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20 Seasons: Broadway Musicals of the 21st Century
by Amy S. Osatinski20 Seasons: Broadway Musicals of the 21st Century catalogues, categorizes, and analyzes the 269 musicals that opened on Broadway from the 2000-2001 season through the 2019-2020 season. This book is the first to comprehensively examine the musicals that premiered on Broadway during this important historical period, which was bookended by the 9/11 terrorist attacks on one end and the Coronavirus pandemic on the other. It begins by exploring the historical context for the first 20 years of the 21st century and how this impacted American culture and theatre. Rather than chronologically, the musicals are then organized into categories based on their source material and whether they were original musicals or revivals, painting a detailed picture of the Broadway musical in first 20 years of the 21st century. Jukebox musicals, screen-to-stage musicals, revivals, and other original musicals are all covered, and each chapter ends with reading guides and discussion prompts. The book not only discusses what was produced, but by whom, uncovering the stark lack of representation for women and artists of color on Broadway musical creative and design teams. Additionally, the last chapter discusses the COVID-19 pandemic, the Broadway shutdown, and what happened to the Broadway musical during the shutdown, including the response to the Black Lives Matter movement in the summer of 2020. 20 Seasons: Broadway Musicals of the 21st Century will appeal to fans and scholars of musical theatre, as well as students of Musical Theatre, Musical Theatre History, American Studies, and Pop Culture Studies.
20 Seasons: Broadway Musicals of the 21st Century
by Amy S. Osatinski20 Seasons: Broadway Musicals of the 21st Century catalogues, categorizes, and analyzes the 269 musicals that opened on Broadway from the 2000-2001 season through the 2019-2020 season. This book is the first to comprehensively examine the musicals that premiered on Broadway during this important historical period, which was bookended by the 9/11 terrorist attacks on one end and the Coronavirus pandemic on the other. It begins by exploring the historical context for the first 20 years of the 21st century and how this impacted American culture and theatre. Rather than chronologically, the musicals are then organized into categories based on their source material and whether they were original musicals or revivals, painting a detailed picture of the Broadway musical in first 20 years of the 21st century. Jukebox musicals, screen-to-stage musicals, revivals, and other original musicals are all covered, and each chapter ends with reading guides and discussion prompts. The book not only discusses what was produced, but by whom, uncovering the stark lack of representation for women and artists of color on Broadway musical creative and design teams. Additionally, the last chapter discusses the COVID-19 pandemic, the Broadway shutdown, and what happened to the Broadway musical during the shutdown, including the response to the Black Lives Matter movement in the summer of 2020. 20 Seasons: Broadway Musicals of the 21st Century will appeal to fans and scholars of musical theatre, as well as students of Musical Theatre, Musical Theatre History, American Studies, and Pop Culture Studies.
200 Plays for GCSE and A-Level Performance: A Drama Teacher's Guide
by Jason HanlanHow do I choose a play to perform with my students that meets the curriculum requirements and also interests my class? What can I introduce my students to that they might not already know? If you're asking these questions, this is the book for you!Written specifically for drama teachers, this is a quick, easy-to-use guide to finding and staging the best performance material for the whole range of student abilities and requirements for 15 - 18-year-olds.It suggests 200 plays suitable for students of all abilities and requirements, providing sound advice on selection and realisation, and opening up plays and playwrights you may have never known existed. Structured in 2 parts, Part 1 consists of 8 easy-to-read chapters, explaining how to get the most out of the resource. Part 2 is a vast resource listing 200 plays suitable for study/performance at GCSE and A Level. The details of each play are set out in an easy-to-navigate chart that offers introductory information on: PlayPlaywrightCasting numbersGender splitsAbilityGenre descriptionBrief SummaryExam levelWorkshop ideasWarnings/advice (where necessary)Suggested scenes for study Performance notes including lighting, sound, costume and space
