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The Legend of Ned Ludd (Nhb Modern Plays Ser.)
by Joe Ward MunrowMachines can make our work easier. They can also make it vanish overnight. Joe Ward Munrow's play The Legend of Ned Ludd weaves together stories from around the world and takes us on a whirlwind global commute, from the Luddites' nineteenth-century war against new technology through to London, Liverpool, Lagos and beyond… But we're all at the mercy of The Machine. And, in this powerful exploration of work, automation and capitalism, The Machine selects the scenes for each performance, resulting in 256 possible versions of the play, spun from all the stories included in this published edition. It premiered at the Liverpool Everyman in 2024, directed by Jude Christian. 'Thrillingly audacious… an arresting drama of man, machine and revolution… each scene change is like a magic trick… gradually unfurling profound observations' - Financial Times 'An unpredictable and novel theatrical experience… thought-provoking and engaging… quietly devastating' - The Stage 'Ambitious and witty' - Indiependent
Peak Stuff (Nhb Modern Plays Ser.)
by Billie CollinsAlice is done with fast fashion. Ben can't stop buying trainers. And Charlie just wants to sell out… one organ at a time. Billie Collins's play Peak Stuff is a fast-paced, funny, fearless deep-dive into consumer culture. In an age of retail therapy, climate crisis and click and collect - how does our 'stuff' define us? And have we reached peak stuff? The play was commissioned by ThickSkin and Lawrence Batley Theatre, was a winner of the New Play Commission Scheme, and was first presented on tour of the UK in 2024.
Multiple Casualty Incident (Nhb Modern Plays Ser.)
by Sami IbrahimHere, in a London training centre, people prepare to help strangers on another side of the world. There, a city is burning. Here, Sarah gets a meal deal. There, people are in danger. Here, Khaled watches a training video. There, there are men with guns. Here, Sarah and Khaled flirt with each other. There, an aid worker looks after a refugee. Suddenly – here becomes there. In Sami Ibrahim's play Multiple Casualty Incident, roleplay, desire and compassion intertwine, revealing the limits of help, the beginnings of harm and the complexities of humanitarian work. It was first performed at The Yard Theatre, London, in 2024, directed by Jaz Woodcock-Stewart. 'A timely exploration of the ethics of foreign aid' - The Stage 'Unforgettable… when what's actually going on is revealed, the impact is astonishing' - Time Out 'Mind-bending and reality-blending… the political becomes extraordinarily personal in ways [that are] wholly unexpected… does not shy away from the disconcerting questions [about] Western humanitarian aid' - A Youngish Perspective
A Song for Ella Grey: (stage version) (Nhb Modern Plays Ser.)
by David AlmondGrey and her friends are ordinary kids from ordinary families in an ordinary world. They fall in and out of love, play music, stare at the stars, yearn for excitement, and have parties on the beautiful beaches of Northumberland. One day a stranger – a musician called Orpheus – appears on the beach, entrancing them all, but particularly Ella. Where have they come from and what path will Ella follow? A Song for Ella Grey is a version of the myth of Orpheus that sings of the madness of youth, the ache of love, and the near-impossibility of grasping death. Zoe Cooper's stage adaptation of David Almond's award-winning novel was first produced in 2024 by Pilot Theatre, in association with Northern Stage and York Theatre Royal. This edition includes the full text of the play along with a range of teaching materials and resources designed to help educators bring the play to life for their students. Praise for the novel: 'Infused with lyricism and with the fire and oddness of adolescence. Fresh, involving and lucid, it is a song in itself and teens will find it fills them with poignant longing and joy' Telegraph 'The story of Orpheus and Eurydice is retold against a wild Northumbrian landscape: life, death, love and myths. Just wonderful' Bookseller 'Extraordinary' Metro 'Spell-binding& impossible to resist' Herald
Standing at the Sky's Edge: (West End edition) (Nhb Modern Plays Ser.)
