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天堂与轮回相比 漫画书 作者搭玛: Nyingma In The West (Nyingma In America Ser. #Vol. 1)

by Dharma

就像人们所说的,一幅画胜过千言万语,我希望通过这些漫画,我能 更有力 得表达我的观点。我们对上帝和宗教的看法还停留在过去-我 们不断重复那 些古时候写的,已经过时的观点。就算一本书是一千 或者两千年之前写的, 也不能代表当时的人们有独特的见解,或者 众神曾在那时降临人间。 古时候的人并不坏-他们只不过是记下了他们认为是对的想法,他 们记录下 来对上帝的观点,很大程度上受到了他们那时候生活的影 响。那时,残暴的 国王/独裁者和强人统治,要求人民顺从和忠诚, 以此给他们恩惠,这样的 形象就成了上帝的模版。至少有基督教和 伊斯兰教这些当今主流的宗教是这 样的。 屈膝下跪,祈求仁慈,发誓对国王忠诚然后得到奖励-这是当时人民 的生 活,也是他们所记录的想法。不幸的是,即使今天的生活有很 大的不同,绝 大多数人仍然盲目地遵循这样的想法。 通过我的书,我希望改变言论,为宗教和灵性注入新鲜的想法。 如果您想要联系我,邮箱地址是HeavenVsReincarnation@Yahoo.com

Attitudinal Evaluation in Chinese University Students’ English Writing: A Contrastive Perspective (Corpora and Intercultural Studies #4)

by Anne McCabe Xinghua Liu

This book offers up-to-date insights into the long-standing controversy of whether or not Chinese learners of English adequately express their attitudes in written English. It compares four writing datasets from three groups of student writers (e.g., English-speaking students’ English texts, Chinese-speaking students’ Chinese texts, and both English and Chinese texts produced by the same group of Chinese-speaking students majoring in English), and applies the appraisal framework, an analytical tool developed in the field of Systemic Functional Linguistics. The book provides a nuanced view of the deployment of attitudinal patterns and the linguistic resources used for attitudinal evaluation in Chinese students’ English writing. Accordingly, it offers a valuable resource for all those interested in second language writing, contrastive rhetoric, second language acquisition and systemic functional linguistics.

Blocks of Finite Groups: The Hyperfocal Subalgebra of a Block (Springer Monographs in Mathematics)

by Lluis Puig

About 60 years ago, R. Brauer introduced "block theory"; his purpose was to study the group algebra kG of a finite group G over a field k of nonzero characteristic p: any indecomposable two-sided ideal that also is a direct summand of kG determines a G-block.But the main discovery of Brauer is perhaps the existence of families of infinitely many nonisomorphic groups having a "common block"; i.e., blocks having mutually isomorphic "source algebras".In this book, based on a course given by the author at Wuhan University in 1999, all the concepts mentioned are introduced, and all the proofs are developed completely. Its main purpose is the proof of the existence and the uniqueness of the "hyperfocal subalgebra" in the source algebra. This result seems fundamental in block theory; for instance, the structure of the source algebra of a nilpotent block, an important fact in block theory, can be obtained as a corollary. The exceptional layout of this bilingual edition featuring 2 columns per page (one English, one Chinese) sharing the displayed mathematical formulas is the joint achievement of the author and A. Arabia.

Cambridge IGCSE - Chinese as a Second Language Coursebook (Cambridge International Igcse Ser.)

by Martin Mak Xixia Wang Ivy Liu So Ling

The only resources designed for the Cambridge IGCSE® Chinese as a Second Language syllabus (0523) for first examination from 2020. With topics ranging from festivals to travel and technology, each unit is based around one authentic Mandarin Chinese text and audio recording. This mix of content helps students engage with the subject and develop their ability to handle real language materials. Audio recordings (available online) help students practise the new listening aspect of the course, while 'Culture boxes' provide interesting insights into Chinese culture. Students will work collaboratively with others – sometimes in pairs and other times in groups – to develop language skills through communication. Answers to the coursebook questions are in the digital teacher's resource.

