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Yeats The Poet: The Measures of Difference
by Edward LarrissyThis work addresses Yeats's "antinomies", seeing their origin and structure in his divided Anglo-Irish inheritance and examining the notion of measure. It then explores how this relates to freemasonry, Celticism and Orientalism and looks at the Blakean esoteric language of contrariety and outline which provided Yeats with the vocabulary of self-understanding.
Yeats, Eliot, Pound and the Politics of Poetry: Richest to the Richest (Routledge Library Editions: T. S. Eliot)
by Cairns Prof. CraigIt has long been recognised that there is an apparently paradoxical relationship between the revolutionary poetic style developed by Yeats, Eliot and Pound in the period during and after the First World War, and the reactionary politics with which they were associated in the 1920s and 1930s. Concentrating on their writings in the period up to the 1930s, this study, first published in 1982, helps to resolve the paradox and also provides a much needed reappraisal of the factors influencing their poetic and political development. The work of these poets has usually been seen as deriving from the tradition of continental symbolist poetics. Yeats, Eliot, Pound and the Politics of Poetry will be of interest to students of literature.
Yeats, Eliot, Pound and the Politics of Poetry: Richest to the Richest (Routledge Library Editions: T. S. Eliot #2)
by Cairns Prof. CraigIt has long been recognised that there is an apparently paradoxical relationship between the revolutionary poetic style developed by Yeats, Eliot and Pound in the period during and after the First World War, and the reactionary politics with which they were associated in the 1920s and 1930s. Concentrating on their writings in the period up to the 1930s, this study, first published in 1982, helps to resolve the paradox and also provides a much needed reappraisal of the factors influencing their poetic and political development. The work of these poets has usually been seen as deriving from the tradition of continental symbolist poetics. Yeats, Eliot, Pound and the Politics of Poetry will be of interest to students of literature.
Yeats, Coleridge and the Romantic Sage
by M. GibsonThis work explores an aspect of Yeats's writing largely ignored until now: namely, his wide-ranging absorption in S.T. Coleridge. Gibson explores the consistent and densely woven allusions to Coleridge in Yeats's prose and poetry, often in conjunction with other Romantic figures, arguing that the earlier poet provided him with both a model of philosopher - 'the sage' - and an interpretation of metaphysical ideas which were to have a resounding effect on his later poetry, and upon his rewriting of A Vision.
Yeats as Precursor: Readings in Irish, British and American Poetry
by S. MatthewsAs both a late Romantic and a modern, W.B. Yeats has proved to be perhaps the most influential poet of the early twentieth-century. In this original study Steven Matthews traces, through close readings of significant poems, the flow of Yeatsian influence across time and cultural space. By engaging with the formalist criticism of Harold Bloom and Paul de Man in their dialogues with Jacques Derrida, he also considers Yeats's significance as the founding presence within the major poetry criticism of the century.
Yeats Annual No. 8 (Yeats Annual)
by Warwick GouldYeats Annual No.8 has two distinct themes: Yeats's poetic technique and his aims for an Irish Theatre. Essays from Helen Vendler, Richard Taylor, Timothy Armstrong and Wayne Chapman place the poetry under close scrutiny and offer challenging new studies. Yeats himself writes the remaining essays, including the long-awaited first publication of his Wildean dialogue and an uncollected address on the Irish National Theatre delivered in 1934. Richard Londraville edits four of Yeats's lectures given in England and America in 1902-4.
Yeats Annual No 7: including Essays in Memory of Richard Ellmann (Yeats Annual)
by Warwick GouldThe essays in Yeats Annual No 7 are dedicated to the memory of Richard Ellmann, one of the great pioneer critics of W.B.Yeats. They have been contributed by distinguished colleagues and friends of Richard Ellmann, chosen on his advice. The volume also contains much new material by Yeats himself - a new and virtually complete early draft of his novel The Speckled Bird, here entitled 'The Lilies of the Lord' and two new poems from The Flame of the Spirit manuscript book, given to Maud Gonne in 1981.
Yeats Annual No 6 (Yeats Annual)
by Warwick GouldThis research-level publication for current thought and documentation upon the life and work of Yeats, focuses on Yeats at work on various manuscripts and on his tours of America. Two of his poems are published from manuscript for the first time.
