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To the Actor: On the Technique of Acting
by Michael Chekhov Mala PowersMichael Chekhov's classic work To the Actor has been revised and expanded by Mala Powers to explain, clearly and concisely, the essential techniques for every actor from developing a character to strengthen awareness. Chekhov's simple and practical method – successfully used by professional actors all over the world – trains the actor's imagination and body to fulfill its potential. To the Actor includes a previously unpublished chapter on 'Psychological Gesture', translated into English by the celebrated director Andrei Malaev - Babel; a new biographical overview by Mala Powers; and a foreword by Simon Callow. This book is a vital text for actors and directors including acting and theatre history students.
Toast (Modern Plays Series)
by Richard BeanA brilliantly moving and funny play from the writer of the award-winning Under the Whaleback, Harvest and One Man, Two Guvnors. Another Sunday night shift. The smell of bread baking. The industrial thump, thump, thump of the machines that never stop. The ovens are cranked up to full blast, the factory is humming, and everyone wants to be somewhere else. But this shift is going to be different. Because when a crisis hits the factory, the men have more to lose than just their wages…
Toller: Plays Two (Oberon Modern Playwrights)
by Ernst TollerThe second collection of plays from the German Expressionist playwright. Includes the plays: The Machine Breakers, The German Hinkemann, The Revenge of the Lover Scorned, Wotan Unbound, Day of the Proletariat and German Revolution. Ernst Toller (1893-1939) was a formative figure in the development of theatrical modernism. He was also a revolutionary activist who experienced fully the unbearable cataclysms of his times: war, revolution, imprisonment, the chaos of Weimar life, Nazi persecution, exile and the Holocaust. His revolutionary intensity infuses these three innovative plays, all of which inspired landmark productions and substantially extended the language of theatricality. These stage-worthy new translations capture that spirit of artistic and political combustion and should help to restore Toller's rightful place in the modern repertoire.
Tom and Viv (Oberon Modern Plays)
by Michael HastimgsIt is Cambridge, 1915, and Tom, an awkward American graduate, meets Viv. Enchanted with each other, the couple are sucked into a whirlwind romance, but as Tom begins to become successful in the field of literature, Viv's volatility becomes a problem rather than a quirk. Their swift marriage turns into an impossible love story. Tom and Viv explores the complex relationship between T.S Eliot and his wife, Vivienne. It premiered at the Royal Court Theatre in 1984, and was made into a major motion picture starring Willem Dafoe and Miranda Richardson in 1994. A new production opens at the Almeida Theatre, London in September 2006.
Tom Jones (Modern Plays)
by Ross EricsonAll the girls love a bastard.Tom Jones follows the adventures of a young man of illegitimate birth through a tale of love, deception and mistaken identity; a feast of human nature, served up in the plain and simple manner of the West Country with all the high French and Italian seasoning of sex and vice. Will he gain his darling Sophia's hand? Will he escape the hangman's noose? Will he ever learn to keep it in his trousers…?Henry Fielding's comic picaresque novel 'A History Of Tom Jones, a foundling' caused a stir upon first publication in 1749. Often referred to as the first novel in the English language, this cunning new stage version tells the escapades and exploits of the infamous protagonist through an accessible and highly entertaining adaptation.
Tom Jones (Modern Plays)
by Ross EricsonAll the girls love a bastard.Tom Jones follows the adventures of a young man of illegitimate birth through a tale of love, deception and mistaken identity; a feast of human nature, served up in the plain and simple manner of the West Country with all the high French and Italian seasoning of sex and vice. Will he gain his darling Sophia's hand? Will he escape the hangman's noose? Will he ever learn to keep it in his trousers…?Henry Fielding's comic picaresque novel 'A History Of Tom Jones, a foundling' caused a stir upon first publication in 1749. Often referred to as the first novel in the English language, this cunning new stage version tells the escapades and exploits of the infamous protagonist through an accessible and highly entertaining adaptation.
Tom Jones (Oberon Modern Plays)
by Henry Fielding John OsborneTom Jones was Henry Fielding’s greatest work. The first piece of English prose to be considered a novel, Samuel Taylor Coleridge praised it as ‘one of the most perfect plots ever planned’. A hero, a heroine, dead parents, adversity, misadventure, mistakes and then resolution, happy ever after. A story told throughout the ages, part of our collective unconscious. Uproarious and unconventional, Tom Jones was adapted by John Osborne for the 1963 Oscar-winning film. Directed by Tony Richardson and starring Albert Finney, it won Best Picture, Best Director and Best Adapted Screenplay. The novel has been used as a basis for opera and television adaptations as well as Osborne’s much-loved screenplay. Re-published in this new edition, Tom Jones is eminently suitable for stage productions.