Cambridge Igcse® Chinese As A First Language Coursebook (Cambridge International Igcse Ser.)

by Ivy Liu So Ling Martin Mak Sandra Hon Yu

The only resources designed for the Cambridge IGCSE® Chinese as a First Language syllabus (0509). Take an active approach to first language Chinese with activities that reinforce language learning and expand vocabulary and idioms. The coursebook focuses on building students' reading and writing skills through real Mandarin Chinese texts about different topics, such as Chinese philosophers and sport. It also provides opportunities to develop essential life skills including creative thinking, communication and problem solving. At the end of the course, students should be able to critically analyse literary work written in Chinese and demonstrate a strong writing ability. Suggested answers to the coursebook questions are in the teacher's book.

Cambridge Igcse® Chinese As A First Language Workbook (Cambridge International Igcse Ser.)

by Martin Mak Ivy Liu So Ling Sandra Hon Yu

The only resources designed for the Cambridge IGCSE® Chinese as a First Language syllabus (0509). Take an active approach to first language Chinese, with activities that reinforce language learning and expand vocabulary and idioms. Following the same structure as the coursebook, students can use this write-in workbook both in-class and at home. It contains additional activities that provide opportunities to further practice Mandarin Chinese. Suggested answers to workbook questions are in the teacher's book.

Cambridge IGCSE® Mandarin as a Foreign Language Coursebook Digital Edition (Cambridge International IGCSE)

by Martin Mak Xixia Wang Ivy Liu

A flexible suite of resources providing full coverage of the Cambridge IGCSE® Mandarin as a Foreign Language syllabus (0547) for first examination in 2015. With a skills-based approach and an international focus, this digital coursebook with downloadable audio promotes a deeper understanding of the Mandarin language and culture. Engaging texts, images and audio enhance the activities in the coursebook and help students develop language skills. Exam-style questions and clear learning objectives encourage self-assessment and support students through the Cambridge IGCSE® Mandarin as a Foreign Language course.

Chinesisch — Sprachkurs für Medizin und Alltag: Band 2: Einführung in den Sprachaufbau

by Paul U. Unschuld Jinsheng Zheng

Chinesisch Wort für Wort. Durch schrittweisen Aufbau eines neuen Satzes lernt der Leser schon nach kurzer Zeit, Chinesisch zu sprechen und zu verstehen. Anhand der Dialoge des ersten Bandes wird in diesem Buch mit einer neuartigen didaktischen Methode der Sprachaufbau deutlich gemacht. Farbliche Hervorhebungen, chinesische Schriftzeichen, leicht nachvollziehbare Lautschrift - so wird es auch für Anfänger ein Leichtes, sich flüssig zu unterhalten. Besonders hilfreich sind die gesundheitsbezogenen Vokabeln und Redewendungen. Also ein unverzichtbares Buch für alle, die in absehbarer Zeit nach China reisen oder bereits die Reise angetreten haben.

Chinesisch — Sprachkurs für Medizin und Alltag: Band 1: 18 Situationsdialoge

by Paul U. Unschuld Jinsheng Zheng

Eine unverzichtbare Hilfe für alle, die schnell Chinesisch lernen wollen. Anhand realistischer Dialoge kann jeder Chinareisende sich bereits nach kurzer Zeit chinesisch unterhalten. Das Buch ist leicht verständlich aufgebaut: Unter den chinesisch geschriebenen Sätzen steht die Lautschrift und die deutsche Übersetzung. Anders als bei den üblichen Reisesprachführern und Lehrbüchern legen die Autoren den Schwerpunkt auf medizinische Situationen. Vermittelt werden dabei neben alltäglichen Redewendungen ein Grundwortschatz aus dem Bereich der westlichen und der chinesischen Medizin und Pharmazie, der medizinischen Technologie und des Gesundheitswesens. Damit wird das Buch zur unschätzbaren Hilfe insbesondere für deutschsprachige Ärzte, Wissenschaftler und Studenten, aber auch für Mitarbeiter in Firmen, die mit chinesischen Partnern persönliche Kontakte pflegen möchten.

Classifying the Zhuangzi Chapters (Michigan Monographs In Chinese Studies #65)

by Xiaogan Liu

The relationships, both historical and philosophical, among the Zhuangzi’s Inner, Outer, and Miscellaneous chapters are the subject of ancient and enduring controversy. Liu marshals linguistic, intertextual, intratextual, and historical evidence to establish an objectively demonstrable chronology and determine the philosophical affiliations among the various chapters. This major advance in Zhuangzi scholarship furnishes indispensable data for all students of the great Daoist text. In a lengthy afterword, Liu compares his conclusions with those of A. C. Graham and addresses the relationship between the Zhuangzi and the Laozi.

