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Three Revenge Tragedies
by Cyril Tourneur John Webster Thomas MiddletonFollowing the end of Queen Elizabeth's reign in the early seventeenth century, the new court of King James was beset by political instability and moral corruption. This atmosphere provided fertile ground for the dramatists of the age, whose plays explore the ways in which social decadence and the abuse of power breed resentment and lead inexorably to violence and bloody retribution. In Tourneur's The Revenger's Tragedy, the debauched son of an Italian Duke attempts to rape the virtuous Gloriana - a veiled reference to Elizabeth I. Webster's The White Devil depicts a sinister world of intrigue and murderous infidelity, while The Changeling, perhaps Middleton's supreme achievement, powerfully portrays a woman bringing about her own unwitting destruction. All three are masterpieces of brooding intensity, dominated by images of decay, disillusionment and death.
DNA by Dennis Kelly: Routes to Revision (Oberon Books)
by Iona Towler-EvansThis book provides a number of attractive and purposeful tasks and activities which engage students in active revision processes for the play DNA by Dennis Kelly, in order to help them to achieve specified AQA outcomes. It will incorporate creative and reflective tasks and devices, to help them make sense of the play for themselves, offer a personal and original response to the play in order to fulfil the requirements of the highest grades in GCSE English Literature.The main objectives of the book are as follows:- To offer attractive ways for the students to examine the text from a range of viewpoints.- To guide their thinking about the text, and provide the tools for analyses in terms of plot, settings, character, key themes and issues, language, structure, context.- To help students to relate the outcomes of tasks to the requirements of the most challenging examination questions.
Bob Dylan and Dylan Thomas: The Two Dylans
by Jeff Towns K G MilesThere are so many strange and wonderful connections and coincidences; shared passions and associations that tie these two cultural icons – BOB DYLAN and DYLAN THOMAS together.This provides a rich tapestry – from the ancient Welsh folk tales of the Mabinogion to the poems of the Beat Generation; from Stravinsky to John Cale; from Johnny Ray to Charlie Chaplain. Rimbaud and Lorca, Sgt Pepper and The Bells of Rhymney, Nelson Algren and Tennessee Williams and much more. And the wonderful connections between authors K G Miles and Jeff Towns makes it the perfect partnership to write this book.Fifty-two years ago, author Jeff Towns opened his first bookstore in Swansea – he called it Dylans Bookshop – a youthful homage to the poet Dylan Thomas born and raised in Swansea, an author he admired. Eight years before that, in 1962, (when he had never really heard of Dylan Thomas), he had bought his first ever LP record, Bob Dylan's first ever LP release calledBob Dylanwith a track list; In My Time of Dyin', Fixin' to Die, See That My Grave is Kept Clean and so on; baker's dozen of powerful songs. Jeff read that his new hero had been born Robert Zimmerman but had changed his name to BOB DYLAN, a homage to a Welsh poet named DYLAN THOMAS.From that moment on THE TWO DYLANS became a constant part of and backdrop to his life. And the two Dylans kept on giving – they were both on the cover of the Beatles Sgt Pepper album. Peter Blake who fashioned the cover of Pepper, was a huge fan on Dylan Thomas' radio play Under Milk Wood. Jeff went to see Peter, they became friends and still are. Peter gave permission to use his wonderfulTiny Tina the Tattooed Lady©Peter Blake image for the cover of this book.London co-author K G Miles has been inspired by BOB DYLAN since being an awestruck child at Bob's Isle of Wight Festival in 1969. He is now the co-curator the of theDylan Room at London's Troubadour Cluband was honoured to address the inaugural conference at the Tulsa Archive in 2019.
Foundations of Stage Makeup
by Daniel TownsendFoundations of Stage Makeup is a comprehensive exploration into the creative world of stage makeup. Step-by-step makeup applications paired with textual content create an enriching experience for future performers and makeup artists. Students will learn relevant history, color theory, makeup sanitation processes, and the use of light and shadow to engage in discussions about the aspects of professional makeup. Those foundations are then paired with a semester’s-worth of descriptive, engaging makeup applications. Old age makeup, blocking out eyebrows, gory burns, and creating fantastical creatures are just a few of the rewarding techniques found in Foundations of Stage Makeup. The book is complemented by an eResource page featuring makeup tutorials and an instructor’s manual with example assignments and tips to teaching each chapter.