Tom Stoppard: Faber Critical Guide
by Jim HunterAre you fascinated by Stoppard's plays but want an informed view into their complexities?Are you studying his plays and looking for help with interpretation?Do you teach Stoppard and need a reliable guide?A Faber Critical Guide to Tom Stoppard's major work gives us all this and more:- an introduction to the distinctive features of the playwright's work- the significance of the playwright in the context of modern theatre- a detailed analysis of each of the classic plays: language, structure and character- feature of performance- select bibliographyComplied by experts in their field, for use in classroom, college or home, Faber Critical Guides are the essential companions to the work of all the leading dramatists.Also in this series: Faber Critical Guides to the major works of Samuel Beckett, Brian Friel, Sean O'Casey and Harold Pinter.
Tom Stoppard Plays 1: The Real Inspector Hound, Dirty Linen, Dogg's Hamlet, Cahoot's Macbeth & After Magritte
by Tom StoppardThe plays in this collection reveal in combination the 'frivolous' and 'serious' aspects of Tom Stoppard's talent: his sense of fun, his sense of theatre, his sense of the absurd, and his gifts for parody and satire. The author rounds off his brief introduction, giving the genesis of each piece, with the comment: 'The role of the theatre is much debated (by almost nobody, of course), but the thing defines itself in practice first and foremost as a recreation. This seems satisfactory'.Leading off is The Real Inspector Hound, the ultimate country-house whodunnit; Dirty Linen moves a Whitehall farce to Parliament Square; Dogg's Hamlet, Cahoot's Macbeth subverts Shakespeare; and After Magritte explains the inexplicable.
Tom Stoppard Plays 2: The Dissolution of Dominic Boot; 'M' is for Moon Among Other Things; If You're Glad I'll Be Frank; Albert's Bridge; Where Are They Now?; Artist Descending a Staircase; The Dog It Was That Died; In the Native State; On 'Dover Beach'
by Tom StoppardThis second collection of work by Tom Stoppard contains his radio plays, which complement (and sometimes prefigure) his work for the stage. The volume includes In the Native State, which became the stage play Indian Ink.Also in this volume are The Dissolution of Dominic Boot, 'M' is for Moon Among Other Things, If You're Glad I'll Be Frank, Albert's Bridge, Where Are They Now?, Artist Descending a Staircase, The Dog It Was That Died and an introduction by the author. This new edition contains the previously unpublished radio play, On 'Dover Beach'.
Tom Stoppard Plays 3: Separate Peace; Teeth; Another Moon Called Earth; Neutral Ground; Professional Foul; Squaring the Circle.
by Tom StoppardThis third collection of plays by Tom Stoppard contains his television plays, written between 1965 and 1984. They show that Stoppard's writing for the small screen is comparable to his more celebrated stage work, as the masterly Professional Foul demonstrates. In his introduction the author briefly describes how the individual pieces came to be written and the circumstances of their original production.
Tom Stoppard Plays 4: Dalliance; Undiscovered Country; Rough Crossing; On the Razzle; The Seagull
by Tom StoppardThis fourth volume of Tom Stoppard's work for the stage brings together five of his most celebrated translations and adaptations of plays by Arthur Schnitzler (Dalliance and Undiscovered Country), Ferenc Molnar (Rough Crossing), Johann Nestroy (On the Razzle) and Anton Chekhov (The Seagull).
Tom Stoppard Plays 5: The Real Thing; Night & Day; Hapgood; Indian Ink; Arcadia
by Tom StoppardThis fifth collection of Tom Stoppard's plays brings together five classic plays by one of the most celebrated dramatists writing in the English language.The collection includes The Real Thing, Night & Day, Hapgood, Indian Ink and Arcadia, about which the reviewer for the Daily Telegraph said 'I have never left a new play more convinced that I'd just witnessed a masterpiece'.
Tombs in Shakespearean Drama: Monumental Theater (Routledge Studies in Shakespeare)
by H. Austin WhitverTombs in Shakespearean Drama explores the rhetorical deployment of tombs and monuments on the early modern stage, demonstrating their historiographic power and mythmaking potential. By analyzing references to tombs in plays by Shakespeare and others in conjunction with extant monuments, this volume demonstrates how these references function in two overlapping ways in period drama: monuments act as repositories of information about the past, and they allow the living to construct and preserve fictive narratives. The stage exposes the flimsy materiality of paper, placing less value on the written word than period poetry. In this way, critics have perhaps oversold as universal Shakespeare’s poetic praise of stone. Tombs within plays act as a powerful historical and narrative medium, raising the stakes to provide the stage with the illusion of permanency. Playwrights use tombs to anchor the stage action, giving a sense of lasting importance to dramatic events and combatting the ephemeral nature of the playhouse. In drama, Shakespeare and others drew on the persona preserved on tombs; this volume widens our view of how these representations interacted in the commemorative economy of early modern England. Within the playhouse, it was the tomb, not the tome, that stood as a symbol of permanence.