Clinical Optics and Refraction

by Andrew Keirl, Caroline Christie, 路建華

It provides a comprehensive and clinically based guide to visual optics. With its suggested routines and numerous examples, this new book offers a straightforward "how to approach" to the understanding of clinical optics, refraction and contact lens optics. Designed for easy access, it presents information in a concise format that highlights key, need-to-know points. Part 1 addresses the basic visual optics of the eye along with emmetropia, ametropia and the correction of ametropia with spectacle lenses. Part 2 turns to the optics of contact lenses and the use of contact lenses in vision correction.Numerous worked examples based on real examination questionsPractical and user friendly textOver 190 clear line diagramsAn essential passport to examination success and a valuable quick reference for practitioners

Complementary Modernisms in China and the United States: Art as Life/Art as Idea

by Jian Zhang Bruce Robertson

Complementary Modernisms in China and the United States: Art as Life/Art as Idea is the result of a conference where Chinese and Americanist art historians addressed the development of modernism in their respective cultural traditions. The chapters juxtapose historical developments without attempting to map connections or influences. Instead, both national modernisms are presented as part of the larger terrain of global modernism, but generated within specific, localized circumstances. This juxtaposition reveals significant differences as much as any particular moments of connection or similarities, disrupting any standard narrative of the primacy of French (or European) avant-garde art and its influence on more belated and peripheral communities. The differences that are revealed are not merely the result of the very different historical trajectories of each country’s moves into modernity. Rather, differences in attention and methodology are just as important, in particular the focus on the post-1980 development of Chinese art as part of the modernization of Chinese culture and economy, rather than the American perspective on post-1980s postmodern qualities. At the same time, significant convergent concerns emerge, such as the importance of urban centers and urbanization, the profound effect of political and technological disruption, and the question of identity.The volume represent a cross-section of Chinese and Americanist art historians, both early career and senior scholars, working on a wide variety of subjects, such as the Ashcan School, Impressionism, Cai Liang, Liang Sicheng, Huang Binhong, Cézanne, Bauhaus, Joseph Cornell, Andrew Wyeth, Louise Nevelson, Jackson Pollock, Andy Warhol, and contemporary art more broadly, with (as is usual in any survey of the 20th century these days) a concentration on the 1960s. 《交互视野下的中国和美国的现代艺术: 艺术/生活或观念》这一会议论文集收录了中美艺术史家对现代主义在各自传统下的发展进行研究所得的成果。这些文章并置历史发展,而非试图详述其中的关联或影响。相反,两个国家的现代主义都被展现为全球现代主义大背景中的一部分,并被认为是在特定环境中产生的。这种并置显示了重要的差异性以及任何特殊情况下的联系或相似之处,打破了一般强调法国(或欧洲)先锋派首要地位及其对周围团体产生影响的标准论述。中国与美国现代主义发展上的差异,并不仅仅是由于两国进入不同历史轨道发展现代化而导致的。相反,关注点和方法论的差异也同样重要,尤其是关注八十年代后中国艺术的发展,将其作为中国文化与经济现代化的一部分,而不是从美国视角来看待八十年代后的后现代价值。同时,也出现了重要的趋同关注点:城市中心与城市化的重要性,政治或科技解体所造成的深远影响,以及自我认同的问题。本论文集所收录的文章,彰显了当今重要的中美艺术史家研究的多样性,从资深到青年一代,从阿什坎学派至当代艺术,(并与任何当下对二十世纪作出的概括论述相一致,)将重点放在二十世纪六十年代。

