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Anna O
by Matthew BlakeANNA O – THE WORLD WILL KNOW HER NAME ‘Certain to be one of the year's best thrillers’ LEE CHILD 'Reads like a dream but unsettles like a nightmare' A J FINN
An Anthology of Neo-Latin Poetry by Classical Scholars (Bloomsbury Neo-Latin Series: Early Modern Texts and Anthologies)
by William M. Barton, Stephen Harrison, Gesine Manuwald and Bobby XinyuePresenting a range of Neo-Latin poems written by distinguished classical scholars across Europe from c. 1490 to c. 1900, this anthology includes a selection of celebrated names in the history of scholarship. Individual chapters present the Neo-Latin poems alongside new English translations (usually the first) and accompanying introductions and commentaries that annotate these verses for a modern readership, and contextualise them within the careers of their authors and the history of classical scholarship in the Renaissance and early modern period.An appealing feature of Renaissance and early modern Latinity is the composition of fine Neo-Latin poetry by major classical scholars, and the interface between this creative work and their scholarly research. In some cases, the two are actually combined in the same work. In others, the creative composition and scholarship accompany each other along parallel tracks, when scholars are moved to write their own verse in the style of the subjects of their academic endeavours. In still further cases, early modern scholars produced fine Latin verse as a result of the act of translation, as they attempted to render ancient Greek poetry in a fitting poetic form for their contemporary readers of Latin.
Anthropocene Poetry: Place, Environment, and Planet (Literatures, Cultures, and the Environment)
by Yvonne ReddickAnthropocene Poetry: Place, Environment and Planet argues that the idea of the Anthropocene is inspiring new possibilities for poetry. It can also change the way we read and interpret poems. If environmental poetry was once viewed as linked to place, this book shows how poets are now grappling with environmental issues from the local to the planetary: climate change and the extinction crisis, nuclear weapons and waste, plastic pollution and the petroleum industry. This book intervenes in debates about culture and science, traditional poetic form and experimental ecopoetics, to show how poets are collaborating with environmental scientists and joining environmental activist movements to respond to this time of crisis. From the canonical work of Ted Hughes and Seamus Heaney, to award-winning poets Alice Oswald, Pascale Petit, Kei Miller, and Karen McCarthy Woolf, this book explores major figures from the past alongside acclaimed contemporary voices. It reveals Seamus Heaney’s support for conservation causes and Ted Hughes’s astonishingly forward-thinking research on climate change; it discusses how Pascale Petit has given poetry to Extinction Rebellion and how Karen McCarthy Woolf set sail with scientists to write about plastic pollution. This book deploys research on five poetry archives in the UK, USA and Ireland, and the author’s insider insights into the commissioning processes and collaborative methods that shaped important contemporary poetry publications. Anthropocene Poetry finds that environmental poetry is flourishing in the face of ecological devastation. Such poetry speaks of the anxieties and dilemmas of our age, and searches for paths towards resilience and resistance.
The (Anti) Wedding Party
by Lucy KnottIt's the biggest day of their best friends' lives... and they might just ruin it.Andi hates weddings. So when her best friend Alex tells her she's getting married in Italy, and asks her to be her maid of honour, she knows she's the wrong woman for the job. But Alex won't take no for an answer, and so begins a week-long trip to a beautiful villa in Italy, full of potential disasters that it's Andi's job to avoid. But what if she's the one causing them?Enter Owen, fellow wedding-hater, Best Man and also the worst person for the job. Tall, sexy and warm, Andi can't help but feel the ice around her heart begin to melt when he's around. But as Andi and Owen grow closer, the disasters begin to multiply, try as they might to keep them at bay. Together, can they put their feelings aside and pull off a successful wedding for those they love most?