Foundations of Stage Makeup
by Daniel C TownsendFoundations of Stage Makeup is a comprehensive exploration into the creative world of stage makeup. Step-by-step makeup applications paired with textual content create an enriching experience for future performers and makeup artists. Students will learn relevant history, color theory, makeup sanitation processes, and the use of light and shadow to engage in discussions about the aspects of professional makeup. Those foundations are then paired with a semester’s-worth of descriptive, engaging makeup applications. Old age makeup, blocking out eyebrows, gory burns, and creating fantastical creatures are just a few of the rewarding techniques found in Foundations of Stage Makeup. The book is complemented by an eResource page featuring makeup tutorials and an instructor’s manual with example assignments and tips to teaching each chapter.
The Great Celestial Cow (Modern Plays)
by Sue TownsendA play by one of Britain's best-selling writersWhen Sita and her children leave India to join her husband in England, she is forced to sell her cow, but she keeps her milking bucket in the hope that she will be able to buy another cow in Leicester. But England is nothing like she expected: faced with prejudice from the English and restrictions of tradition from her family, Sita clings to the dream of the cow and some sense of her own identity."The Great Celestial Cow is a little gem...It's very funny, touching, telling and moving...here is a story with much to say...I kept bursting into spontaneous applause." Robin Thornber, Guardian
The Great Celestial Cow (Modern Plays)
by Sue TownsendA play by one of Britain's best-selling writersWhen Sita and her children leave India to join her husband in England, she is forced to sell her cow, but she keeps her milking bucket in the hope that she will be able to buy another cow in Leicester. But England is nothing like she expected: faced with prejudice from the English and restrictions of tradition from her family, Sita clings to the dream of the cow and some sense of her own identity."The Great Celestial Cow is a little gem...It's very funny, touching, telling and moving...here is a story with much to say...I kept bursting into spontaneous applause." Robin Thornber, Guardian
Ten Tiny Fingers, Nine Tiny Toes (Modern Plays)
by Sue TownsendA play by one of Britain's best-selling writers"Set in the year 2001 where the class system is numbered from one to five and only the upperclasses are allowed to breed, Ten Tiny Fingers, Nine Tiny Toes is about the births of a perfect but illegal 'class five' baby, and an imperfect 'government' baby bought by a 'class three' mother and exterminated at birth because of her nine toes...compulsive viewing...insanity is served up as commen sense - to sinister effect." Kate Kellaway, Observer
Ten Tiny Fingers, Nine Tiny Toes (Modern Plays)
by Sue TownsendA play by one of Britain's best-selling writers"Set in the year 2001 where the class system is numbered from one to five and only the upperclasses are allowed to breed, Ten Tiny Fingers, Nine Tiny Toes is about the births of a perfect but illegal 'class five' baby, and an imperfect 'government' baby bought by a 'class three' mother and exterminated at birth because of her nine toes...compulsive viewing...insanity is served up as commen sense - to sinister effect." Kate Kellaway, Observer
Townsend Plays: Secret Diary of Adrian Mole; Womberang; Bazaar and Rummage; Groping for Words; Great Celestial Cow (Contemporary Dramatists)
by Sue TownsendA play by one of Britain's best-selling writersBazaar and Rummage brings together a neurotic do-gooder, a trainee social worker and three agoraphobics who have been persuaded to venture out of their homes to run a jumble sale. "As a study of agoraphobia, Bazaar and Rummage...is written with great verve, style and wit." (Benedict Nightingale); Set in an adult literacy class where the student's fear of ignorance is as much of a handicap as their inability to read, Groping for Words is a "close up of the social scrap-heap, written in a fine vein of comic indignation and giving a voice to people whose lives are mainly spent in queues and waiting rooms." (Irving Wardle, The Times); Womberang shows free spirit Rita Onions bringing joy and anarchy to the grim waiting-room of a gynaecology clinic. "A daydream of mastered fear" (New Society)
Townsend Plays: Secret Diary of Adrian Mole; Womberang; Bazaar and Rummage; Groping for Words; Great Celestial Cow (Contemporary Dramatists)
by Sue TownsendA play by one of Britain's best-selling writersBazaar and Rummage brings together a neurotic do-gooder, a trainee social worker and three agoraphobics who have been persuaded to venture out of their homes to run a jumble sale. "As a study of agoraphobia, Bazaar and Rummage...is written with great verve, style and wit." (Benedict Nightingale); Set in an adult literacy class where the student's fear of ignorance is as much of a handicap as their inability to read, Groping for Words is a "close up of the social scrap-heap, written in a fine vein of comic indignation and giving a voice to people whose lives are mainly spent in queues and waiting rooms." (Irving Wardle, The Times); Womberang shows free spirit Rita Onions bringing joy and anarchy to the grim waiting-room of a gynaecology clinic. "A daydream of mastered fear" (New Society)
Christina Reid's Theatre of Memory and Identity: Within and Beyond the Troubles
by Rachel TracieThis book is a study of the plays, performances and writings of Christina Reid. It explores Reid’s work through her own words, both in interviews and writings; through theoretical engagements in other disciplines, such as psychology and geography; and through responses to her plays in production. It is a compilation of sorts, gathering together interviews, critical material, unpublished works and theatrical reviews to reflect the breadth and depth of Reid’s contribution to the theatrical culture of Northern Ireland, during the Troubles and beyond.