Dao Companion to the Philosophy of Xunzi (Dao Companions to Chinese Philosophy #7)

by Eric L. Hutton

This volume presents a comprehensive analysis of the Confucian thinker Xunzi and his work, which shares the same name. It features a variety of disciplinary perspectives and offers divergent interpretations. The disagreements reveal that, as with any other classic, the Xunzi provides fertile ground for readers. It is a source from which they have drawn—and will continue to draw—different lessons. In more than 15 essays, the contributors examine Xunzi’s views on topics such as human nature, ritual, music, ethics, and politics. They also look at his relations with other thinkers in early China and consider his influence in East Asian intellectual history. A number of important Chinese scholars in the Song dynasty (960–1279 CE) sought to censor the Xunzi. They thought that it offered a heretical and impure version of Confuciansim. As a result, they directed study away from the Xunzi. This has diminished the popularity of the work. However, the essays presented here help to change this situation. They open the text’s riches to Western students and scholars. The book also highlights the substantial impact the Xunzi has had on thinkers throughout history, even on those who were critical of it. Overall, readers will gain new insights and a deeper understanding of this important, but often neglected, thinker.

Gender in Literary Translation: A Corpus-Based Study of the English Translations of Chenzhong De Chibang (Corpora and Intercultural Studies #3)

by Lingzi Meng

This book explores the role of gender in male- and female-produced efforts to translate a Chinese novel into English. Adopting the CDA framework and corpus methodology, the study examines the specific ways in which, and extent to which, a female British translator and a male American translator construct their gender identity in translation. Based on an analysis of the two translations’ textual and paratextual features, it reveals the fascinating ways in which language, gender and translation interact. The book is intended for anyone who is interested in gender and translation studies, particularly in applying the new corpus methodology to exploring the interface between gender and translation in the Chinese context.

A Glossary of Words and Phrases in the Oral Performing and Dramatic Literatures of the Jin, Yuan, and Ming (Michigan Monographs In Chinese Studies #89)

by Dale R. Johnson

For many years, the oral performing and dramatic literatures of China from 1200 to 1600 CE were considered some of the most difficult texts in the Chinese corpus. They included ballad medleys, comic farces, Yuan music dramas, Ming music dramas, and the novel Shuihu zhuan. The Japanese scholars who first dedicated themselves to study these works in the mid-twentieth century were considered daring. As late as 1981, no comprehensive dictionary or glossary for this literature existed in any language, Asian or Western. A Glossary of Words and Phrases fills this gap for Western readers, allowing even a relative novice who has resonable command of Chinese to read, translate, and appreciate this great body of literature with an ease undreamed of even two decades ago. The Glossary is organized into approximately 8,000 entries based on the reading notes and glosses found in various dictionaries, thesauruses, glossaries, and editions of works from the period. Main entries are listed alphabetically in the pinyin romanization system. In addition to glosses, entries include symbolic annotations, guides to pronunciation, and text citations. The result is a broadly useful glossary serving the needs of students of this literature as well as scholars researching Jin and Yuan language and its usage.

HCI and User-Experience Design: Fast-Forward to the Past, Present, and Future (Human–Computer Interaction Series #9186)

by Aaron Marcus

This book consists of a series of essays which addresses the essentials of the development processes in user-experience design (UX design) planning, research, analysis, evaluation, training and implementation, and deals with the essential components (metaphors, mental models, navigation, and appearance) of user-interfaces and user-experiences during the period of 2002-2007.These essays grew from the authors own column entitled ‘Fast Forward’ which appeared in Interaction Magazine – the flagship publication of the ACM Special Interest Group on Human-Computing Interaction (SIGCHI). Written in such a way as to ensure longevity, these essays have not been edited or updated, however a short Postscripts has been added to provide some comments on each topic from a current perspective. HCI and User-Experience Design provides a fascinating historical review of the professional and research world of UX and HCI during a period of significant growth and development and would be of interest to students, researchers, and designers who are interested in recent developments within the field.

Insurance Law in China (Contemporary Commercial Law)

by Johanna Hjalmarsson Dingjing Huang

The Chinese insurance market is expanding enormously as risk adversity takes hold in the economy while the role of the State as guarantor of commerce is gradually reduced. In addition, insurance is a heavily regulated field with detailed contract law stipulations. An introduction to regulation and contract law and an understanding of current issues is essential for someone seeking to do business in the Chinese market. Insurance law is also a field that translates well from one jurisdiction to another, and academics will be interested in understanding how issues are dealt with in another jurisdiction. The book seeks to present and discuss current topics in Chinese insurance law and regulation to an English-speaking audience knowledgeable of common law insurance law and international insurance business. The combined effect of the papers is to present Chinese insurance law to an audience unfamiliar with Chinese law, in a readable and accessible essay chapter format. Each chapter is written by an expert in the field and goes beyond a basic introduction to provide in depth well-researched information and academic analysis on the topic in question.