by Chris Bush Richard HawleyHailed as 'the most exciting new British musical in years' (WhatsOnStage), Standing at the Sky's Edge was originally written as a love letter to Sheffield, charting the hopes and dreams of three generations over the course of six tumultuous decades, navigating universal themes of love, loss, and survival. With irresistible songs by legendary singer-songwriter Richard Hawley and a beautiful, hilarious and gut-wrenching book by Chris Bush, Standing at the Sky's Edge reveals the history of modern Britain through the stories of a landmark housing estate. It is a heartfelt exploration of the power of community and what it is we all call home. It was first performed at Sheffield Theatres in 2019, directed by Robert Hastie, before transferring to the National Theatre in 2023, and then the Gillian Lynne Theatre in London's West End in 2024. It won the Olivier Award for Best New Musical, the UK Theatre Award for Best Musical Production, and the South Bank Sky Arts Award for Theatre. 'The best British musical in decades'Daily Express 'The most exciting new British musical in years'WhatsOnStage 'Magnificent… wonderful… possesses remarkable breadth and depth… a moving and resonant piece'The Times 'A glorious love letter to Sheffield with a big, booming heart and astonishing sound… unstoppably winning, ineffably exuberant, extremely moving… take tissues'Guardian
The Human Body (Nhb Modern Plays Ser.)
by Lucy Kirkwood1948, Shropshire: the winter is freezing, austerity is biting and Iris Elcock, GP, socialist and Labour Party councillor, is working tirelessly to implement Nye Bevan's National Health Service Act and its revolutionary promise of free healthcare for all. At home she is a mother, and wife to a fellow GP, an ex-Navy man scarred by the war. But a chance meeting with George Blythe, a local boy who has made it to Hollywood, turns her quiet, certain world upside down. A story of political and private passions, Lucy Kirkwood's play The Human Body was first performed at the Donmar Warehouse, London, in 2024, directed by Michael Longhurst and Ann Yee, and starring Keeley Hawes and Jack Davenport. 'Kirkwood is the most rewarding dramatist of her generation' - Independent 'Kirkwood's script crackles with unspoken desires, disappointments, yearning and some fantastic humour… deftly weaves bigger politics with the politics of a marriage and affair' - Guardian 'Delicate and poignant… has its author's characteristic intelligence and wit, the dialogue crammed with texture and vivacity' - The Stage
LAMDA Acting Anthology: Volume 5
by Lamda ExamsThis anthology presents the set selection of solo and duologue scenes for Learners entering LAMDA Graded Examinations in Performance: Acting from Grade 1 to Grade 5. The 100 speeches and scenes in this collection include excerpts from published plays and adapted novels, as well as new, original material written specifically for this anthology. There are monologues for solo performance and duologue scenes for two performers, all carefully curated to offer a broad range of material written by a variety of acclaimed playwrights, from Euripides, Shakespeare and Ibsen to Caryl Churchill, Chinonyerem Odimba and Jack Thorne. Also included is a foreword by actor and LAMDA graduate Ruth Wilson. For Learners taking LAMDA Examinations, this anthology offers a wide choice of characters and worlds to explore. There is material for younger candidates who are just entering the world of performance, as well as material for older, more experienced actors. For the general reader, this anthology is an ideal starting point for discovering the work of contemporary playwrights, as well as reconnecting with celebrated writers of the past.
Shifters (Nhb Modern Plays Ser.)
by Benedict LombeDre and Des. Dream and Destiny. Young. Gifted. Black. He stayed. She left. Now, tragedy brings them crashing back into each other's lives – carrying new secrets and old scars that threaten to rewrite the past and reshape the future. Benedict Lombe's play Shifters is a fierce, funny and intoxicating romance about the enduring power – and fragility – of memory and love. It was first performed at the Bush Theatre, London, in 2024, directed by Artistic Director Lynette Linton.
Nine Lessons and Carols: Stories for a Long Winter (Nhb Modern Plays Ser.)
by Chris Bush Maimuna MemonA play about connection and isolation, forged during the Covid pandemic, exploring what we hold on to in troubled times. Chris Bush's play Nine Lessons and Carols: Stories for a Long Winter, with songs by Maimuna Memon, was first staged at the Almeida Theatre, London, in 2020, directed by Rebecca Frecknall. 'A reminder of the power of theatre and our need for it' - Telegraph 'Tender and embracing, Nine Lessons and Carols leaves you with the glow that only comes from a true sense of shared experience' - The Stage
**Missing** (Nhb Modern Plays Ser.)
by Chris BushA daringly theatrical investigation of the climate crisis through the perspectives of class, patriarchy and colonialism. Chris Bush's play (Not) the End of the World was first staged at the Schaubühne in Berlin in 2021, directed by Katie Mitchell. 'Staggering… Bush's remarkable text melds a ruthless structural concept with exquisite lyricism' - Guardian 'A play of endless permutations, interrogating the idea of choice and individual agency in the face of planetary crisis… Bush's fractal text, like a shattered sheet of ice, combines vivid passages about embracing the paths unchosen with a stark account of the consequences of vanishing marine life and rising temperatures. It is intentionally contradictory, at once putting the onus on the individual, while highlighting the need for change at a governmental level. It deftly captures these tensions, while articulating the mental tug of war underlining many of our decisions' - The Stage
Idyll (Nhb Modern Plays Ser.)
