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Συρανό δε Μπερζεράκ
by Edmond RostandThis is the famous 19th-century play about a great swordsman and poet with the unseemly large nose. Although he is feared by opponents, he cannot court the woman of his dreams, except through anonymously sent poems, which makes for a romantic and adventurous tale.
1 Henry IV: A Critical Guide (Continuum Renaissance Drama Guides)
by Stephen LongstaffeAn introduction to Shakespeare's I Henry IV - introducing its critical and performance history, current critical landscape and new directions in research on the play.
1 Henry IV: A Critical Guide (Continuum Renaissance Drama Guides)
by Stephen LongstaffeAn introduction to Shakespeare's I Henry IV - introducing its critical and performance history, current critical landscape and new directions in research on the play.
£1 Thursdays (Modern Plays)
by Kat Rose-MartinNewcastle, London, America. You can go anywhere, it's still the same old shit. People just getting by, in any way they know how. But I tell you what they don't have, they don't have a £1 Thursday!17-year-old Jen and Stacey are best friends. Since forever.Stacey always dreamed of being a dancer. And she's actually got the talent for it. Only her school career advisor hasn't even been to London, let alone heard of Urdang. Jen is smart. Like Oxbridge smart. But all 'smart' gives her is the ability to see that there's no use trying to change the story prewritten for her, growing up in an underfunded and forgotten Bradford in the 2010s.They only have one place they can escape to… Club Ocean on a Thursday night. Freedom for Jen and Stacey. A beautiful and hilarious coming-of-age story, Kat Rose-Martin's £1 Thursdays captures and celebrates the trials and tribulations of what it means to be young, Northern and working class, when for one Vodka-blurred second, you're allowed to forget everything and just dance.This edition was published to coincide with the world premiere at London's Finborough Theatre in November 2023.
£1 Thursdays (Modern Plays)
by Kat Rose-MartinNewcastle, London, America. You can go anywhere, it's still the same old shit. People just getting by, in any way they know how. But I tell you what they don't have, they don't have a £1 Thursday!17-year-old Jen and Stacey are best friends. Since forever.Stacey always dreamed of being a dancer. And she's actually got the talent for it. Only her school career advisor hasn't even been to London, let alone heard of Urdang. Jen is smart. Like Oxbridge smart. But all 'smart' gives her is the ability to see that there's no use trying to change the story prewritten for her, growing up in an underfunded and forgotten Bradford in the 2010s.They only have one place they can escape to… Club Ocean on a Thursday night. Freedom for Jen and Stacey. A beautiful and hilarious coming-of-age story, Kat Rose-Martin's £1 Thursdays captures and celebrates the trials and tribulations of what it means to be young, Northern and working class, when for one Vodka-blurred second, you're allowed to forget everything and just dance.This edition was published to coincide with the world premiere at London's Finborough Theatre in November 2023.
10 Nights (Modern Plays)
by Shahid Iqbal KhanOne man's spiritual journey is about to begin… after he's sent this tweetWhen Yasser decides to take part in itikaf, sleeping and fasting in the mosque for the last ten nights of Ramadan, he soon regrets his decision. But as he navigates smug worshippers, shared bathrooms, and recurring thoughts of chunky chips, Yasser's isolation forces him to confront a side of himself he's been trying to keep hidden.A moving and funny new play by Shahid Iqbal Khan, 10 Nights is the story of one man's journey of self-discovery and facing the consequences of your actions.
10 Nights (Modern Plays)
by Shahid Iqbal KhanOne man's spiritual journey is about to begin… after he's sent this tweetWhen Yasser decides to take part in itikaf, sleeping and fasting in the mosque for the last ten nights of Ramadan, he soon regrets his decision. But as he navigates smug worshippers, shared bathrooms, and recurring thoughts of chunky chips, Yasser's isolation forces him to confront a side of himself he's been trying to keep hidden.A moving and funny new play by Shahid Iqbal Khan, 10 Nights is the story of one man's journey of self-discovery and facing the consequences of your actions.
