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Hunches in Bunches
by Dr. SeussA new paperback edition, never before published in the UK, written and illustrated by the one and only Dr. Seuss.
I Had Trouble in Getting to Solla Sollew
by Dr. SeussAs our hero struggles to reach the city of Solla Sollew, where they never have troubles, at least very few, we realise that it’s better to face up to life’s problems than to try to run away from them!
The Sense of Movement: [poems
by Thom GunnThe Sense of Movement, Thom Gunn's second collection, was first published in 1957.'This book . . . establishes Gunn as one of the few really interesting poets of his generation and promises greatly for the future.' Times Literary Supplement
Yertle the Turtle and Other Stories
by Dr. SeussIn this hilarious book, featuring three timeless fables, Dr. Seuss explores the pitfalls of growing too big for your boots!
Poetry without Tears (Routledge Revivals)
by Michael BaldwinFirst published in 1959, Poetry without Tears is a book not about what poetry is. The author argues that this book is not concerned with the educational resurrection of a dead art but about the artistic resurrection of education. Poetry is a force released in activity. That is how an educationalist and a poet see it. It is rarely how critics and academics see it. They see it as a series of poems, correspondingly it is as a ‘Collection of Poems’ that it is taught. Basic educational truths are frequently overlooked in our teaching of the arts, and no art suffers more from this than poetry. Baldwin goes on to say that in the end teaching is a creative activity and the creators are the best teachers. This book is a must read for students of both literature and education.
Poetry without Tears (Routledge Revivals)
by Michael BaldwinFirst published in 1959, Poetry without Tears is a book not about what poetry is. The author argues that this book is not concerned with the educational resurrection of a dead art but about the artistic resurrection of education. Poetry is a force released in activity. That is how an educationalist and a poet see it. It is rarely how critics and academics see it. They see it as a series of poems, correspondingly it is as a ‘Collection of Poems’ that it is taught. Basic educational truths are frequently overlooked in our teaching of the arts, and no art suffers more from this than poetry. Baldwin goes on to say that in the end teaching is a creative activity and the creators are the best teachers. This book is a must read for students of both literature and education.
Greek Lyrics
by Richmond Lattimore"Professor Lattimore, holding closely to the original metres, has produced renderings of great power and beauty. His feeling for the telling noun and verb, the simple yet poignant epithet, and the dramatic turn of syntax is marked. He has completely freed the poems from sentimentality, and the thrilling ancient names—Anacreon, Alcaeus, Simonides, Sappho—acquire fresh brilliance and vitality under his hand."—Louise Bogan, The New Yorker "The significant quality of Mr. Lattimore's versions is that they are pure. The lenses he provides are as clear as our language is capable of making them."—Moses Hadas, N.Y. Herald Tribune
Greek Lyrics
by Richmond Lattimore"Professor Lattimore, holding closely to the original metres, has produced renderings of great power and beauty. His feeling for the telling noun and verb, the simple yet poignant epithet, and the dramatic turn of syntax is marked. He has completely freed the poems from sentimentality, and the thrilling ancient names—Anacreon, Alcaeus, Simonides, Sappho—acquire fresh brilliance and vitality under his hand."—Louise Bogan, The New Yorker "The significant quality of Mr. Lattimore's versions is that they are pure. The lenses he provides are as clear as our language is capable of making them."—Moses Hadas, N.Y. Herald Tribune
Greek Lyrics
by Richmond Lattimore"Professor Lattimore, holding closely to the original metres, has produced renderings of great power and beauty. His feeling for the telling noun and verb, the simple yet poignant epithet, and the dramatic turn of syntax is marked. He has completely freed the poems from sentimentality, and the thrilling ancient names—Anacreon, Alcaeus, Simonides, Sappho—acquire fresh brilliance and vitality under his hand."—Louise Bogan, The New Yorker "The significant quality of Mr. Lattimore's versions is that they are pure. The lenses he provides are as clear as our language is capable of making them."—Moses Hadas, N.Y. Herald Tribune
Greek Lyrics
by Richmond Lattimore"Professor Lattimore, holding closely to the original metres, has produced renderings of great power and beauty. His feeling for the telling noun and verb, the simple yet poignant epithet, and the dramatic turn of syntax is marked. He has completely freed the poems from sentimentality, and the thrilling ancient names—Anacreon, Alcaeus, Simonides, Sappho—acquire fresh brilliance and vitality under his hand."—Louise Bogan, The New Yorker "The significant quality of Mr. Lattimore's versions is that they are pure. The lenses he provides are as clear as our language is capable of making them."—Moses Hadas, N.Y. Herald Tribune
Odes and Epodes
by Joseph P. HoraceThe writings of Horace have exerted strong and continuing influence on writers from his day to our own. Sophisticated and intellectual, witty and frank, he speaks to the cultivated and civilized world of today with the same astringent candor and sprightliness that appeared so fresh at the height of Rome's wealthy and glory. In 23 B.C., when he published the first three books of his lyrics, Horace was 42 years old, secure in the favor of the emperor Augustus, and living in ease and comfort as a country gentleman on his Sabine farm. Serenity is reflected in these lyrics, certainly, but so are other experiences, for Horace had lived through three major political crises in a society that was the center of the world, that was sophisticated, refined—and beginning to decay. A worldly, high-spirited, cultivated man, Horace responds in his poetry to the myriad elements of Roman life he knew so well. The Odes and Epodes of Horace collects the entirety of his lyric poetry, comprising all 103 odes, the Carmen Saeculare ("Festival Hymn"), and the earlier epodes. Joseph P. Clancy has achieved a mirroring of the originals that is worthy in its own right as English verse, and his introductions to each book of lyrics are both lively and informed.