Anticolonial Form: Literary Journals at the End of Empire (Oxford Modern Languages and Literature Monographs)
by Dr Alexandra RezaAnticolonial Form: Literary Journals at the End of Empire addresses the relationship between culture and politics in two journals published in Europe by African writers: Présence Africaine, launched in Paris in 1947, and Mensagem, published between 1948 and 1964 in Lisbon. Grounded in extensive archival work, the book argues for a comparative and transnational approach to postcolonial literary studies, for the significance of the literary journal as a key form in the development of African writing in French, Portuguese, and English, and for a historically and geographically contingent understanding of the relationships between literature, culture, and politics. This book takes up the idea of articulation (drawn from the cultural theorist Stuart Hall) to bring forward the contingent and fugitive connections that networks of literary journals fostered between francophone, anglophone, and lusophone writers in the conjuncture of decolonization in the 1950s and 1960s. It argues that comparison as a praxis and a method was central to the anticolonial charge of those journals, on whose pages we see an iterative back and forth between writing from and about different parts of the colonial world, a recursive effort to establish how ideas and analyses developed in one part of the colonial world could travel, and be adopted and adapted in others. Reza figures this back and forth between sameness and difference as a comparative practice and argues that different journals formalized this comparative thrust through the techniques of juxtaposition and translation. This anticolonial comparative sensibility, enabled by the journal form, produced a powerful analytic for understanding different European colonialisms together, not in mononational, monoimperialist terms as disaggregated and radically separate, but as connected in material and ideological terms. Many scholars have argued convincingly that the institutionalised practice of comparison in the academic field of comparative literature is itself imbricated with histories of colonialism. Reza's argument, which is richly historicized and substantiated with extensive archival work, takes on a particular significance in the context of that critique as the anticolonial comparison she focuses on offers a different tradition of relational praxis from which to think about connection and comparison itself.
Antony and Cleopatra: Shakespeare: The Critical Tradition (Shakespeare: The Critical Tradition)
by Joseph Candido Professor Brian VickersThis new volume in the Shakespeare: The Critical Tradition series increases our knowledge of how Antony and Cleopatra has been received and understood by critics, editors and general readers. The volume provides, in separate sections, both critical opinions about the play across the centuries and an evaluation of their positions within and their impact on the reception of the play. The chronological arrangement of the text-excerpts engages the readers in a direct and unbiased dialogue, and the introduction offers a critical evaluation from a current stance, including modern theories and methods. This volume makes a major contribution to our understanding of the play and of the traditions of Shakespearean criticism surrounding it as they have developed from century to century.
Applied Shakespeare: A Transformative Encounter?
by Adelle HulsmeierThis book speaks to those interested in where and why Shakespeare’s work is used to capture the transformative intentions of different areas of Applied Theatre practice (Prison, Disability, Therapy), representing a foundational study which considers subsequent histories and potential challenges when engaging with Shakespeare’s work. This is grounded in a case study analysis of three salient British Theatre Companies: The Education Shakespeare Company (prison), the Blue Apple Theatre Company (Disability), and the Combat Veteran Players (therapy).
Approaches to emotion in Middle English literature (Manchester Medieval Literature and Culture)
by Carolyne LarringtonOver the last twenty-five years, the ‘history of emotion’ field has become one of the most dynamic and productive areas for humanities research. This designation, and the marked leadership of historians in the field, has had the unlooked-for consequence of sidelining literature — in particular secular literature — as evidence-source and object of emotion study. Secular literature, whether fable, novel, fantasy or romance, has been understood as prone to exaggeration, hyperbole, and thus as an unreliable indicator of the emotions of the past.The aim of this book is to decentre history of emotion research and asks new questions, ones that can be answered by literary scholars, using literary texts as sources: how do literary texts understand and depict emotion and, crucially, how do they generate emotion in their audiences — those who read them or hear them read or performed?
