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Anecdotal Shakespeare: A New Performance History
by Paul MenzerShakespeare's four-hundred-year performance history is full of anecdotes – ribald, trivial, frequently funny, sometimes disturbing, and always but loosely allegiant to fact. Such anecdotes are nevertheless a vital index to the ways that Shakespeare's plays have generated meaning across varied times and in varied places. Furthermore, particular plays have produced particular anecdotes – stories of a real skull in Hamlet, superstitions about the name Macbeth, toga troubles in Julius Caesar – and therefore express something embedded in the plays they attend. Anecdotes constitute then not just a vital component of a play's performance history but a form of vernacular criticism by the personnel most intimately involved in their production: actors. These anecdotes are therefore every bit as responsive to and expressive of a play's meanings across time as the equally rich history of Shakespearean criticism or indeed the very performances these anecdotes treat. Anecdotal Shakespeare provides a history of post-Renaissance Shakespeare and performance, one not based in fact but no less full of truth.
Angel Heart
by Marie LavalDevonshire, January 1815.Marie-Ange, the young widow of an English officer, accepts an inheritance in France only to find that everything in Beauregard is not as it seems. Why is the sinister Malleval so obsessed with her family? And could her darling Christopher still be alive? Marie-Ange finds herself trapped in a dangerous web of lies, intrigue, and mystical possession, and the only person to whom she can turn for help is Capitaine Hugo Saintclair. Yet the enigmatic Hugo represents a danger of a different kind …Angel Heart is a lavish mix of romance, adventure, and a hint of the supernatural, largely set in France against the turbulent background of Napoleon’s return from Elba.
Angel Of Doom
by James AxlerMYTHIC PROPORTIONS Insidious alien forces conspiring to enslave humanity grow increasingly dangerous and defiant. Willing to do whatever it takes to defeat these ancient invaders, the Cerberus rebels carry on the fight for freedom.
The Angel Tree
by Lucinda RileyThe Angel Tree by Lucinda Riley is a compelling mystery of family secrets and forgotten pasts from the author of The Seven Sisters.Thirty years have passed since Greta left Marchmont Hall, a grand and beautiful house nestled in the hills of rural Monmouthshire. But when she returns to the Hall for Christmas, at the invitation of her old friend David Marchmont, she has no recollection of her past association with it – the result of a tragic accident that has blanked out more than two decades of her life. Then, during a walk through the wintry landscape, she stumbles across a grave in the woods, and the weathered inscription on the headstone tells her that a little boy is buried here . . . The poignant discovery strikes a chord in Greta's mind and soon ignites a quest to rediscover her lost memories. With David's help, she begins to piece together the fragments of not only her own story, but that of her daughter, Cheska, who was the tragic victim of circumstances beyond her control. And, most definitely, not the angel she appeared to be . . .*First published as Not Quite an Angel under the name Lucinda Edmonds, now extensively rewritten*
Angela Borgia (Classics To Go)
by Conrad Ferdinand MeyerDie historische Novelle “Angela Borgia” ist Conrad Ferdinand Meyers letztes Werk vor seinem Tod 1898. Der Schweizer Dichter nahm sich für diese erstmals 1891 veröffentlichte Novelle die historischen Figuren der italienischen Fürstin Lucrezia Borgia, der mit ihr verwandten Angela und deren Verehrer Don Giulio zum Vorbild. Die Geschichte spielt in der Renaissance am italienischen Fürstenhof von Ferrara. Dort entwickelt sich die Liebesgeschichte zwischen der gesitteten, fromm-religiösen Angela Borgia und dem lasterhaften Don Giulio. Ihre Liebe zueinander wird bald auf eine harte Probe gestellt, denn Don Giulio ist nicht der Einzige am Hof, der sich für Angela begeistert. So geraten die beiden Verliebten in ein Netz aus Intrigen und Neid. Conrad Ferdinand Meyer gilt auch heute noch als einer der bedeutendsten Schweizer Lyriker und Erzähler des 19. Jahrhunderts, die in deutscher Sprache geschrieben haben.
