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Your Move: Exercise Sheets

First published in 1995. A collection of sixty exercise sheets for activities in dance that include such areas as shifting body areas, body direction like tilting, displacement, and destination motion as well as contraction, elongation, folding, rotational twists, and the five forms of aerial steps.

Your Move

This second edition of this well-known text book now offers downloadable resources to accompany the dance studies throughout the chapters. The authors take a new approach to teaching, learning and creating with notation through movement exploration, exercises and short dances, thus enlarging the scope of the book to teachers of movement, movement analysis and choreography as well as the traditional dance notation students.Updated and enlarged to reflect the most recent scholarship and through a series of exercises, this book guides students through:movement, stillness, timing, shaping, accentstravellingdirection, flexion and extension,rotations, revolutions and turnssupporting, change of supportspringingbalancerelationships.All of these movements are explored sequentially and are represented symbolically in notation so the student learns how to physically articulate, notate and describe the movements as they are performed.

Your Move

This second edition of this well-known text book now offers downloadable resources to accompany the dance studies throughout the chapters. The authors take a new approach to teaching, learning and creating with notation through movement exploration, exercises and short dances, thus enlarging the scope of the book to teachers of movement, movement analysis and choreography as well as the traditional dance notation students.Updated and enlarged to reflect the most recent scholarship and through a series of exercises, this book guides students through:movement, stillness, timing, shaping, accentstravellingdirection, flexion and extension,rotations, revolutions and turnssupporting, change of supportspringingbalancerelationships.All of these movements are explored sequentially and are represented symbolically in notation so the student learns how to physically articulate, notate and describe the movements as they are performed.

Your Last Breath, Olfactory and After The Rainfall (Modern Plays)

Your Last Breath: 1876 - Christopher leaves his young family behind to work in Norway. He will map the uncharted mountains for the very first time. 1999 - Anna's body freezes after an extreme skiing accident and her heart stops. But doctors gradually warm her until it miraculously starts beating again. 2011 - Freija, a successful business woman, has just lost her father. She travels to scatter his ashes in Norway. 2034 - Nicholas explains a medical breakthrough which saved his life as a baby, whereby the human body can be 'suspended in animation.' Spanning 150 years, Your Last Breath piece fuses movement, live piano score and video unravelling the landscapes of the heart and our own personal geographies. It was a Fringe First Winner in 2011 and will be touring, potentially to Scandinavia, in the Spring.After the Rainfall: Throughout history, the study of ants (myrmecology) has been used as an analogy for human behaviour. This piece uses myrmecology as a prism through which to view the present day. Navigating the arid Egyptian desert, continental Europe, the British Museum and a quiet village green, this piece is a patchwork of multidimensional narratives about the aftermath of the Empire. Curious Directive conjure a world where multimedia, movement and sound unpick Britain's relationship to artefacts, mining and the secret life of ants. An epic, thumping, passionate story asking questions about the relationship between our past, present and into eternity. A collaboration between Curious Directive, Watford Palace Theatre and Escalator East to Edinburgh, and it will play at the Edinburgh Festival (Pleasance Dome, 4-27 August) followed by a run at the Watford Palace Theatre.Olfactory: Over 10,000 different smells drift across our planet in various configurations. Olfactory gives you a choice to craft your identity and to decode the invisible molecules floating through the air. Who do you want to be in the future? This miniature explores our invisible relationship with perfumes and smell.

Your Last Breath, Olfactory and After The Rainfall (Modern Plays)