Teaching and Learning Shakespeare through Theatre-based Practice
by Tracy Irish and Jennifer KitchenHow can the study of Shakespeare contribute to equipping young people for the challenges of an uncertain future? This book argues for the necessity of a Shakespeare education that: finds meaning in the texts through inviting in the prior knowledge, experiences and ideas of students; combines intellectual, social and emotional learning; and develops a critical perspective on what a cultural inheritance is all about. It offers a comprehensive exploration of the educational principles underpinning theatre-based practice and explains how and why this practice can open up the possibilities of Shakespeare study in the classroom. It empowers Shakespeare educators working with young people aged 5-18 to interact critically, creatively and collaboratively with Shakespeare as a living artist.Drawing on the authors' research and experience with organizations including the Royal Shakespeare Company, Shakespeare's Globe, the Folger and Coram Shakespeare Schools Foundation, Part One consolidates recent developments in the field and engages in lively dialogue with core questions of Shakespeare's place in the classroom. Part Two curates a series of interviews with leaders and practitioners from the above and other Shakespeare institutions, exploring their core principles and practices. Part Three presents chapters from and about classroom teachers, who share their experiences of successfully embedding theatre-based approaches to Shakespeare in their own diverse contexts.
The Restoration of Nell Gwyn (Oberon Modern Plays)
by Steve Trafford“A gorgeous, witty and elegant re-interpretation of our national treasure, Nell Gwyn. This new comedy is set in her Pall Mall parlour, in 1685, where the ‘Protestant Whore’ paces, laments, and panics at the impending death of Charles II, her lover and patron. Destitution beckons after a lifetime ‘applying her genius to delighting the king.’ Nell’s crisis is shadowed by her faithful, wry, maidservant Margery, whose own story is a secret narrative of popular but defeated republicanism. She’s no whore, but another survivor of bloody tumult whose fate is likewise hoist on the life and death of a patriarch. We see Nell in breeches, a perfect boy, we hear her sing like an angel; Margery dances, empties chamber pots, and delivers both companionship and commentary on revolution, restoration, lust, love, sex, class, and power. Written with a richness of language that captures the bawdy wit of the Restoration stage, interwoven with Henry Purcell’s haunting songs of the English Baroque, this play is a fine vignette of Britain then and now in which the personal is heroically, hilariously political.” Beatrix Campbell OBE
Commercial Dance: An Essential Guide
by Anthony R. TrahearnThis is an exploration of the vital and rapidly evolving world of Commercial Dance, tracing the evolution and merging of Hip-Hop, Club and Jazz dance styles from the music videos of the early 1980s, to today's huge influence on pop music and dance in a multi-media culture. Chapters including ‘Iconic Moments’ and ‘Main Movers’ contextualise and analyse culturally significant works and choreographers. With direct contributions from an international array of industry leading dancers, choreographers and creatives - including JaQuel Knight (Beyonce’s choreographer), Rich + Tone Talauega (Madonna & Michael Jackson collaborators), Rebbi Rosie (Rihanna’s dancer), Dean Lee (Janet Jackson’s choreographer) and Kiel Tutin (BLACKPINK’s choreographer) - this book shines a light on the creatives in the Commercial Dance industry who have made significant impacts, not just on the world of dance but on popular culture itself. Chapters discussing dance history, copyright law, inclusivity and dance class culture as well as additional contributions from dance scholars enable this book to give credence to Commercial Dance as a legitimate academic area of study. This is a complete and comprehensive textbook for all dance students at any level of study on college, university or conservatory courses.
