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Postcards from the Trenches: A German Soldier’s Testimony of the Great War
by Irene GuentherGerman art student Otto Schubert was 22 years old when he was drafted into the Great War. As the conflict unfolded, he painted a series of postcards that he sent to his sweetheart, Irma. During the battles of Ypres and Verdun, Schubert filled dozens of military-issued 4” x 6” cards with vivid images depicting the daily realities and tragedies of war. Beautifully illustrated with full-color reproductions of his exquisite postcards, as well as his wartime sketches, woodcuts, and two lithograph portfolios, Postcards from the Trenches is Schubert's war diary, love journal, and life story. His powerful artworks illuminate and document in a visual language the truths of war. Postcards from the Trenches offers the first full account of Otto Schubert, soldier-artist of the Great War, rising art star in the 1920s, prolific graphic artist and book illustrator, one of the “degenerate” artists defamed by the Nazis, and a man shattered by the Second World War and the Cold War. Created in the midst of enormous devastation, Schubert's haunting visual missives are as powerful and relevant today as they were a century ago. His postcards are both a young man's token of love and longing and a soldier's testimony of the Great War.
Postcards from the Trenches: A German Soldier’s Testimony of the Great War
by Irene GuentherGerman art student Otto Schubert was 22 years old when he was drafted into the Great War. As the conflict unfolded, he painted a series of postcards that he sent to his sweetheart, Irma. During the battles of Ypres and Verdun, Schubert filled dozens of military-issued 4” x 6” cards with vivid images depicting the daily realities and tragedies of war. Beautifully illustrated with full-color reproductions of his exquisite postcards, as well as his wartime sketches, woodcuts, and two lithograph portfolios, Postcards from the Trenches is Schubert's war diary, love journal, and life story. His powerful artworks illuminate and document in a visual language the truths of war. Postcards from the Trenches offers the first full account of Otto Schubert, soldier-artist of the Great War, rising art star in the 1920s, prolific graphic artist and book illustrator, one of the “degenerate” artists defamed by the Nazis, and a man shattered by the Second World War and the Cold War. Created in the midst of enormous devastation, Schubert's haunting visual missives are as powerful and relevant today as they were a century ago. His postcards are both a young man's token of love and longing and a soldier's testimony of the Great War.**Please note that this will work best on a colour device**
Posters of the First World War
by David Bownes Robert FlemingThe First World War, a new low in the annals of armed conflict, coincided with a golden age for the relatively new art of advertising. Striking and colourful posters were produced throughout the years 1914–18 to recruit soldiers, promote investment, keep up morale and, naturally, to vilify the enemy; prominent artists including Alfred Leete paired bold images with punchy text to maximise impact. The selection in this book offers an informative guide to the range of posters created and to how they were displayed around the nation, and explores the public's increasing dissatisfaction with being patronised and goaded. From the iconic, commanding Your Country Needs YOU! to the anxious domestic scene of Daddy, What Did YOU Do in the War?, and including the infamous depiction of a bayoneting in Back Him Up!, this book puts the reader in the shoes of the Great War 'man in the street'.
Posters of the First World War
by Robert Fleming David BownesThe First World War, a new low in the annals of armed conflict, coincided with a golden age for the relatively new art of advertising. Striking and colourful posters were produced throughout the years 1914–18 to recruit soldiers, promote investment, keep up morale and, naturally, to vilify the enemy; prominent artists including Alfred Leete paired bold images with punchy text to maximise impact. The selection in this book offers an informative guide to the range of posters created and to how they were displayed around the nation, and explores the public's increasing dissatisfaction with being patronised and goaded. From the iconic, commanding Your Country Needs YOU! to the anxious domestic scene of Daddy, What Did YOU Do in the War?, and including the infamous depiction of a bayoneting in Back Him Up!, this book puts the reader in the shoes of the Great War 'man in the street'.
Posthumous Lives: World War I and the Culture of Memory
by Bette LondonPosthumous Lives explores the shifting significance of public and private efforts to commemorate British soldiers killed in World War I—as well as the less well-remembered casualties of the war, including Voluntary Aid Detachments, nurses, conscientious objectors, civilians, and soldiers executed for desertion or cowardice—and the compelling hold the First World War has had on the British imagination for more than a century. By using the concept of the posthumous life—the attempt to extend the presence of the dead into the lives of the living—Bette London demonstrates how this idea came to shape Britain's First World War memory practices and rituals.London draws on a diverse range of source materials—from sentimental memorabilia books commissioned by bereaved families and canonical works of literature and art by Virginia Woolf, Wilfred Owen, and Sir Edwin Lutyens to centenary memorials and commemorative art installations—to uncover the surprising connections between memorialization practices, war writing, and modernism. Spanning the century from the middle of World War I to its centenary celebrations, Posthumous Lives illuminates, in a deeply moving narrative, how the dead are remembered to meet the shifting needs of the living.
