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The Orientation of Future Cinema: Technology, Aesthetics, Spectacle
by Bruce IsaacsWhat is the fate of cinema in an age of new technologies, new aesthetic styles, new modes of cultural production and consumption? What becomes of cinema and a century-long history of the moving image when the theatre is outmoded as a social and aesthetic space, as celluloid gives over to digital technology, as the art-house and multiplex are overtaken by a proliferation of home entertainment systems? The Orientation of Future Cinema offers an ambitious and compelling argument for the continued life of cinema as image, narrative and experience. Commencing with Lumière's Arrival of a Train at a Station, Bruce Isaacs confronts the threat of contemporary digital technologies and processes by returning to cinema's complex history as a technological and industrial phenomenon. The technology of moving images has profoundly changed; and yet cinema materialises ever more forcefully in digital capture and augmentation, 3-D perception and affect, High Frame Rate cinema, and the evolution of spectacle as the dominant aesthetic mode in contemporary studio production.
Our Story: Union J 100% Official
by Union JJoin Union J as they embark on their journey to become THE next big boyband in Our Story!Only a few months ago Union J were just average guys, dreaming of performing on the X Factor stage, making music and having legions of fans screaming their names. And now that dream has become a reality.Follow Union J's unique journey from ordinary boys to stars as one of the most popular acts on X Factor 2012, in their first official memoir. Packed full of exclusive photos, behind-the-scenes gossip and the individual stories of JJ, Jaymi, Josh and George, Union J's Our Story is the book is a must-have for all J-Cats!Union J shot to stardom after reaching the X Factor finals in 2012. Jaymi, Josh and JJ had originally auditioned as a three piece called Triple J, but Louis selected soloist George to join the group, recognising their potential as a four. They have since played to sold out arenas around the country on the X Factor tour, signed a record deal with Sony Music and recorded their first single to be released in June 2013.
Palimpsestic Memory: The Holocaust and Colonialism in French and Francophone Fiction and Film
by Max SilvermanThe interconnections between histories and memories of the Holocaust, colonialism and extreme violence in post-war French and Francophone fiction and film provide the central focus of this book. It proposes a new model of ‘palimpsestic memory’, which the author defines as the condensation of different spatio-temporal traces, to describe these interconnections and defines the poetics and the politics of this composite form. In doing so it is argued that a poetics dependent on tropes and techniques, such as metaphor, allegory and montage, establishes connections across space and time which oblige us to perceive cultural memory not in terms of its singular attachment to a particular event or bound to specific ethno-cultural or national communities but as a dynamic process of transfer between different moments of racialized violence and between different cultural communities. The structure of the book allows for both the theoretical elaboration of this paradigm for cultural memory and individual case-studies of novels and films.
Pan's Labyrinth (BFI Film Classics)
by Mar Diestro-DópidoGuillermo del Toro's cult masterpiece, Pan's Labyrinth (2006), won a total of 76 awards and is one of the most commercially successful Spanish-language films ever made. Blending the world of monstrous fairytales with the actual horrors of post-Civil War Spain, the film's commingling of real and fantasy worlds speaks profoundly to our times.Immersing herself in the nightmarish world that del Toro has so minutely orchestrated, Mar Diestro-Dópido explores the cultural and historical contexts surrounding the film. Examining del Toro's ground-breaking use of mythology, and how the film addresses ideas of memory and forgetting, she highlights the techniques, themes and cultural references that combine in Pan's Labyrinth to spawn an uncontainable plurality of meanings, which only multiply on contact with the viewer.This special edition features an exclusive interview with del Toro and original cover artwork by Santiago Caruso.
Performance and the Global City (Performance Interventions)
by D. J. Hopkins Kim SolgaWinner of the Association for Theatre in Higher Education Excellence in Editing Award 2016 Following the ground-breaking Performance and the City, this new volume explores what it means to create and experience urban performance – as both an aesthetic and a political practice – in the burgeoning world where cities are built by globalization and neoliberal capital.
Performance, Politics and Activism (Studies in International Performance)
by Peter Lichtenfels and John RouseConsidering both making political performance and making performance politically, this collection explores engagements of political resistance, public practice and performance media, on various scales of production within structures of neoliberal and liberal government and power.
