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Avant Garde Theatre: 1892–1992

Examining the development of avant garde theatre from its inception in the 1890s right up to the present day, Christopher Innes exposes a central paradox of modern theatre; that the motivating force of theatrical experimentation is primitivism. What links the work of Strindberg, Artaud, Brook and Mnouchkine is an idealisation of the elemental and a desire to find ritual in archaic traditions. This widespread primitivism is the key to understanding both the political and aesthetic aspects of modern theatre and provides fresh insights into contemporary social trends. The original text, first published in 1981 as Holy Theatre, has been fully revised and up-dated to take account of the most recent theoretical developments in anthropology, critical theory and psychotherapy. New sections on Heiner Muller, Robert Wilson, Eugenio Barba, Ariane Mnouchkine and Sam Shepard have been added. As a result, the book now deals with all the major avant garde theatre practitioners, in Europe and North America. Avant Garde Theatre will be essential reading for anyone attempting to understand contemporary drama.

Ballade by Anna Sokolow (Language of Dance)

First Published in 1993. Routledge is an imprint of Taylor & Francis, an informa company.

Ballade by Anna Sokolow (Language of Dance #No. 5)

First Published in 1993. Routledge is an imprint of Taylor & Francis, an informa company.

The Classical Monologue (M): Men

The Classical Monologue in two volumes, one for men and one for women, is a fresh selection of the best speeches from the repertoire of the classical theatre, from the Greeks to the beginning of the 20th century. These great dramatic monologues--from all periods and styles, all varied in tone and genre--make an indispensable actor's companion for auditioning, rehearsing and performing. Each monologue is accompanied by textual notes explaining any unusual vocabulary or syntax, and by commentary in which the editors offer interpretative points and practical advice in preparing the speech for performance. Both beginners and experienced actors will find The Classical Monologue a treasury of theatrical riches waiting to be released on stage.

The Classical Monologue (M): Men

The Classical Monologue in two volumes, one for men and one for women, is a fresh selection of the best speeches from the repertoire of the classical theatre, from the Greeks to the beginning of the 20th century. These great dramatic monologues--from all periods and styles, all varied in tone and genre--make an indispensable actor's companion for auditioning, rehearsing and performing. Each monologue is accompanied by textual notes explaining any unusual vocabulary or syntax, and by commentary in which the editors offer interpretative points and practical advice in preparing the speech for performance. Both beginners and experienced actors will find The Classical Monologue a treasury of theatrical riches waiting to be released on stage.

The Classical Monologue (W): Women

First Published in 1993. Routledge is an imprint of Taylor & Francis, an informa company.

The Classical Monologue (W): Women

First Published in 1993. Routledge is an imprint of Taylor & Francis, an informa company.

Crossfire (Oberon Modern Plays)

In Michel Azama’s extraordinary play, the characters are caught in the crossfire, tumbling through the checkpoint between life and death. First performed in English at the Traverse Theatre, Edinburgh.

Crossing the Stage: Controversies on Cross-Dressing

Crossing the Stage brings together for the first time essays which explore cross-dressing in theatre, cabaret, opera and dance. The volume contains seminal pieces which have become standard texts in the field, as well as new work especially commissioned from leading writers on performance.Crossing the Stage is an indispensable sourcebook on theatrical cross-dressing. It will be essential reading for all those interested in performance and the representation of gender.

Crossing the Stage: Controversies on Cross-Dressing

Crossing the Stage brings together for the first time essays which explore cross-dressing in theatre, cabaret, opera and dance. The volume contains seminal pieces which have become standard texts in the field, as well as new work especially commissioned from leading writers on performance.Crossing the Stage is an indispensable sourcebook on theatrical cross-dressing. It will be essential reading for all those interested in performance and the representation of gender.