200 Plays for GCSE and A-Level Performance: A Drama Teacher's Guide
by Jason HanlanHow do I choose a play to perform with my students that meets the curriculum requirements and also interests my class? What can I introduce my students to that they might not already know? If you're asking these questions, this is the book for you!Written specifically for drama teachers, this is a quick, easy-to-use guide to finding and staging the best performance material for the whole range of student abilities and requirements for 15 - 18-year-olds.It suggests 200 plays suitable for students of all abilities and requirements, providing sound advice on selection and realisation, and opening up plays and playwrights you may have never known existed. Structured in 2 parts, Part 1 consists of 8 easy-to-read chapters, explaining how to get the most out of the resource. Part 2 is a vast resource listing 200 plays suitable for study/performance at GCSE and A Level. The details of each play are set out in an easy-to-navigate chart that offers introductory information on: PlayPlaywrightCasting numbersGender splitsAbilityGenre descriptionBrief SummaryExam levelWorkshop ideasWarnings/advice (where necessary)Suggested scenes for study Performance notes including lighting, sound, costume and space
The 24 Hour Plays Viral Monologues: New Monologues Created During the Coronavirus Pandemic (Audition Speeches)
by The 24 Hour PlaysSince 1995 The 24 Hour Plays have been responding to theatre in the moment. As the 2020 Coronavirus pandemic brought an end to live theatre in the USA and Europe, the company sprang to work to keep the arts alive. Bringing together some of America's most prolific writers for the stage and screen, this unique and contemporary book of monologues collates the responses in dramatic fashion, making for an anthology of work that is timely, moving, irreverent and at its best, transcendent. Featuring original monologues by writers such as David Lindsay-Abaire, Clare Barron, Hansol Jung, Stephen Adly Guirgis, Christoper Oscar Peña, Jesse Eisenberg and Monique Moses this is a rich collection that can be enjoyed by actors, writers and those looking for creative responses to the global COVID-19 crisis. With over 50 monologues from the first three weeks of the project, edited by Howard Sherman, this is an important collection that documents an unprecedented moment in history whilst also offering practical resource for actors and performers.
The 24 Hour Plays Viral Monologues: New Monologues Created During the Coronavirus Pandemic (Audition Speeches)
by The 24 Hour PlaysSince 1995 The 24 Hour Plays have been responding to theatre in the moment. As the 2020 Coronavirus pandemic brought an end to live theatre in the USA and Europe, the company sprang to work to keep the arts alive. Bringing together some of America's most prolific writers for the stage and screen, this unique and contemporary book of monologues collates the responses in dramatic fashion, making for an anthology of work that is timely, moving, irreverent and at its best, transcendent. Featuring original monologues by writers such as David Lindsay-Abaire, Clare Barron, Hansol Jung, Stephen Adly Guirgis, Christoper Oscar Peña, Jesse Eisenberg and Monique Moses this is a rich collection that can be enjoyed by actors, writers and those looking for creative responses to the global COVID-19 crisis. With over 50 monologues from the first three weeks of the project, edited by Howard Sherman, this is an important collection that documents an unprecedented moment in history whilst also offering practical resource for actors and performers.