by Matt HartleyTempers are fraying in the scorching heat as a rural village is overwhelmed by noise, cars and day trippers… Scratch the surface and you'll find danger bubbling away. Matt Hartley's captivating short play Idyll was first presented as an open-air production by Pentabus Theatre Company in 2021. 'A compelling rural portrait put across with vigour' - Guardian
The Wife of Cyncoed (Nhb Modern Plays Ser.)
by Matt HartleyJayne is newly retired and disappointed with her life. She's in danger of becoming her daughter's babysitting service, and is desperate to make a change. When she meets a handsome stranger in the park – and an opportunity to do something for herself arises – can Jayne allow herself a second chance at happiness? Matt Hartley's play The Wife of Cyncoed is a charming and open-hearted play about self-discovery later in life. It premiered at Sherman Theatre, Cardiff, in 2024, and provides gloriously entertaining opportunities for a mature solo performer.
Foam (Nhb Modern Plays Ser.)
by Harry McDonald1974, a public lavatory. Nicky shaves his head, watched by an older man. Publicly, Nicky is a skinhead. And a neo-Nazi. But right now, in this place, that doesn't matter. This is not the first man Nicky has met in a public toilet, and he won't be the last… Spanning twenty years and inspired by a true story, Foam examines the nature of identity and the consequences of right-wing extremist ideology against the backdrop of London's skinhead and gay scenes of the 1970s and 1980s. Colliding the terrifyingly personal and the violently political, Harry McDonald's play Foam was first performed at the Finborough Theatre, London, in 2024, directed by Matthew Iliffe.
Cassie and the Lights (Nhb Modern Plays Ser.)
by Alex HowarthWhen her mother disappears, teenager Cassie wants to care for her sisters on her own. But can kids be parents? Or should Cassie let foster parents adopt her sisters and create a new family? Alex Howarth's play Cassie and the Lights is a tender and playful examination of what makes a family and what holds it together. Based on real-life events and interviews with children in care, it celebrates the resilience of young people and the power of sisterhood. The play has been performed at the Edinburgh Festival Fringe, VAULT Festival in London, 59E59 in New York City and Adelaide Fringe Festival in Australia. It toured the UK in 2024, produced by Patch of Blue and 3 hearts canvas, in association with Southwark Playhouse and Verse Unbound. 'Glows in the darkness… a thoughtful, warm, moving hour that will leave you wanting to call whoever you think of as family' - Guardian 'Bursts with life and quirkily observed truths' - The Stage
An Enemy of the People: A Play In Five Acts (Nhb Classic Plays Ser.)
by Henrik IbsenWhen Dr Stockmann makes a disturbing discovery about the healing waters in his local baths, he holds the future of the whole town in his hands. But doubt spreads faster than disease, and those with everything to lose refuse to accept his word. Soon, a battle is raging – and it goes far beyond contaminated water… Ibsen's provocative play about truth in a society driven by power and money is given a startling contemporary spin in Thomas Ostermeier and Florian Borchmeyer's acclaimed version, which premiered at the Avignon Festival followed by the Schaubühne in Berlin in 2012. It has since toured to more than thirty cities around the world. This edition of An Enemy of the People was published alongside the first English-language production, in a version by Duncan Macmillan. It opened at the Duke of York's Theatre in the West End in 2024, starring Matt Smith and Jessica Brown Findlay. Thomas Ostermeier is a German theatre director, acclaimed for his innovative and often iconoclastic productions of classic and contemporary plays. He is the Artistic Director of the Schaubühne. 'Thrilling… Ibsen's drama scales new heights of excitement and fascination' - Guardian 'Ostermeier is the most important theater director of his generation' - New Republic 'Electrifying… an impassioned examination of society and the powerlessness of democracy to check an abuse of power… Ostermeier is using theatre as a political rallying place, somewhere to ask what we really think' - WhatsOnStage 'Surreal, provocative and very funny… deliciously spikey… fascinating and bracingly direct… Ostermeier blows the themes of the play up in the most thrilling way' - Time Out 'Blistering… full of contemporary resonances' - Financial Times
Liberation Squares (Nhb Modern Plays Ser.)