Angels Like Me: (Angels Next Door Book 3) (Angels Next Door)
by Karen McCombieAngels Like Me is the third title in the enchanting and magical friendship series from bestselling author Karen McCombie that began with Angels Next Door.Riley's best friends, the Angelo sisters, are special. Sparkly, strange and full of secrets . . Life at home is tricky for Riley Roberts. She misses her mum and wants to learn more about her. But Dad is as secretive as ever.She hopes the sisters can work their magic and help her find out the truth. But Riley is about to discover something more magical than she could have imagined - something that could bring her closer to her mum and answer her questions at last.About the author:Bestselling author Karen McCombie trained as a magazine journalist in her native Scotland before moving to London. After several years working on teen favourites Just 17 and Sugar, she turned to fiction, with her first series, Ally's World, becoming an instant success. In total she's had more than 70 books published and translated around the world, and more than a million books sold. Karen lives in North London with her very Scottish husband Tom, her sunshiney daughter Milly, a demented cat called Dizzy and Biscuit, the button-obsessed hamster. Angels Like Me is the third title in her Angels Next Door series.www.karenmccombie.comAlso available: Angels Next Door (book 1)Angels In Training (book 2)Angels Like Me (book 3)
Anglo-American Women Writers and Representations of Indianness, 1629-1824
by Cathy RexExamining the appropriations and revisions of Indian identity first carried out by Anglo-American engravers and later by early Anglo-American women writers, Cathy Rex shows the ways in which iconic images of Native figures inform not only an emerging colonial/early republican American identity but also the authorial identity of white women writers. Women such as Mary Rowlandson, Ann Eliza Bleecker, Lydia Maria Child, and the pseudonymous Unca Eliza Winkfield of The Female American, Rex argues, co-opted and revised images of Indianness such as those found in the Massachusetts Bay Colony seal and the numerous variations of Pocahontas’s image based on Simon Van de Passe’s original 1616 engraving. Doing so allowed them to posit their own identities and presumed superiority as American women writers. Sometimes ugly, occasionally problematic, and often patently racist, the Indian writings of these women nevertheless question the masculinist and Eurocentric discourses governing an American identity that has always had Indianness at its core. Rather than treating early American images and icons as ancillary to literary works, Rex places them in conversation with one another, suggesting that these well-known narratives and images are mutually constitutive. The result is a new, more textually inclusive perspective on the field of early American studies.
Anglo-American Women Writers and Representations of Indianness, 1629-1824
by Cathy RexExamining the appropriations and revisions of Indian identity first carried out by Anglo-American engravers and later by early Anglo-American women writers, Cathy Rex shows the ways in which iconic images of Native figures inform not only an emerging colonial/early republican American identity but also the authorial identity of white women writers. Women such as Mary Rowlandson, Ann Eliza Bleecker, Lydia Maria Child, and the pseudonymous Unca Eliza Winkfield of The Female American, Rex argues, co-opted and revised images of Indianness such as those found in the Massachusetts Bay Colony seal and the numerous variations of Pocahontas’s image based on Simon Van de Passe’s original 1616 engraving. Doing so allowed them to posit their own identities and presumed superiority as American women writers. Sometimes ugly, occasionally problematic, and often patently racist, the Indian writings of these women nevertheless question the masculinist and Eurocentric discourses governing an American identity that has always had Indianness at its core. Rather than treating early American images and icons as ancillary to literary works, Rex places them in conversation with one another, suggesting that these well-known narratives and images are mutually constitutive. The result is a new, more textually inclusive perspective on the field of early American studies.