2401 Objects (Oberon Modern Plays)
by Hannah Barker Lewis Hetherington Liam Jarvis2011 Fringe First Award Winner‘Henry, are you awake?’Henry lives each day like the last. Exactly like the last. Every day, he tries to make sense of the world around him; the girl sitting on the lawn outside his window, the pages of a book filled with the same sentence, the 80 year old man looking at him in the mirror.In 2009 Patient H.M.’s brain is dissected live on the internet to a global audience of 400,000 people, cut into carefully preserved slices: manuscripts of tissue like the pages of a book.In 1953 Henry Molaison emerges from experimental brain surgery without any recollection of the last two years of his life or the ability to form new memories.In 1935 nine-year old Henry is knocked over by a bike, leaving him unconscious for five minutes.Following Analogue's critically acclaimed Mile End and Beachy Head and inspired by the world’s most important neuroscientific case-study, 2401 Objects tells the remarkable story of a man who could no longer remember, but who has proven impossible to forget.‘I defy anyone not be drawn into this deeply moving examination of life, death and memory.’ - Telegraph‘2401 Objects is a solid, well-researched piece of theatre that adds to Analogue's ever-growing canon of work.’ - Total Theatre Review‘Beautifully-sculpted... an understated and outstandingly gentle piece of theatre’ -The Scotsman
25 Plays from The Fire This Time Festival: A Decade of Recognition, Resistance, Resilience, Rebirth, and Black Theater
by Kelley Nicole GirodWhile the past decade proved to be some of the most tumultuous times in modern US history, the Black community has been resilient, opening up dialogues and sustaining advocacy. Nowhere has this been more apparent than at the Obie Award-winning The Fire This Time Festival in New York City. Since being founded in 2009, this theatre festival has become the destination for emerging and early career playwrights from the African diaspora. Inequality in education and healthcare, skewed and negative images of Black people in mainstream media, racism in policing, widespread gentrification and its effects on multi-generational Black neighbourhoods, and the growth of Black love; these conversations have been happening in the US, and The Fire This Time Festival has borne witness. 25 Plays from The Fire This Time Festival: A Decade of Recognition, Resistance, Resilience, Rebirth, and Black Theatre reflects this fantastic legacy, containing 25 ten-minute plays originally produced by the eponymous festival. Together, these pieces bookend the Black experience in the US from 2009 to the present day: from the hope for further progress and equity under the Obama administration, to the existential threat faced by Black people under the Trump presidency. Edited and curated by Kelley Nicole Girod, the anthology divides the plays into seven thematic sections concerning multi-faceted aspects of the Black experience, featuring work by seminal writers such as Katori Hall, Antoinette Nwandu, Dominique Morisseau, C.A. Johnson, and Marcus Gardley. Both timely and timeless, 25 Plays from The Fire This Time Festival presents an exciting, eclectic mix of twenty-first century theater that is perfect for study, performance, and reflection.
25 Plays from The Fire This Time Festival: A Decade of Recognition, Resistance, Resilience, Rebirth, and Black Theater
by Kelley Nicole GirodWhile the past decade proved to be some of the most tumultuous times in modern US history, the Black community has been resilient, opening up dialogues and sustaining advocacy. Nowhere has this been more apparent than at the Obie Award-winning The Fire This Time Festival in New York City. Since being founded in 2009, this theatre festival has become the destination for emerging and early career playwrights from the African diaspora. Inequality in education and healthcare, skewed and negative images of Black people in mainstream media, racism in policing, widespread gentrification and its effects on multi-generational Black neighbourhoods, and the growth of Black love; these conversations have been happening in the US, and The Fire This Time Festival has borne witness. 25 Plays from The Fire This Time Festival: A Decade of Recognition, Resistance, Resilience, Rebirth, and Black Theatre reflects this fantastic legacy, containing 25 ten-minute plays originally produced by the eponymous festival. Together, these pieces bookend the Black experience in the US from 2009 to the present day: from the hope for further progress and equity under the Obama administration, to the existential threat faced by Black people under the Trump presidency. Edited and curated by Kelley Nicole Girod, the anthology divides the plays into seven thematic sections concerning multi-faceted aspects of the Black experience, featuring work by seminal writers such as Katori Hall, Antoinette Nwandu, Dominique Morisseau, C.A. Johnson, and Marcus Gardley. Both timely and timeless, 25 Plays from The Fire This Time Festival presents an exciting, eclectic mix of twenty-first century theater that is perfect for study, performance, and reflection.
27 (Oberon Modern Plays)
by Abi MorganDr Richard Garfield has given Ursula a difficult choice. She is the Mother Superior in waiting of a convent that has been given the opportunity to take part in his revolutionary scientific study. This American study would require that the nuns donate their brains after death to potentially unlock the mysteries of Alzheimer’s and dementia. Ursula must weigh up the value of preserving her faith, versus embracing science. The study is agreed and Richard and his team come to the convent every year to test the nuns who are willing to take part. This union will change their lives forever. For Ursula, with the impending pressure of taking over the ailing convent, the study brings more challenges than she could ever have imagined and rocks her faith and her hitherto cloistered existence to its core. Drawing on research contained within the book and study Aging with Grace, 27 is an extraordinary examination of a lifestyle in decline, but it could hold the key to the issues of our times – our ageing population and the decline of our minds.‘An important play about the ageing mind, faith and science.’ – Vicky Featherstone, Artistic Director, National Theatre of Scotland‘A fearless study of doubt, loss and belief... spellbindingly good.’ – The Herald‘It's a masterful piece of new theatre, dense with ideas, jumping with funny lines.’ – Independent
30 Great Myths about Shakespeare
by Laurie Maguire Emma SmithThink you know Shakespeare? Think again . . . Was a real skull used in the first performance of Hamlet? Were Shakespeare's plays Elizabethan blockbusters? How much do we really know about the playwright's life? And what of his notorious relationship with his wife? Exploring and exploding 30 popular myths about the great playwright, this illuminating new book evaluates all the evidence to show how historical material—or its absence—can be interpreted and misinterpreted, and what this reveals about our own personal investment in the stories we tell.
