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New American Dramatists 1960–1990 (Modern Dramatists)

In the second edition of her New American Dramatists Ruby Cohn carries her panoramic survey to 1990. Not only does she augment the existing chapters on Broadway, off-Broadway, and off-off-Broadway, but she adds new material on women playwrights as well as Asian-American dramatists. With the emergence of David Mamet and Sam Shepard as major playwrights, she contrasts them for mutual illumination.

No Man's Land: The Homecoming; Old Times; No Man's Land

'The work of our best living playwright in its command of the language and its power to erect a coherent structure in a twilight zone of confusion and dismay.' The TimesDo Hirst and Spooner really know each other, or are they performing an elaborate charade? The ambiguity - and the comedy - intensify with the arrival of Briggs and Foster. All four inhabit a no-man's-land between time present and a time remembered, between reality and imagination.No Man's Land was first presented at the National Theatre at the Old Vic, London, in 1975, revived at the Almeida Theatre, London, with Harold Pinter as Hirst and revived by the National Theatre, directed by Harold Pinter, in 2001.

Ödön von Horváth: Two Plays (Oberon Modern Plays)

DON JUAN COMES BACK FROM THE WAR (DON JUAN KOMMT AUS DEM KRIEG): The anti-hero of the title returns from the front in a fervour of despair. The girl he is searching for has died and the romantic ideal he is trying to construct is opposed by endless recriminations from the succession of women he encounters. Don Juan Comes Back from the War was first performed in this translation at the National Theatre in 1978. FIGARO GETS DIVORCED (FIGARO LÄSST SICH SCHEIGEN): An aristocratic couple and their two servants are on the run from a revolution. Their fortunes rise and fall against a background of social and political upheaval. Figaro Gets Divorced was premiered in this translation at the Gate Theatre in 1990.

Oliver Twist (Acting Edition Ser.) (PDF)

Adapted from the novel by Charles Dickens, Jeremy Brock's splendidly theatrical stage version of Oliver Twist combines all the richness of Dickens's story - the sinister antics of Fagin, the comic pomposity of Mr Bumble the Beadle, and the horror of Nancy's murder at the hands of Sykes. Originally devised for eleven actors playing multiple roles, the play is easy to stage, makes good use of sound effects for atmosphere and makes more than a nod to the contemporary world.

Our Country's Good (PDF)

This edition of Timberlake Wertenbaker's stage reworking of Thomas Keneally's novel The Playmaker, the story of a young lieutenant's efforts to stage a play amongst the convict settlers of 18th century Australia. It includes not only the complete text of the play itself but also extensive apparatus on the playwright's life and work, the play's background and interpretation, discussion of individual words and phrases, and photographs from stage productions.

Paper Tigers

This playscript contains three original, self-contained plays following the adventures of a gang of newspaper boys and girls as they confront such issues as racism, equality and the law. The activity section provides tips on improvisation techniques and exploring character.

Paper Tigers (PDF)

This playscript contains three original, self-contained plays following the adventures of a gang of newspaper boys and girls as they confront such issues as racism, equality and the law. The activity section provides tips on improvisation techniques and exploring character.

Peter Brook and the Mahabharata: Critical Perspectives (Routledge Revivals)

First published in 1991, Peter Brook and the Mahabharata is a collection of essays which contextualizes the production of Peter Brook’s The Mahabharata. Written by both scholars and collaborators on Brook’s production, these essays seek not only to discuss such issues as the politics of theatre interculturalism, but to describe the nature of the working process, and detail the technical problems engendered by touring a production of this size and complexity. Furnished with a new preface by the editor, the book continues to be crucial research work devoted to unravelling the mesmerising as well as the polarising enigma known as Peter Brook’s The Mahabharata. Thoroughly heterogenous and controversially irreverent, this book will be of interest to students of theatre, performance art, literature, South Asian studies and media studies.

