, music history, history of art, cultural studies, and modern European literatures.
Touch and the Masquerades of Nigeria
by David Griffiths D. GriffithsFirst published in 1997. Routledge is an imprint of Taylor & Francis, an informa company.
Touch and the Masquerades of Nigeria
by David Griffiths D. GriffithsFirst published in 1997. Routledge is an imprint of Taylor & Francis, an informa company.
Touchstone Tales: Stories of Touch Inspired by the Lives of Lutonians (Modern Plays)
by Sudha BhucharHow important is touch to you? Is there enough touch in the world or are we experiencing collective 'touch hunger' in these troubling times?Touchstone Tales is a unique collection of revealing and illuminating stories of Lutonians, seen through the prism of touch. Originally a Revoluton Arts/Wellcome collection co-commission, it is part of Wellcome's national arts partnership programme and is an artist response to 'The Touch Test', Wellcome's study on the role that touch plays in the lives and well-being of people. Pholi, a Sikh widow in isolation reminisces about Romancing in Bury Park in the 60s and delights in the children of her Polish neighbours. Hamza aka Desi cake lover awaits his Amazon parcels hoping that the arrival of 'rose petals' for his Persian love cake will help him find love in lockdown, The Ninja Sister inspires Sophia out of her shell and gives her the gift of confidence and faith in God, through sparring with the 'sisters' at Pink Diamond martial arts Club and in The Eid Hug, Anwar searches for his father's full embrace, even in middle age. Farid and Manju celebrate their inter-faith friendship through iconic song and stories of lost loves and youth in The Fairy Queen, Nazira shares her buried secret in And the world kept turning, and offers touch through performing the last rites for others, a particularly humbling experience during Covid 19 and Atif in Paisley and Roses helps customers to adorn themselves in silks and shawls and realises that it is his absent mother's touch that he is longing for in her fineries. Written by award-winning author Sudha Bhuchar, the play explores the theme of touch through a collection of fictional self-portrait monologues and a dualogue, directly inspired by creative encounters with mainly the British Muslim South Asian communities in Bury Park, Luton.
Touchstone Tales: Stories of Touch Inspired by the Lives of Lutonians (Modern Plays)
by Sudha BhucharHow important is touch to you? Is there enough touch in the world or are we experiencing collective 'touch hunger' in these troubling times?Touchstone Tales is a unique collection of revealing and illuminating stories of Lutonians, seen through the prism of touch. Originally a Revoluton Arts/Wellcome collection co-commission, it is part of Wellcome's national arts partnership programme and is an artist response to 'The Touch Test', Wellcome's study on the role that touch plays in the lives and well-being of people. Pholi, a Sikh widow in isolation reminisces about Romancing in Bury Park in the 60s and delights in the children of her Polish neighbours. Hamza aka Desi cake lover awaits his Amazon parcels hoping that the arrival of 'rose petals' for his Persian love cake will help him find love in lockdown, The Ninja Sister inspires Sophia out of her shell and gives her the gift of confidence and faith in God, through sparring with the 'sisters' at Pink Diamond martial arts Club and in The Eid Hug, Anwar searches for his father's full embrace, even in middle age. Farid and Manju celebrate their inter-faith friendship through iconic song and stories of lost loves and youth in The Fairy Queen, Nazira shares her buried secret in And the world kept turning, and offers touch through performing the last rites for others, a particularly humbling experience during Covid 19 and Atif in Paisley and Roses helps customers to adorn themselves in silks and shawls and realises that it is his absent mother's touch that he is longing for in her fineries. Written by award-winning author Sudha Bhuchar, the play explores the theme of touch through a collection of fictional self-portrait monologues and a dualogue, directly inspired by creative encounters with mainly the British Muslim South Asian communities in Bury Park, Luton.
Touring Performance and Global Exchange 1850-1960: Making Tracks (Routledge Advances in Theatre & Performance Studies)
by Gilli Bush-BaileyThis collection uncovers connections and coincidences that challenge the old stories of pioneering performers who crossed the Atlantic and Pacific oceans from the mid-nineteenth to the mid-twentieth century. This book investigates songlines, drama, opera, music theatre, dance, and circus—removing traditional boundaries that separate studies of performance, and celebrating difference and transformation in style, intention, and delivery. Well known, or not known at all, travelling performers faced dangers at sea and hazardous journeys across land. Their tracks, made in pursuit of fortune and fame, intersected with those made by earlier storytellers in search for food. Making Tracks takes a fresh look at such tracks—the material remains—demonstrating that moving performance does far more than transfer repertoires and people; it transforms them. Touring performance has too often been conceived in diasporic terms, as a fixed product radiating out from a cultural centre. This collection maps different patterns—ones that comprise reversed flows, cross currents, and continually proliferating centres of meaning in complex networks of global exchange. This collection will be of great interest to scholars and students in theatre, music, drama studies and cultural history.
Touring Performance and Global Exchange 1850-1960: Making Tracks (Routledge Advances in Theatre & Performance Studies)
by Kate Flaherty Gilli Bush-BaileyThis collection uncovers connections and coincidences that challenge the old stories of pioneering performers who crossed the Atlantic and Pacific oceans from the mid-nineteenth to the mid-twentieth century. This book investigates songlines, drama, opera, music theatre, dance, and circus—removing traditional boundaries that separate studies of performance, and celebrating difference and transformation in style, intention, and delivery. Well known, or not known at all, travelling performers faced dangers at sea and hazardous journeys across land. Their tracks, made in pursuit of fortune and fame, intersected with those made by earlier storytellers in search for food. Making Tracks takes a fresh look at such tracks—the material remains—demonstrating that moving performance does far more than transfer repertoires and people; it transforms them. Touring performance has too often been conceived in diasporic terms, as a fixed product radiating out from a cultural centre. This collection maps different patterns—ones that comprise reversed flows, cross currents, and continually proliferating centres of meaning in complex networks of global exchange. This collection will be of great interest to scholars and students in theatre, music, drama studies and cultural history.