Daniels Plays: Gut Girls; Beside Herself; Head-rot Holiday; Madness of Esme and Shaz (Contemporary Dramatists)

Sarah Daniels is "a writer with a natural talent for disturbance" (Observer)Set in the gutting sheds of the slaughterhouse at the Cattle Market in late Victorian Deptford, The Gut Girls shows how the lives of the girls are changed when their work is made illegal - "Regarded as little better than whores by their contemporaries the gut girls are...a boisterous, beer-swilling, strong-minded bunch, handy with a knife both in the gutting shed and outside it, defiantly independent in attitude and scornful of the illusion of male supremacy." Malcolm Hay (Time Out). Beside Herself is the first of three plays in this volume that deal with women and madness - "a dramatic analogue of a contemporary social tragedy which exists on a scale we are only just beginning to comprehend" (Observer); Head-Rot Holiday commissioned by Clean Break theatre company for ex-offenders, portrays the fate of women detained in special hospitals, a euphemism for an institution for the "criminally insane" - "There is a fine, hard humour, as well as compassion, in the way Head-Rot Holdiay examines the contradictions entangling these women's lives"; The Madness of Esmé and Shaz is "A weird and wondrous black comedy." (Spectator)

Das Drama des Naturalismus (Sammlung Metzler)

Zwei Ereignisse prägten das Denken der Naturalisten vornehmlich - der unerhörte Fortschritt auf dem Gebiet der Naturwissenschaften und das Aufkommen des Sozialismus in Westeuropa.

The Dialogical Theatre: Dramatizations of the Conquest of Mexico and the Question of the Other (Studies in Literature and Religion)

In this adventurous and wide-ranging book, Harris weaves an intriguing tale of Franciscan Missionary theatre in early colonial Mexico and Indigenous dramatizations of the theme of conquest in modern Mexico. He offers fresh readings of representations of the conquest of Mexico by Dryden and Artaud and engages in a lively dialogue with Bakhtin's insistence that drama is a monological genre. Combining careful scholarship and an entertaining style, he develops his study of the theatre into a thoughtful and original meditation on the ethics of cross-cultural encounter.

Epitaph for George Dillon: Look Back In Anger; Epitaph For George Dillon; The World Of Paul Slickey; Dejavu

'Epitaph for George Dillon absorbs and fascinates because it is that rarest of theatrical phenomena, a realistic modern drama which is not bourgeois in its underlying assumptions. It is like a familiar building caught at an angle which suddenly makes it look like something never seen before.' Harold Hobson, Sunday Times, 1958.'Powerful, honest and transfixing.'Kenneth Tynan, Observer, 1958Epitaph for George Dillon premiered at the Royal Court Theatre, London, in 1958.

File On Gorky (Plays and Playwrights)

Writers-Files is an important series documenting the work of major dramatists of the last hundred years. Each volume contains a comprehensive checklist of all the writer's plays, with a detailed performance history, excerpted reviews and a selection of thImprisoned for his revolutionary activities and championed by Checkov, Maxim Gorky ("the bitter") had his first play produced by the Moscow Art Theatre in 1902. Chekhov wrote, "Gorky is the first in Russia and the world at large to have expressed contempt and loathing for the petty bourgeoisie and he has done it at the precise moment when Russia is ready for protest." Among Gorky's most important plays are Philistines, The Lower Depths and Barbarians."Methuen are to be congratulated on launching this series...extremely useful to theatre professionals as well as to students and teachers of drama" (David Bradby, Speech and Drama)

Greek Tragic Theatre

Emphasizing the political nature of Greek tragedy, as theatre of, by and for the polis, Rush Rehm characterizes Athens as a performance culture; one in which the theatre stood alongside other public forums as a place to confront matters of import. In treating the various social, religious and practical aspects of tragic production, he shows how these elements promoted a vision of the theatre as integral to the life of the city - a theatre focussed on the audience.