Performance, Space, Utopia: Cities of War, Cities of Exile (Studies in International Performance)
by S. JestrovicOver 20 years after the war in Yugoslavia, this book looks back at its two most iconic cities and the phenomenon of exile emerging as a consequence of living in them in the 1990s. It uses examples ranging from street interventions to theatre performances to explore the making of urban counter-sites through theatricality and utopian performatives.
Performance Studies: An Introduction (PDF)
by Richard SchechnerThe publication of Performance Studies: An Introduction was a defining moment for the field. Richard Schechner's pioneering textbook provides a lively and accessible overview of the full range of performance for undergraduates at all levels and beginning graduate students in performance studies, theatre, performing arts, and cultural studies. Among the topics discussed are the performing arts and popular entertainments, rituals, play and games, and the performances of everyday life. Supporting examples and ideas are drawn from the social sciences, performing arts, poststructuralism, ritual theory, ethology, philosophy, and aesthetics. This third edition is accompanied by an all-new companion website curated by a dedicated media editor, with the following resources for instructors and students: Interactive glossary Multiple choice questions Powerpoint Slides. Videos Website links for further study Tutorials on specific skills within Performance Studies Sample Discussion Questions Exercises and Activities Sample Syllabi The book itself has also been revised, with 25 new extracts and biographies, up-to-date coverage of global and intercultural performances, and further exploration of the growing international presence of Performance Studies as a discipline. Performance Studiesis the definitive overview for undergraduates, with primary extracts, student activities, key biographies and over 200 images of global performance.
Performance Studies: An Introduction
by Richard SchechnerThe publication of Performance Studies: An Introduction was a defining moment for the field. Richard Schechner's pioneering textbook provides a lively and accessible overview of the full range of performance for undergraduates at all levels and beginning graduate students in performance studies, theatre, performing arts, and cultural studies. Among the topics discussed are the performing arts and popular entertainments, rituals, play and games, and the performances of everyday life. Supporting examples and ideas are drawn from the social sciences, performing arts, poststructuralism, ritual theory, ethology, philosophy, and aesthetics. This third edition is accompanied by an all-new companion website curated by a dedicated media editor, with the following resources for instructors and students: Interactive glossary Multiple choice questions Powerpoint Slides. Videos Website links for further study Tutorials on specific skills within Performance Studies Sample Discussion Questions Exercises and Activities Sample Syllabi The book itself has also been revised, with 25 new extracts and biographies, up-to-date coverage of global and intercultural performances, and further exploration of the growing international presence of Performance Studies as a discipline. Performance Studies is the definitive overview for undergraduates, with primary extracts, student activities, key biographies and over 200 images of global performance.
Performance Studies: An Introduction
by Richard SchechnerThe publication of Performance Studies: An Introduction was a defining moment for the field. Richard Schechner's pioneering textbook provides a lively and accessible overview of the full range of performance for undergraduates at all levels and beginning graduate students in performance studies, theatre, performing arts, and cultural studies. Among the topics discussed are the performing arts and popular entertainments, rituals, play and games, and the performances of everyday life. Supporting examples and ideas are drawn from the social sciences, performing arts, poststructuralism, ritual theory, ethology, philosophy, and aesthetics. This third edition is accompanied by an all-new companion website curated by a dedicated media editor, with the following resources for instructors and students: Interactive glossary Multiple choice questions Powerpoint Slides. Videos Website links for further study Tutorials on specific skills within Performance Studies Sample Discussion Questions Exercises and Activities Sample Syllabi The book itself has also been revised, with 25 new extracts and biographies, up-to-date coverage of global and intercultural performances, and further exploration of the growing international presence of Performance Studies as a discipline. Performance Studies is the definitive overview for undergraduates, with primary extracts, student activities, key biographies and over 200 images of global performance.
Performativity and Event in 1960s Japan: City, Body, Memory
by P. EckersallPerformativity and Event in 1960s Japan considers the artists and events in 1960s Japan. In response to the social upheavals of the 1960s, it shows how art interacted with society in unique and transformational ways, nterweaving arguments about the critical role of performance as an artistic medium and as a social dramaturgy.