30 Monologues and Duologues for South Asian Actors: Celebrating 30 Years of Kali Theatre's South Asian Women Playwrights (Audition Speeches)
by Kali TheatrePublished to celebrate the 30th anniversary year of Kali Theatre this is a brand new book of 30 monologues and duologues spoken by South Asian characters to be performed by actors from a South Asian/dual heritage background in auditions, workshops and acting classes.Drawn from, or adapted from the rich collection of full-length plays by women writers of South Asian descent that Kali Theatre have developed and presented over the past 30 years, this collection is a celebratory, revolutionary and necessary addition for actors and performers. From writers such as Rukhsana Ahmad and Nessah Muthy to new writers commissioned as part of Kali's SOLOS series curated during lock-down, this anthology captures a mix of powerful and original work. This vital collection features a concise history of Kali Theatre's origins and a full list of the plays that Kali Theatre has publicly presented over the past 30 years, making it a celebratory offering from one of the UK's most inspiring theatre companies.
30 Monologues and Duologues for South Asian Actors: Celebrating 30 Years of Kali Theatre's South Asian Women Playwrights (Audition Speeches)
by Kali TheatrePublished to celebrate the 30th anniversary year of Kali Theatre this is a brand new book of 30 monologues and duologues spoken by South Asian characters to be performed by actors from a South Asian/dual heritage background in auditions, workshops and acting classes.Drawn from, or adapted from the rich collection of full-length plays by women writers of South Asian descent that Kali Theatre have developed and presented over the past 30 years, this collection is a celebratory, revolutionary and necessary addition for actors and performers. From writers such as Rukhsana Ahmad and Nessah Muthy to new writers commissioned as part of Kali's SOLOS series curated during lock-down, this anthology captures a mix of powerful and original work. This vital collection features a concise history of Kali Theatre's origins and a full list of the plays that Kali Theatre has publicly presented over the past 30 years, making it a celebratory offering from one of the UK's most inspiring theatre companies.
The 306: Day (Oberon Modern Plays)
by Oliver Emanuel1917. The war across the channel rages on. In Russia, a revolution is turning the social order on its head. And at home in Britain, there are women fighting their own battle. Rents are rising. Food is scarce. And war work can be deadly. Inspired by real events and first-hand accounts, The 306: Day follows the lives of three ordinary women fighting to be heard above the clamour of World War 1.
The 306: Dawn (Oberon Modern Plays)
by Oliver Emanuel‘I don’t believe in heroes and cowards. Not in war. It’s only my opinion but I’ve been in it since the beginning.’ The 306: Dawn is a new piece of music theatre from the National Theatre of Scotland as part of 14-18 NOW, the UK’s arts programme for the First World War centenary. Based on real events, it charts the journey of three of the British soldiers who were executed for cowardice, desertion and mutiny during World War I (1914-18). Joseph Byers is too young to enlist but like so many at the time, lies about his age to join the other men at the front. However, his dreams of being a soldier are quickly destroyed by the brutal realities of trench warfare. Lance-Sergeant Willie Stones used his rifle to block the entrance to a trench during fierce fighting. Now Willie stands accused of casting away his arms in combat – an offence punishable by death. He thought he was protecting his men, but the top brass want to make an example of him to maintain discipline in the ranks. And Harry Farr is traumatised by the things he has seen at the Battle of the Somme. He has subsequently been convicted of cowardice and, as he waits to hear his fate, he dreams of his wife and hopes for a last minute reprieve. With a contemporary score performed live by the Red Note Ensemble, the play explores the vulnerability and devastation of the battlefields and the inner struggles of the men.