Peter Brook and the Mahabharata: Critical Perspectives (Routledge Revivals)

First published in 1991, Peter Brook and the Mahabharata is a collection of essays which contextualizes the production of Peter Brook’s The Mahabharata. Written by both scholars and collaborators on Brook’s production, these essays seek not only to discuss such issues as the politics of theatre interculturalism, but to describe the nature of the working process, and detail the technical problems engendered by touring a production of this size and complexity. Furnished with a new preface by the editor, the book continues to be crucial research work devoted to unravelling the mesmerising as well as the polarising enigma known as Peter Brook’s The Mahabharata. Thoroughly heterogenous and controversially irreverent, this book will be of interest to students of theatre, performance art, literature, South Asian studies and media studies.

Public and Performance in the Greek Theatre

Professor Arnott discusses the practical staging of Greek plays, and relates theatre practice to literary structure by demonstrating, for example, how the buildings themselves imposed particular constraints on actors and writers alike.

Public and Performance in the Greek Theatre (PDF)

Professor Arnott discusses the practical staging of Greek plays, and relates theatre practice to literary structure by demonstrating, for example, how the buildings themselves imposed particular constraints on actors and writers alike.

Rafts and Dreams & Outside the Whale (Modern Plays)

"Robert Holman is the quiet man among modern British dramatists. But his new play...is an outstanding work that sings with truth" (Michael Billington, Guardian)Rafts and Dreams: "While digging up the roots of a tree in the garden, Neil, Leo and Hetty uncover a vast underground lake which floods away the world. With Leo at the tiller of his sawn-away living room, the trio begin a voyage of the earth's watery surface. It is a surrealist fantasy at its most thought-provoking, a play whose best bits manage to work like a dream" (Paul Taylor, Independent). Outside the Whale is a fictional account of the writer George Orwell set in the early 30s in which the action moves easily over a period of three years and settings as various as the basement warehouse of the publishers Victor Gollancz, a hen-hut in Essex and the dosshouse in Romford.

The Room & The Dumb Waiter: The Birthday Party; The Room; The Dumb Waiter; A Slight Ache; The Hothouse; A Night Out; The Black And White; The Examination (Pinter Plays Ser.)

The Room and The Dumb WaiterIn these two early one-act plays, Harold Pinter reveals himself as already in full control of his unique ability to make dramatic poetry of the banalities of everyday speech and the precision with which it defines character.'Harold Pinter is the most original writer to have emerged from the "new wave" of dramatists who gave fresh life to the British theatre in the fifties and early sixties.' The Times

Rosencrantz and Guildenstern are Dead, Jumpers, and The Real Thing: Text and Performance (Text and Performance)

Very few modern plays have generated as much excitement in the theatre as Rosencrantz and Guildenstern Are Dead, Jumpers and The Real Thing. Are they merely witty entertainments or do they demand consideration as serious works of dramatic art? The metatheatrical form of each of the plays is shown to reflect Stoppard's view that the human race has suffered an irreversible fall from grace. Part I analyses how philosophical themes are articulated through the travesty of clichd literary and theatrical forms. Part II evokes a sense of the dazzling comic experience created by the first performance of each play.

Routledge Revivals: An Annotated Bibliography and Commentary (Routledge Revivals)

First published in 1991, this book is the first annotated bibliography of feminist Shakespeare criticism from 1975 to 1988 — a period that saw a remarkable amount of ground-breaking work. While the primary focus is on feminist studies of Shakespeare, it also includes wide-ranging works on language, desire, role-playing, theatre conventions, marriage, and Elizabethan and Jacobean culture — shedding light on Shakespeare’s views on and representation of women, sex and gender. Accompanying the 439 entries are extensive, informative annotations that strive to maintain the original author’s perspective, supplying a careful and thorough account of the main points of an article.

Routledge Revivals: An Annotated Bibliography and Commentary (Routledge Revivals)

First published in 1991, this book is the first annotated bibliography of feminist Shakespeare criticism from 1975 to 1988 — a period that saw a remarkable amount of ground-breaking work. While the primary focus is on feminist studies of Shakespeare, it also includes wide-ranging works on language, desire, role-playing, theatre conventions, marriage, and Elizabethan and Jacobean culture — shedding light on Shakespeare’s views on and representation of women, sex and gender. Accompanying the 439 entries are extensive, informative annotations that strive to maintain the original author’s perspective, supplying a careful and thorough account of the main points of an article.