Performing Arts and Therapeutic Implications
by Tanvi Bajaj Swasti Shrimali VohraPresenting an alternative perspective, this book proposes that performing arts forge an emotional bond between the performer and the audience, making the act of performance a therapeutic and restorative experience, and not merely recreational. Studying the life-experiences of six artists, and their unique engagement with three art forms — music, drama and dance — the book highlights the physical, emotional, mental, and spiritual effects of performing arts both on the performers and the audience. More importantly, it takes the current understanding of the therapeutic role of arts beyond a deficit model of health that focuses on their use in curing illnesses, disabilities and imbalances, towards a more positive growth-centric model that relates them to promoting holistic mental health, well-being and happiness. It thus bridges the gap between the theoretical understanding of creative arts therapy and the practical experience of performing arts in non-therapeutic settings. Further, it assumes increasing relevance with respect to fast-changing lifestyles to which stress and ill-health are often attributed. The book will appeal to artists, educators and researchers of performing arts, applied psychology, counselling and therapy, and cultural studies, as well as interested general readers.
Performing Arts and Therapeutic Implications
by Tanvi Bajaj Swasti Shrimali VohraPresenting an alternative perspective, this book proposes that performing arts forge an emotional bond between the performer and the audience, making the act of performance a therapeutic and restorative experience, and not merely recreational. Studying the life-experiences of six artists, and their unique engagement with three art forms — music, drama and dance — the book highlights the physical, emotional, mental, and spiritual effects of performing arts both on the performers and the audience. More importantly, it takes the current understanding of the therapeutic role of arts beyond a deficit model of health that focuses on their use in curing illnesses, disabilities and imbalances, towards a more positive growth-centric model that relates them to promoting holistic mental health, well-being and happiness. It thus bridges the gap between the theoretical understanding of creative arts therapy and the practical experience of performing arts in non-therapeutic settings. Further, it assumes increasing relevance with respect to fast-changing lifestyles to which stress and ill-health are often attributed. The book will appeal to artists, educators and researchers of performing arts, applied psychology, counselling and therapy, and cultural studies, as well as interested general readers.
Performing Authorship: Self-Inscription and Corporeality in the Cinema (World Cinema)
by Cecilia SayadThe figure of the auteur continues to haunt the study of film, resisting both the poststructuralist charges that pointed to its absence and the histories of production that have described its pitfalls. In an era defined by the instability of identities and the recycling of works, Performing Authorship offers a refreshingly new take on the cinematic auteur, proposing that the challenges that once accelerated this figure's critical demise should instead pump new life into it. This book is about the drama of creative processes in essay, documentary and fiction films, with particular emphasis on the effects that the filmmaker's body exerts on our sense of an authorial presence. It is an illuminating analysis of films by Jean-Luc Godard, Woody Allen, Agnès Varda, Orson Welles, Jean Rouch, Eduardo Coutinho and Sarah Turner that shows directors shifting between opposite movements towards exposure and masking, oscillating between the assertion and divestiture of their authorial control. In the process, Cecilia Sayad argues, the film author is not necessarily at the work's origin, nor does it constitute the end product. What this new concept of performing authorship describes is the making and unmaking of a subject.
Performing European Memories: Trauma, Ethics, Politics (Studies in International Performance)
by Milija GluhovicAsking whether a genuinely shared European memory is possible while addressing the dangers of a single, homogenized European memory, Gluhovic examines the contradictions, specificities, continuities and discontinuities in the European shared and unshared pasts as represented in the works of Pinter, Tadeusz Kantor, Heiner Muller and Artur Zmijewski.
Performing Hybridity in Colonial-Modern China (Palgrave Studies in Theatre and Performance History)
by S. LiuIn Shanghai in the early twentieth century, a hybrid theatrical form, wenmingxi, emerged that was based on Western spoken theatre, classical Chinese theatre, and a Japanese hybrid form known as shinpa. This book places it in the context of its hybridized literary and performance elements, giving it a definitive place in modern Chinese theatre.