Your Last Breath: 1876 - Christopher leaves his young family behind to work in Norway. He will map the uncharted mountains for the very first time. 1999 - Anna's body freezes after an extreme skiing accident and her heart stops. But doctors gradually warm her until it miraculously starts beating again. 2011 - Freija, a successful business woman, has just lost her father. She travels to scatter his ashes in Norway. 2034 - Nicholas explains a medical breakthrough which saved his life as a baby, whereby the human body can be 'suspended in animation.' Spanning 150 years, Your Last Breath piece fuses movement, live piano score and video unravelling the landscapes of the heart and our own personal geographies. It was a Fringe First Winner in 2011 and will be touring, potentially to Scandinavia, in the Spring.After the Rainfall: Throughout history, the study of ants (myrmecology) has been used as an analogy for human behaviour. This piece uses myrmecology as a prism through which to view the present day. Navigating the arid Egyptian desert, continental Europe, the British Museum and a quiet village green, this piece is a patchwork of multidimensional narratives about the aftermath of the Empire. Curious Directive conjure a world where multimedia, movement and sound unpick Britain's relationship to artefacts, mining and the secret life of ants. An epic, thumping, passionate story asking questions about the relationship between our past, present and into eternity. A collaboration between Curious Directive, Watford Palace Theatre and Escalator East to Edinburgh, and it will play at the Edinburgh Festival (Pleasance Dome, 4-27 August) followed by a run at the Watford Palace Theatre.Olfactory: Over 10,000 different smells drift across our planet in various configurations. Olfactory gives you a choice to craft your identity and to decode the invisible molecules floating through the air. Who do you want to be in the future? This miniature explores our invisible relationship with perfumes and smell.

Your Home In The West

Winner of the 1990 Mobil Playwriting Competition for the Royal Exchange Theatre Manchester.A gutsy tragi-comic drama set in a run-down Newcastle housing estate where Jean, divorced from the violent, foul-mouthed Micky, rules over a household that teeters on the brink of disaster whenever her ex-husband bursts through the front door.

Your Home In The West

Winner of the 1990 Mobil Playwriting Competition for the Royal Exchange Theatre Manchester.A gutsy tragi-comic drama set in a run-down Newcastle housing estate where Jean, divorced from the violent, foul-mouthed Micky, rules over a household that teeters on the brink of disaster whenever her ex-husband bursts through the front door.

Your Closest Friend: She found you. Now she won’t let you go. The unputdownable thriller you won’t be able to resist

Keep your friends close and your enemies closer.Cara shouldn't have survived the attack.But at the last moment, a stranger snatched her to safety.In the hours that followed she told this Good Samaritan secrets she'd never told a soul.Not even her husband . . . In the aftermath, Cara is home, healed and safe.Which is when the anonymous threats begin.Someone knows things about her they shouldn't.Cara's Good Samaritan offers to help her - to save her all over again.That night Cara made a friend for life.But what if she isn't a friend at all?______________WHAT ARE READERS SAYING?'Sizzles with tension and menace . . . a stunning read, better than Gone Girl''Riveting, entirely believable, suspense of the subtlest kind' 'It held my attention right to the final page. The final twist took my breath away''Probably my favourite book so far of 2018'

Your Body Knows: A Movement Guide for Actors (PDF)

Your Body Knows provides the foundation actors need to move with ease and power. It is a practical guide to movement starting at the very beginning: knowing your body and experiencing how it works. Through the work of F.M. Alexander, Rudolf Laban, and Michael Chekhov, this book offers basic training in movement fundamentals. Its step-by-step process supports the actor's work in any acting or movement training program and as a working professional. The book focuses on three main areas of exploration: Body facts – Know your body and its design for movement. Let go of misinformed ideas about your body. Move more freely, avoid injury, and develop a strong body-mind connection. Movement facts – What is movement? Discover the movement fundamentals that can serve your art. Explore new ways of moving. Creative Inspiration – Connect your body, mind, and imagination to liberate authentic and expressive character movement. Your Body Knows: A Movement Guide for Actors is an excellent resource for acting students and their teachers, promoting a strong onstage presence and awakening unlimited potential for creative expression.

Your Body Knows: A Movement Guide for Actors

Your Body Knows provides the foundation actors need to move with ease and power. It is a practical guide to movement starting at the very beginning: knowing your body and experiencing how it works. Through the work of F.M. Alexander, Rudolf Laban, and Michael Chekhov, this book offers basic training in movement fundamentals. Its step-by-step process supports the actor's work in any acting or movement training program and as a working professional. The book focuses on three main areas of exploration: Body facts – Know your body and its design for movement. Let go of misinformed ideas about your body. Move more freely, avoid injury, and develop a strong body-mind connection. Movement facts – What is movement? Discover the movement fundamentals that can serve your art. Explore new ways of moving. Creative Inspiration – Connect your body, mind, and imagination to liberate authentic and expressive character movement. Your Body Knows: A Movement Guide for Actors is an excellent resource for acting students and their teachers, promoting a strong onstage presence and awakening unlimited potential for creative expression.