by Sonali BhattacharyyaTeenage best friends Sabi and Ruqaya spend their time choreographing dance routines, beat-boxing and hiding from bullies. But when charismatic social media activist Xara challenges them to speak up about injustice, they find themselves under state surveillance, targeted by the anti-terrorist 'Prevent' programme. What you say, and even what you think, can be viewed very differently, depending on who you are... Sonali Bhattacharyya's play Liberation Squares is a riotous comedy about sisterhood, freedom of speech, and dissent in the face of institutionalised Islamophobia. It was commissioned and developed by Fifth Word, and first produced in 2024 by Fifth Word and Nottingham Playhouse in association with Brixton House, and directed by Milli Bhatia. 'You've all heard a hundred different versions of what happened. We're here to tell you how it really went down.' 'Real polemical power… builds to an action-adventure heist that would make Ms Marvel proud… bite and purpose' - Guardian
Gunter (Nhb Modern Plays Ser.)
by Lydia Higman Rachel Lemon Julia Grogan1604. A small village outside Oxford. Two boys have been murdered by local brute Brian Gunter at a football match and their mum wants justice. But Brian is also the richest and most powerful man in the village, and has an ego too fragile to tolerate public slander… A nasty feud begins, and when Brian's daughter Anne starts demonstrating strange afflictions, an allegation is made: she has been bewitched. Impassioned and highly theatrical, Dirty Hare's award-winning production of Gunter, co-created by Lydia Higman, Julia Grogan and Rachel Lemon, tells a true story of deception, witchcraft and football. The play premiered at Summerhall at the Edinburgh Festival Fringe in 2023, where it was awarded a Scotsman Fringe First Award, Pick of the Fringe from both Playbill and Lyn Gardner, whilst Dirty Hare were named one of The Stage's Fringe Five list of breakout theatremakers. It transferred to the Royal Court Theatre, London, in 2024. 'An incantation, working dark magic into a small room' - Financial Times 'Atmospheric retelling of a famous witch trial… there's a sensuousness to the storytelling… appealingly energetic' - The Stage 'Electrifying… equally intense and playful' - Playbill
James V: Katherine (Nhb Modern Plays Ser.)
by Rona MunroKatherine Hamilton is a nineteen-year-old woman facing arrest and trial in the King's court, with only her quick wit as defence against execution. James V: Katherine is a dramatic interpretation of key events during a turbulent time in Scotland's history, events that changed the nation forever. It is also a play filled with hidden histories, deft comedy and a secret love story between two young women. Rona Munro's renowned James Plays are a breathtaking series of plays set during the reigns of Scotland's generations of Stewart kings. Each play stands alone as a thrilling depiction of a moment in Scottish history, full of playful wit and boisterous theatricality; taken together, the cycle is a uniquely compelling narrative of a nation tussling with its past and future. James V: Katherine was first staged at Capital Theatres' The Studio, in April 2024, directed by Orla O'Loughlin, before embarking on a Scottish tour. It was a co-production between Raw Material and Capital Theatres, who previously produced James IV: Queen of the Fight. Rona Munro is a writer who has written extensively for stage, radio, film and television. Earlier works in the James Plays cycle (I–III) have been performed at the National Theatre in London, across the UK and internationally, and have won Evening Standard and Writers' Guild of Great Britain Awards.
The Bounds (Nhb Modern Plays Ser.)
by Stewart PringleThe year is 1553, the true Golden Age of English football. It's the Allen Valley Whitsun Game, and men will die today. This is the big game, and it's been raging for hours. Percy and Rowan are out in the middle of nowhere, miles from the action, when a stranger joins them. A stranger with tidings that will blow their world apart. Time passes. Night falls. The great chain of being collapses. And they're losing the bloody football… Stewart Pringle's play The Bounds is a darkly comedic tale of national divides, folk horror and the end of the world as we know it. It was first co-produced by Live Theatre, Newcastle upon Tyne, and the Royal Court Theatre, London, and performed at both theatres in 2024, directed by Jack McNamara.