Approaches to emotion in Middle English literature (Manchester Medieval Literature and Culture)
by Carolyne LarringtonOver the last twenty-five years, the ‘history of emotion’ field has become one of the most dynamic and productive areas for humanities research. This designation, and the marked leadership of historians in the field, has had the unlooked-for consequence of sidelining literature — in particular secular literature — as evidence-source and object of emotion study. Secular literature, whether fable, novel, fantasy or romance, has been understood as prone to exaggeration, hyperbole, and thus as an unreliable indicator of the emotions of the past.The aim of this book is to decentre history of emotion research and asks new questions, ones that can be answered by literary scholars, using literary texts as sources: how do literary texts understand and depict emotion and, crucially, how do they generate emotion in their audiences — those who read them or hear them read or performed?
Approaching the Interval in the Early Modern Theatre: The Significance of the 'Act-Time' (Elements in Shakespeare Performance)
by null Mark HutchingsIn requiring artificial light, the early modern indoor theatre had to interrupt the action so that the candles could be attended to, if necessary. The origin of the five-act, four-interval play was not classical drama but candle technology. This Element explores the implications of this aspect of playmaking. Drawing on evidence in surviving texts it explores how the interval affected composition and stagecraft, how it provided opportunities for stage-sitters, and how amphitheatre plays were converted for indoor performance (and vice versa). Recovering the interval yields new insights into familiar texts and brings into the foreground interesting examples of how the interval functioned in lesser-known plays. This Element concludes with a discussion of how this aspect of theatre might feed into the debate over the King's Men's repertory management in its Globe-Blackfriars years and sets out the wider implications for both the modern theatre and the academy.
Apuleius in European Literature: Cupid and Psyche since 1650 (Classical Presences)
by Stephen Harrison Regine MayThe story of Cupid and Psyche is first known through the Latin novel Metamorphoses or The Golden Ass by the second-century AD writer Apuleius—one of the few Latin fictions from Roman antiquity to have survived in its entirety. Apuleius in European Literature: Cupid and Psyche since 1650 examines the reception of the long two-book romantic story of Cupid and Psyche in European literature from 1650 to the present day, with some attention also devoted to fine art and opera across this period. Stephen Harrison and Regine May argue that Cupid and Psyche had a broad and profound influence on certain important and specific areas of European culture; it was appropriated and adapted to suit particular cultural and generic contexts, especially the development of the fairy tale. This constitutes an important strand of the more general reception of the ancient novel, since the tale of Cupid and Psyche is arguably the most famous section of any fiction from Greece or Rome. Apuleius' story has enjoyed an extraordinarily rich reception throughout the five centuries from its rediscovery in the Renaissance to the present day. Previous studies of this reception have focused on the tale's prominence in Renaissance art and literature, or otherwise on its status in the German Romantic period. This book goes further and wider, ranging across literary genres in English, French, German and Dutch, encompassing poetry and drama as well as prose fiction, and covering all the key elements of the tale's reception from 1650 to the present. We hereby rediscover a tale that today remains as relevant and ripe for appropriation as ever.
The Arab Nahda as Popular Entertainment: Mass Culture and Modernity in the Middle East
by Hala Auji Raphael Cormack Alaaeldin MahmoudWhat was popular entertainment like for everyday Arab societies in Middle Eastern cities during the long nineteenth century? In what ways did café culture, theatre, illustrated periodicals, cinema, cabarets, and festivals serve as key forms of popular entertainment for Arabic-speaking audiences, many of whom were uneducated and striving to contend with modernity's anxiety-inducing realities? Studies on the 19th to mid-20th century's transformative cultural movement known as the Arab nahda (renaissance), have largely focussed on concerns with nationalism, secularism, and language, often told from the perspective of privileged groups. Highlighting overlooked aspects of this movement, this book shifts the focus away from elite circles to quotidian audiences. Its ten contributions range in scope, from music and visual media to theatre and popular fiction. Paying special attention to networks of movement and exchange across Arab societies in Lebanon, Syria, Egypt, Iraq, and Morocco, this book heeds the call for 'translocal/transnational' cultural histories, while contributing to timely global studies on gender, sexuality, and morality. Focusing on the often-marginalized frequenters of cafés, artist studios, cinemas, nightclubs, and the streets, it expands the remit of who participated in the nahda and how they did.