Greek Tragic Theatre (Understanding the Ancient World)

Emphasizing the political nature of Greek tragedy, as theatre of, by and for the polis, Rush Rehm characterizes Athens as a performance culture; one in which the theatre stood alongside other public forums as a place to confront matters of import. In treating the various social, religious and practical aspects of tragic production, he shows how these elements promoted a vision of the theatre as integral to the life of the city - a theatre focussed on the audience.

Hysteria: Imagine Drowning; Hysteria; Dead Funny (Modern Plays)

1938. Hampstead, London. Sigmund Freud has fled Nazi-occupied Austria and settled in leafy Swiss Cottage. At eighty-two-years-old, he aims to spend his final days in peace. However, when Salvador Dalí turns up to discover a less-than-fully dressed woman in the closet, peace becomes somewhat elusive . . .An acknowledged modern classic, Terry Johnson's hilarious farce explores the fall-out when two of the twentieth century's most brilliant and original minds collide. It touches on many themes including Nazi Germany, the Surrealist movement, Judaism, Freud's theories of the unconscious mind, family relationships, life and death, and love and loss.Johnson's celebrated play raises intriguing questions about Freud's radical revision of his theories of hysteria.

Ibsen Plays: A Doll's House; An Enemy of the People; Hedda Gabler (Ibsen Collection #Vol. 2)

This volume contains Ibsen's two most famous and frequently read, studied and performed plays about women: A Doll's House (1879), his first international success, which 'exploded like a bomb into contemporary life', and Hedda Gabler (1890), now one of his most popular plays, but greeted at first with bewilderment and outrage ('The play is simply a bad escape of moral sewage-gas' Pictorial World). Also included is An Enemy of the People (1883), whose central character was the actor Konstantin Stanislavski's favourite role.Michael Meyer's translations are 'crisp and cobweb-free, purged of verbal Victoriana' (Kenneth Tynan)

An Inspector Calls: Heinemann Plays for 14-16+ (PDF, 24pt)

The Heinemann Plays series offers contemporary drama and classic plays in durable classroom editions. In this play an inspector interrupts a party to investigate a girl's suicide, and implicates each of the party-makers in her death. Written by senior examiners to meet the AQA/B specification, this text aims to help both higher and foundation students develop skills needed for the exam. It has sample questions, guidance on how to answer them and practical advice on how the exam will be marked and what examiners are looking for.

An Inspector Calls: Heinemann Plays for 14-16+

The Heinemann Plays series offers contemporary drama and classic plays in durable classroom editions. In this play an inspector interrupts a party to investigate a girl's suicide, and implicates each of the party-makers in her death. Written by senior examiners to meet the AQA/B specification, this text aims to help both higher and foundation students develop skills needed for the exam. It has sample questions, guidance on how to answer them and practical advice on how the exam will be marked and what examiners are looking for.

An Inspector Calls: Heinemann Plays for 14-16+ (PDF, 32pt)

The Heinemann Plays series offers contemporary drama and classic plays in durable classroom editions. In this play an inspector interrupts a party to investigate a girl's suicide, and implicates each of the party-makers in her death. Written by senior examiners to meet the AQA/B specification, this text aims to help both higher and foundation students develop skills needed for the exam. It has sample questions, guidance on how to answer them and practical advice on how the exam will be marked and what examiners are looking for.

Journey's End

The Heinemann Plays series offers contemporary drama and classic plays in durable classroom editions. Many have large casts and an equal mix of boy and girl parts. This play deals with the horror and futility of trench warfare, as Captain Stanhope and his officers await attack in their dugout.

Journey's End (Penguin Modern Classics)

Set in the First World War, Journey's End concerns a group of British officers on the front line and opens in a dugout in the trenches in France. Raleigh, a new eighteen-year-old officer fresh out of English public school, joins the besieged company of his friend and cricketing hero Stanhope, and finds him dramatically changed ...Laurence Olivier starred as Stanhope in the first performance of Journey's End in 1928; the play was an instant stage success and remains a remarkable anti-war classic.

Kleist-Jahrbuch 1993