Tombs in Shakespearean Drama: Monumental Theater (Routledge Studies in Shakespeare)
by H. Austin WhitverTombs in Shakespearean Drama explores the rhetorical deployment of tombs and monuments on the early modern stage, demonstrating their historiographic power and mythmaking potential. By analyzing references to tombs in plays by Shakespeare and others in conjunction with extant monuments, this volume demonstrates how these references function in two overlapping ways in period drama: monuments act as repositories of information about the past, and they allow the living to construct and preserve fictive narratives. The stage exposes the flimsy materiality of paper, placing less value on the written word than period poetry. In this way, critics have perhaps oversold as universal Shakespeare’s poetic praise of stone. Tombs within plays act as a powerful historical and narrative medium, raising the stakes to provide the stage with the illusion of permanency. Playwrights use tombs to anchor the stage action, giving a sense of lasting importance to dramatic events and combatting the ephemeral nature of the playhouse. In drama, Shakespeare and others drew on the persona preserved on tombs; this volume widens our view of how these representations interacted in the commemorative economy of early modern England. Within the playhouse, it was the tomb, not the tome, that stood as a symbol of permanence.
Tomorrow at Noon (Oberon Modern Plays)
by Morna Young Emma Harding Jenny Ayres‘She’s been coming here every Sunday for the past fifty years and he still hasn’t turned up.’ Morna Young’s Smite is inspired by Coward’s The Astonished Heart. It is a story of buried answers, blind hearts, and life after loss. Emma Harding’s The Thing Itself reacts to Coward’s Shadow Play. When the sun fails to come up one morning, Vic and Simone must face the dark. But what emerges from the shadows? Truth or illusion? Jenny Ayres’ Glimpse is inspired by Coward’s Still Life. It is the story of a woman whose history holds too much for her to leave behind. In a world that never stops, are we brave enough to wait? What might we glimpse if we miss the train?
Tom's Midnight Garden (PDF)
by Philippa PearceWhen Tom is sent to stay at his aunt and uncle's house for the summer, he resigns himself to endless weeks of boredom. As he lies awake in his bed he hears the grandfather clock downstairs strike . . . eleven . . . twelve . . . thirteen . . . Thirteen! Tom races down the stairs and out the back door, into a garden everyone told him wasn't there. In this enchanted thirteenth hour, the garden comes alive - but Tom is never sure whether the children he meets there are real or ghosts . . . This entrancing and magical story is one of the best-loved children's books ever written. 9780192717771 9780192717931 9780140308938 9780192792426 9780140340495 9780141319995
Ton de Leeuw (Netherlands Music Archive #Vol. 1.)
by John Lydon Jurrien SligterFirst Published in 1996. Routledge is an imprint of Taylor & Francis, an informa company.
Ton de Leeuw (Netherlands Music Archive)
by Jurrien SligterFirst Published in 1996. Routledge is an imprint of Taylor & Francis, an informa company.
Tonight At 8.30: We Were Dancing; The Astonished Heart; ‘Red Peppers’; Hands Across the Sea; Fumed Oak; Shadow Play; Ways and Means; Still Life; Family Album; Star Chamber (Modern Plays)
by Noël CowardWritten as a vehicle for Coward's own acting talents alongside his frequent stage partner Gertrude Lawrence, Tonight at 8:30 is Coward's ambitious series of ten one-act plays which saw him breathe new life into the one-act form. First performed in London in 1936, the plays perfectly showcase Coward's talents as a playwright, providing a sparkling, fast-paced and remarkably varied selection of theatrical gems. All ten plays are collected together into this volume that features both Coward's own preface and an introduction by Barry Day, editor of The Letters of Nöel Coward. Coward wrote of the first series of three plays with characteristic delight: 'They are all brilliantly written, exquisitely directed, and I am bewitching in all of them.' Gertrude Lawrence wrote to Coward in 1947, 'Dearest Noël, wherever I go . . . all I hear is "Please revive Tonight at 8.30!"''Tonight at 8.30 surprises as much as it delights as, in some of the plays, Coward takes us to a world far removed from that of the wealth and glamour of the debonair London socialites who dominated much of his earlier work. But The Master's polish and sparkle are never far away as music and song intertwine with the wit and insight of one of our greatest ever playwrights.' Chichester Festival Theatre, 2006.