Internationalisation of Logistics Systems: How Chinese and German companies enter foreign markets

by Frank Straube Shihua Ma Michael Bohn

Over the past decades the world economy has reached an unprecedented level of global integration. As markets are being liberalised and trade barriers continuously being removed, companies are in an ongoing process of internationalisation. For the internationalisation of business activities, Global Logistics Systems play a significant role. The motivation of this survey is to review companies’ internationalisation procedures from a logistics perspective. This is one of the first comprehensive surveys on global logistics. The poll which forms the basis of the analysis was carried out simultaneously in China and Germany.

Introduction to Contemporary Art in China (China Perspectives)

by Lao Zhu

The book is a collection of fifteen introductory essays excerpted from the Annual of Contemporary Art in China, covering the years from 2005 to 2019, showcasing the development and changing landscapes of contemporary art in China. The Annual documents exhibitions, events, creative practices, and critical literature concerning contemporary art in China since 2005. Based on archival documentation and statistics data from these annuals, notable phenomena, events, and discourses from a given year, as well as key works and artists are reviewed in each introduction, with no ideological or market-driven undertone. The author unravels industrial and institutional factors, while also broaching important issues of abstract art, new media art and so on, and probing the historical and socio-cultural context as well. In this regard, the book offers a panorama of contemporary Chinese art and critically engages with the art scene in China, including Hongkong, Taiwan, and among the Chinese diaspora. The title will appeal to scholars, students and general readers interested in contemporary art history, art criticism, contemporary Chinese art, iconography, and contemporary art theory.

Introduction to Contemporary Art in China (China Perspectives)

by Lao Zhu

The book is a collection of fifteen introductory essays excerpted from the Annual of Contemporary Art in China, covering the years from 2005 to 2019, showcasing the development and changing landscapes of contemporary art in China. The Annual documents exhibitions, events, creative practices, and critical literature concerning contemporary art in China since 2005. Based on archival documentation and statistics data from these annuals, notable phenomena, events, and discourses from a given year, as well as key works and artists are reviewed in each introduction, with no ideological or market-driven undertone. The author unravels industrial and institutional factors, while also broaching important issues of abstract art, new media art and so on, and probing the historical and socio-cultural context as well. In this regard, the book offers a panorama of contemporary Chinese art and critically engages with the art scene in China, including Hongkong, Taiwan, and among the Chinese diaspora. The title will appeal to scholars, students and general readers interested in contemporary art history, art criticism, contemporary Chinese art, iconography, and contemporary art theory.

Joy and Sorrow Songs of Ancient China: A New Translation of Shi Jing Guo Feng (A Chinese-English Bilingual Edition)

by Ha Poong Kim

The Shi Jing is the oldest anthology of Chinese songs. It contains 305 songs of ancient China, composed in the 12th to 7th century BCE. The collection is divided into four parts. The present work is a translation of its first part, namely Guo Feng, which translates as "songs of states" within the Zhou kingdom (1122-255 BCE). The Guo Feng songs were mostly sung by the common people of the kingdom. In this respect, they are unlike the songs in the other three parts, which are generally dynastic songs of the Zhou court. The songs included in this translation predate Confucius, many by several centuries. Accordingly, through them one may hear the spontaneous voices of pre-Confucian China. The text of the Shi Jing has come down to us at the present time in familiar Chinese characters. But their usage is so ancient that for centuries even Chinese readers have had to rely on a few standard commentaries, which all gave Confucian, moralistic readings of the songs, even of those that are unmistakably simple love songs. Ha Poong Kim's translation has incorporated the results of some recent Japanese studies which question the traditional, Confucian approach to the text, thereby recovering the original meaning of many songs in the Guo Feng. It is hoped that this Chinese-English Bilingual Edition makes the voices of joys and sorrows of this ancient land audible to a modern readership, not only in the West but also in China as well.

