Naushad is by popular consent the greatest among our film music composers, having been active for 65 years! For twenty years during that period, he ruled the field: from Rattan in 1944, he was the standard against whom every other composer tried to match himself! He didn't have much to show by way of originality after Mughal e Azam (1961), though his music never became base : it was only that the stars for whom he composed declined, the public taste changed, he became trapped in his own image as the custodian of the classical mould in film sangeet. It is a measure of the great man that he steadily refused to succumb to the market pressure. His composing abilities were never in question, but he could not give 'hits" or tunes that would appeal.When he tried to adjust, he was pathetic.
Raju Bharatan is such an authority on Naushad and our film music, with so much first hand knowledge and information, a book from him on Naushad is likely to be the last word as an account of his professional life. But this book covers so much more: what the cine music filed was like from inside, how the composers were competing , how they were bad-mouthing Naushad in private, in spite of the show of public bonhomie, what devious games were played to corner awards and limelight, etc. The point is not the filmi world was so dirty; the point is that the composers created great music even in such atmosphere.