Red Pitch: (West End edition) (Nhb Modern Plays Ser.)
by Tyrell WilliamsRed Pitch. South London. Three lifelong friends Omz, Bilal and Joey are playing football. Like they always have. Living out dreams of football stardom. Beyond their football pitch, local shops are closing, old flats are being demolished as new flats shoot up, some residents struggle to stay while others rush to leave. A coming-of-age story about what it means to belong somewhere, Tyrell Williams' fast-paced and sharp-edged play tells a powerful story about gentrification, regeneration and the impact of this relentless change on London's communities. Red Pitch received an ecstatic critical and audience response when it was first performed at the Bush Theatre, London, in February 2022, directed by Associate Artistic Director Daniel Bailey. The production was revived at the Bush in September 2023, and transferred to @sohoplace in London's West End in March 2024. For Red Pitch, Tyrell Williams won the Evening Standard Theatre Award and the Critics' Circle Theatre Award both for Most Promising Playwright, The Stage Debut Award for Best Writer, the George Devine Award, as well as the Off West End Award for Best New Play. An earlier version of the play was presented in June 2019, as part of the Untold Season at Ovalhouse, London. 'Fierce, affectionate and effortlessly funny' - Guardian '90 minutes of end-to-end stuff… the plot is pacy and exciting. The language is rich and vivid. It's also very funny… It's still rare to see a play about young, black, working-class youths on our stages: rarer still to see one in which they are celebrated like this' - Evening Standard 'Intelligent, nuanced – an unbelievable debut… phenomenal… true mastery of craft. It's a next-level coming-of-age story' - The Stage 'Sharp, funny and deeply poignant… feels wholly authentic… an eloquent love letter to our increasingly threatened public spaces… Tyrell Williams is a rising talent of the first rank. Theatre needs voices like his' - Whatsonstage 'A triumphant take on flux and football in a fast-changing south London neighbourhood' - Independent
The Other Boleyn Girl: (stage version) (Nhb Modern Plays Ser.)
by Philippa GregoryHenry VIII's court is a stage for love and treachery, where the weapons of choice are sex, marriage – and the executioner's axe. As Henry's mistress, Mary Boleyn is a pawn in her family's lust for power. Queen Katherine of Aragon hasn't produced a male heir, and Mary's ruthless uncle scents the chance of putting his niece on the throne. But Henry's wandering eye has fallen on another: Mary's headstrong sister, Anne, whose ambition not only threatens to destroy her bond with Mary, but shakes the foundations of Church and State. Based on Philippa Gregory's internationally bestselling novel, The Other Boleyn Girl is a brilliant evocation of intrigue at the Tudor court – a racy and riveting drama of events that changed the course of English history. This stage adaptation by Mike Poulton was premiered at Chichester Festival Theatre in 2024, directed by Lucy Bailey.
Testmatch (Nhb Modern Plays Ser.)
by Kate AttwellPresent day, it's the Women's Cricket World Cup: England vs India. There's a rain delay. Tensions mount, ambitions are laid bare and a whole new tactical game begins. Calcutta, in the eighteenth century. Two British colonial administrators encounter challenges on the field of play that threaten the entire regime. In this game of integrity and power, past and present collide… Kate Attwell's funny, provocative play explores and explodes the mythology of fair play. First performed in 2019 at American Conservatory Theater in San Francisco, it received its British premiere in 2024, produced by the Orange Tree Theatre, ETT and Octagon Theatre, Bolton, and directed by Diane Page. 'Genuinely funny, refreshingly unusual, accomplished… Split into two acts, wildly contrasted on the surface but each informing the other to sometimes surprising effect, Testmatch often recalls Caryl Churchill at her most absurd and mould-breaking… tremendously entertaining' - WhatsOnStage 'A play that bristles with ideas' - The Stage 'Kate Attwell's journey through cricket wittily interrogates wilful ignorance in the face of corruption and brutality… her taut writing coils [her characters'] emotions tightly, pinpointing their urgent, full-bodied need to win… a smart, messy, angry reckoning with history and the idea of good sportsmanship' - Guardian 'Lively and energetic' - Reviews Hub 'Enjoyable… a satire on colonialism that starts off light and builds to something rather more bleak and damning… Attwelll's text is witty and impressive' - Time Out
Laughing Boy: (stage version) (Nhb Modern Plays Ser.)