100 Acting Exercises for 8 - 18 Year Olds
by Samantha MarsdenThis book offers a comprehensive guide to teaching acting exercises that will unleash the inner creativity of students aged 8-18. Theories and techniques of some of the greatest theatre practitioners including Sanford Meisner, Constantin Stanislavski, Lee Strasberg and Uta Hagen provide a basis for Samantha Marsden's original exercises for students between these ages. You won't find Duck, Duck, Goose, Zap, Zap, Boing – or any other traditional drama games in this book: instead, the craft of acting technique takes the limelight. These exercises have been tried and tested in the author's own classroom, and are guaranteed to inspire, ignite imagination and encourage heartfelt performances. Focus points used in leading drama schools such as voice, movement, relaxation, character development and understanding text are recreated for a younger student. They are easy to follow and will be fun, challenging and immensely rewarding for teachers and students alike. The book features a foreword by Paul Roseby, CEO and Artistic Director of the National Youth Theatre.
100 Acting Exercises for 8 - 18 Year Olds
by Samantha MarsdenThis book offers a comprehensive guide to teaching acting exercises that will unleash the inner creativity of students aged 8-18. Theories and techniques of some of the greatest theatre practitioners including Sanford Meisner, Constantin Stanislavski, Lee Strasberg and Uta Hagen provide a basis for Samantha Marsden's original exercises for students between these ages. You won't find Duck, Duck, Goose, Zap, Zap, Boing – or any other traditional drama games in this book: instead, the craft of acting technique takes the limelight. These exercises have been tried and tested in the author's own classroom, and are guaranteed to inspire, ignite imagination and encourage heartfelt performances. Focus points used in leading drama schools such as voice, movement, relaxation, character development and understanding text are recreated for a younger student. They are easy to follow and will be fun, challenging and immensely rewarding for teachers and students alike. The book features a foreword by Paul Roseby, CEO and Artistic Director of the National Youth Theatre.
The 101 Greatest Plays: From Antiquity to the Present
by Michael BillingtonHaving surveyed post-war British drama in State of the Nation, Michael Billington now looks at the global picture. In this provocative and challenging new book, he offers his highly personal selection of the 100 greatest plays ranging from the Greeks to the present-day. But his book is no mere list. Billington justifies his choices in extended essays- and even occasional dialogues- that put the plays in context, explain their significance and trace their performance history. In the end, it's a book that poses an infinite number of questions. What makes a great play? Does the definition change with time and circumstance? Or are certain common factors visible down the ages? It's safe to say that it's a book that, in revising the accepted canon, is bound to stimulate passionate argument and debate. Everyone will have strong views on Billington's chosen hundred and will be inspired to make their own selections. But, coming from Britain's longest-serving theatre critic, these essays are the product of a lifetime spent watching and reading plays and record the adventures of a soul amongst masterpieces.
13 (Modern Plays)
by Mike BartlettWork out what you want and go for it with all your conviction and don't care if you seem outrageous or stupid... All that's needed, in the end, is belief. An identical, terrifying dream haunts Londoners in the midst of economic gloom and ineffective protest. Whilst the prime minister considers a preventive war, a young man returns home with a vision for the future.Coincidences, omens and visions collide with political reality in this epic new play from the writer of Earthquakes in London. Set in a dark and magical landscape, it depicts a London both familiar and strange, a London staring into the void. In a year which has seen governments fall as the people take to the streets, 13 explores the meaning of personal responsibility, the hold that the past has over the future and the nature of belief itself.
13 (Modern Plays)
by Mike BartlettWork out what you want and go for it with all your conviction and don't care if you seem outrageous or stupid... All that's needed, in the end, is belief. An identical, terrifying dream haunts Londoners in the midst of economic gloom and ineffective protest. Whilst the prime minister considers a preventive war, a young man returns home with a vision for the future.Coincidences, omens and visions collide with political reality in this epic new play from the writer of Earthquakes in London. Set in a dark and magical landscape, it depicts a London both familiar and strange, a London staring into the void. In a year which has seen governments fall as the people take to the streets, 13 explores the meaning of personal responsibility, the hold that the past has over the future and the nature of belief itself.
The 14th Tale (Oberon Modern Plays Ser.)
by Inua Ellams'The 14th Tale is a beautiful mellifluous narrative that tells the hilarious exploits of a natural born mischief, growing from the clay streets of Nigeria to rooftops in Dublin and finally to London.
1599: A Year In The Life Of William Shakespeare (P. S. Ser.)
by James ShapiroHow did Shakespeare go from being a talented poet and playwright to become one of the greatest writers who ever lived? In this one exhilarating year we follow what he reads and writes, what he saw and who he worked with as he invests in the new Globe theatre and creates four of his most famous plays - Henry V, Julius Caesar, As You Like It, and, most remarkably, Hamlet.This book brings the news, intrigue and flavour of the times together with wonderful detail about how Shakespeare worked as an actor, businessman and playwright, to create an exceptionally immediate and gripping account of an inspiring moment in history.