Yeats Annual No. 13 (Yeats Annual)
by Warwick GouldYeats Annual is the leading international research-level journal devoted to the greatest twentieth-century poet in the English language. In this number there are new essays on Yeats's theatre by leading scholars such as Richard Allen Cave, Gregory N. Eaves and Masaru Sekine, while scholars from nine countries including Peter L. Caracciolo and Paul Edwards, Maneck H. Daruwala, William F. Halloran, Elisabeth Heine and Colleen MacKenna address such matters as 'Yeats and Maud Gonne: Marriage and the Astrological Record, 1908-9', Yeats's relations with Fiona Macleod and with Wyndham Lewis, the Ghost of Wordsworth, Philip Larkin and Seamus Heaney. There are new essays on A Vision , shorter bibliographical notes and reviews of ten new studies.
Yeats and Women
by Deirdre ToomeyYeats and Women , published originally in the Yeats Annuals series, collects eight essays on Yeats's relationships with women, two collections of letters to him and his broadcast, 'Poems about Women'. The essays cover sexuality and its dynamic in Yeats's writing: his attitude to feminism and to the 'feminist occult'; his relationships with Maud Gonne, Dorothea Hunter, Olivia Shakespear, Florence Farr, Iseult Gonne and George Yeats. Yeats's relationship with Lady Gregory and her co-authorship of Cathleen ni Houlihan is analysed. The collection includes 12 plates.
Yeats and Nietzsche: An Exploration of Major Nietzschean Echoes in the Writings of William Butler Yeats
by Otto Bohlmann
Yeats and American Poetry: The Tradition of the Self
by Terence DiggoryThis work is designed to show a double influence: first, that of American poets, especially Whitman, on W. B. Yeats, and, second, of Yeats on a wide range of American poets who began their careers during the first decades of the century.Originally published in 1983.The Princeton Legacy Library uses the latest print-on-demand technology to again make available previously out-of-print books from the distinguished backlist of Princeton University Press. These editions preserve the original texts of these important books while presenting them in durable paperback and hardcover editions. The goal of the Princeton Legacy Library is to vastly increase access to the rich scholarly heritage found in the thousands of books published by Princeton University Press since its founding in 1905.
A Year of Reading Aloud: 52 poems to learn and love
by Georgina Rodgers'In a world in which we tend to look to what's new, to cutting-edge science and to medical breakthroughs for hope in better health, there's something marvellous in the realisation that one of the most beautiful and longest-lasting cures has been here all along - on the internet, on our bookshelves, under our noses. Words - down the centuries, over the ether, across the miles - have power to steady us, to make us feel better.' the ObserverThe ancient tradition of learning and reciting poetry is renowned for its wellbeing benefits - from strengthening the mind and boosting creativity to improving memory. The practice is as valuable as ever in our busy modern day lives, allowing us to focus on the rhythm of the present moment, slow down and switch off.A Year of Reading Aloud celebrates the power of spoken word with a poem to learn and love for each week of the year. Drawing both on familiar favourites and new voices, from Sylvia Plath and Maya Angelou to Instapoets Nikita Gill and Yrsa Daley-Ward - this is a book that will capture your imagination through verse and help you fall back in love with this beautiful art form. Includes a foreword by Rachel Kelly, bestselling author of 52 Small Steps to Happiness and Black Rainbow.
A Year of Last Things: From the Booker Prize-winning author of The English Patient
by Michael OndaatjeWith A Year of Last Things, acclaimed novelist Michael Ondaatje returns to poetry, looking back on a life of displacement and discovery'My life always stops for a new book by him' JHUMPA LAHIRI, author of The Namesake'Timeless... Remarkable, incomparable' TERRANCE HAYES, author of So to SpeakBorn in Sri Lanka during the Second World War, Ondaatje was sent as a child to school in London, and later moved to Canada. While he has lived there since, these poems reflect the life of a writer, traveller and watcher of the world – describing himself as a 'mongrel', someone born out of diverse cultures.Here, rediscovering the influence of every border crossed, he moves back and forth in time, from a childhood in Sri Lanka to Molière’s chair during his last stage performance, from icons in Bulgarian churches to the Californian coast and loved Canadian rivers, merging memory with the present, looking back on a life of displacement and discovery, love and loss. As he writes in the opening poem:Reading the lines he loveshe slips them into a pocket,wishes to die with his clothesfull of torn-free stanzasand the telephone numbersof his children in far citiesPoetry – where language is made to work hardest and burns with a gem-like flame - is what Ondaatje has returned to in this intimate history.