Anglo-Saxon Emotions: Reading the Heart in Old English Language, Literature and Culture (Studies in Early Medieval Britain and Ireland)
by Alice Jorgensen Frances McCormack Jonathan WilcoxResearch into the emotions is beginning to gain momentum in Anglo-Saxon studies. In order to integrate early medieval Britain into the wider scholarly research into the history of emotions (a major theme in other fields and a key field in interdisciplinary studies), this volume brings together established scholars, who have already made significant contributions to the study of Anglo-Saxon mental and emotional life, with younger scholars. The volume presents a tight focus - on emotion (rather than psychological life more generally), on Anglo-Saxon England and on language and literature - with contrasting approaches that will open up debate. The volume considers a range of methodologies and theoretical perspectives, examines the interplay of emotion and textuality, explores how emotion is conveyed through gesture, interrogates emotions in religious devotional literature, and considers the place of emotion in heroic culture. Each chapter asks questions about what is culturally distinctive about emotion in Anglo-Saxon England and what interpretative moves have to be made to read emotion in Old English texts, as well as considering how ideas about and representations of emotion might relate to lived experience. Taken together the essays in this collection indicate the current state of the field and preview important work to come. By exploring methodologies and materials for the study of Anglo-Saxon emotions, particularly focusing on Old English language and literature, it will both stimulate further study within the discipline and make a distinctive contribution to the wider interdisciplinary conversation about emotions.
Anglo-Saxon Emotions: Reading the Heart in Old English Language, Literature and Culture (Studies in Early Medieval Britain and Ireland)
by Alice Jorgensen Frances McCormack Jonathan WilcoxResearch into the emotions is beginning to gain momentum in Anglo-Saxon studies. In order to integrate early medieval Britain into the wider scholarly research into the history of emotions (a major theme in other fields and a key field in interdisciplinary studies), this volume brings together established scholars, who have already made significant contributions to the study of Anglo-Saxon mental and emotional life, with younger scholars. The volume presents a tight focus - on emotion (rather than psychological life more generally), on Anglo-Saxon England and on language and literature - with contrasting approaches that will open up debate. The volume considers a range of methodologies and theoretical perspectives, examines the interplay of emotion and textuality, explores how emotion is conveyed through gesture, interrogates emotions in religious devotional literature, and considers the place of emotion in heroic culture. Each chapter asks questions about what is culturally distinctive about emotion in Anglo-Saxon England and what interpretative moves have to be made to read emotion in Old English texts, as well as considering how ideas about and representations of emotion might relate to lived experience. Taken together the essays in this collection indicate the current state of the field and preview important work to come. By exploring methodologies and materials for the study of Anglo-Saxon emotions, particularly focusing on Old English language and literature, it will both stimulate further study within the discipline and make a distinctive contribution to the wider interdisciplinary conversation about emotions.
Angry (Oberon Modern Plays)
by Josh Overton'I’ll tell you what gets me riled up, what gets me dark and dirty, what Speaks to the Spiders living in my Soul and makeS me loSe my Shit' Are you Angry? We are, so we wrote a play and stole a bass guitar which I’m sure we’ll fit in somewhere. Written partially in verse; partially in rap but mostly in swear words ANGRY is not quite like anything you’ve ever seen but quite similar to a lot of different things you may have seen. Join us as we get loud, we get violent, we get furious beyond the government-approved safety level. We will shout at you, we will swear at you, we will spill our rage at the world upon you... but we expect nothing less than the same in return. Winner of The Sunday Times Playwriting Award 2015, ANGRY is the rallying cry of a generation with nothing left to say; part gig, part drinking game and not for the faint of heart. ANGRY has courted controversy across the country with its poetry-cum swearword script and its punk-funk music stylings. Come watch a bunch of twenty somethings in their pants, punch drums and each other to the rhythms of their inner children crying. Described as 'The most important thing I've seen at NSDF, in any year' in Noises Off magazine, ANGRY promises to be a night worth remembering.