Performing Live Comedy
by Chris RitchieComedy is a global multibillion dollar industry and it is also one of the easiest ones to get into. Performing Live Comedy is for anyone who has ever thought about getting up onstage and being funny or for those who have already started. It offers a breakdown of the process of live comedy and provides a basic toolbox for the student and aspirant comedian, covering all aspects of live comedy such as stand-up, music, double acts, ventriloquists and magicians. Gender, sexuality, ethnicity and disability are also covered in this book as well as ethical considerations on what we should or should not joke about. The book breaks down the entire process of live comedy from writing a simple one-liner to creating a complete act, from organising an open spot at the local comedy club to getting into the Edinburgh Festival and running your own venue. Performing Live Comedy is full of advice and original interviews with comedians and writers currently involved in the comedy industry such as Rob Grant (Red Dwarf), Shazia Merza, Henning Wehn, Ed Aczel, Paul Zerdin and Lucy Greaves.
Performing Queer Latinidad: Dance, Sexuality, Politics (Triangulations: Lesbian/Gay/Queer Theater/Drama/Performance)
by Ramon Rivera-ServeraPerforming Queer Latinidad highlights the critical role that performance played in the development of Latina/o queer public culture in the United States during the 1990s and early 2000s, a period when the size and influence of the Latina/o population was increasing alongside a growing scrutiny of the public spaces where latinidad could circulate. Performances---from concert dance and street protest to the choreographic strategies deployed by dancers at nightclubs---served as critical meeting points and practices through which LGBT and other nonnormative sex practitioners of Latin American descent (individuals with greatly differing cultures, histories of migration or annexation to the United States, and contemporary living conditions) encountered each other and forged social, cultural, and political bonds. At a time when latinidad ascended to the national public sphere in mainstream commercial and political venues and Latina/o public space was increasingly threatened by the redevelopment of urban centers and a revived anti-immigrant campaign, queer Latinas/os in places such as the Bronx, San Antonio, Austin, Phoenix, and Rochester, NY, returned to performance to claim spaces and ways of being that allowed their queerness and latinidad to coexist. These social events of performance and their attendant aesthetic communication strategies served as critical sites and tactics for creating and sustaining queer latinidad.
Performing Religion in Public
by Claire Maria Chambers, Simon W. du Toit and Joshua EdelmanReligious life and public life are both passionately performed, but often understood to exclude one another. This book's array of voices investigates the publics hailed by religious performances and the challenges they offer to theories of the democratic public sphere.
Philosophy Goes to the Movies: An Introduction to Philosophy
by Christopher FalzonNow emulated in several competing publications, but still unsurpassed in clarity and insight, Philosophy Goes to the Movies: An Introduction to Philosophy, Third Edition builds on the approach that made the two earlier editions so successful. Drawing on many popular and some lesser known films from around the world, Christopher Falzon introduces students to key areas in philosophy, like: • Ethics • Social and Political Philosophy • The Theory of Knowledge • The Self and Personal Identity • Critical Thinking Perfect for beginners, this book guides the reader through philosophy using illuminating cinematic works, like Avatar, Inception, Fight Club, Wings of Desire, Run Lola Run, A Clockwork Orange, Blade Runner, Dirty Harry and many other films. The fully revised and updated Third Edition features: an expanded introduction that provides a new discussion of the relationship between film and philosophy; new material on notable philosophers such as Aristotle, Merleau-Ponty and Rawls; and coverage of new topics like virtue ethics and what Socrates offers for critical thinking. An updated glossary, references and bibliography, and a filmography, are also included in the Third Edition.
Philosophy Goes to the Movies: An Introduction to Philosophy
by Christopher FalzonNow emulated in several competing publications, but still unsurpassed in clarity and insight, Philosophy Goes to the Movies: An Introduction to Philosophy, Third Edition builds on the approach that made the two earlier editions so successful. Drawing on many popular and some lesser known films from around the world, Christopher Falzon introduces students to key areas in philosophy, like: • Ethics • Social and Political Philosophy • The Theory of Knowledge • The Self and Personal Identity • Critical Thinking Perfect for beginners, this book guides the reader through philosophy using illuminating cinematic works, like Avatar, Inception, Fight Club, Wings of Desire, Run Lola Run, A Clockwork Orange, Blade Runner, Dirty Harry and many other films. The fully revised and updated Third Edition features: an expanded introduction that provides a new discussion of the relationship between film and philosophy; new material on notable philosophers such as Aristotle, Merleau-Ponty and Rawls; and coverage of new topics like virtue ethics and what Socrates offers for critical thinking. An updated glossary, references and bibliography, and a filmography, are also included in the Third Edition.