Archangel's Lineage (The Guild Hunter Series)
by Nalini SinghRaphael and Elena are experiencing their first ever year of true peace. No war. No horrors of archangelic power. No nightmares given flesh. Until...the earth beneath the Refuge begins to tremble, endangering not only angelkind's precious and fragile young, but the very place that has held their most innocent safe for eons. Amid the chaos, Elena's father suffers a violent heart attack that threatens to extinguish their last chance to heal the bonds between them and make sense of the ruins of their agonizing shared history. Even as Elena battles grief, Raphael is torn from her side by the sudden disappearance of an archangel. But worse yet is to come. An Ancestor, an angel unlike any other, stirs from his Sleep to warn the Cadre of a darkness so terrible that it causes empires to fall and civilizations to vanish.This time, even the Cadre itself may not be able to stop a ticking clock that is counting down at frightening speed...
Argylle: The Explosive Spy Thriller That Inspired the new Matthew Vaughn film starring Henry Cavill and Bryce Dallas Howard
by Elly Conway'An excellent action-thriller' Daily Telegraph'The action never lets up for a moment' Daily Mail'Very entertaining' Guardian'An old-fashioned blockbuster...Conway writes with brio and ambition' Financial Times'The most incredible spy franchise since Ian Fleming’ Matthew Vaughn_____________________The globe-trotting spy thriller that inspired the upcoming action blockbuster Argylle , featuring a star-studded cast including Henry Cavill, Bryce Dallas Howard, Samuel L. Jackson, and John Cena.One Russian magnate's dream of restoring a nation to greatness has set in motion a chain of events which will take the world to the brink of chaos. Only Frances Coffey, the CIA's most legendary spymaster, can prevent it. But to do so, she needs someone special.Enter Argylle. His life came to a crashing halt as a teenager. Since then he has been treading water, building barriers between himself and the world. Until one moment of compassion and brilliance will bring him to the attention of the most powerful woman in the secret world.Coffey knows all about Argylle's dark past. She knows it haunts him. But she also knows it may give him the skills to join the team going up against one of the most powerful men in the world. His crash course in espionage will take him from the jungles of Thailand to the boulevards of Monaco, from the monasteries of Mount Athos to a forgotten cavern buried deep in the mountains.It is a deathly rollercoaster ride that will either make him - or break him...
Aristophanes: Cavalry (Bloomsbury Ancient Comedy Companions)
by Professor Robert TordoffOffering for the first time a student introduction to Aristophanes' most explosive political satire, this volume is an essential guide to the context, themes and later reception of Cavalry. The ancient comedy is a fascinating insight into demagoguery and political rhetoric in classical Athens. These are subjects that resonate with a modern audience more now than ever before.Originally performed in 424 BCE, Cavalry was the first play Aristophanes directed himself and it was awarded first prize. It targets the Athenian demagogue, Cleon, who had risen to prominence since the death of Pericles and to pre-eminence after an audacious victory over Sparta in 425 BCE. In Cavalry, Aristophanes attacks Cleon's popularity with the masses, but also criticises the democracy itself as guilty of gullibility, self-interest and political shortsightedness. As the play shows, the only hope of escape from the crisis is for Athens to find a leader even more popular Cleon. And who better to be more foul-mouthed, depraved and shameless than a sausage-seller, if only because he turns out in the end to have a good heart and a true love of traditional Athenian values?
The Art of the Actress: Fashioning Identities (Elements in Eighteenth-Century Connections)
by null Laura EngelThis Element looks at the art of the actress in the eighteenth century. It considers how visual materials across genres, such as prints, portraits, sculpture, costumes, and accessories, contribute to the understanding of the nuances of female celebrity, fame, notoriety, and scandal. The 'art' of the actress refers to the actress represented in visual art, as well as to the actress's labor and skill in making art ephemerally through performance and tangibly through objects. Moving away from the concept of the 'actress as muse,' a relationship that privileges the role of the male artist over the inspirational subject, the author focuses instead on the varied significance of representations, reproductions, and re-animations of actresses, female artists, and theatrical women across media. Via case studies, the Element explores how the archive charts both a familiar and at times unknown narrative about female performers of the past.