The Angry Brigade: This House; The Angry Brigade; The Vote; Monster Raving Loony (Modern Plays)
by James GrahamIts government has declared a vicious class war. A one-sided war . . . We have started to fight back . . . with bombs.Against a backdrop of Tory cuts, high unemployment and the deregulated economy of 1970s Britain, a young urban guerrilla group mobilises: The Angry Brigade. Their targets: MPs, embassies, police, pageant queens. A world of order is shattered by anarchy and the rules have changed. An uprising has begun. No one is exempt.As a special police squad hunt the home-grown terrorists whose identities shocked the nation, James Graham's heart-stopping thriller lures us into a frenzied world that looks much like our own.The Angry Brigade was first produced by Paines Plough in September 2014 and this edition, featuring changes to the script, has been published to coincide with the production's transfer to the Bush Theatre, London, in May 2015.
The Animal Claim: Sensibility and the Creaturely Voice
by Tobias MenelyDuring the eighteenth century, some of the most popular British poetry showed a responsiveness to animals that anticipated the later language of animal rights. Such poems were widely cited in later years by legislators advocating animal welfare laws like Martin’s Act of 1822, which provided protections for livestock. In The Animal Claim, Tobias Menely links this poetics of sensibility with Enlightenment political philosophy, the rise of the humanitarian public, and the fate of sentimentality, as well as longstanding theoretical questions about voice as a medium of communication. In the Restoration and eighteenth century, philosophers emphasized the role of sympathy in collective life and began regarding the passionate expression humans share with animals, rather than the spoken or written word, as the elemental medium of community. Menely shows how poetry came to represent this creaturely voice and, by virtue of this advocacy, facilitated the development of a viable discourse of animal rights in the emerging public sphere. Placing sensibility in dialogue with classical and early-modern antecedents as well as contemporary animal studies, The Animal Claim uncovers crucial connections between eighteenth-century poetry; theories of communication; and post-absolutist, rights-based politics.
The Animal Claim: Sensibility and the Creaturely Voice
by Tobias MenelyDuring the eighteenth century, some of the most popular British poetry showed a responsiveness to animals that anticipated the later language of animal rights. Such poems were widely cited in later years by legislators advocating animal welfare laws like Martin’s Act of 1822, which provided protections for livestock. In The Animal Claim, Tobias Menely links this poetics of sensibility with Enlightenment political philosophy, the rise of the humanitarian public, and the fate of sentimentality, as well as longstanding theoretical questions about voice as a medium of communication. In the Restoration and eighteenth century, philosophers emphasized the role of sympathy in collective life and began regarding the passionate expression humans share with animals, rather than the spoken or written word, as the elemental medium of community. Menely shows how poetry came to represent this creaturely voice and, by virtue of this advocacy, facilitated the development of a viable discourse of animal rights in the emerging public sphere. Placing sensibility in dialogue with classical and early-modern antecedents as well as contemporary animal studies, The Animal Claim uncovers crucial connections between eighteenth-century poetry; theories of communication; and post-absolutist, rights-based politics.
The Animal Claim: Sensibility and the Creaturely Voice
by Tobias MenelyDuring the eighteenth century, some of the most popular British poetry showed a responsiveness to animals that anticipated the later language of animal rights. Such poems were widely cited in later years by legislators advocating animal welfare laws like Martin’s Act of 1822, which provided protections for livestock. In The Animal Claim, Tobias Menely links this poetics of sensibility with Enlightenment political philosophy, the rise of the humanitarian public, and the fate of sentimentality, as well as longstanding theoretical questions about voice as a medium of communication. In the Restoration and eighteenth century, philosophers emphasized the role of sympathy in collective life and began regarding the passionate expression humans share with animals, rather than the spoken or written word, as the elemental medium of community. Menely shows how poetry came to represent this creaturely voice and, by virtue of this advocacy, facilitated the development of a viable discourse of animal rights in the emerging public sphere. Placing sensibility in dialogue with classical and early-modern antecedents as well as contemporary animal studies, The Animal Claim uncovers crucial connections between eighteenth-century poetry; theories of communication; and post-absolutist, rights-based politics.