Young Vic Taking Part Collection 1: Three Plays by Luke Barnes: Men in Blue, Fable, The Jumper Factory (Oberon Modern Plays)

A collection of three plays for the Young Vic's participation programme Taking Part, written by award-winning playwright Luke Barnes. 'This is a collection of plays written with and for people who wouldn’t identify themselves as theatre-makers. The gesture of these plays is to give platform to people who aren’t heard in the hope that anyone who sees, reads, or does these plays will either be shaped by the experiences of lives removed from their own or feel less alone in hearing stories of peoples like them. This is not a celebration of writing. This is a celebration of human resilience and the practice of using Theatre as amplifier for giving voice to those unable to speak.' - Luke Barnes Everyone has a story to tell… Listening to those stories told with all the deep power of the human heart, we all add hugely to our own experience of what it means to be living today... Nothing matters more. - David Lan, from his Introduction

Young Shakespeare’s Young Hamlet: Print, Piracy, and Performance (History of Text Technologies)

The different versions of Hamlet constitute one of the most vexing puzzles in Shakespeare studies. In this groundbreaking work, Shakespeare scholar Terri Bourus argues that this puzzle can only be solved by drawing on multiple kinds of evidence and analysis, including book and theatre history, biography, performance studies, and close readings.

The Young Pretender

"An engrossing, enthralling and utterly captivating read, The Young Pretender tells a simply remarkable story with bounce, energy, wit, and lively authenticity . . . Michael Arditti's brilliant imaginative achievement offers high comedy, dark tragedy and everything between" STEPHEN FRY"The Young Pretender is an absolute joy - charming and funny, with the lightest hint of melancholy, and a wonderfully imaginative recreation of the Georgian theatre scene" KATE SAUNDERS"I loved how Arditti conjures...the smell of the theatre and the ghosts of these bygone players that haunt the stage...and the wonderful period details. Arditti wears his research so lightly" LARUSHKA IVAN-ZADEH, reviewing on Radio 4's FRONT ROW *****Mobbed by the masses, lionised by the aristocracy, courted by royalty and lusted after by patrons of both sexes, the child actor William Henry West Betty was one of the most famous people in Georgian Britain.At the age of thirteen, he played leading roles, including Romeo, Macbeth and Richard III, in theatres across the country. Prime Minister William Pitt adjourned the House of Commons so that its members could attend his debut as Hamlet at Covent Garden. Then, as rivals turned on him and scandal engulfed him, he suffered a fall as merciless as his rise had been meteoric."Arditti's voice as Betty is impeccable. He is touchy, sometimes myopic, sincere in his ambitions. His attempts to reclaim lost glory are run through with an affecting melancholy" The TimesThe Young Pretender takes place during Betty's attempted comeback at the age of twenty-one. As he seeks to relaunch his career, he is forced to confront the painful truths behind his boyhood triumphs. Michael Arditti's revelatory new novel puts this long forgotten figure back in the limelight. In addition to its rich and poignant portrait of Betty himself, it offers an engrossing insight into both the theatre and society of the age. The nature of celebrity, the power of publicity and the cult of youth are laid bare in a story that is more pertinent now than ever."Entrancing and disturbing" ALLAN MASSIE, The Scotsman"Michael Arditti tells a story of a Regency child star with great panache and compassion, bringing a forgotten celebrity back to life for the modern age. A compelling read I was sad to finish." LINDA GRANT"Michael Arditti is a writer who takes risks. His material is always compelling and provocative, his techniques sophisticated and oblique" PATRICIA DUNCKER, Independent on Sunday "Arditti is a master storyteller" PETER STANFORD, Observer