The Art of Translation in Seamus Heaney’s Poetry: Toward Heaven (Routledge Studies in Irish Literature)
by Edward T. DuffyThe Art of Translation in Seamus Heaney’s Poetry is a critical study of the poet's later work. While exploring his practice as a translator, it also traces his increasing preoccupation with the possibilities and conditions of translation in the theological sense of being lifted up in spirit. To the work of this philosophical poet, who would be both “earthed and heady” this book brings the insights of ordinary language philosophy as practiced by Stanley Cavell. It devotes separate chapters to Station Island and three later collections: Seeing Things, Electric Light and Human Chain. The first of these addresses the most fundamental change in Heaney’s life when he acknowledges the “need and chance to re-envisage” his Irish-Catholic upbringing; it is also replete with both the activity and the trope of translation. Published seven years later, Seeing Things begins with a translation of Virgil’s golden bough episode and ends with a similar crossing over into the underworld by Dante. Heaney transforms both into poems about poetry. In Electric Light, Heaney returns to Virgil, but now he concentrates not on the hero of the Aeneid but on Virgil's earlier efforts in pastoral, a mode of writing that Heaney takes as a model for his own time and place of “devastated order.” Heaney returns to the Aeneid in Human Chain, but this time around he gives all his attention to the scene of the human souls in Elysium seeking rebirth and turns it into an image for the need and chance of pronouncing “a final Yes” to our world and our place in it.
The Art of Translation in Seamus Heaney’s Poetry: Toward Heaven (Routledge Studies in Irish Literature)
by Edward T. DuffyThe Art of Translation in Seamus Heaney’s Poetry is a critical study of the poet's later work. While exploring his practice as a translator, it also traces his increasing preoccupation with the possibilities and conditions of translation in the theological sense of being lifted up in spirit. To the work of this philosophical poet, who would be both “earthed and heady” this book brings the insights of ordinary language philosophy as practiced by Stanley Cavell. It devotes separate chapters to Station Island and three later collections: Seeing Things, Electric Light and Human Chain. The first of these addresses the most fundamental change in Heaney’s life when he acknowledges the “need and chance to re-envisage” his Irish-Catholic upbringing; it is also replete with both the activity and the trope of translation. Published seven years later, Seeing Things begins with a translation of Virgil’s golden bough episode and ends with a similar crossing over into the underworld by Dante. Heaney transforms both into poems about poetry. In Electric Light, Heaney returns to Virgil, but now he concentrates not on the hero of the Aeneid but on Virgil's earlier efforts in pastoral, a mode of writing that Heaney takes as a model for his own time and place of “devastated order.” Heaney returns to the Aeneid in Human Chain, but this time around he gives all his attention to the scene of the human souls in Elysium seeking rebirth and turns it into an image for the need and chance of pronouncing “a final Yes” to our world and our place in it.
The Art of Uncertainty: Probable Realism and the Victorian Novel (Cambridge Studies in Nineteenth-Century Literature and Culture)
by null Daniel WilliamsThe Victorian novel developed unique forms of reasoning under uncertainty-of thinking, judging, and acting in the face of partial knowledge and unclear outcome. George Eliot, Wilkie Collins, William Thackeray, Thomas Hardy, and later Joseph Conrad drew on science, mathematics, philosophy, and the law to articulate a phenomenology of uncertainty against emergent models of prediction and decision-making. In imaginative explorations of unsure reasoning, hesitant judgment, and makeshift action, these novelists cultivated distinctive responses to uncertainty as intellectual concern and cultural disposition, participating in the knowledge work of an era shaped by numerical approaches to the future. Reading for uncertainty yields a rich account of the dynamics of thinking and acting, a fresh understanding of realism as a genre of the probable, and a vision of literary-critical judgment as provisional and open-ended. Daniel Williams spotlights the value of literary art in a present marked by models and technologies of prediction.