Odes and Epodes
by Joseph P. HoraceThe writings of Horace have exerted strong and continuing influence on writers from his day to our own. Sophisticated and intellectual, witty and frank, he speaks to the cultivated and civilized world of today with the same astringent candor and sprightliness that appeared so fresh at the height of Rome's wealthy and glory. In 23 B.C., when he published the first three books of his lyrics, Horace was 42 years old, secure in the favor of the emperor Augustus, and living in ease and comfort as a country gentleman on his Sabine farm. Serenity is reflected in these lyrics, certainly, but so are other experiences, for Horace had lived through three major political crises in a society that was the center of the world, that was sophisticated, refined—and beginning to decay. A worldly, high-spirited, cultivated man, Horace responds in his poetry to the myriad elements of Roman life he knew so well. The Odes and Epodes of Horace collects the entirety of his lyric poetry, comprising all 103 odes, the Carmen Saeculare ("Festival Hymn"), and the earlier epodes. Joseph P. Clancy has achieved a mirroring of the originals that is worthy in its own right as English verse, and his introductions to each book of lyrics are both lively and informed.
The Simple Wordsworth: Studies in the Poems 1979-1807 (RLE: Wordsworth and Coleridge)
by John F. DanbyFirst published in 1960, this book studies Wordsworth’s ‘simple’ poems, such as the Lyrical Ballads, as products of a sophisticated and powerfully successful literary genius. The author aims to approach the poems as perhaps Wordsworth expected his first readers to; but as they have never been in fact. The result of this approach is to discover a Wordsworth far different to that which he has previously been presented as — the ‘Sage of Rydal’ at one extreme and a naïve perpetrator of poetical blunders at the other — and, the author argues, a far more exciting one. This book will be of interest to students of literature.
The Simple Wordsworth: Studies in the Poems 1979-1807 (RLE: Wordsworth and Coleridge)
by John F. DanbyFirst published in 1960, this book studies Wordsworth’s ‘simple’ poems, such as the Lyrical Ballads, as products of a sophisticated and powerfully successful literary genius. The author aims to approach the poems as perhaps Wordsworth expected his first readers to; but as they have never been in fact. The result of this approach is to discover a Wordsworth far different to that which he has previously been presented as — the ‘Sage of Rydal’ at one extreme and a naïve perpetrator of poetical blunders at the other — and, the author argues, a far more exciting one. This book will be of interest to students of literature.
The Last Romantics (Routledge Revivals)
by Graham HoughFirst published in 1947, The Last Romantics elucidates on the major preoccupations of the leaders of thought in late Victorian times such as the arts and their relation to religion and the social order. The aim is to trace their thoughts and feelings and study the relevance of the thoughts to the author's time. This leads author to examine some aesthetic theories of Ruskin, Rosetti, Morris, Pater and finally Yeats, and includes discussions on art and French literature. This book will be of interest to students of Romantic literature.
The Last Romantics (Routledge Revivals)
by Graham HoughFirst published in 1947, The Last Romantics elucidates on the major preoccupations of the leaders of thought in late Victorian times such as the arts and their relation to religion and the social order. The aim is to trace their thoughts and feelings and study the relevance of the thoughts to the author's time. This leads author to examine some aesthetic theories of Ruskin, Rosetti, Morris, Pater and finally Yeats, and includes discussions on art and French literature. This book will be of interest to students of Romantic literature.