The Animal Claim: Sensibility and the Creaturely Voice
by Tobias MenelyDuring the eighteenth century, some of the most popular British poetry showed a responsiveness to animals that anticipated the later language of animal rights. Such poems were widely cited in later years by legislators advocating animal welfare laws like Martin’s Act of 1822, which provided protections for livestock. In The Animal Claim, Tobias Menely links this poetics of sensibility with Enlightenment political philosophy, the rise of the humanitarian public, and the fate of sentimentality, as well as longstanding theoretical questions about voice as a medium of communication. In the Restoration and eighteenth century, philosophers emphasized the role of sympathy in collective life and began regarding the passionate expression humans share with animals, rather than the spoken or written word, as the elemental medium of community. Menely shows how poetry came to represent this creaturely voice and, by virtue of this advocacy, facilitated the development of a viable discourse of animal rights in the emerging public sphere. Placing sensibility in dialogue with classical and early-modern antecedents as well as contemporary animal studies, The Animal Claim uncovers crucial connections between eighteenth-century poetry; theories of communication; and post-absolutist, rights-based politics.
The Animal Claim: Sensibility and the Creaturely Voice
by Tobias MenelyDuring the eighteenth century, some of the most popular British poetry showed a responsiveness to animals that anticipated the later language of animal rights. Such poems were widely cited in later years by legislators advocating animal welfare laws like Martin’s Act of 1822, which provided protections for livestock. In The Animal Claim, Tobias Menely links this poetics of sensibility with Enlightenment political philosophy, the rise of the humanitarian public, and the fate of sentimentality, as well as longstanding theoretical questions about voice as a medium of communication. In the Restoration and eighteenth century, philosophers emphasized the role of sympathy in collective life and began regarding the passionate expression humans share with animals, rather than the spoken or written word, as the elemental medium of community. Menely shows how poetry came to represent this creaturely voice and, by virtue of this advocacy, facilitated the development of a viable discourse of animal rights in the emerging public sphere. Placing sensibility in dialogue with classical and early-modern antecedents as well as contemporary animal studies, The Animal Claim uncovers crucial connections between eighteenth-century poetry; theories of communication; and post-absolutist, rights-based politics.
The Animal Claim: Sensibility and the Creaturely Voice
by Tobias MenelyDuring the eighteenth century, some of the most popular British poetry showed a responsiveness to animals that anticipated the later language of animal rights. Such poems were widely cited in later years by legislators advocating animal welfare laws like Martin’s Act of 1822, which provided protections for livestock. In The Animal Claim, Tobias Menely links this poetics of sensibility with Enlightenment political philosophy, the rise of the humanitarian public, and the fate of sentimentality, as well as longstanding theoretical questions about voice as a medium of communication. In the Restoration and eighteenth century, philosophers emphasized the role of sympathy in collective life and began regarding the passionate expression humans share with animals, rather than the spoken or written word, as the elemental medium of community. Menely shows how poetry came to represent this creaturely voice and, by virtue of this advocacy, facilitated the development of a viable discourse of animal rights in the emerging public sphere. Placing sensibility in dialogue with classical and early-modern antecedents as well as contemporary animal studies, The Animal Claim uncovers crucial connections between eighteenth-century poetry; theories of communication; and post-absolutist, rights-based politics.
Animal Fairm: Illustratit Edition (York Notes Ser.)
by Thomas ClarkAW ANIMALS ARE EQUAL BUT SOME ANIMALS ARE MAIR EQUAL THAN ITHERSIt didnae seem unco when Napoleon wis seen daunderin aboot the fairmhoose gairden wi a pipe in his mooth...Frae the instant o its first publication ower seeventy year syne, Animal Fairm, in mony weys, has come tae be oor socio-political urtext – oor wan-singer-wan-sang, oor collective pairty piece, the script we’re doomed tae keep repeatin...George Orwell’s faur-kent novel Animal Fairm, yin o Time magazine’s 100 brawest English-leid novels o aw time, has been translatit intae Scots for the verra first time by Thomas Clark. When the animals o Manor Fairm cast aff thirldom an tak control frae Mr Jones, they hae howps for a life o freedom an equality. But when the pigs Napoleon and Snawbaw rise tae pouer, the ither animals find oot that they’re mebbe no aw as equal as they’d aince thocht. A tragic political allegory described by Orwell as bein ‘the history o a revolution that went wrang’, this buik is as relevant noo – if no mair sae – as when it wis first set oot.