The Postmistress (Our Street at War #1)
by Maggie SullivanHeartwarming and nostalgic new Saga series from the author of Mother’s Day on Coronation Street.
The Postmistress (Our Street at War #1)
by Maggie SullivanHeartwarming and nostalgic new Saga series from the author of Mother’s Day on Coronation Street.
Postwar Soldiers: Historical Controversies and West German Democratization, 1945–1955 (Making Sense of History #39)
by Jörg EchternkampContemporary historians have transformed our understanding of the German military in World War II, debunking the “clean Wehrmacht” myth that held most soldiers innocent of wartime atrocities. Considerably less attention has been paid to those soldiers at the end of hostilities. In Postwar Soldiers, Jörg Echternkamp analyzes three themes in the early history of West Germany: interpretations of the war during its conclusion and the occupation period; military veteran communities’ self-perceptions; and the public rehabilitation of the image of the German soldier. As Echternkamp shows, public controversies around these topics helped to drive the social processes that legitimized the democratic postwar order.
Potsdam: The End of World War II and the Remaking of Europe
by Michael NeibergThe definitive account of the 1945 Potsdam Conference: the historic summit where Truman, Stalin, and Churchill met to determine the fate of post-World War II EuropeAfter Germany's defeat in World War II, Europe lay in tatters. Millions of refugees were dispersed across the continent. Food and fuel were scarce. Britain was bankrupt, while Germany had been reduced to rubble. In July of 1945, Harry Truman, Winston Churchill, and Joseph Stalin gathered in a quiet suburb of Berlin to negotiate a lasting peace: a peace that would finally put an end to the conflagration that had started in 1914, a peace under which Europe could be rebuilt.The award-winning historian Michael Neiberg brings the turbulent Potsdam conference to life, vividly capturing the delegates' personalities: Truman, trying to escape from the shadow of Franklin Roosevelt, who had died only months before; Churchill, bombastic and seemingly out of touch; Stalin, cunning and meticulous. For the first week, negotiations progressed relatively smoothly. But when the delegates took a recess for the British elections, Churchill was replaced-both as prime minster and as Britain's representative at the conference-in an unforeseen upset by Clement Attlee, a man Churchill disparagingly described as "a sheep in sheep's clothing." When the conference reconvened, the power dynamic had shifted dramatically, and the delegates struggled to find a new balance. Stalin took advantage of his strong position to demand control of Eastern Europe as recompense for the suffering experienced by the Soviet people and armies. The final resolutions of the Potsdam Conference, notably the division of Germany and the Soviet annexation of Poland, reflected the uneasy geopolitical equilibrium between East and West that would come to dominate the twentieth century.As Neiberg expertly shows, the delegates arrived at Potsdam determined to learn from the mistakes their predecessors made in the Treaty of Versailles. But, riven by tensions and dramatic debates over how to end the most recent war, they only dimly understood that their discussions of peace were giving birth to a new global conflict.
Potsdam: The End of World War II and the Remaking of Europe
by Michael NeibergThe definitive account of the 1945 Potsdam Conference: the historic summit where Truman, Stalin, and Churchill met to determine the fate of post-World War II Europe After Germany's defeat in World War II, Europe lay in tatters. Millions of refugees were dispersed across the continent. Food and fuel were scarce. Britain was bankrupt, while Germany had been reduced to rubble. In July of 1945, Harry Truman, Winston Churchill, and Joseph Stalin gathered in a quiet suburb of Berlin to negotiate a lasting peace: a peace that would finally put an end to the conflagration that had started in 1914, a peace under which Europe could be rebuilt. The award-winning historian Michael Neiberg brings the turbulent Potsdam conference to life, vividly capturing the delegates' personalities: Truman, trying to escape from the shadow of Franklin Roosevelt, who had died only months before; Churchill, bombastic and seemingly out of touch; Stalin, cunning and meticulous. For the first week, negotiations progressed relatively smoothly. But when the delegates took a recess for the British elections, Churchill was replaced-both as prime minster and as Britain's representative at the conference-in an unforeseen upset by Clement Attlee, a man Churchill disparagingly described as "a sheep in sheep's clothing." When the conference reconvened, the power dynamic had shifted dramatically, and the delegates struggled to find a new balance. Stalin took advantage of his strong position to demand control of Eastern Europe as recompense for the suffering experienced by the Soviet people and armies. The final resolutions of the Potsdam Conference, notably the division of Germany and the Soviet annexation of Poland, reflected the uneasy geopolitical equilibrium between East and West that would come to dominate the twentieth century. As Neiberg expertly shows, the delegates arrived at Potsdam determined to learn from the mistakes their predecessors made in the Treaty of Versailles. But, riven by tensions and dramatic debates over how to end the most recent war, they only dimly understood that their discussions of peace were giving birth to a new global conflict.