Commercial Dance: An Essential Guide
by Anthony R. TrahearnThis is an exploration of the vital and rapidly evolving world of Commercial Dance, tracing the evolution and merging of Hip-Hop, Club and Jazz dance styles from the music videos of the early 1980s, to today's huge influence on pop music and dance in a multi-media culture. Chapters including ‘Iconic Moments’ and ‘Main Movers’ contextualise and analyse culturally significant works and choreographers. With direct contributions from an international array of industry leading dancers, choreographers and creatives - including JaQuel Knight (Beyonce’s choreographer), Rich + Tone Talauega (Madonna & Michael Jackson collaborators), Rebbi Rosie (Rihanna’s dancer), Dean Lee (Janet Jackson’s choreographer) and Kiel Tutin (BLACKPINK’s choreographer) - this book shines a light on the creatives in the Commercial Dance industry who have made significant impacts, not just on the world of dance but on popular culture itself. Chapters discussing dance history, copyright law, inclusivity and dance class culture as well as additional contributions from dance scholars enable this book to give credence to Commercial Dance as a legitimate academic area of study. This is a complete and comprehensive textbook for all dance students at any level of study on college, university or conservatory courses.
360° Circus: Meaning. Practice. Culture (Routledge Advances in Theatre & Performance Studies)
by Franziska TrappThis collection aims to map a diversity of approaches to the artform by creating a 360° view on the circus. The three sections of the book, Aesthetics, Practice, Culture, approach aesthetic developments, issues of artistic practice, and the circus’ role within society. This book consists of a collection of articles from renowned circus researchers, junior researchers, and artists. It also provides the core statements and discussions of the conference UpSideDown—Circus and Space in a graphic recording format. Hence, it allows a clear entry into the field of circus research and emphasizes the diversity of approaches that are well balanced between theoretical and artistic point of views. This book will be of great interest to students and scholars of circus studies, emerging disciples of circus and performance.
Desire And Anxiety: Circulations Of Sexuality In Shakespearean Drama, Routledge Revivals (PDF)
by Valerie TraubIn both feminist theory and Shakespearean criticism, questions of sexuality have consistently been conflated with questions of gender. First published in 1992, this book details the intersections and contradictions between sexuality and gender in the early modern period. Valerie Traub argues that desire and anxiety together constitute the erotic in Shakespearean drama circulating throughout the dramatic texts, traversing masculine and feminine sites, eliciting and expressing heterosexual and homoerotic fantasies, embodiments, and fears. This is the first book to present a non-normalizing account of the unconscious and the institutional prerogatives that comprise the erotics of Shakespearean drama. Employing feminist, psychoanalytic, and new historical methods, and using each to interrogate the other, the book synthesises the psychic and the social, the individual and the institutional.
Desire and Anxiety: Circulations of Sexuality in Shakespearean Drama (Routledge Revivals)
by Valerie TraubIn both feminist theory and Shakespearean criticism, questions of sexuality have consistently been conflated with questions of gender. First published in 1992, this book details the intersections and contradictions between sexuality and gender in the early modern period. Valerie Traub argues that desire and anxiety together constitute the erotic in Shakespearean drama – circulating throughout the dramatic texts, traversing ‘masculine’ and ‘feminine’ sites, eliciting and expressing heterosexual and homoerotic fantasies, embodiments, and fears. This is the first book to present a non-normalizing account of the unconscious and the institutional prerogatives that comprise the erotics of Shakespearean drama. Employing feminist, psychoanalytic, and new historical methods, and using each to interrogate the other, the book synthesises the psychic and the social, the individual and the institutional.
Desire and Anxiety: Circulations of Sexuality in Shakespearean Drama (Routledge Revivals)
by Valerie TraubIn both feminist theory and Shakespearean criticism, questions of sexuality have consistently been conflated with questions of gender. First published in 1992, this book details the intersections and contradictions between sexuality and gender in the early modern period. Valerie Traub argues that desire and anxiety together constitute the erotic in Shakespearean drama – circulating throughout the dramatic texts, traversing ‘masculine’ and ‘feminine’ sites, eliciting and expressing heterosexual and homoerotic fantasies, embodiments, and fears. This is the first book to present a non-normalizing account of the unconscious and the institutional prerogatives that comprise the erotics of Shakespearean drama. Employing feminist, psychoanalytic, and new historical methods, and using each to interrogate the other, the book synthesises the psychic and the social, the individual and the institutional.