Animal Farm: New Edition of Orwell's Brilliant Political Satire (York Notes Ser.)
by George Orwell‘All animals are equal. But some animals are more equal than others.’Mr Jones of Manor Farm is so lazy and drunken that one day he forgets to feed his livestock. The ensuing rebellion under the leadership of the pigs Napoleon and Snowball leads to the animals taking over the farm. Vowing to eliminate the terrible inequities of the farmyard, the renamed Animal Farm is organised to benefit all who walk on four legs. But as time passes, the ideals of the rebellion are corrupted, then forgotten. And something new and unexpected emerges . . .First published in 1945, Animal Farm – the history of a revolution that went wrong – is George Orwell’s brilliant satire on the corrupting influence of power.
Animal Theory: A Critical Introduction
by Derek RyanFrom caged orangutans to roasted pig, from dog training to horse phobias, from communicating bees to ruminating cows, Derek Ryan explores how animals are encountered in theoretical discourse. Across four thematically organised chapters on ‘Animals as Humans’, ‘Animal Ontology’, ‘Animal Life’ and ‘Animal Ethics’ he offers extended discussions of Nietzsche, Freud, Lacan, Heidegger, Merleau-Ponty, Derrida, Deleuze, Singer, Nussbaum, Adams and Haraway among others, as well as lively readings of contemporary literary texts by Carter, Coetzee, Auster and Foer. Intended as a resource for researchers, students, teachers and all those interested in human-animal relationships, Animal Theory: A Critical Introduction provides an accessible and authoritative account of the challenges and potential in thinking about and with animals.
Animal Theory: A Critical Introduction (Edinburgh University Press)
by Derek RyanFrom caged orangutans to roasted pig, from dog training to horse phobias, from communicating bees to ruminating cows, Derek Ryan explores how animals are encountered in theoretical discourse. Across four thematically organised chapters on ‘Animals as Humans’, ‘Animal Ontology’, ‘Animal Life’ and ‘Animal Ethics’ he offers extended discussions of Nietzsche, Freud, Lacan, Heidegger, Merleau-Ponty, Derrida, Deleuze, Singer, Nussbaum, Adams and Haraway among others, as well as lively readings of contemporary literary texts by Carter, Coetzee, Auster and Foer. Intended as a resource for researchers, students, teachers and all those interested in human-animal relationships, Animal Theory: A Critical Introduction provides an accessible and authoritative account of the challenges and potential in thinking about and with animals.
Animality and Children's Literature and Film (Critical Approaches to Children's Literature)
by A. RatelleExamining culturally significant works of children's culture through a posthumanist, or animality studies lens, Animality and Children's Literature and Film argues that Western philosophy's objective to establish a notion of an exclusively human subjectivity is continually countered in the very texts that ostensibly work to this end.
Animals (Oberon Modern Plays)
by Emma Adams‘I want shocks! I’ve heard they are fun and a lot of blood rushes to your head.’ 77-year-old Norma is having a tricky day. She can’t finish the crossword and Joy keeps stealing her recliner. Not to mention Helen next door has twisted her ankle falling from a weather balloon, they’ve run out of Class A drugs and the Utility Inspector just popped round to see if it’s time for her involuntary euthanasia... Animals is a wicked satire set in a world where everyone over 60 is tossed on the scrapheap, children are hothoused, and being a ‘burden on society’ is the ultimate crime.
Animals in Irish Literature and Culture (Palgrave Studies in Animals and Literature)
by Kathryn Kirkpatrick Borbála FaragóAnimals in Irish Literature and Culture spans the early modern period to the present, exploring colonial, post-colonial, and globalized manifestations of Ireland as country and state as well as the human animal and non-human animal migrations that challenge a variety of literal and cultural borders.