Powder Burn
by Don PendletonA ruthless Colombian drug lord has launched a deadly campaign targeting DEA agents and U.S. diplomats. With the body count growing and the American government powerless, Mack Bolan is called in as a last resort to infiltrate the criminal syndicate and destroy the chain of command before more innocent blood is shed.
Powell and Pressburger’s War: The Art of Propaganda, 1939-1946
by Professor Greg M. Semenza Garrett A. Sullivan Jr.A focused study on Michael Powell and Emeric Pressburger's cinematic contributions to the war effort, arguing for the centrality of propaganda to their work as film artists.Michael Powell and Emeric Pressburger are widely hailed as two of the greatest filmmakers in British cinema history. The release of their first movie, The Spy in Black, barely preceded the beginning of World War Two, and a number of their early masterworks, including The Life and Death of Colonel Blimp, A Canterbury Tale, and A Matter of Life and Death, were produced in the service of the war effort. Through exploring the relationship between art and propaganda, this book shows that Powell and Pressburger saw no contradiction between their aesthetic ambitions and their cinematic war work: propaganda imperatives were highly conducive to their objectives as both commercial cinema practitioners and artists.Drawing on production materials from the archives of the British Film Institute, this book charts three phases in Powell and Pressburger's wartime career: from first-time collaborators who strive to reconcile popular cinematic forms with developing notions of what constitutes effective propaganda; to accomplished, and sometimes controversial, propagandists whose movies center upon Britain's relations with its enemies and allies; to filmmakers whose responsiveness to the propaganda requirements of the late war is matched by a focus, shared by the Ministry of Information, on what the post-war future would bring.
Powell and Pressburger’s War: The Art of Propaganda, 1939-1946
by Professor Greg M. Semenza Garrett A. Sullivan Jr.A focused study on Michael Powell and Emeric Pressburger's cinematic contributions to the war effort, arguing for the centrality of propaganda to their work as film artists.Michael Powell and Emeric Pressburger are widely hailed as two of the greatest filmmakers in British cinema history. The release of their first movie, The Spy in Black, barely preceded the beginning of World War Two, and a number of their early masterworks, including The Life and Death of Colonel Blimp, A Canterbury Tale, and A Matter of Life and Death, were produced in the service of the war effort. Through exploring the relationship between art and propaganda, this book shows that Powell and Pressburger saw no contradiction between their aesthetic ambitions and their cinematic war work: propaganda imperatives were highly conducive to their objectives as both commercial cinema practitioners and artists.Drawing on production materials from the archives of the British Film Institute, this book charts three phases in Powell and Pressburger's wartime career: from first-time collaborators who strive to reconcile popular cinematic forms with developing notions of what constitutes effective propaganda; to accomplished, and sometimes controversial, propagandists whose movies center upon Britain's relations with its enemies and allies; to filmmakers whose responsiveness to the propaganda requirements of the late war is matched by a focus, shared by the Ministry of Information, on what the post-war future would bring.
The Powell Doctrine and US Foreign Policy (Military Strategy and Operational Art)
by Luke MiddupThe Vietnam War is one of the longest and most controversial in US history. This book seeks to explore what lessons the US military took from that conflict as to how and when it was appropriate for the United States to use the enormous military force at its disposal and how these lessons have come to influence and shape US foreign policy in subsequent decades. In particular this book will focus on the evolution of the so called ’Powell Doctrine’ and the intellectual climate that lead to it. The book will do this by examining a series of case studies from the mid-1970s to the present war in Afghanistan.
The Powell Doctrine and US Foreign Policy (Military Strategy and Operational Art)
by Luke MiddupThe Vietnam War is one of the longest and most controversial in US history. This book seeks to explore what lessons the US military took from that conflict as to how and when it was appropriate for the United States to use the enormous military force at its disposal and how these lessons have come to influence and shape US foreign policy in subsequent decades. In particular this book will focus on the evolution of the so called ’Powell Doctrine’ and the intellectual climate that lead to it. The book will do this by examining a series of case studies from the mid-1970s to the present war in Afghanistan.