Tonight At 8.30: We Were Dancing; The Astonished Heart; ‘Red Peppers’; Hands Across the Sea; Fumed Oak; Shadow Play; Ways and Means; Still Life; Family Album; Star Chamber (Modern Plays)
by Noël CowardWritten as a vehicle for Coward's own acting talents alongside his frequent stage partner Gertrude Lawrence, Tonight at 8:30 is Coward's ambitious series of ten one-act plays which saw him breathe new life into the one-act form. First performed in London in 1936, the plays perfectly showcase Coward's talents as a playwright, providing a sparkling, fast-paced and remarkably varied selection of theatrical gems. All ten plays are collected together into this volume that features both Coward's own preface and an introduction by Barry Day, editor of The Letters of Nöel Coward. Coward wrote of the first series of three plays with characteristic delight: 'They are all brilliantly written, exquisitely directed, and I am bewitching in all of them.' Gertrude Lawrence wrote to Coward in 1947, 'Dearest Noël, wherever I go . . . all I hear is "Please revive Tonight at 8.30!"''Tonight at 8.30 surprises as much as it delights as, in some of the plays, Coward takes us to a world far removed from that of the wealth and glamour of the debonair London socialites who dominated much of his earlier work. But The Master's polish and sparkle are never far away as music and song intertwine with the wit and insight of one of our greatest ever playwrights.' Chichester Festival Theatre, 2006.
Tonight With Donny Stixx (Modern Plays)
by Philip RidleyIt's at times like this I'm inspired by The Stupendous Santini. He toured the mid-West during the 1930s, entertaining farmers affected by the Dust Bowl. No one would have remembered him were in not for the fact that during his most famous trick – sword swallowing – he accidentally punctured a lung and died on the spot. He became a legend. Donny has committed an act that shocked everyone. Tabloids called him The Most Hated Boy Alive. But Donny doesn't want forgiveness. All Donny wants is . . . his own television show.Written by internationally acclaimed writer Philip Ridley, Tonight With Donny Stixx is the companion piece to Ridley's 2013 Fringe First-winner Dark Vanilla Jungle, and received its premiere at the Soho Theatre, London, on 27 July 2015 before premiering at the Edinburgh Festival Fringe.
Tonight With Donny Stixx (Modern Plays)
by Philip RidleyIt's at times like this I'm inspired by The Stupendous Santini. He toured the mid-West during the 1930s, entertaining farmers affected by the Dust Bowl. No one would have remembered him were in not for the fact that during his most famous trick – sword swallowing – he accidentally punctured a lung and died on the spot. He became a legend. Donny has committed an act that shocked everyone. Tabloids called him The Most Hated Boy Alive. But Donny doesn't want forgiveness. All Donny wants is . . . his own television show.Written by internationally acclaimed writer Philip Ridley, Tonight With Donny Stixx is the companion piece to Ridley's 2013 Fringe First-winner Dark Vanilla Jungle, and received its premiere at the Soho Theatre, London, on 27 July 2015 before premiering at the Edinburgh Festival Fringe.
The Tony Awards: A Celebration of Excellence in Theatre
by Eila Mell The American Theatre WingCommemorating over 75 years of Broadway greatness with never-before told stories, rare photos from the American Theatre Wings' archives, and interviews with major honorees like Lin-Manuel Miranda, Patti LuPone, and Hugh Jackman, The Tony Awards is the official, authorized guide to Broadway's biggest night.The Tony Awards: A Celebration of Excellence in Theatre pays tribute to the magic that happens when the curtain goes up and Broadway's best and brightest step onto center stage. Supported by the American Theatre Wing, the arts organization that founded the Tony Awards in 1947 and continues to produce the Tony Awards live telecast each year, author Eila Mell has interviewed a cavalcade of past and present Tony winners, including actors, producers, writers, costume designers, and many many others. Their voices fill the pages of this book with fascinating, behind-the-scenes stories about what it's like to win the theatre world's highest honor. Featuring a foreword by Audra McDonald and over 400 color and black-and-white photographs, The Tony Awards also spotlights more than 130 captivating interviews with a parade of industry insiders, including: Mel Brooks, Matthew Broderick, Carol Burnett, Kristin Chenoweth, Glenn Close, James Corden, Bryan Cranston, Neil Patrick Harris, Jennifer Holliday, Hugh Jackman, John Kander, Angela Lansbury, Judith Light, Hal Linden, Kenny Leon, Patti LuPone, Lin-Manuel Miranda, Brian Stokes Mitchell, Rita Moreno, Bernadette Peters, Chita Rivera, Martin Short, Tom Stoppard, Julie Taymor, Leslie Uggams, and Sir Andrew Lloyd Webber.
Tony Harrison Plays 1: The Mysteries
by Tony HarrisonThis first collection of Tony Harrison's poetry for the stage is made up of his masterly adaptations of the medieval cycle of The Mystery Plays.Includes The Nativity , The Passion and Doomsday , with an Introduction by Tony Harrison which places these Northern classics both in the context of the original cycle of plays and of Tony Harrison's own poetry.