Artezans: Book 1 (Artezans #1)
by L.D. LapinskiPrepare for the magical adventure of your dreams, in the first in a brand-new series by L.D. Lapinski, author of Strangeworlds Travel Agency.'A stupendous, witty, humane fantasy. Lapinski's done it again - an inventive, compelling world and characters I would die for. LD Lapinski is a genius!' Louie Stowell, author of 'Loki: A Bad God's Guide' seriesFor the last 400 years, magic has been fading...Edward Crane has always feared he won't have any magic at all. Sure, he's part of a powerful magic Artezan family, but he's adopted. His twin sister, Elodie, isn't so worried, but then everything always seems to work out perfectly for her.So when Ed discovers he does have an Artezan power after all, he's relieved. And it's more than he ever could have imagined - in fact, it's a dream come true.But the problem with dreams is that sometimes they twist themselves into nightmares. And with Ed's new abilities growing by the day, there's a chance that this nightmare will become all too real...
Arun and the Royal Rumpus
by Eoin RedahanWould you rather have the body of a tiger and the head of a boy, or the body of a boy and the head of a tiger?(Arun wants to know)When Arun, a twelve-year-old mischief maker hiding in the mountains, finds out about the plot to capture the crazy King Lalu, he vows to stop the vicious Vin and his thugs - by joining them. Armed only with a pea-shooter, Arun journeys through treacherous terrain, eerie forests, rushing rivers and even the sewers of Asamana with the help of the quick-tempered Krishma and scrappy Sai. Whether it's outsmarting the brutes, stealing a grouchy giant's keys, or trotting down a narrow mountain ledge on a one-eyed pony, Arun is ready to brave it all to save the king. Brimming with humour and adventure, this is not just one boy's gritty tale of friendship, family and mayhem- it's a downright royal rumpus!
As You Like It: Staged: the origins of YA’s greatest tropes
by William ShakespeareWith a foreword by Talia Hibbert, author of Get a Life, Chloe Brown‘We that are true lovers run into strange capers’Banished from her ambitious uncle’s court, the lovesick Rosalind flees to the forest with her cousin, Celia. Disguised as the handsome shepherd Ganymede and simple shepherdess Aliena, the two soon meet the dashing Orlando – forced into hiding by a plot against his life, heartbroken at the separation from his beloved Rosalind. Fooled by Rosalind’s disguise, Orlando grows close to ‘Ganymede’. But Phoebe, a local shepherdess, also has her eye on Ganymede. As their hopes and dreams entangle, can everyone get what they want?As You Like It is Shakespeare’s brilliant gender swapping, fake dating classic comedy of errors.Discover STAGED, a limited collection of Shakespeare’s unabridged plays that celebrates the genius of the Bard and the tropes that continue to delight YA readers to this day.Explore the rest of the STAGED collection:Hamlet – With a foreword by Faridah Àbíké-ÍyímídéMacbeth – With a foreword by Kat DelacorteA Midsummer Night’s Dream – With a foreword by Becky AlbertalliMuch Ado About Nothing – With a foreword by Holly BourneRomeo and Juliet – With a foreword by Jennifer Niven
As You Like It: The New Oxford Shakespeare (Oxford World's Classics)
by William Shakespeare'We that are true lovers run into strange capers.' Four centuries after its publication in the Folio, As You Like It's capacity to entertain and instruct remains evergreen. This edition provides a friendly yet authoritative introduction to the play, upholding it as a crowning expression of the Elizabethan Renaissance while underscoring its appeal to twenty-first century readers as Shakespeare's most intrepid exploration of gender, sexuality, and the environment. Its double-cross-dressed heroine dominates the plot (and their love interest Orlando) to conduct a masterclass in gender fluidity. The melancholic Jaques unmasks the fundamental theatricality of existence and questions humanity's prerogative to displace and harm other species. Through the clown Touchstone, the comedy tests the possibility that we might laugh ourselves wise, especially when we learn to laugh at ourselves. In the