The Language and Iconography of Chinese Charms: Deciphering a Past Belief System

by Alex Chengyu Fang François Thierry

This book offers an in-depth description and analysis of Chinese coin-like charms, which date back to the second century CE and which continued to be used until mid 20th century. This work is unique in that it provides an archaeological and analytical interpretation of the content of these metallic objects: inscriptive, pictorial or both. As the component chapters show, these coin-like objects represent a wealth of Chinese traditional folk beliefs, including but not limited to family values, social obligations and religious desires. The book presents a collection of contributed chapters, gathering a diverse range of perspectives and expertise from some of the world’s leading scholars in the fields of archaeology, religious studies, art history, language and museology. The background of the cover image is a page from Guang jin shi yun fu 廣金石韻府, a rhyming dictionary first published in the ninth year of the Kangxi Reign (1652 CE). The metal charm dates back to the Song Dynasty (960–1279 CE), depicting two deities traditionally believed to possess the majic power of suppressing evil spirits. The stich-bound book in the foreground is a collection of seal impressions from the beginning of the 20th century. Its wooden press board is inscribed da ji xiang 大吉祥 by Fang Zhi-bin 方質彬 in the year of bing yin (1926 CE).

The Matrix of Lyric Transformation: Poetic Modes and Self-Presentation in Early Chinese Pentasyllabic Poetry (Michigan Monographs In Chinese Studies #75)

by Zong-qi Cai Zong-qu Cai

Pentasyllabic poetry has been a focus of critical study since the appearance of the earliest works of Chinese literary criticism in the Six Dynasties period. Throughout the subsequent dynasties, traditional Chinese critics continued to examine pentasyllabic poetry as a leading poetic type and to compile various comprehensive anthologies of it. The Matrix of Lyric Transformation enriches this tradition, using modern analytical methods to explore issues of self-expression and to trace the early formal, thematic, and generic developments of this poetic form. Beginning with a discussion of the Yüeh-fu and ku-shih genres of the Han period, Cai Zong-qi introdues the analytical framework of modes from Western literary criticism to show how the pentasyllabic poetry changed over time. He argues that changing practices of poetic composition effected a shift from a dramatic mode typical of folk compositions to a narrative mode and finally to lyric and symbolic modes developed in literati circles.

Monitoring and Control of Information-Poor Systems: An Approach based on Fuzzy Relational Models

by Arthur L. Dexter

The monitoring and control of a system whose behaviour is highly uncertain is an important and challenging practical problem. Methods of solution based on fuzzy techniques have generated considerable interest, but very little of the existing literature considers explicit ways of taking uncertainties into account. This book describes an approach to the monitoring and control of information-poor systems that is based on fuzzy relational models which generate fuzzy outputs. The first part of Monitoring and Control of Information-Poor Systems aims to clarify why design decisions must take account of the uncertainty associated with optimal choices, and to explain how a fuzzy relational model can be used to generate a fuzzy output, which reflects the uncertainties associated with its predictions. Part two gives a brief introduction to fuzzy decision-making and shows how it can be used to design a predictive control scheme that is suitable for controlling information-poor systems using inaccurate measurements. Part three describes different ways in which fuzzy relational models can be generated online and explains the practical issues associated with their identification and application. The final part of the book provides examples of the use of the previously described techniques in real applications. Key features: Describes techniques applicable to a wide range of engineering, environmental, medical, financial and economic applications Uses simple examples to help explain the basic techniques for dealing with uncertainty Describes a novel design approach based on the use of fuzzy relational models Considers practical issues associated with applying the techniques to real systems Monitoring and Control of Information-Poor Systems forms an invaluable resource for a wide range of graduate students, and is also a comprehensive reference for researchers and practitioners working on problems involving mathematical modelling and control.

Pearl from the Dragon’s Mouth: Evocation of Scene and Feeling in Chinese Poetry (Michigan Monographs In Chinese Studies #67)

by Cecile C. Sun

The interplay between the external world (ching) and the poet’s inner world (ch’ing) lies at the heart of Chinese poetry, and understanding the interaction of the two is crucial to understanding this work from within its own tradition. Closely coordinating her discussions of poetry and criticism so that practice and theory become mutually enriching and illuminating, Sun offers sensitive and original readings of poems and a wealth of insights into Chinese poetics.

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