The Year of Goodbyes: A True Story Of Friendship, Family And Farewells
by Debbie LevyLike other girls, Jutta Salzberg enjoyed playing with friends, going to school, and visiting relatives. In Germany in 1938, these everyday activities were dangerous for Jews. Jutta and her family tried to lead normal lives, but soon they knew they had to escapeâ "if they could before it was too late. Throughout 1938, Jutta had her friends and relatives fill her poesiealbumâ "her autograph bookâ "with inscriptions. Her daughter, Debbie Levy, used these entries as a springboard for telling the story of the Salzberg family's last year in Germany. It was a year of change and chance, confusion and cruelty. It was a year of goodbyes.
A Year in the New Life
by Jack UnderwoodPOETRY BOOK SOCIETY RECOMMENDATIONJack Underwood's poetry debut, Happiness (2015), was celebrated for its unconventional and daring tone: 'conversational, arresting . . . weird, singular' (Guardian). Such qualities are on accomplished display in this anticipated new collection, as the poems mature and move on to a wide range of preoccupations, including imminent societal collapse and public unrest; the limits, myths and complexities of masculinity and fatherhood; and uncanny, often amusing scenarios, such as serving drinks to a gathering of fifteen babies or group kissing in Empathy Class. Throughout, incongruous and domestic subjects realign in skewed lyrics and thought experiments, intimately expressed in 'a new language / of the familiar' ('The Landing'). All is presented with a generosity and tenderness that makes the poet so unmistakable - and indispensable for the strange times in which we live.
Yapping Away: Poems by Joshua Seigal
by Joshua SeigalJoshua Seigal, winner of the 2020 Laugh Out Loud Book Awards, brings his raucous humour, creativity and wit to another brilliant collection of poems. Ideal for fans of Michael Rosen, this book will delight all young readers and fans of funny books.From hilarious to heartfelt poems – and everything in between – this collection offers something for everyone. Discover the eight steps for having a successful tantrum, and why you should NEVER attend a Teddy Bear's Picnic (you have been warned). Packed full of fun illustrations by Sarah Horne, and covering a range of imaginative topics, Yapping Away is the perfect follow-up to Joshua Seigal's prize-winning collection I Bet I Can Make You Laugh.Ideal for children as young as 3 to read with adults, or for children aged 5-7 to read by themselves.
Yapping Away: Poems by Joshua Seigal
by Joshua SeigalJoshua Seigal, winner of the 2020 Laugh Out Loud Book Awards, brings his raucous humour, creativity and wit to another brilliant collection of poems. Ideal for fans of Michael Rosen, this book will delight all young readers and fans of funny books.From hilarious to heartfelt poems – and everything in between – this collection offers something for everyone. Discover the eight steps for having a successful tantrum, and why you should NEVER attend a Teddy Bear's Picnic (you have been warned). Packed full of fun illustrations by Sarah Horne, and covering a range of imaginative topics, Yapping Away is the perfect follow-up to Joshua Seigal's prize-winning collection I Bet I Can Make You Laugh.Ideal for children as young as 3 to read with adults, or for children aged 5-7 to read by themselves.
Y Patrwm Amryliw: Cyfrol 1
by Robert RhysCyfrol o ysgrifau beirniadol yn bwrw golwg ar waith beirdd tri chwarter cyntaf yr ugeinfed ganrif yng Nghymru. [A volume of critical essays surveying the work of the Welsh poets of the first seventy-five years of the twentieth century.]*Datganiad hawlfraint Gwneir y copi hwn dan dermau Rheoliadau (Anabledd) Hawlfraint a Hawliau mewn Perfformiadau 2014 i'w ddefnyddio gan berson sy'n anabl o ran print yn unig. Oni chaniateir gan gyfraith, ni ellir ei gopïo ymhellach, na'i roi i unrhyw berson arall, heb ganiatâd.