Desire And Anxiety (routledge Revivals): Circulations Of Sexuality In Shakespearean Drama
by Valerie TraubIn both feminist theory and Shakespearean criticism, questions of sexuality have consistently been conflated with questions of gender. First published in 1992, this book details the intersections and contradictions between sexuality and gender in the early modern period. Valerie Traub argues that desire and anxiety together constitute the erotic in Shakespearean drama #65533; circulating throughout the dramatic texts, traversing #65533;masculine#65533; and #65533;feminine#65533; sites, eliciting and expressing heterosexual and homoerotic fantasies, embodiments, and fears. This is the first book to present a non-normalizing account of the unconscious and the institutional prerogatives that comprise the erotics of Shakespearean drama. Employing feminist, psychoanalytic, and new historical methods, and using each to interrogate the other, the book synthesises the psychic and the social, the individual and the institutional.
The Oxford Handbook of Shakespeare and Embodiment: Gender, Sexuality, and Race (Oxford Handbooks)
by Valerie TraubThe Oxford Handbook of Shakespeare and Embodiment brings together 40 of the most important scholars and intellectuals writing on the subject today. Extending the purview of feminist criticism, it offers an intersectional paradigm for considering representations of gender in the context of race, ethnicity, sexuality, disability, and religion. In addition to sophisticated textual analysis drawing on the methods of historicism, psychoanalysis, queer theory, and posthumanism, a team of international experts discuss Shakespeare's life, contemporary editing practices, and performance of his plays on stage, on screen, and in the classroom. This theoretically sophisticated yet elegantly written Handbook includes an editor's Introduction that provides a comprehensive overview of current debates.
Three Farces and a Comedy (Oberon Modern Playwrights)
by Ben TraversContains the plays Rookery Nook, Thark, Plunder and The Bed Before Yesterday. ‘Travers should be regarded as an important figure post-Pinero and pre-Orton, and certainly one of the most skilled of British farceurs’ Oxford Dictionary of National Biography ‘The single-track dirty mind, the double entendre, the treble think, the quadruple bluff: funny names, funny local yokels, domineering women, pretty girls and the ever-swinging bedroom door… Explosively funny’ Richard Usborne, The Times Literary Supplement
The Kids Are Alt Right (Plays for Young People)
by Martin TraversFour Scottish teenagers. Two interlocking stories. One ideology tears them apart. Talented kickboxers and A-grade pupils Fatma and Britney have been best friends for ever. That is until now. Britney's views about everything are changing dramatically. She's getting drawn into the alt right online. When Fatma is sent something sinister through the post it triggers a series of decisions that will destroy their lives and their teacher's life for ever. Britney's brother Jordan is pals with Quinn. Quinn is proud to be right wing. That is until he falls deeply into its darkness and finds he's in over his head with a blade in his pocket. All four teenagers lives are changed forever - engulfed in the fallout of when damaging influence leads to damaging actions.This is an unflinching exploration of how young people today are prey to a range of extreme ideologies and how helpless people in their real lives are to stop them imploding.The Kids Are Alt Right is a cautionary tale of how social media and YouTube content can lead to actions and consequences that can never be undone.
The Kids Are Alt Right (Plays for Young People)
by Martin TraversFour Scottish teenagers. Two interlocking stories. One ideology tears them apart. Talented kickboxers and A-grade pupils Fatma and Britney have been best friends for ever. That is until now. Britney's views about everything are changing dramatically. She's getting drawn into the alt right online. When Fatma is sent something sinister through the post it triggers a series of decisions that will destroy their lives and their teacher's life for ever. Britney's brother Jordan is pals with Quinn. Quinn is proud to be right wing. That is until he falls deeply into its darkness and finds he's in over his head with a blade in his pocket. All four teenagers lives are changed forever - engulfed in the fallout of when damaging influence leads to damaging actions.This is an unflinching exploration of how young people today are prey to a range of extreme ideologies and how helpless people in their real lives are to stop them imploding.The Kids Are Alt Right is a cautionary tale of how social media and YouTube content can lead to actions and consequences that can never be undone.