The 306: Dusk (Oberon Modern Plays)
by Oliver Emanuel2018. Armistice Day. A pregnant school teacher on a trip to the battlefields goes AWOL in a wood whilst on a personal mission of remembrance. An injured veteran of the Iraq war relives the nightmare of battle. A blindfolded soldier wakes up after 100 years to hear the birds singing once more…The 306: Dusk is a new piece of music theatre about memory and forgetting, friendship and betrayal, exploring what the Great War means to us today. From the 2-minute silence at 11am to dusk that same day, three disparate characters, a string quartet and a choir of voices from the past and present will show how our world is shaped by the war to end all wars.A National Theatre Scotland and Perth Theatre production, co-commissioned by 14-18 NOW. The 306: Dusk is co-commissioned with 14-18 NOW, the UK’s arts programme for the First World War centenary and is the concluding part of the 306 Trilogy, following 2016’s premiere The 306: Dawn, and last year’s performances of The 306: Day.Join the conversation: #The306
31 Hours (Oberon Modern Plays)
by Kieran KnowlesEvery 31 hours someone takes their own life by jumping in front of a train. They are ten times more likely to be male. 31 Hours is the story of four men who clean up after rail suicides. It is a story of four men at work. Four men at home. Four men dealing with their own lives. Their own problems. Dealing with them in their own way. On their own. Silently. It is a story of four men failing to talk. Filled with humour and humanity, it is a high-speed kaleidoscopic journey through masculinity, mental health and messy aftermaths in modern Britain.
360° Circus: Meaning. Practice. Culture (Routledge Advances in Theatre & Performance Studies)
by Franziska TrappThis collection aims to map a diversity of approaches to the artform by creating a 360° view on the circus. The three sections of the book, Aesthetics, Practice, Culture, approach aesthetic developments, issues of artistic practice, and the circus’ role within society. This book consists of a collection of articles from renowned circus researchers, junior researchers, and artists. It also provides the core statements and discussions of the conference UpSideDown—Circus and Space in a graphic recording format. Hence, it allows a clear entry into the field of circus research and emphasizes the diversity of approaches that are well balanced between theoretical and artistic point of views. This book will be of great interest to students and scholars of circus studies, emerging disciples of circus and performance.
360° Circus: Meaning. Practice. Culture (Routledge Advances in Theatre & Performance Studies)
This collection aims to map a diversity of approaches to the artform by creating a 360° view on the circus. The three sections of the book, Aesthetics, Practice, Culture, approach aesthetic developments, issues of artistic practice, and the circus’ role within society. This book consists of a collection of articles from renowned circus researchers, junior researchers, and artists. It also provides the core statements and discussions of the conference UpSideDown—Circus and Space in a graphic recording format. Hence, it allows a clear entry into the field of circus research and emphasizes the diversity of approaches that are well balanced between theoretical and artistic point of views. This book will be of great interest to students and scholars of circus studies, emerging disciples of circus and performance.
39 Microlectures: In Proximity of Performance
by Matthew Goulish'A series of accidents has brought you this book. You may think of it not as a book, but as a library, an elevator, an amateur performance in a nearby theatre. Open it to the table of contents. Turn to the page that sounds the most interesting to you. Read a sentence or two. Repeat the process. Read this book as a creative act, and feel encouraged.' 39 Microlectures: In Proximity of Performance is a collection of miniature stories, parables, musings and thinkpieces on the nature of reading, writing, art, collaboration, performance, life, death, the universe and everything. It is a unique and moving document for our times, full of curiosity and wonder, thoughtfulness and pain. Matthew Goulish, founder member of performance group Goat Island, meditates on these and other diverse themes, proving, along the way, that the boundaries between poetry and criticism, and between creativity and theory, are a lot less fixed than they may seem. The book is revelatory, solemn yet at times hilarious, and genuinely written to inspire - or perhaps provoke - creativity and thought.