Y Patrwm Amryliw: Cyfrol 2
by Robert RhysCyfrol o ysgrifau beirniadol yn bwrw golwg ar waith beirdd hanner olaf yr ugeinfed ganrif, a dechrau'r unfed ganrif ar hugain yng Nghymru. [A volume of critical essays surveying the work of the Welsh poets of the latter half of the twentieth century, and the beginning of the twenty-first century.] *Datganiad hawlfraint Gwneir y copi hwn dan dermau Rheoliadau (Anabledd) Hawlfraint a Hawliau mewn Perfformiadau 2014 i'w ddefnyddio gan berson sy'n anabl o ran print yn unig. Oni chaniateir gan gyfraith, ni ellir ei gopïo ymhellach, na'i roi i unrhyw berson arall, heb ganiatâd.
Xenophon's Imperial Fiction: On The Education of Cyrus
by James Tatum"If you inquire into the origins of the novel long enough," writes James Tatum in the preface to this work, ". . . you will come to the fourth century before our era and Xenophon's Education of Cyrus, or the Cyropaedia." The Cyrus in question is Cyrus the Great, the founder of the Persian empire celebrated in the Book of Ezra as the liberator of Israel, and the Cyropaedia, written to instruct future rulers by his example, became not only an inspiration to poets and novelists but a profoundly influential political work. With Alexander as its earliest student, and Elizabeth I of England one of its later pupils, it was the founding text for the tradition of "mirrors for princes" in the West, including Machiavelli's Prince. Xenophon's masterpiece has been overlooked in recent years: Tatum's goal is to make it fully meaningful for the twentieth-century reader.To accomplish this aim, he uses reception study, philological and historical criticism, and an intertextual and structural analysis of the narrative. Engaging the fictional and the political in a single reading, he explains how the form of the work allowed Xenophon to transcend the limitations of historical writing, although in the end the historian's passion for truth forced him to subvert the work in a controversial epilogue.Originally published in 1989.The Princeton Legacy Library uses the latest print-on-demand technology to again make available previously out-of-print books from the distinguished backlist of Princeton University Press. These editions preserve the original texts of these important books while presenting them in durable paperback and hardcover editions. The goal of the Princeton Legacy Library is to vastly increase access to the rich scholarly heritage found in the thousands of books published by Princeton University Press since its founding in 1905.
Wu Wenying and the Art of Southern Song Ci Poetry
by Grace S. FongThe author begins with a biography exploring the moral and aesthetic implications of Wu's life as a guest-poet" patronized by officials and aristocrats, and continues with a reconstruction of the historical and literary context needed for modern readers to grasp his poetic techniques.Originally published in 1987.The Princeton Legacy Library uses the latest print-on-demand technology to again make available previously out-of-print books from the distinguished backlist of Princeton University Press. These editions preserve the original texts of these important books while presenting them in durable paperback and hardcover editions. The goal of the Princeton Legacy Library is to vastly increase access to the rich scholarly heritage found in the thousands of books published by Princeton University Press since its founding in 1905.
Wrong Norma: ‘I would read anything she wrote’ Susan Sontag
by Anne CarsonWrong Norma is Anne Carson's first book of original material in eight years'If she was a prose writer she would instantly be recognised as a genius'COLM TÓIBÍN, author of Brooklyn'I'm a big fan... She pinpoints the collision of oracle and anachronism'TEJU COLE, author of TremorAs with her most recent publications, Wrong Norma is a facsimile edition of the original hand-designed book, drawn and annotated by the author. Several of the twenty-five startling poetic prose pieces have appeared in magazines and journals like the New Yorker and the Paris Review.Anne Carson is probably our most celebrated living poet, winner of countless awards and routinely tipped for the Nobel Prize in Literature. Famously reticent, asking that her books be published without cover copy, she has agreed to say this:Wrong Norma is a collection of writings about different things, like Joseph Conrad, Guantanamo, Flaubert, snow, poverty, Roget's Thesaurus, my Dad, Saturday night, Sokrates, writing sonnets, forensics, encounters with lovers, the word "idea", the feet of Jesus, and Russian thugs. The pieces are not linked. That's why I've called them "wrong".