Young Pretender (Oberon Modern Plays)

"We've been in revolution since I was born. I never had to die before"A young rebel. A brutal victory. A devastating defeat. Aged 25, the charismatic Bonnie Prince Charlie laid claim to the thrones of England, Scotland and Ireland in a series of stunning military victories. By the time he was 26, his dreams lay in ruins and he was fleeing for his life. Amidst the chaos of war, the Young Pretender is forced to decide how far he is willing to go for the cause The flawed prince is brought to life vividly in this unflinching look at the nature of rebellion.E. V. Crowe (Kin, Royal Court, 2010) brings the brilliant but flawed Prince to vivid life in this fast-paced new play, taking an irreverent look at Britain’s rebellious past against the backdrop of the world’s rebellious present. Watford Palace Creative Associate nabokov is an internationally acclaimed new writing company. Previous collaborations include Bunny (Fringe First winner), the critically acclaimed 2nd May 1997 and Is Everyone Ok?

Young People, New Theatre: A Practical Guide to an Intercultural Process

Young People, New Theatre is a ‘how-to’ book; exploring and explaining the process of collaborating creatively with groups of young people across cultural divides. Organized into exercises, case studies and specific topics, this book plots a route for those wishing to put this kind of theatre into practise. Born out of the hugely successful ‘Contacting the World’ festival, it is the first practical handbook in this field. Topics include: debating the shared world What is collaboration? different ways of working adapting to specific age groups and abilities post-project evaluations.

Young People, New Theatre: A Practical Guide to an Intercultural Process

Young People, New Theatre is a ‘how-to’ book; exploring and explaining the process of collaborating creatively with groups of young people across cultural divides. Organized into exercises, case studies and specific topics, this book plots a route for those wishing to put this kind of theatre into practise. Born out of the hugely successful ‘Contacting the World’ festival, it is the first practical handbook in this field. Topics include: debating the shared world What is collaboration? different ways of working adapting to specific age groups and abilities post-project evaluations.

Young People, Learning and Storytelling (Palgrave Studies in Alternative Education)

This book explores the lives of young people through the lens of storytelling. Using extensive qualitative and empirical data from young people’s conversations following storytelling performances in secondary schools in the UK, the author considers the benefits of stories and storytelling for learning and the subsequent emotional, behavioural and social connections to story and other genres of narrative. Storytelling has both global and transnational relevance in education, as it allows individuals to compare their experiences to others: young people learn through discussion that their opinions matter, that they are both similar to and different from their peers. This in turn can facilitate the development of critical thinking skills as well as encouraging social learning, co-operation and cohesion. Drawing upon folklore and literary studies as well as sociology, philosophy, youth studies and theatre, this volume explores how storytelling can shape the lives of young people through storytelling projects. This reflective and creative volume will appeal to students and scholars of storytelling, youth studies and folklore.

Young Marx (Oberon Modern Plays)

1850, and Europe’s most feared terrorist is hiding in Dean Street, Soho. Broke, restless and horny, the thirty-two-year-old revolutionary is a frothing combination of intellectual brilliance, invective, satiric wit, and child-like emotional illiteracy. Creditors, spies, rival revolutionary factions and prospective seducers of his beautiful wife all circle like vultures.His writing blocked, his marriage dying, his friend Engels in despair at his wasted genius, his only hope is a job on the railway. But there’s still no one in the capital who can show you a better night on the piss than Karl Heinrich Marx.