A Place at the Table: The Crisis of 49 Million Hungry Americans and How to Solve It
by Participant MediaForty-nine million people-including one in four children-go hungry in the U.S. every day, despite our having the means to provide nutritious, affordable food for all. Inspired by the acclaimed documentary A Place at the Table, this companion book offers powerful insights from those at the front lines of solving hunger in America, including:Jeff Bridges, Academy Award-winning actor, cofounder of the End Hunger Network, and spokesperson for the No Kid Hungry Campaign, on raising awareness about hungerKen Cook, president of Environmental Working Group, unravels the inequities in the Farm Bill and shows how they affect America's hunger crisisMarion Nestle, nutritionist and acclaimed critic of the food industry, whose latest work tracks the explosion of calories in today's "Eat More” environmentBill Shore, Joel Berg, and Robert Egger, widely-published anti-hunger activists, suggest bold and diverse strategies for solving the crisisJanet Poppendieck, sociologist, bestselling author, and well-known historian of poverty and hunger in America, argues the case for school lunch reformJennifer Harris, of Yale University's Rudd Center for Food Policy and Obesity, uncovers the new hidden persuaders of web food advertisersDavid Beckmann, head of Bread for the World, and Sarah Newman, researcher on A Place at the Table, explore the intersection of faith and feeding the hungryMariana Chilton, director of Drexel University's Center for Hunger-Free Communities, discusses the health impacts of hunger and the groundbreaking Witnesses to Hunger projectTom Colicchio, chef and executive producer of television's Top Chef, presents his down-to-earth case to Washington for increases in child nutrition programsAndy Fisher, veteran activist in community food projects, argues persuasively why we have to move beyond the charity-based emergency feeding programKelly Meyer, cofounder of Teaching Gardens, illuminates the path to educating, and providing healthy food for, all childrenKristi Jacobson and Lori Silverbush, the film's directors/producers, tell their personal stories of how and why they came to make the documentaryHunger and food insecurity pose a deep threat to our nation. A Place at the Table shows they can be solved once and for all, if the American public decides-as they have in the past-that making healthy food available, and affordable, is in the best interest of us all.
The Political Economy of Television Sports Rights (Palgrave Global Media Policy and Business)
by T. Evens P. Iosifidis P. SmithSport on television is big business, but it is about more than just commerce. Using a range of national case studies from Europe and beyond, this book analyses the political, economic, social and regulatory issues raised in relation to the buying and selling of television sports rights.
Politics as Form in Lars von Trier: A Post-Brechtian Reading
by Angelos KoutsourakisThis is the first study that employs a materialist framework to discuss the political implications of form in the films of Lars von Trier. Focusing mainly on early films, Politics as Form in Lars von Trier identifies recurring formal elements in von Trier's oeuvre and discusses the formal complexity of his films under the rubric of the post-Brechtian. Through an in depth formal analysis, the book shows that Brecht is more important to von Trier's work than most critics acknowledge and deems von Trier a dialectical filmmaker. This study draws on many untranslated resources and features interviews with Lars von Trier and his mentor, the great Danish director Jørgen Leth.
Politics as Form in Lars von Trier: A Post-Brechtian Reading
by Angelos KoutsourakisThis is the first study that employs a materialist framework to discuss the political implications of form in the films of Lars von Trier. Focusing mainly on early films, Politics as Form in Lars von Trier identifies recurring formal elements in von Trier's oeuvre and discusses the formal complexity of his films under the rubric of the post-Brechtian. Through an in depth formal analysis, the book shows that Brecht is more important to von Trier's work than most critics acknowledge and deems von Trier a dialectical filmmaker. This study draws on many untranslated resources and features interviews with Lars von Trier and his mentor, the great Danish director Jørgen Leth.