1606: William Shakespeare and the Year of Lear
by James Shapiro1606: William Shakespeare and the Year of Lear traces Shakespeare's life and times from the autumn of 1605, when he took an old and anonymous Elizabethan play, The Chronicle History of King Leir, and transformed it into his most searing tragedy, King Lear. 1606 proved to be an especially grim year for England, which witnessed the bloody aftermath of the Gunpowder Plot, divisions over the Union of England and Scotland, and an outbreak of plague. But it turned out to be an exceptional one for Shakespeare, unrivalled at identifying the fault-lines of his cultural moment, who before the year was out went on to complete two other great Jacobean tragedies that spoke directly to these fraught times: Macbeth and Antony and Cleopatra.Following the biographical style of 1599, a way of thinking and writing that Shapiro has made his own, 1606: William Shakespeare and the Year of Lear promises to be one of the most significant and accessible works on Shakespeare in the decade to come.
1616: Shakespeare and Tang Xianzu's China
by Tian Yuan Tan Paul Edmondson Shih-Pe WangThe year is 1616. William Shakespeare has just died and the world of the London theatres is mourning his loss. 1616 also saw the death of the famous Chinese playwright Tang Xianzu. Four hundred years on and Shakespeare is now an important meeting place for Anglo-Chinese cultural dialogue in the field of drama studies. In June 2014 (the 450th anniversary of Shakespeare's birth), SOAS, The Shakespeare Birthplace Trust and the National Chung Cheng University of Taiwan gathered 20 scholars together to reflect on the theatrical practice of four hundred years ago and to ask: what does such an exploration mean culturally for us today? This ground-breaking study offers fresh insights into the respective theatrical worlds of Shakespeare and Tang Xianzu and asks how the brave new theatres of 1616 may have a vital role to play in the intercultural dialogue of our own time.
1616: Shakespeare and Tang Xianzu's China
by Paul Edmondson Shih-Pe Wang Tian Yuan TanThe year is 1616. William Shakespeare has just died and the world of the London theatres is mourning his loss. 1616 also saw the death of the famous Chinese playwright Tang Xianzu. Four hundred years on and Shakespeare is now an important meeting place for Anglo-Chinese cultural dialogue in the field of drama studies. In June 2014 (the 450th anniversary of Shakespeare's birth), SOAS, The Shakespeare Birthplace Trust and the National Chung Cheng University of Taiwan gathered 20 scholars together to reflect on the theatrical practice of four hundred years ago and to ask: what does such an exploration mean culturally for us today? This ground-breaking study offers fresh insights into the respective theatrical worlds of Shakespeare and Tang Xianzu and asks how the brave new theatres of 1616 may have a vital role to play in the intercultural dialogue of our own time.
17 (Oberon Modern Plays Ser.)
by Dameon GarnettLet’s celebrate, right now, shall we? The cake’s ruined, but we’ve got the ashes. 17 candles on the ashes of my fucking life...' At seventeen years old, Scott is facing a future that is as uncertain as his past. The death of his adopted mother throws his life into chaos, and now he finds himself having to fit in with a new aspirational family, and the birth-mother he never knew. Class differences soon reach fever pitch, and guilt has the winning hand. Whoever thought change would be this difficult, and what is Scott hiding under the bed?
18th Century Male Tailoring: Theatrical and Historical Tailoring c1680 – 1790
by Graham Cottenden18th Century Male Tailoring: Theatrical and Historical Tailoring c1680 – 1790 introduces the reader to English eighteenth-century tailoring and covers the drafting of patterns, cutting out in cloth and construction techniques in sequence for the tailoring of waistcoats, breeches and coats. From choosing the right cloth to preparing for the fitting process, this how-to guide will help readers create beautiful, historically accurate eighteenth-century male garments for events and performances. The book contains the following: step-by-step instructions complete with illustrations for students and costumiers who are new to the making of male tailored garments from the eighteenth century; drafting blocks and construction techniques for the different styles through the eighteenth century and patterns, photographs, detailed measurements and articles taken from a variety of male coats, waistcoats and trousers from c1680 – c1790 from museums and collections. 18th Century Male Tailoring is written for costume design and construction students, fashion students and practitioners who have a reasonable working knowledge of sewing and general costume making, but not necessarily of tailoring, drafting patterns, cutting skills and the making of male garments.