by Sara RyanConnor is, well, Connor. He loves buses, Eddie Stobart and Lego. He also has learning disabilities. When he dies an entirely preventable death in NHS care, his mum, Sara, can't get a straight answer as to how it happened. But Sara and her family won't stop asking questions and soon an extraordinary campaign emerges. Demanding the truth, it uncovers a scandal of neglect and indifference that goes beyond Connor's death to thousands of others. Sara Ryan's impassioned, frank and surprisingly funny memoir Justice for Laughing Boy is adapted for the stage by Stephen Unwin. It was first performed at Jermyn Street Theatre, London, in 2024, in a co-production with Theatre Royal Bath. 'So much magic. So much love. So much laughter. So much work. So much rage. And so many tears.' 'An urgent look at our broken care system… compelling and heartfelt… a mighty testimony that will leave you furious' 'A moving story about love, laughter and the indomitability of one family's fighting spirit… deft and shocking' 'Heartfelt and colourful… a story told with love and fury' 'Hard hitting… balances the procession of grim, galling details against humanising, light-hearted moments… succeeds both as a tribute to Connor's family, and as a galvanising call for deeper compassion and greater support' 'Powerful… hideously timely… a shocking story'
Player Kings: Shakespeare's Henry IV Parts 1 & 2 (Nhb Classic Plays Ser.)
by William ShakespeareThe crown meets the criminals. Welcome to England. Hal wasn't born to be king. Only now, it seems, he will be. His father longs for him to leave behind his friends in the taverns of Eastcheap, most notably the infamous John Falstaff. War is on the horizon. But will Hal ever come good? Adapted by award-winning writer and director Robert Icke, Player Kings brings together two of Shakespeare's great history plays, Henry IV Parts 1 & 2, in a visionary new version. It opened at the Noël Coward Theatre, London, in 2024, before embarking on a UK tour. It was directed by Robert Icke, with a cast including Toheeb Jimoh, Richard Coyle and Ian McKellen as Falstaff. 'Robert Icke has an uncanny ability to get to the psychological heart of a classic text. [This is] a terrific take on one of the greatest plays ever written' - Time Out 'A national epic of power-play, racing from tavern to court and field of conflict. It's as propulsive as The Crown… heart-stopping… a must-witness' - Telegraph 'Robert Icke, the neon-intellect, rapid-action director, has spliced together the two separate plays of Henry IV to make an epic portrait… striking and unsentimental… devastating' - Observer 'Unforgettable… brings out the subtleties and violence of Shakespeare's plays' - Financial Times 'An incisive and intelligent adaptation… This rich, vivid and visceral version of Shakespeare's Henry IV is at once a skewering of the mythology of Englishness and patriotism, a shrewd overview of the current state of the nation and a piece of premium classical theatre… all conveyed with pin-sharp clarity and an arresting immediacy… Icke delineates the oppositions that Shakespeare set up without labouring the point or simplifying the characters' complex humanity' - The Stage 'Richly complex and thrilling' - Guardian
The House Party (Nhb Modern Plays Ser.)
by August StrindbergA wild party. A friendship. A cherished pet. And a night that changes everything. It's Julie's eighteenth birthday, and she's throwing a party in her father's extravagant townhouse. Her boyfriend has just dumped her and her long-suffering best friend Christine is trying to pick up the pieces. As the revellers pile into the booze, down in the kitchen Christine and her boyfriend Jon – son of Julie's cleaner – clear up and dare to dream of the future. But as the volume goes up and the shots go down, Julie concocts a twisted cocktail of privilege, desire and destruction. Laura Lomas's play The House Party spins Strindberg's classic play Miss Julie into intense, fizzing life for today's generation. It was first performed at the Minerva Theatre, Chichester, in 2024, co-produced with Headlong in association with Frantic Assembly, and directed by Holly Race Roughan. 'Dazzling… brings Strindberg's classic searing into the 21st century, a blazing hot ménage à trois that transforms the stage into a cauldron of desire, resentment and revenge' - Broadway World 'Fresh, ferociously intense and visually striking… this searing, emotionally charged adaptation puts a convincing contemporary twist on the dark story of class conflict, self-destruction and seething sexual tension' - The Stage 'Ferocious… blows the roof off the theatre… Laura Lomas has brought the classic play bang up to date… bracingly relevant and searingly shocking' - WhatsOnStage