The Divine Comedy: Volume 3: Paradiso (Galaxy Books)
by Dante AlighieriAn invaluable source of pleasure to those English readers who wish to read this great medieval classic with true understanding, Sinclair's three-volume prose translation of Dante's Divine Comedy provides both the original Italian text and the Sinclair translation, arranged on facing pages, and commentaries, appearing after each canto, which serve as brilliant examples of genuine literary criticism. This volume contains the complete translation of Dante's Paradiso.
The Divine Comedy: Volume 2: Purgatorio (Galaxy Books)
by Dante AlighieriAn invaluable source of pleasure to those English readers who wish to read this great medieval classic with true understanding, Sinclair's three-volume prose translation of Dante's Divine Comedy provides both the original Italian text and the Sinclair translation, arranged on facing pages, and commentaries, appearing after each canto, which serve as brilliant examples of genuine literary criticism. This volume contains the complete translation of Dante's Purgatorio.
The Divine Comedy: Volume 1: Inferno (Galaxy Books)
by Dante AlighieriAn invaluable source of pleasure to those English readers who wish to read this great medieval classic with true understanding, Sinclair's three-volume prose translation of Dante's Divine Comedy provides both the original Italian text and the Sinclair translation, arranged on facing pages, and commentaries, appearing after each canto, which serve as brilliant examples of genuine literary criticism.
The Divine Comedy: Volume 2: Purgatorio (Galaxy Books)
by Dante AlighieriAn invaluable source of pleasure to those English readers who wish to read this great medieval classic with true understanding, Sinclair's three-volume prose translation of Dante's Divine Comedy provides both the original Italian text and the Sinclair translation, arranged on facing pages, and commentaries, appearing after each canto, which serve as brilliant examples of genuine literary criticism. This volume contains the complete translation of Dante's Purgatorio.
The Divine Comedy: Volume 3: Paradiso (Galaxy Books)
by Dante AlighieriAn invaluable source of pleasure to those English readers who wish to read this great medieval classic with true understanding, Sinclair's three-volume prose translation of Dante's Divine Comedy provides both the original Italian text and the Sinclair translation, arranged on facing pages, and commentaries, appearing after each canto, which serve as brilliant examples of genuine literary criticism. This volume contains the complete translation of Dante's Paradiso.
The Divine Comedy: Volume 1: Inferno (Galaxy Books)
by Dante AlighieriAn invaluable source of pleasure to those English readers who wish to read this great medieval classic with true understanding, Sinclair's three-volume prose translation of Dante's Divine Comedy provides both the original Italian text and the Sinclair translation, arranged on facing pages, and commentaries, appearing after each canto, which serve as brilliant examples of genuine literary criticism.
Critical Essays on Roman Literature: Elegy and Lyric (Routledge Revivals: Critical Essays on Roman Literature #1)
by J P SullivanFirst published in 1962, this book is the first of two volumes which bridge the gap between the study of classics and the study of literature and attempt to reconcile the two disciplines. Focusing on elegy and lyric, this collection of essays offers a critical examination of Latin literature and aims to stimulate critical discussion of a selection of Latin poets. This experimental and ground-breaking book will be of particular interest to students of Roman Literature, Classics and Poetry.
Critical Essays on Roman Literature: Elegy and Lyric (Routledge Revivals: Critical Essays on Roman Literature #1)
by J. P. SullivanFirst published in 1962, this book is the first of two volumes which bridge the gap between the study of classics and the study of literature and attempt to reconcile the two disciplines. Focusing on elegy and lyric, this collection of essays offers a critical examination of Latin literature and aims to stimulate critical discussion of a selection of Latin poets. This experimental and ground-breaking book will be of particular interest to students of Roman Literature, Classics and Poetry.
Romantic Paradox: An Essay on the Poetry of Wordsworth (RLE: Wordsworth and Coleridge)
by C.C. ClarkeFirst published in 1962, this book reveals unexpected complexity or equivocation in Wordsworth’s use of certain key words, particularly ‘image’, ‘form’ and ‘shape’. The author endeavours to show that this complexity is related to the poet’s awareness of the ambiguity of the perceptual process. Numerous passages from The Prelude and other poems are analysed to illustrate the argument and to show that, because of this doubt or hidden perplexity, Wordsworth’s poetry has a far richer texture, is more concentrated, intricately organised and loaded with ambivalent meanings than it would otherwise have been. New light is also shed on Wordsworth’s debt to Akenside.