39 Microlectures: In Proximity of Performance
by Matthew Goulish'A series of accidents has brought you this book. You may think of it not as a book, but as a library, an elevator, an amateur performance in a nearby theatre. Open it to the table of contents. Turn to the page that sounds the most interesting to you. Read a sentence or two. Repeat the process. Read this book as a creative act, and feel encouraged.' 39 Microlectures: In Proximity of Performance is a collection of miniature stories, parables, musings and thinkpieces on the nature of reading, writing, art, collaboration, performance, life, death, the universe and everything. It is a unique and moving document for our times, full of curiosity and wonder, thoughtfulness and pain. Matthew Goulish, founder member of performance group Goat Island, meditates on these and other diverse themes, proving, along the way, that the boundaries between poetry and criticism, and between creativity and theory, are a lot less fixed than they may seem. The book is revelatory, solemn yet at times hilarious, and genuinely written to inspire - or perhaps provoke - creativity and thought.
The 39 Steps Play Guide for AQA GCSE Drama (PDF)
by Annie FoxProvides structured support for the three Sections that are all part of Component 1: Understanding Drama in the specification: Section A Theatre Roles and Responsibilities. Section B Study of a Set Play Section C Understanding Drama - Live Theatre Production Fully supports the written examination and helps students develop their key knowledge and understanding of the set plays. Knowledge and understanding are developed alongside the key drama skills through a range of practical ideas and activities, tasks and exercises. Includes a dedicated section on how to improve exam and writing skills with a number of practice exam-style questions.
3D Printing Basics for Entertainment Design
by Anne E. McMillsAffordable 3D printers are rapidly becoming everyday additions to the desktops and worktables of entertainment design practitioners – whether working in theatre, theme parks, television and film, museum design, window displays, animatronics, or… you name it! We are beginning to ask important questions about these emerging practices: · How can we use 3D fabrication to make the design and production process more efficient? · How can it be used to create useful and creative items? · Can it save us from digging endlessly through thrift store shelves or from yet another late-night build? · And when budgets are tight, will it save us money? This quick start guide will help you navigate the alphabet soup that is 3D printing and begin to answer these questions for yourself. It outlines the basics of the technology, and its many uses in entertainment design. With straightforward and easy-to-follow information, you will learn ways to acquire printable 3D models, basic methods of creating your own, and tips along the way to produce successful prints. Over 70 professionals contributed images, guidance, and never-before-seen case studies filled with insider secrets to this book, including tutorials by designer and pioneer, Owen M. Collins.
3D Printing Basics for Entertainment Design
by Anne E. McMillsAffordable 3D printers are rapidly becoming everyday additions to the desktops and worktables of entertainment design practitioners – whether working in theatre, theme parks, television and film, museum design, window displays, animatronics, or… you name it! We are beginning to ask important questions about these emerging practices: · How can we use 3D fabrication to make the design and production process more efficient? · How can it be used to create useful and creative items? · Can it save us from digging endlessly through thrift store shelves or from yet another late-night build? · And when budgets are tight, will it save us money? This quick start guide will help you navigate the alphabet soup that is 3D printing and begin to answer these questions for yourself. It outlines the basics of the technology, and its many uses in entertainment design. With straightforward and easy-to-follow information, you will learn ways to acquire printable 3D models, basic methods of creating your own, and tips along the way to produce successful prints. Over 70 professionals contributed images, guidance, and never-before-seen case studies filled with insider secrets to this book, including tutorials by designer and pioneer, Owen M. Collins.
4.48 Psychosis (PDF)
by Sarah Kane Ken Urban4. 48 Psychosis sees the ultimate narrowing of Sarah Kane's focus in her work. The struggle of the self to remain intact has moved in her work from civil war, into the family, into the couple, into the individual, and finally into the theatre of phychosis: the mind itself. This play was written in 1999 shortly before the playwright took her own life at age 28. On the page, the piece looks like a poem. No characters are named, and even their number is unspecified. It could be a journey through one person's mind, or an interview between a doctor and his patient.