Power and Politics in the Soviet Union: The Crumbling of an Empire
by Leo CooperAnalyzes the nature of power in the USSR and its evolution since the Bolshevik Revolution. The main thrust of this work, however, is in tracing the fragmentation of power since Gorbachev introduced his reforms and examining the changes in the power structure as a result of perestroika.
Power and Stability: British Foreign Policy, 1865-1965 (Diplomacy And Statecraft Ser.)
by Erik Goldstein B.J.C.McKercherThe pursuit of stability drove British foreign policy even before 1865. These papers assess the implications of such a policy during the following 100 years when Britain slid from being the only global power to a regional European state.
Power and Stability: British Foreign Policy, 1865-1965
by Erik Goldstein Brian McKercherThe pursuit of stability drove British foreign policy even before 1865. These papers assess the implications of such a policy during the following 100 years when Britain slid from being the only global power to a regional European state.
Power and the Maritime Domain: A Global Dialogue (Corbett Centre for Maritime Policy Studies Series)
by Greg Kennedy William De Sousa MoreiraThis book offers a multi-disciplinary and multi-national approach to defining key elements required to define power within the maritime domain. The volume engages with the concept that the maritime domain is a multi-dimensional space embracing oceans, seas, waterways, including all elements of maritime power, related activities, infrastructure, resources and assets. It illustrates the complexity and interconnectivity of the factors that contribute to the appreciation, creation, and application of maritime power. In practical terms, the book highlights that the maritime domain is a continuum that interconnects countries, cultures, politics, economics, trade, environment, knowledge, and technological power globally. Perhaps most importantly, the maritime domain generates power of its own volition, as well as acting as a critical enabler for the creation of other types of nations power: economic, political, military, technological, intelligence and fiscal power, in particular. The book not only brings those various factors to the reader’s attention but, in the synthesis, also clarifies the connections between the various elements in creating a greater maritime whole. This book will be of great interest to students of maritime security, strategic studies and International Relations.
Power and the Maritime Domain: A Global Dialogue (Corbett Centre for Maritime Policy Studies Series)
by William S. Moreira Greg KennedyThis book offers a multi-disciplinary and multi-national approach to defining key elements required to define power within the maritime domain. The volume engages with the concept that the maritime domain is a multi-dimensional space embracing oceans, seas, waterways, including all elements of maritime power, related activities, infrastructure, resources and assets. It illustrates the complexity and interconnectivity of the factors that contribute to the appreciation, creation, and application of maritime power. In practical terms, the book highlights that the maritime domain is a continuum that interconnects countries, cultures, politics, economics, trade, environment, knowledge, and technological power globally. Perhaps most importantly, the maritime domain generates power of its own volition, as well as acting as a critical enabler for the creation of other types of nations power: economic, political, military, technological, intelligence and fiscal power, in particular. The book not only brings those various factors to the reader’s attention but, in the synthesis, also clarifies the connections between the various elements in creating a greater maritime whole. This book will be of great interest to students of maritime security, strategic studies and International Relations.
Power and the Purse: Economic Statecraft, Interdependence and National Security
by Jean-Marc F. Blanchard Edward D. Mansfield Norrin M. RipsmanThe essays here address the relationship between economic interdependence and international conflict, the political economy of economic sanctions, and the role of economic incentives in international statecraft.
Power and the Purse: Economic Statecraft, Interdependence and National Security
by Jean-Marc F. Blanchard Edward D. Mansfield Norrin M. RipsmanThe essays here address the relationship between economic interdependence and international conflict, the political economy of economic sanctions, and the role of economic incentives in international statecraft.
Power, Law and the End of Privateering
by J. LemnitzerThis book offers an exciting new take on the relationship between law and power. The 1856 Declaration of Paris marks the precise moment when international law became universal, and was an aggressive and successful British move to end privateering forever – then the United States' main weapon in case of war with Britain.
Power of a Woman (Paperback Bestsellers Ser.)
by Barbara Taylor BradfordThe story of a remarkable woman who discovers that her success, prestige and wealth cannot help when tragedy strikes.
The Power Of One: Young Readers' Edition (Popular Penguins Ser.)
by Bryce CourtenayIn 1939, as Hitler casts his enormous, cruel shadow across the world, the seeds of apartheid take root in South Africa. There, a boy called Peekay is born. His childhood is marked by humiliation and abandonment, yet he vows to survive and conceives heroic dreams, which are nothing compared to what life actually has in store for him. He embarks on an epic journey through a land of tribal superstition and modern prejudice where he will learn the power of words, the power to transform lives and the power of one.