18th Century Male Tailoring: Theatrical and Historical Tailoring c1680 – 1790
by Graham Cottenden18th Century Male Tailoring: Theatrical and Historical Tailoring c1680 – 1790 introduces the reader to English eighteenth-century tailoring and covers the drafting of patterns, cutting out in cloth and construction techniques in sequence for the tailoring of waistcoats, breeches and coats. From choosing the right cloth to preparing for the fitting process, this how-to guide will help readers create beautiful, historically accurate eighteenth-century male garments for events and performances. The book contains the following: step-by-step instructions complete with illustrations for students and costumiers who are new to the making of male tailored garments from the eighteenth century; drafting blocks and construction techniques for the different styles through the eighteenth century and patterns, photographs, detailed measurements and articles taken from a variety of male coats, waistcoats and trousers from c1680 – c1790 from museums and collections. 18th Century Male Tailoring is written for costume design and construction students, fashion students and practitioners who have a reasonable working knowledge of sewing and general costume making, but not necessarily of tailoring, drafting patterns, cutting skills and the making of male garments.
1950s “Rocketman” TV Series and Their Fans: Cadets, Rangers, and Junior Space Men
by Cynthia J. MillerThe fourteen essays featured here focus on series such as Space Patrol, Tom Corbett, and Captain Z-Ro, exploring their roles in the day-to-day lives of their fans through topics such as mentoring, promotion of the real-world space program, merchandising, gender issues, and ranger clubs - all the while promoting the fledgling medium of television.
1956 and All That: The Making of Modern British Drama
by Dan RebellatoIt is said that British Drama was shockingly lifted out of the doldrums by the 'revolutionary' appearance of John Osborne's Look Back in Anger at the Royal Court in May 1956. But had the theatre been as ephemeral and effeminate as the Angry Young Men claimed? Was the era of Terence Rattigan and 'Binkie' Beaumont as repressed and closeted as it seems? In this bold and fascinating challenge to the received wisdom of the last forty years of theatrical history, Dan Rebellato uncovers a different story altogether. It is one where Britain's declining Empire and increasing panic over the 'problem' of homosexuality played a crucial role in the construction of an enduring myth of the theatre. By going back to primary sources and rigorously questioning all assumptions, Rebellato has rewritten the history of the Making of Modern British Drama.
1956 and All That: The Making of Modern British Drama
by Dan RebellatoIt is said that British Drama was shockingly lifted out of the doldrums by the 'revolutionary' appearance of John Osborne's Look Back in Anger at the Royal Court in May 1956. But had the theatre been as ephemeral and effeminate as the Angry Young Men claimed? Was the era of Terence Rattigan and 'Binkie' Beaumont as repressed and closeted as it seems? In this bold and fascinating challenge to the received wisdom of the last forty years of theatrical history, Dan Rebellato uncovers a different story altogether. It is one where Britain's declining Empire and increasing panic over the 'problem' of homosexuality played a crucial role in the construction of an enduring myth of the theatre. By going back to primary sources and rigorously questioning all assumptions, Rebellato has rewritten the history of the Making of Modern British Drama.
1984 (Oberon Modern Plays Ser.)
by George Orwell Duncan Macmillan Robert IckeApril, 1984. Winston Smith, thinks a thought, starts a diary, and falls in love. But Big Brother is watching him, and the door to Room 101 can swing open in the blink of an eye. Its ideas have become our ideas, and Orwells fiction is often said to be our reality. The definitive book of the 20th century is re-examined in a radical new adaptation exploring why Orwells vision of the future is as relevant as ever.
20 Ground-Breaking Directors of Eastern Europe: 30 Years After the Fall of the Iron Curtain
by Kalina Stefanova Marvin CarlsonDirectors have long been the main figures on Eastern European stages. During the last three decades some of the most outstanding among them have risen to international stardom thanks to their ground-breaking productions that speak to audiences far beyond local borders. Not by chance, a considerable number of these directors have won the second-biggest theatre award on the continent – the European Prize for (New) Theatrical Realities. It would not be an exaggeration to say that the top directors of the region have been pushing contemporary theatre as a whole ahead into new territories. This book offers informative and in-depth portraits of twenty of these directors, written by leading critics, scholars, and researchers, who shed light on the directors’ signature styles with examples of their emblematic productions and outline the reasons for their impact. In addition, in two chapters the selected directors themselves discuss their artistic family trees as well as the main stakes theatre faces today. The book will be of interest to theatre scholars, students, and anybody engaged with theatre on a global scale.