Forest of Arden, we encounter Shakespeare's most beguiling vision of the natural world as a realm of serenity and harmony, while brushing up against the briars that puncture our fantasies of the simple life. The New Oxford Shakespeare offers authoritative editions of Shakespeare's works with introductory materials designed to encourage new interpretations of the plays and poems. Using the text from the landmark The New Oxford Shakespeare Complete Works: Modern Critical Edition, these volumes offer readers the latest thinking on the authentic texts (collated from all surviving original versions of Shakespeare's work) alongside innovative introductions from leading scholars. The texts are accompanied by a comprehensive set of critical apparatus to give readers the best resources to help understand and enjoy Shakespeare's work. ABOUT THE SERIES: For over 100 years Oxford World's Classics has made available the widest range of literature from around the globe. Each affordable volume reflects Oxford's commitment to scholarship, providing the most accurate text plus a wealth of other valuable features, including expert introductions by leading authorities, helpful notes to clarify the text, up-to-date bibliographies for further study, and much more.
As Young as This: the heartbreakingly relatable novel for fans of One Day
by Roxy Dunn'This debut novel about womanhood and expectations will be one of the most exciting of the year' INDEPENDENT, the best fiction books to read in 2024'A young woman's life, told through the men she has dated. With glorious attention to detail and emotional fluency, Dunn charts the ways in which we are built and broken by love' PANDORA SYKES***An irresistible and achingly relatable debut novel for anyone who has ever had to let go of what they thought their life would look like and open themselves up to the dizzying possibilities of chance.Elliot. Joe. Tommy. Nathanael. Wren. Oliver. Malik. Zach. Frank. Patrick. Noah. These are the men Margot has loved, liked, lusted over.Since she was seventeen, she’s pictured them like stepping stones – each one bringing her closer to finding someone to share her life with and, eventually, father the children she’s always imagined in her future.From her first sexual encounter, to her first love, from grown-up dilemmas to spontaneous thrills, she’s soaked up every experience available to her, discovering friendship, joy and despair. Through all of this she’s refined her search until she believes she’s arrived at ‘the ending’ to her story.So how did she find herself here, single at thirty-four, and about to make the biggest decision of her life?'Raw, funny and beautiful . . . A really gorgeously observed novel about youth and womanhood' DAISY BUCHANAN, author of Careering'Relatable, poignant and gripping ... I read it in a single day' LIBBY PAGE, author of The Lido'Warm, witty, wise . . . A thoughtful and moving portrait that made me laugh and cry' CHLOË ASHBY, author of Wet Paint
The Ascent
by Adam PlantingaWhen a high security prison fails, a down-on-his luck cop and the governor&’s daughter are going to have to team up if they&’re going to escape in this "jaw-dropping, authentic, and absolutely gripping" (Harlan Coben, #1 New York Times bestselling author) debut thriller from Adam Plantinga, whose first nonfiction book Lee Child praised as &“truly excellent.&” Kurt Argento, an ex-Detroit street cop who can&’t let injustice go—and who has the fighting skills to back up his idealism. If he sees a young girl being dragged into an alley, he's going to rescue her and cause some damage. When he does just that in a small corrupt Missouri town, he&’s brutally beaten and thrown into a maximum-security prison. Julie Wakefield, a grad student who happens to be the governor's daughter, is about to take a tour of the prison. But when a malfunction in the security system releases a horde of prisoners, a fierce struggle for survival ensues. Argento must help a small band of staff and civilians, including Julie and her two state trooper handlers, make their way from the bottom floor to the roof to safety. All that stands in their way are six floors of the most dangerous convicts in Missouri.