A Young Man's Passage

This is Julian Clary's story, in his own words - the tale of an awkward schoolboy who became a huge worldwide success on stage and screen.After a sheltered suburban upbringing, Julian was sent to St Benedict's, where beatings from 'holy' men gave him some brutal life lessons, and other 'unholy' boys his first awakenings of sexuality. He had just one true friend and ally, Nick - to his other school peers, Julian's aloof demeanour made him an enigma or simply a figure of ridicule. In school he was just another pained adolescent, but inside Julian was a new Jean Genet or Quentin Crisp bursting to get out.Leaving St Benedict's thankfully behind him, Julian went on to college where he found his true vocation as an entertainer with a peculiar comic brand of smut and glamour. At the same time, he was finding as much sex as he could, sometimes with remarkably less-than-glamorous characters.Periods in community theatre and the singing telegram industry followed before Julian hit the big time with cabaret co-star Fanny the Wonder Dog as The Joan Collins Fan Club. Soon, the world was his oyster. But fame came at a price, as Julian struggled not only with the reality of being a high-profile gay man in the 1980s but also the pain of losing his lover to terminal illness.Far more than just another celebrity autobiography or 'funny book', this is a touching, beautifully written and wryly witty account of a unique progression from shy child to comedy icon.

Young Goodman Brown

Young Chekhov: Platonov; Ivanov; The Seagull (Faber Drama Ser.)

Young Chekhov contains a trilogy of plays by the Russian writer Anton Chekhov, written as he emerged as the greatest playwright of the late nineteenth century. The three works, Platanov, Ivanov and The Seagull, in contemporary adaptations by David Hare, will be staged at the Chichester Festival Theatre in the summer of 2015.

Young At Art: Classroom Playbuilding In Practice (PDF)

Young at Artis a practical guide to playbuilding for teachers working with students at an upper primary and secondary level. Focusing on an area often neglected in traditional drama text books, the book covers the process of devising drama, and the teacher's role in facilitating students to collectively become playwrights, actors, designers, directors and critics of their ensemble work. The playbuilding process is covered in a structured manner, which includes: Mapping the Territory: identifying critical issues relating to teaching and learning in playbuilding, and laying the basic foundations of understandings and practice. Levels at Work: offering three approaches to playbuilding, catering for a range of learning experiences. Playbuilding for All: explores theatre practitioners' techniques, working with students' personal stories and narratives and playbuilding with a contemporary edge. An essential guide for all drama teachers Young at Artcovers practical teaching issues and strategies for working with groups of students to help them perform their playbuilt stories to an audience, as well as techniques for student assessment and evaluation, providing a wealth of exemplary starting points and approaches. The book offers detailed guidance on working with students to help facilitate the collaborative creative and reflective processes, offering practical ideas and structures which can be easily implemented in the classroom.

Young at Art: Classroom Playbuilding in Practice

Young at Art is a practical guide to playbuilding for teachers working with students at an upper primary and secondary level. Focusing on an area often neglected in traditional drama text books, the book covers the process of devising drama, and the teacher’s role in facilitating students to collectively become playwrights, actors, designers, directors and critics of their ensemble work. The playbuilding process is covered in a structured manner, which includes: Mapping the Territory: identifying critical issues relating to teaching and learning in playbuilding, and laying the basic foundations of understandings and practice. Levels at Work: offering three approaches to playbuilding, catering for a range of learning experiences. Playbuilding for All: explores theatre practitioners’ techniques, working with students’ personal stories and narratives and playbuilding with a contemporary edge. An essential guide for all drama teachers Young at Art covers practical teaching issues and strategies for working with groups of students to help them perform their playbuilt stories to an audience, as well as techniques for student assessment and evaluation, providing a wealth of exemplary starting points and approaches. The book offers detailed guidance on working with students to help facilitate the collaborative creative and reflective processes, offering practical ideas and structures which can be easily implemented in the classroom.

You'll Have Had Your Hole (Modern Plays)

A play from the author of TrainspottingWithin the sound-proofed walls of a disused recording studio, a score is being settled. Two inner city low-lifes take the law into their own hands to satisfy their craving for fun, fear and a freakish sense of justice. "You'll Have Had Your Hole" premièred at the West Yorkshire Playhouse and toured internationally - although it was banned in Belgium.

You'll Have Had Your Hole (Modern Plays)

A play from the author of TrainspottingWithin the sound-proofed walls of a disused recording studio, a score is being settled. Two inner city low-lifes take the law into their own hands to satisfy their craving for fun, fear and a freakish sense of justice. "You'll Have Had Your Hole" premièred at the West Yorkshire Playhouse and toured internationally - although it was banned in Belgium.