Shakespeare in the Changing Curriculum (Routledge Revivals)

First published in 1991, Shakespeare in the Changing Curriculum provides a context for debates about the place of Shakespeare within the English curriculum in the 1990s, and examines the possibilities in teaching Shakespeare afforded by the application of contemporary critical approaches, such as communication, cultural and gender studies, in the classroom and seminar room. The collection will be of particular to interest to sixth-form students, secondary school teachers, teacher trainers and students and lecturers in further and higher education.

Shakespeare in the Changing Curriculum (Routledge Revivals)

First published in 1991, Shakespeare in the Changing Curriculum provides a context for debates about the place of Shakespeare within the English curriculum in the 1990s, and examines the possibilities in teaching Shakespeare afforded by the application of contemporary critical approaches, such as communication, cultural and gender studies, in the classroom and seminar room. The collection will be of particular to interest to sixth-form students, secondary school teachers, teacher trainers and students and lecturers in further and higher education.

Shakespeare Left and Right (Routledge Revivals)

Shakespeare Left and Right brings together critics, strikingly different in their politics and methodologies, who are acutely aware of the importance of politics on literary practice and theory. Should, for example, feminist criticism be subjected to a critique by voices it construes as hostile to its political agenda? Is it possible to present a critique of feminist criticism without implicitly impeding its politics? And, in the light of recent political events should the Right pronounce the demise of Marxism as a social science and interpretive tool? The essays in Shakespeare Left and Right, first published in 1991, present a tug of war about ideology, acted out over the body of Shakespeare. Part One focuses on the challenge thrown down by Richard Levin's widely discussed "Feminist Thematics and Shakespearean Tragedy". Part Two considers these issues in relation to critical practice and the reading of specific plays. This book should be of interest to undergraduates and academics interested in Shakespeare studies.

Shakespeare Left and Right (Routledge Revivals)

Shakespeare Left and Right brings together critics, strikingly different in their politics and methodologies, who are acutely aware of the importance of politics on literary practice and theory. Should, for example, feminist criticism be subjected to a critique by voices it construes as hostile to its political agenda? Is it possible to present a critique of feminist criticism without implicitly impeding its politics? And, in the light of recent political events should the Right pronounce the demise of Marxism as a social science and interpretive tool? The essays in Shakespeare Left and Right, first published in 1991, present a tug of war about ideology, acted out over the body of Shakespeare. Part One focuses on the challenge thrown down by Richard Levin's widely discussed "Feminist Thematics and Shakespearean Tragedy". Part Two considers these issues in relation to critical practice and the reading of specific plays. This book should be of interest to undergraduates and academics interested in Shakespeare studies.

Shakespeare: The Living Record

The Taming of the Shrew: A Comparative Study of Oral and Literary Versions (Routledge Revivals)

William Shakespeare’s The Taming of the Shrew has succeeded in surviving in contemporary culture, and has even managed to penetrate to the most modern media of mass communications. This book, first published in 1991, examines some of the different literary and oral versions of The Taming of the Shrew. This book is ideal for students of literature, drama, and theatre studies.

The Taming of the Shrew: A Comparative Study of Oral and Literary Versions (Routledge Revivals)

William Shakespeare’s The Taming of the Shrew has succeeded in surviving in contemporary culture, and has even managed to penetrate to the most modern media of mass communications. This book, first published in 1991, examines some of the different literary and oral versions of The Taming of the Shrew. This book is ideal for students of literature, drama, and theatre studies.

Theatre as Sign-System: A Semiotics of Text and Performance (PDF)

This invaluable student handbook is the first detailed guide to explain in detail the relationship between the drama text and the theory and practice of drama in performance. Beginning at the beginning, with accessible explanations of the meanings and methods of semiotics, Theatre as Sign Systemaddresses key drama texts and offers new and detailed information about the theories of performance.

Theatre as Sign System: A Semiotics of Text and Performance

This invaluable student handbook is the first detailed guide to explain in detail the relationship between the drama text and the theory and practice of drama in performance. Beginning at the beginning, with accessible explanations of the meanings and methods of semiotics, Theatre as Sign System addresses key drama texts and offers new and detailed information about the theories of performance.